Blinded by curiosity: the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image
This book explores a phenomenon in the history of print collecting that has never been extensively investigated: the cutting and pasting of prints in the Early Modern period. The book focuses on the colourful Dutch classical scholar and libertine Hadriaan Beverland (1650-1716). Beverland was banishe...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden
Primavera Pers
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book explores a phenomenon in the history of print collecting that has never been extensively investigated: the cutting and pasting of prints in the Early Modern period. The book focuses on the colourful Dutch classical scholar and libertine Hadriaan Beverland (1650-1716). Beverland was banished from the Dutch Republic in 1679 for publishing blasphemous, heterodox, and provocative scholarly texts on sex and sin. Books that dealt with e.g. prostitution in ancient times, original sin as the first act of sexual intercourse, and the sexual lust of women, were considered dangerous to Dutch public morality. In 1680, Beverland fled to England, where his friend Isaac Vossius took him in. It was here that Beverland began cutting (nowadays) costly etchings and engravings and arranging the cuttings into collages. These collages, which again demonstrated his interest in sexual matters, survived in two illustrated manuscripts, now in the British Library and the Bodleian Library (Oxford).00This study aims: 1) to reconstruct Beverland's life in England, primarily concentrating on his interests and dealing in art and books; 2) to map the Early Modern practice of cutting and pasting prints, on the basis of remaining cuttings as well as textual sources from Beverland's day; 3) to present a comprehensive analysis of the two illustrated Beverland-manuscripts in terms of form and function. |
| Beschreibung: | 272 Seiten Illustrationen |
| ISBN: | 9789059973305 |
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| 502 | |b Dissertation |c Radboud University Nijmegen |d 2019 | ||
| 520 | 3 | |a This book explores a phenomenon in the history of print collecting that has never been extensively investigated: the cutting and pasting of prints in the Early Modern period. The book focuses on the colourful Dutch classical scholar and libertine Hadriaan Beverland (1650-1716). Beverland was banished from the Dutch Republic in 1679 for publishing blasphemous, heterodox, and provocative scholarly texts on sex and sin. Books that dealt with e.g. prostitution in ancient times, original sin as the first act of sexual intercourse, and the sexual lust of women, were considered dangerous to Dutch public morality. In 1680, Beverland fled to England, where his friend Isaac Vossius took him in. It was here that Beverland began cutting (nowadays) costly etchings and engravings and arranging the cuttings into collages. These collages, which again demonstrated his interest in sexual matters, survived in two illustrated manuscripts, now in the British Library and the Bodleian Library (Oxford).00This study aims: 1) to reconstruct Beverland's life in England, primarily concentrating on his interests and dealing in art and books; 2) to map the Early Modern practice of cutting and pasting prints, on the basis of remaining cuttings as well as textual sources from Beverland's day; 3) to present a comprehensive analysis of the two illustrated Beverland-manuscripts in terms of form and function. | |
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Datensatz im Suchindex
| _version_ | 1804182457521537024 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
ACKNOWLEDGEMENTS
7
INTRODUCTION
9
STATE
OF
BEVERLAND
RES EACH
12
OUTLINE AND SCOPE
OF
THE
BOOK
13
PART
I
HADRIAAN
BEVERLAND.
A
PASSIONATE
MAN
WITH
A
PASSION
FOR
ART
15
1.
THE
LIFE
OFHADRIAAN
BEVERLAND:
A
BIOGRAPHICAL
SKETCH
17
LIFE
BEFORE
BANISHMENT:
SEX, SCHOLARSHIP, AND
SELF
-IN
CRIMINATION
17
IMPRISONMENT AND
PUNISHMENT
19
LIFE
IN EXILE:
BEVERLAND S REINVENTION IN BRITAIN
20
BEVERLAND S SENTENCE
REVOKED
21
BEVERLAND S
FINAL
YEARS:
PARANOID
AND
PENNILESS
21
2.
