Mapping the rockumentary: images of sound and fury
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
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| Schriftenreihe: | Traditions in world cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xix, 385 Seiten Illustrationen |
| ISBN: | 9781474478021 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures List of Contributors Traditions in World Cinema Introduction: Images of Sound and Fury Gunnar Iversen and Scott MacKenzie viii x xviii 1 PART I. HISTORIES 1. 2. Music Makers of the Blue Ridge (aka ‘Bluegrass Roots,’ David Hoffman, USA, 1966) Greil Marcus 21 “I Don’t Make Culture, I Sell It!”: The Early History of Music Documentation, 1920s-1970s Laura Niebling 24 3. Monterey Fop and the Maturation of the Concert Film Laurel Westrup 4. The Sound of Rockumentary: A Consideration of the Documentary Soundtrack Michael Brendan Baker 37 50
CONTENTS 5. False Endings Scott MacKenzie 64 PART II. GENDER 6. 7. 8. 9. 10. “Start Me Up”: The Place and Displacement of Women in the Cinema of The Rolling Stones Catherine Strong and Stephen Gaunson 85 Madonna on Film: Geopolitics, Globalization, and Gender Politics Anna Westerstahl Stenport 97 The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up Sing Heather McIntosh 113 Rock ‘n’ Roll Family Romances: The Rockumentary as Male Melodrama Gunnar Iversen 125 Performing Dylan: The Many Lives of Bob Dylan in I’m Not There Magdalena Fiirnkranz 140 PART III. AESTHETICS AND POLITICS 11. U2’s Rattle and Hum: God, Sex, Rock‘n’ Roll and God Again Karine Bertrand 157 12. Punk City Symphony: The Clash and Rude Boy Celine Bell 173 13. Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip Randolph Jordan 185 Minimum and Maximum Rock ‘n’ Roll: Nick Cave and the Bad Seeds and Rockumentary Form Anthony Kinik 198 “Everything Was Stories”: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus Asbjørn Grønstad and Øyvind Vågnes 212 14. 15. vi
CONTENTS PART IV. COUNTER-CULTURES 16. 17. 18. 19. 20. Chile: The Rock of Political Culture and the Hard Place of Cultural Policy Jorge Saavedra Utman and Toby Miller 225 Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) Javier Campo and Tomás Crowder-Taraborrelli 239 Harmonium in California·. Musically Imagined Communities and the Rockumentary Form Eric Fillion 250 Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement Asbjørn Tiller 263 Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MCS: A True Testimonial Lindsey Eckenroth 276 PART V. FUTURES 21. Unknowable Dogs Gary Kibbins 22. “This is a F**king Business”: The Concert Show and Tour in 1970s Hollywood Fiction Films Julie Lobalzo Wright 303 Live from the Multiplex: The Concert Film as Event Cinema since the 2000s Ian Robinson 314 23. 291 24. Documenting Deities: Touch and К-pop Fandom on YouTube Eric Chalfant and Ali Na 330 25. Ritual in Transfigured Time Greil Marcus 344 Index 349 vii
‘This book is a milestone in the study of rockumentary as a genre and the way it reflects history, gender and politics. It takes us through the almost uncharted land of this important genre: from early forms of mediated music, to the breakthrough in the 1960s and into the digital era. It is a rich and illuminating analysis of rockumentary and its cultural context.’ Ib Bondebjerg, Professor Emeritus, University of Copenhagen Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles,The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rockumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day - and beyond. Gunnar Iversen is Professor of Film Studies in the School of Art and Culture at Carleton University, Ottawa. Scott MacKenzie is Professor of Film and Media, Queen’s University, Kingston.
|
| adam_txt |
CONTENTS List of Figures List of Contributors Traditions in World Cinema Introduction: Images of Sound and Fury Gunnar Iversen and Scott MacKenzie viii x xviii 1 PART I. HISTORIES 1. 2. Music Makers of the Blue Ridge (aka ‘Bluegrass Roots,’ David Hoffman, USA, 1966) Greil Marcus 21 “I Don’t Make Culture, I Sell It!”: The Early History of Music Documentation, 1920s-1970s Laura Niebling 24 3. Monterey Fop and the Maturation of the Concert Film Laurel Westrup 4. The Sound of Rockumentary: A Consideration of the Documentary Soundtrack Michael Brendan Baker 37 50
CONTENTS 5. False Endings Scott MacKenzie 64 PART II. GENDER 6. 7. 8. 9. 10. “Start Me Up”: The Place and Displacement of Women in the Cinema of The Rolling Stones Catherine Strong and Stephen Gaunson 85 Madonna on Film: Geopolitics, Globalization, and Gender Politics Anna Westerstahl Stenport 97 The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up Sing Heather McIntosh 113 Rock ‘n’ Roll Family Romances: The Rockumentary as Male Melodrama Gunnar Iversen 125 Performing Dylan: The Many Lives of Bob Dylan in I’m Not There Magdalena Fiirnkranz 140 PART III. AESTHETICS AND POLITICS 11. U2’s Rattle and Hum: God, Sex, Rock‘n’ Roll and God Again Karine Bertrand 157 12. Punk City Symphony: The Clash and Rude Boy Celine Bell 173 13. Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip Randolph Jordan 185 Minimum and Maximum Rock ‘n’ Roll: Nick Cave and the Bad Seeds and Rockumentary Form Anthony Kinik 198 “Everything Was Stories”: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus Asbjørn Grønstad and Øyvind Vågnes 212 14. 15. vi
CONTENTS PART IV. COUNTER-CULTURES 16. 17. 18. 19. 20. Chile: The Rock of Political Culture and the Hard Place of Cultural Policy Jorge Saavedra Utman and Toby Miller 225 Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) Javier Campo and Tomás Crowder-Taraborrelli 239 Harmonium in California·. Musically Imagined Communities and the Rockumentary Form Eric Fillion 250 Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement Asbjørn Tiller 263 Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MCS: A True Testimonial Lindsey Eckenroth 276 PART V. FUTURES 21. Unknowable Dogs Gary Kibbins 22. “This is a F**king Business”: The Concert Show and Tour in 1970s Hollywood Fiction Films Julie Lobalzo Wright 303 Live from the Multiplex: The Concert Film as Event Cinema since the 2000s Ian Robinson 314 23. 291 24. Documenting Deities: Touch and К-pop Fandom on YouTube Eric Chalfant and Ali Na 330 25. Ritual in Transfigured Time Greil Marcus 344 Index 349 vii
‘This book is a milestone in the study of rockumentary as a genre and the way it reflects history, gender and politics. It takes us through the almost uncharted land of this important genre: from early forms of mediated music, to the breakthrough in the 1960s and into the digital era. It is a rich and illuminating analysis of rockumentary and its cultural context.’ Ib Bondebjerg, Professor Emeritus, University of Copenhagen Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles,The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rockumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day - and beyond. Gunnar Iversen is Professor of Film Studies in the School of Art and Culture at Carleton University, Ottawa. Scott MacKenzie is Professor of Film and Media, Queen’s University, Kingston. |
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