Semiotics: the science of signs
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Muenchen
LINCOM GmbH
2021
|
| Schriftenreihe: | LINCOM studies in semiotics
02 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 210-223 |
| Beschreibung: | 263 Seiten |
| ISBN: | 9783862902262 3862902269 |
Internformat
MARC
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| 500 | |a Literaturverzeichnis Seite 210-223 | ||
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Datensatz im Suchindex
| _version_ | 1804182460465938432 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION
...........................................................................................................................5
1.
BASIC
PRINCIPLES
AND
NOTIONS
..........................................................................................7
PROLOGUE
....................................................................................................................................
7
HISTORICAL
SKETCH
......................................................................................................................
8
BASIC
PRINCIPLES
.....................................................................................................................
11
MEANING
..................................................................................................................................
16
SEMIOSIS
..................................................................................................................................20
EPILOGUE
..................................................................................................................................25
2.
THE
SIGN
.............................................................................................................................
27
PROLOGUE
..................................................................................................................................
27
THE
SAUSSUREAN
MODEL
..........................................................................................................29
THE
PEIRCEAN
MODEL
...............................................................................................................32
OPPOSITION
THEORY
.................................................................................................................
33
THE
SEMANTIC
DIFFERENTIAL
....................................................................................................38
MARKEDNESS
............................................................................................................................
40
POST-STRUCTURALISM
................................................................................................................42
EPILOGUE
..................................................................................................................................
44
3.
SIGN
TYPES
........................................................................................................................47
PROLOGUE
..................................................................................................................................
47
ICONS
........................................................................................................................................48
INDEXES
....................................................................................................................................
53
SYMBOLS
..................................................................................................................................
56
NAMES
.....................................................................................................................................57
SYMPTOMS
AND
SIGNALS
..........................................................................................................
61
EPILOGUE
...................................................................................................................................
63
4.
TEXTS
....................................................................................................................................
66
PROLOGUE
...................................................................................................................................
66
TEXTUALITY
................................................................................................................................
68
NARRATIVE
TEXTS
.......................................................................................................................
71
THE
BOOK
................................................................................................................................
75
DIGITAL
TEXTS
...........................................................................................................................
78
VISUAL
TEXTS
............................................................................................................................80
EPILOGUE
...................................................................................................................................
87
5.
CODES
...................................................................................................................................
89
PROLOGUE
...................................................................................................................................
89
CODE
THEORY
...........................................................................................................................
90
THE
LANGUAGE
CODE
...............................................................................................................
92
NONVERBAL
CODES
...................................................................................................................97
MATERIAL
CULTURE
CODES
........................................................................................................
103
ARCHITECTURAL
CODES
..............................................................................................................
107
EPILOGUE
.................................................................................................................................
113
6.
CONCEPTUAL
METAPHORS
..................................................................................................
116
PROLOGUE
.................................................................................................................................
116
BACKGROUND
............................................................................................................................
117
CONCEPTUAL
METAPHOR
THEORY
.............................................................................................
122
IDEALIZED
COGNITIVE
MODELS
.................................................................................................
123
METONYMY
AND
IRONY
...........................................................................................................
126
BLENDING
THEORY
...................................................................................................................
128
EPILOGUE
.................................................................................................................................
131
2
7.
THE
ARTS
.....................................................................................................................
135
PROLOGUE
..........................................................................................................................
135
ART
....................................................................................................................................
136
THE
PERFORMING
ARTS
......................................................................................................
139
MUSIC
...............................................................................................................................
143
THE
VISUAL
ARTS
..............................................................................................................
145
CINEMA
............................................................................................................................
147
EPILOGUE
..........................................................................................................................
152
8.
THE
MIND
....................................................................................................................
154
PROLOGUE
..........................................................................................................................
154
PHILOSOPHY
.......................................................................................................................
155
PSYCHOLOGY
......................................................................................................................
157
NEUROSCIENCE
...................................................................................................................
161
EVOLUTIONARY
PSYCHOLOGY
..............................................................................................
163
MEME
THEOIY
.................................................................................................................
167
EPILOGUE
..........................................................................................................................
168
9.
ARTIFICIAL
MINDS
........................................................................................................
170
PROLOGUE
..........................................................................................................................
170
ARTIFICIAL
INTELLIGENCE
.....................................................................................................
172
THE
SINGULARITY
...............................................................................................................
176
CYBERNETICS
......................................................................................................................
179
POSTHUMANISM
................................................................................................................
184
TRANSHUMANISM
..............................................................................................................
186
EPILOGUE
..........................................................................................................................
189
10.
MEDIA
........................................................................................................................
190
PROLOGUE
..........................................................................................................................
190
THE
GLOBAL
VILLAGE
.........................................................................................................
191
3
LAWS
OF
MEDIA
................................................................................................................
193
FIGURE-GROUND
................................................................................................................
200
ECONOMY
AND
EFFICIENCY
...............................................................................................
204
EPILOGUE
..........................................................................................................................
208
REFERENCES
......................................................................................................................
210
BASIC
GLOSSARY
OF
SEMIOTICS
........................................................................................
224
INDEX
................................................................................................................................
257
4
|
| adam_txt |
CONTENTS
INTRODUCTION
.5
1.