FAIR
AND
CANDID
IN
ALL HIS
DEALINGS :
BEVER
LAND
AS
AGENT
AND
COLLECTOR
OF
ART,
BOOKS,
AND
CURIOSITIES
23
THE LONDON COLLECTING
LANDSCAPE IN BEVERLAND S DAY
24
BEVERLAND AS A MIDDLEMAN FOR
VIRTUOSO
COLLECTORS IN
LONDON
27
BEVERLAND AND
ISAAC
VOSSIUS
27
BEVERLAND AND WILLIAM COURTEN
28
BEVERLAND AND
HANS
SLOANE 30
TWO
PAMPHLETS WITH PRAISE
33
BEVERLAND S
PERSONAL
COLLECTIONS, SALES,
AND
AUCTIONS
34
BOOKS
AND MANUSCRIPTS
35
PRINTS
AND DRAWINGS
39
COINS
AND MEDALS 47
PAINTINGS
49
BEVERLAND S
MOTIVATIONS FOR
SELLING
51
TO
CONCLUDE
52
3.
THE
SELF-PROMOTION
OF
A
BAD
BOY:
BEVERLAND S
PORTRAITS
SS
A
PROVOKING PICTURE:
PORTRAIT
OF
HA
DRIA AN
BEVERLAND
WITH
A
PROSTITUTE
55
THE
SCENE
UNRAVELLED
56
PRELIMINARY STUDY FOR A FRONTISPIECE
59
THE
PORTRAIT S
AFTERLIFE
60
BEVERLAND S SELF-PROMOTION
THROUGH PORTRAITS
61
PORTRAIT
OF
A
SERIOUS
SCHOLAR
61
A
LIBERTINE BAD
BOY
IN
LONDON
63
A CONNOISSEUR
OF
ART,
BOOKS,
ANTIQUITIES, AND
NATURALIA
65
A
PORTRAIT FOR
A
PARDON?
67
THE MARKET
FOR BEVERLAND S
PORTRAIT PRINTS
69
TO
CONCLUDE
72
PART
11
BEVERLAND S
MANUSCRIPTS
WITH
PRINTS
73
4.
EARLY
MODERN
PRINT
COLLECTING: A
CONTEXT
FOR
BEVERLAND S
MANUSCRIPTS
WITH
PRINTS
75
THE HISTORIOGRAPHY
OF
EARLY PRINT COLLECTING
75
OTHER USES FOR THE
EARLY
MODERN PRINT
78
5.
PRINTS,
SCISSORS,
AND
ANTIQUARIAN
ASPIRATIONS:
BEVERLAND S
INSCRIPTIONES SINGULARES
MANUSCRIPT
81
THE
MANUSCRIPT S CONCEPTION,
LIFE,
AND AFTERLIFE
81
THE
INSCRIPTIONS IN
THE
INSCRIPTIONES
SINGULARES
83
THE
STUDY
OF
EPIGRAPHY
AND
THE
BIRTH
OF
EPIGRAPHIC
ILLUSTRATION
83
BEVERLAND
S INSCRIPTIONS 84
BEVERLAND S
OWN
EPITAPH
90
EMBELLISHED EPITAPHS:
CUT-AND-PASTE
ILLUSTRATIONS IN
THE
INSCRIPTIONES
SINGULARES
92
PRINTS,
SCISSORS,
AND
PASTE:
AN
EXPLORATION
93
BEVERLAND S CUT-AND-PASTE ILLUSTRATIONS
116
TO
CONCLUDE
126
6. DIRTY
NOTES
AND
PRINT COLLAGES: BEVERLAND S
CREPUNDIA
LUGDUNENSIA
MANUSCRIPT 129
THE MANUSCRIPT S
GENESIS
130
BEVERLAND S
NOTES IN
THE
CREPUNDIA
LUGDUNENSIA
134
PICTURING
THE PROVOKING:
PRINT COLLAGES IN
THE
CREPUNDIA
LUGDUNENSIA
136
CONTEMPORARY C
OLLAGISTS:
