Holdings: Semiotics :: THWS Bibkatalog

Semiotics: the science of signs

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Bibliographic Details
Main Authors:	Danesi, Marcel 1946- (Author), Santeramo, Donato (Author)
Format:	Book
Language:	English
Published:	Muenchen LINCOM GmbH 2021
Series:	LINCOM studies in semiotics 02
Subjects:	Semiotik Logik Sprachwissenschaft Lehrbuch
Online Access:	Inhaltsverzeichnis
Item Description:	Literaturverzeichnis Seite 210-223
Physical Description:	263 Seiten
ISBN:	9783862902262 3862902269

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MARC


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Record in the Search Index

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adam_text	CONTENTS INTRODUCTION ...........................................................................................................................5 1. BASIC PRINCIPLES AND NOTIONS ..........................................................................................7 PROLOGUE .................................................................................................................................... 7 HISTORICAL SKETCH ...................................................................................................................... 8 BASIC PRINCIPLES ..................................................................................................................... 11 MEANING .................................................................................................................................. 16 SEMIOSIS ..................................................................................................................................20 EPILOGUE ..................................................................................................................................25 2. THE SIGN ............................................................................................................................. 27 PROLOGUE .................................................................................................................................. 27 THE SAUSSUREAN MODEL ..........................................................................................................29 THE PEIRCEAN MODEL ...............................................................................................................32 OPPOSITION THEORY ................................................................................................................. 33 THE SEMANTIC DIFFERENTIAL ....................................................................................................38 MARKEDNESS ............................................................................................................................ 40 POST-STRUCTURALISM ................................................................................................................42 EPILOGUE .................................................................................................................................. 44 3. SIGN TYPES ........................................................................................................................47 PROLOGUE .................................................................................................................................. 47 ICONS ........................................................................................................................................48 INDEXES .................................................................................................................................... 53 SYMBOLS .................................................................................................................................. 56 NAMES .....................................................................................................................................57 SYMPTOMS AND SIGNALS .......................................................................................................... 61 EPILOGUE ................................................................................................................................... 63 4. TEXTS .................................................................................................................................... 66 PROLOGUE ................................................................................................................................... 66 TEXTUALITY ................................................................................................................................ 68 NARRATIVE TEXTS ....................................................................................................................... 71 THE BOOK ................................................................................................................................ 75 DIGITAL TEXTS ........................................................................................................................... 78 VISUAL TEXTS ............................................................................................................................80 EPILOGUE ................................................................................................................................... 87 5. CODES ................................................................................................................................... 89 PROLOGUE ................................................................................................................................... 89 CODE THEORY ........................................................................................................................... 90 THE LANGUAGE CODE ............................................................................................................... 92 NONVERBAL CODES ...................................................................................................................97 MATERIAL CULTURE CODES ........................................................................................................ 103 ARCHITECTURAL CODES .............................................................................................................. 107 EPILOGUE ................................................................................................................................. 113 6. CONCEPTUAL METAPHORS .................................................................................................. 116 PROLOGUE ................................................................................................................................. 116 BACKGROUND ............................................................................................................................ 117 CONCEPTUAL METAPHOR THEORY ............................................................................................. 122 IDEALIZED COGNITIVE MODELS ................................................................................................. 123 METONYMY AND IRONY ........................................................................................................... 