BASIC
PRINCIPLES
AND
NOTIONS
.7
PROLOGUE
.
7
HISTORICAL
SKETCH
.
8
BASIC
PRINCIPLES
.
11
MEANING
.
16
SEMIOSIS
.20
EPILOGUE
.25
2.
THE
SIGN
.
27
PROLOGUE
.
27
THE
SAUSSUREAN
MODEL
.29
THE
PEIRCEAN
MODEL
.32
OPPOSITION
THEORY
.
33
THE
SEMANTIC
DIFFERENTIAL
.38
MARKEDNESS
.
40
POST-STRUCTURALISM
.42
EPILOGUE
.
44
3.
SIGN
TYPES
.47
PROLOGUE
.
47
ICONS
.48
INDEXES
.
53
SYMBOLS
.
56
NAMES
.57
SYMPTOMS
AND
SIGNALS
.
61
EPILOGUE
.
63
4.
TEXTS
.
66
PROLOGUE
.
66
TEXTUALITY
.
68
NARRATIVE
TEXTS
.
71
THE
BOOK
.
75
DIGITAL
TEXTS
.
78
VISUAL
TEXTS
.80
EPILOGUE
.
87
5.
CODES
.
89
PROLOGUE
.
89
CODE
THEORY
.
90
THE
LANGUAGE
CODE
.
92
NONVERBAL
CODES
.97
MATERIAL
CULTURE
CODES
.
103
ARCHITECTURAL
CODES
.
107
EPILOGUE
.
113
6.
CONCEPTUAL
METAPHORS
.
116
PROLOGUE
.
116
BACKGROUND
.
117
CONCEPTUAL
METAPHOR
THEORY
.
122
IDEALIZED
COGNITIVE
MODELS
.
123
METONYMY
AND
IRONY
.
126
BLENDING
THEORY
.
128
EPILOGUE
.
131
2
7.
THE
ARTS
.
135
PROLOGUE
.
135
ART
.
136
THE
PERFORMING
ARTS
.
139
MUSIC
.
143
THE
VISUAL
ARTS
.
145
CINEMA
.
147
EPILOGUE
.
152
8.
THE
MIND
.
154
PROLOGUE
.
154
PHILOSOPHY
.
155
PSYCHOLOGY
.
157
NEUROSCIENCE
.
161
EVOLUTIONARY
PSYCHOLOGY
.
163
MEME
THEOIY
.
167
EPILOGUE
.
168
9.
ARTIFICIAL
MINDS
.
170
PROLOGUE
.
170
ARTIFICIAL
INTELLIGENCE
.
172
THE
SINGULARITY
.
176
CYBERNETICS
.
179
POSTHUMANISM
.
184
TRANSHUMANISM
.
186
EPILOGUE
.
189
10.
MEDIA
.
190
PROLOGUE
.
190
THE
GLOBAL
VILLAGE
.
191
3
LAWS
OF
MEDIA
.
193
FIGURE-GROUND
.
200
ECONOMY
AND
EFFICIENCY
.
204
EPILOGUE
.
208
REFERENCES
.
210
BASIC
GLOSSARY
OF
SEMIOTICS
.
224
INDEX
.
257
4 |
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| language | English |
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| physical | 263 Seiten |
| publishDate | 2021 |
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| publisher | LINCOM GmbH |
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| series | LINCOM studies in semiotics |
| series2 | LINCOM studies in semiotics |
| spelling | Danesi, Marcel 1946- Verfasser (DE-588)137512724 aut Semiotics the science of signs Marcel Danesi & Donato Santeramo Muenchen LINCOM GmbH 2021 263 Seiten txt rdacontent n rdamedia nc rdacarrier LINCOM studies in semiotics 02 Literaturverzeichnis Seite 210-223 Semiotik (DE-588)4054498-9 gnd rswk-swf Logik Sprachwissenschaft Semiotik Lehrbuch (DE-588)4123623-3 Lehrbuch gnd-content Semiotik (DE-588)4054498-9 s DE-604 Santeramo, Donato Verfasser aut LINCOM Europa (München) (DE-588)5300573-9 pbl LINCOM studies in semiotics 02 (DE-604)BV046142185 02 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032692319&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20210428 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Danesi, Marcel 1946- Santeramo, Donato Semiotics the science of signs LINCOM studies in semiotics Semiotik (DE-588)4054498-9 gnd |
| subject_GND | (DE-588)4054498-9 (DE-588)4123623-3 |
| title | Semiotics the science of signs |
| title_auth | Semiotics the science of signs |
| title_exact_search | Semiotics the science of signs |
| title_exact_search_txtP | Semiotics the science of signs |
| title_full | Semiotics the science of signs Marcel Danesi & Donato Santeramo |
| title_fullStr | Semiotics the science of signs Marcel Danesi & Donato Santeramo |
| title_full_unstemmed | Semiotics the science of signs Marcel Danesi & Donato Santeramo |
| title_short | Semiotics |
| title_sort | semiotics the science of signs |
| title_sub | the science of signs |
| topic | Semiotik (DE-588)4054498-9 gnd |
| topic_facet | Semiotik Lehrbuch |
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