A CONTEXT
FOR BEVERLAND S
INGENIOUS
PRINT
COLLAGES
138
BEVERLAND
AS
A COLLA GIST: THE PRACTICAL
SIDE
OF
COLLAGING
148
THE
PURPOSE OFBEVERLAND
S PRINT
COLLAGES
151
UNDERSTANDING ALL
LAYERS:
ICONOGRAPHY, ALLUSION, AND
HUMOUR
IN
BEVERLAND S
COLLAGES
158
TO
CONCLUDE
171
CONCLUSION
173
APPENDICES
APPENDIX
A:
BEVERLAND S PRINTS
AND
DRAWINGS
177
APPENDIX
B:
BE
VE
RLAND S PAINTINGS
193
APPENDIX C
:
PRINTS IN THE
INSCRIPTIONES
SINGULARES
201
APPENDIX
D:
PRINTS
IN
THE
CREPUDIALUGDUNENSIA
2U
ABBREVIATIONS,
TRANSCRIPTIONS, AND
TRANSLATIONS
221
NOTES
223
BIBLIOGRAPHY
249
INDEX
|
| adam_txt |
TABLE
OF
CONTENTS
ACKNOWLEDGEMENTS
7
INTRODUCTION
9
STATE
OF
BEVERLAND
RES EACH
12
OUTLINE AND SCOPE
OF
THE
BOOK
13
PART
I
HADRIAAN
BEVERLAND.
A
PASSIONATE
MAN
WITH
A
PASSION
FOR
ART
15
1.
THE
LIFE
OFHADRIAAN
BEVERLAND:
A
BIOGRAPHICAL
SKETCH
17
LIFE
BEFORE
BANISHMENT:
SEX, SCHOLARSHIP, AND
SELF
-IN
CRIMINATION
17
IMPRISONMENT AND
PUNISHMENT
19
LIFE
IN EXILE:
BEVERLAND'S REINVENTION IN BRITAIN
20
BEVERLAND'S SENTENCE
REVOKED
21
BEVERLAND'S
FINAL
YEARS:
PARANOID
AND
PENNILESS
21
2.
"FAIR
AND
CANDID
IN
ALL HIS
DEALINGS":
BEVER
LAND
AS
AGENT
AND
COLLECTOR
OF
ART,
BOOKS,
AND
CURIOSITIES
23
THE LONDON COLLECTING
LANDSCAPE IN BEVERLAND'S DAY
24
BEVERLAND AS A MIDDLEMAN FOR
VIRTUOSO
COLLECTORS IN
LONDON
27
BEVERLAND AND
ISAAC
VOSSIUS
27
BEVERLAND AND WILLIAM COURTEN
28
BEVERLAND AND
HANS
SLOANE 30
TWO
PAMPHLETS WITH PRAISE
33
BEVERLAND'S
PERSONAL
COLLECTIONS, SALES,
AND
AUCTIONS
34
BOOKS
AND MANUSCRIPTS
35
PRINTS
AND DRAWINGS
39
COINS
AND MEDALS 47
PAINTINGS
49
BEVERLAND'S
MOTIVATIONS FOR
SELLING
51
TO
CONCLUDE
52
3.
THE
SELF-PROMOTION
OF
A
BAD
BOY:
BEVERLAND'S
PORTRAITS
SS
A
PROVOKING PICTURE:
PORTRAIT
OF
HA
DRIA AN
BEVERLAND
WITH
A
PROSTITUTE
55
THE
SCENE
UNRAVELLED
56
PRELIMINARY STUDY FOR A FRONTISPIECE
59
THE
PORTRAIT'S
AFTERLIFE
60
BEVERLAND'S SELF-PROMOTION
THROUGH PORTRAITS
61
PORTRAIT
OF
A
SERIOUS
SCHOLAR
61
A
LIBERTINE BAD
BOY
IN
LONDON
63
A CONNOISSEUR
OF
ART,
BOOKS,
ANTIQUITIES, AND
NATURALIA
65
A
PORTRAIT FOR
A
PARDON?
