Global perspectives on amateur film histories and cultures:
Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | ix, 336 Seiten Illustrationen |
| ISBN: | 9780253052032 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments ix Introduction: Global Perspectives on Amateur Film Histories and Cultures / Masha Salazkina and Enrique Fibla-Gutiérrez і Part I Medium Specificity and Expanded Media Ecologies 1 Understanding (Amateur) Cinema: Epistemology and Technology / Benoit Turquety 27 2 Crossing the Amateur Line: The Lesson of Even—As You and I / James Rosenow 43 3 “I Give You a Toast to the Pioneers!” The Movie Maker Ten Best Video Competition 1982-1983 / Graeme R. Spurr 60 4 From Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000S / Margherita Viviani 75 Part II Institutions, Industry, and the State 5 Seeking Advice: A Political Economy of Israeli Commemorative Home Videos / Laliv Melamed 95
vi I Contents 6 Amateur Film in the Factory: Forms and Functions of Amateur Cinema in Corporate Media Culture / Yvonne Zimmermann 112 7 The Ambitions of Amateur Film in Vichy France / Julie Guillaumot 131 8 On the Amateur Origins of Fernando Birri s Documentary School of Santa Fe / Mariano Mestman and Christopher Moore 149 Part III Politics of Legitimization and Subversion 9 The Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s / Pablo La Parra-Pérez 171 10 Super 8 in Mexico / Jesse Lerner 190 11 The Videogiornale: Social Movements and Amateur Media Technologies in Bologna between the Late 1980s and the Early 1990s / Diego Cavallotti 206 12 “A Vital Human Place” for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965-1967 / Joseph DeLeon 226 13 Ingvars Leitis’s Subversive Ethnographic Documentaries, 1975-1989: Cover Stories and National Representation in Soviet Latvia / Inese Strupule 243 Part IV Transnational Networks: Amateur Cinema Travels 14 Worldly Matters: Distributed Histories of Tunisian Amateur Cinema and the Screening of Nontheatrical Film / Samhita Sunya 261
Contents ļ 15 Early International Super 8 Film Festivals: The Case of Caracas 1976-1980 / Isabel Arredondo 278 16 A Gift to Mother. “The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make” / Maria Vinogradova 296 17 Postcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture / Rachel Webb Jekanowski 314 Index 333 vii
For too long, the fie!d of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing indusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateurfilms, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries. Masha Salazkina is Research Chair in Transnational Media Arts and Cultures and Associate Professor at Concordia University. She is author of In Excess: Sergei Eisenstein s Mexico and editor (with Lilya Kaganovsky) of Sound, Speech, Music in Soviet and Post-Soviet Cinema. Enrique Fibla-Gutiérrez is a researcher and curator. He works at the Elias Querejeta Zine Escola in San Sebastian and the Center of Contemporary Culture of Barcelona (CCCB).
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CONTENTS Acknowledgments ix Introduction: Global Perspectives on Amateur Film Histories and Cultures / Masha Salazkina and Enrique Fibla-Gutiérrez і Part I Medium Specificity and Expanded Media Ecologies 1 Understanding (Amateur) Cinema: Epistemology and Technology / Benoit Turquety 27 2 Crossing the Amateur Line: The Lesson of Even—As You and I / James Rosenow 43 3 “I Give You a Toast to the Pioneers!” The Movie Maker Ten Best Video Competition 1982-1983 / Graeme R. Spurr 60 4 From Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000S / Margherita Viviani 75 Part II Institutions, Industry, and the State 5 Seeking Advice: A Political Economy of Israeli Commemorative Home Videos / Laliv Melamed 95
vi I Contents 6 Amateur Film in the Factory: Forms and Functions of Amateur Cinema in Corporate Media Culture / Yvonne Zimmermann 112 7 The Ambitions of Amateur Film in Vichy France / Julie Guillaumot 131 8 On the Amateur Origins of Fernando Birri s Documentary School of Santa Fe / Mariano Mestman and Christopher Moore 149 Part III Politics of Legitimization and Subversion 9 The Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s / Pablo La Parra-Pérez 171 10 Super 8 in Mexico / Jesse Lerner 190 11 The Videogiornale: Social Movements and Amateur Media Technologies in Bologna between the Late 1980s and the Early 1990s / Diego Cavallotti 206 12 “A Vital Human Place” for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965-1967 / Joseph DeLeon 226 13 Ingvars Leitis’s Subversive Ethnographic Documentaries, 1975-1989: Cover Stories and National Representation in Soviet Latvia / Inese Strupule 243 Part IV Transnational Networks: Amateur Cinema Travels 14 Worldly Matters: Distributed Histories of Tunisian Amateur Cinema and the Screening of Nontheatrical Film / Samhita Sunya 261
Contents ļ 15 Early International Super 8 Film Festivals: The Case of Caracas 1976-1980 / Isabel Arredondo 278 16 A Gift to Mother. “The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make” / Maria Vinogradova 296 17 Postcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture / Rachel Webb Jekanowski 314 Index 333 vii
For too long, the fie!d of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing indusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateurfilms, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries. Masha Salazkina is Research Chair in Transnational Media Arts and Cultures and Associate Professor at Concordia University. She is author of In Excess: Sergei Eisenstein's Mexico and editor (with Lilya Kaganovsky) of Sound, Speech, Music in Soviet and Post-Soviet Cinema. Enrique Fibla-Gutiérrez is a researcher and curator. He works at the Elias Querejeta Zine Escola in San Sebastian and the Center of Contemporary Culture of Barcelona (CCCB). |
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