126 BLENDING THEORY ................................................................................................................... 128 EPILOGUE ................................................................................................................................. 131 2 7. THE ARTS ..................................................................................................................... 135 PROLOGUE .......................................................................................................................... 135 ART .................................................................................................................................... 136 THE PERFORMING ARTS ...................................................................................................... 139 MUSIC ............................................................................................................................... 143 THE VISUAL ARTS .............................................................................................................. 145 CINEMA ............................................................................................................................ 147 EPILOGUE .......................................................................................................................... 152 8. THE MIND .................................................................................................................... 154 PROLOGUE .......................................................................................................................... 154 PHILOSOPHY ....................................................................................................................... 155 PSYCHOLOGY ...................................................................................................................... 157 NEUROSCIENCE ................................................................................................................... 161 EVOLUTIONARY PSYCHOLOGY .............................................................................................. 163 MEME THEOIY ................................................................................................................. 167 EPILOGUE .......................................................................................................................... 168 9. ARTIFICIAL MINDS ........................................................................................................ 170 PROLOGUE .......................................................................................................................... 170 ARTIFICIAL INTELLIGENCE ..................................................................................................... 172 THE SINGULARITY ............................................................................................................... 176 CYBERNETICS ...................................................................................................................... 179 POSTHUMANISM ................................................................................................................ 184 TRANSHUMANISM .............................................................................................................. 186 EPILOGUE .......................................................................................................................... 189 10. MEDIA ........................................................................................................................ 190 PROLOGUE .......................................................................................................................... 190 THE GLOBAL VILLAGE ......................................................................................................... 191 3 LAWS OF MEDIA ................................................................................................................ 193 FIGURE-GROUND ................................................................................................................ 200 ECONOMY AND EFFICIENCY ............................................................................................... 204 EPILOGUE .......................................................................................................................... 208 REFERENCES ...................................................................................................................... 210 BASIC GLOSSARY OF SEMIOTICS ........................................................................................ 224 INDEX ................................................................................................................................ 257 4
adam_txt	CONTENTS INTRODUCTION .5 1. BASIC PRINCIPLES AND NOTIONS .7 PROLOGUE . 7 HISTORICAL SKETCH . 8 BASIC PRINCIPLES . 11 MEANING . 16 SEMIOSIS .20 EPILOGUE .25 2. THE SIGN . 27 PROLOGUE . 27 THE SAUSSUREAN MODEL .29 THE PEIRCEAN MODEL .32 OPPOSITION THEORY . 33 THE SEMANTIC DIFFERENTIAL .38 MARKEDNESS . 40 POST-STRUCTURALISM .42 EPILOGUE . 44 3. SIGN TYPES .47 PROLOGUE . 47 ICONS .48 INDEXES . 53 SYMBOLS . 56 NAMES .57 SYMPTOMS AND SIGNALS . 61 EPILOGUE . 63 4. TEXTS . 66 PROLOGUE . 66 TEXTUALITY . 68 NARRATIVE TEXTS . 71 THE BOOK . 75 DIGITAL TEXTS . 78 VISUAL TEXTS .80 EPILOGUE . 87 5. CODES . 89 PROLOGUE . 89 CODE THEORY . 90 THE LANGUAGE CODE . 92 NONVERBAL CODES .97 MATERIAL CULTURE CODES . 103 ARCHITECTURAL CODES . 107 EPILOGUE . 113 6. CONCEPTUAL METAPHORS . 116 PROLOGUE . 116 BACKGROUND . 117 CONCEPTUAL METAPHOR THEORY . 122 IDEALIZED COGNITIVE MODELS . 123 METONYMY AND IRONY . 126 BLENDING THEORY . 128 EPILOGUE . 131 2 7. THE ARTS . 135 PROLOGUE . 135 ART . 136 THE PERFORMING ARTS . 139 MUSIC . 143 THE VISUAL ARTS . 145 CINEMA . 147 EPILOGUE . 152 8. THE MIND . 154 PROLOGUE . 154 PHILOSOPHY . 155 PSYCHOLOGY . 157 NEUROSCIENCE . 161 EVOLUTIONARY PSYCHOLOGY . 163 MEME THEOIY . 167 EPILOGUE . 168 9. ARTIFICIAL MINDS . 170 PROLOGUE . 170 ARTIFICIAL INTELLIGENCE . 172 THE SINGULARITY . 176 CYBERNETICS . 179 POSTHUMANISM . 184 TRANSHUMANISM . 186 EPILOGUE . 189 10. MEDIA . 190 PROLOGUE . 190 THE GLOBAL VILLAGE . 191 3 LAWS OF MEDIA . 193 FIGURE-GROUND . 200 ECONOMY AND EFFICIENCY . 204 EPILOGUE . 208 REFERENCES . 210 BASIC GLOSSARY OF SEMIOTICS . 224 INDEX . 257 4
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author	Danesi, Marcel 1946- Santeramo, Donato
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title	Semiotics the science of signs
title_auth	Semiotics the science of signs
title_exact_search	Semiotics the science of signs
title_exact_search_txtP	Semiotics the science of signs
title_full	Semiotics the science of signs Marcel Danesi & Donato Santeramo
title_fullStr	Semiotics the science of signs Marcel Danesi & Donato Santeramo
title_full_unstemmed	Semiotics the science of signs Marcel Danesi & Donato Santeramo
title_short	Semiotics
title_sort	semiotics the science of signs
title_sub	the science of signs
topic	Semiotik (DE-588)4054498-9 gnd
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