67
THE MARKET
FOR BEVERLAND'S
PORTRAIT PRINTS
69
TO
CONCLUDE
72
PART
11
BEVERLAND'S
MANUSCRIPTS
WITH
PRINTS
73
4.
EARLY
MODERN
PRINT
COLLECTING: A
CONTEXT
FOR
BEVERLAND'S
MANUSCRIPTS
WITH
PRINTS
75
THE HISTORIOGRAPHY
OF
EARLY PRINT COLLECTING
75
OTHER USES FOR THE
EARLY
MODERN PRINT
78
5.
PRINTS,
SCISSORS,
AND
ANTIQUARIAN
ASPIRATIONS:
BEVERLAND'S
INSCRIPTIONES SINGULARES
MANUSCRIPT
81
THE
MANUSCRIPT'S CONCEPTION,
LIFE,
AND AFTERLIFE
81
THE
INSCRIPTIONS IN
THE
INSCRIPTIONES
SINGULARES
83
THE
STUDY
OF
EPIGRAPHY
AND
THE
BIRTH
OF
EPIGRAPHIC
ILLUSTRATION
83
BEVERLAND
'
S INSCRIPTIONS 84
BEVERLAND'S
OWN
EPITAPH
90
EMBELLISHED EPITAPHS:
CUT-AND-PASTE
ILLUSTRATIONS IN
THE
INSCRIPTIONES
SINGULARES
92
PRINTS,
SCISSORS,
AND
PASTE:
AN
EXPLORATION
93
BEVERLAND'S CUT-AND-PASTE ILLUSTRATIONS
116
TO
CONCLUDE
126
6. 'DIRTY'
NOTES
AND
PRINT COLLAGES: BEVERLAND'S
CREPUNDIA
LUGDUNENSIA
MANUSCRIPT 129
THE MANUSCRIPT'S
GENESIS
130
BEVERLAND'S
NOTES IN
THE
CREPUNDIA
LUGDUNENSIA
134
PICTURING
THE PROVOKING:
PRINT COLLAGES IN
THE
CREPUNDIA
LUGDUNENSIA
136
CONTEMPORARY C
OLLAGISTS:
A CONTEXT
FOR BEVERLAND'S
INGENIOUS
PRINT
COLLAGES
138
BEVERLAND
AS
A COLLA GIST: THE PRACTICAL
SIDE
OF
COLLAGING
148
THE
PURPOSE OFBEVERLAND'
S PRINT
COLLAGES
151
UNDERSTANDING ALL
LAYERS:
ICONOGRAPHY, ALLUSION, AND
HUMOUR
IN
BEVERLAND'S
COLLAGES
158
TO
CONCLUDE
171
CONCLUSION
173
APPENDICES
APPENDIX
A:
BEVERLAND'S PRINTS
AND
DRAWINGS
177
APPENDIX
B:
BE
VE
RLAND'S PAINTINGS
193
APPENDIX C
:
PRINTS IN THE
INSCRIPTIONES
SINGULARES
201
APPENDIX
D:
PRINTS
IN
THE
CREPUDIALUGDUNENSIA
2U
ABBREVIATIONS,
TRANSCRIPTIONS, AND
TRANSLATIONS
221
NOTES
223
BIBLIOGRAPHY
249
INDEX |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Zelen, Joyce 1988- |
| author_GND | (DE-588)1032787805 |
| author_facet | Zelen, Joyce 1988- |
| author_role | aut |
| author_sort | Zelen, Joyce 1988- |
| author_variant | j z jz |
| building | Verbundindex |
| bvnumber | BV047287040 |
| classification_rvk | LH 29912 |
| ctrlnum | (OCoLC)1298741572 (DE-599)BVBBV047287040 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1670-1720 gnd |
| era_facet | Geschichte 1670-1720 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Niederlande |
| id | DE-604.BV047287040 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:19:04Z |
| indexdate | 2024-07-10T09:07:51Z |
| institution | BVB |
| isbn | 9789059973305 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032690477 |
| oclc_num | 1298741572 |
| open_access_boolean | |
| owner | DE-Y2 DE-Y3 DE-255 DE-12 DE-20 |
| owner_facet | DE-Y2 DE-Y3 DE-255 DE-12 DE-20 |
| physical | 272 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Primavera Pers |
| record_format | marc |
| spelling | Zelen, Joyce 1988- Verfasser (DE-588)1032787805 aut Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image Joyce Zelen Leiden Primavera Pers 2022 272 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Dissertation Radboud University Nijmegen 2019 This book explores a phenomenon in the history of print collecting that has never been extensively investigated: the cutting and pasting of prints in the Early Modern period. The book focuses on the colourful Dutch classical scholar and libertine Hadriaan Beverland (1650-1716). Beverland was banished from the Dutch Republic in 1679 for publishing blasphemous, heterodox, and provocative scholarly texts on sex and sin. Books that dealt with e.g. prostitution in ancient times, original sin as the first act of sexual intercourse, and the sexual lust of women, were considered dangerous to Dutch public morality. In 1680, Beverland fled to England, where his friend Isaac Vossius took him in. It was here that Beverland began cutting (nowadays) costly etchings and engravings and arranging the cuttings into collages. These collages, which again demonstrated his interest in sexual matters, survived in two illustrated manuscripts, now in the British Library and the Bodleian Library (Oxford).00This study aims: 1) to reconstruct Beverland's life in England, primarily concentrating on his interests and dealing in art and books; 2) to map the Early Modern practice of cutting and pasting prints, on the basis of remaining cuttings as well as textual sources from Beverland's day; 3) to present a comprehensive analysis of the two illustrated Beverland-manuscripts in terms of form and function. Beverland, Adriaan 1650-1716 (DE-588)118897802 gnd rswk-swf Geschichte 1670-1720 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Collage (DE-588)4010384-5 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Niederlande (DE-588)4042203-3 g Kunsthandel (DE-588)4033647-5 s Druckgrafik (DE-588)4113357-2 s Geschichte 1670-1720 z DE-604 Beverland, Adriaan 1650-1716 (DE-588)118897802 p Sammlung (DE-588)4128844-0 s Collage (DE-588)4010384-5 s Erotik Motiv (DE-588)4123157-0 s V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032690477&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zelen, Joyce 1988- Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image Beverland, Adriaan 1650-1716 (DE-588)118897802 gnd Druckgrafik (DE-588)4113357-2 gnd Sammlung (DE-588)4128844-0 gnd Kunsthandel (DE-588)4033647-5 gnd Erotik Motiv (DE-588)4123157-0 gnd Collage (DE-588)4010384-5 gnd |
| subject_GND | (DE-588)118897802 (DE-588)4113357-2 (DE-588)4128844-0 (DE-588)4033647-5 (DE-588)4123157-0 (DE-588)4010384-5 (DE-588)4042203-3 (DE-588)4113937-9 |
| title | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image |
| title_auth | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image |
| title_exact_search | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image |
| title_exact_search_txtP | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image |
| title_full | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image Joyce Zelen |
| title_fullStr | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image Joyce Zelen |
| title_full_unstemmed | Blinded by curiosity the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image Joyce Zelen |
| title_short | Blinded by curiosity |
| title_sort | blinded by curiosity the collector dealer hadriaan beverland 1650 1716 and his radical approach to the printed image |
| title_sub | the collector-dealer Hadriaan Beverland (1650-1716) and his radical approach to the printed image |
| topic | Beverland, Adriaan 1650-1716 (DE-588)118897802 gnd Druckgrafik (DE-588)4113357-2 gnd Sammlung (DE-588)4128844-0 gnd Kunsthandel (DE-588)4033647-5 gnd Erotik Motiv (DE-588)4123157-0 gnd Collage (DE-588)4010384-5 gnd |
| topic_facet | Beverland, Adriaan 1650-1716 Druckgrafik Sammlung Kunsthandel Erotik Motiv Collage Niederlande Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032690477&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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