Global TV horror:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cardiff
University of Wales Press
2021
|
| Schriftenreihe: | Horror studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 252 Seiten 22 cm |
| ISBN: | 1786836947 9781786836946 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents 1. Acknowledgements vii Notes on Contributors ix It’s Taking Over the Whole World Global TV Horror, Then and Now Stacey Abbott and Lorna Jowett Part One: National Contexts 2. 3. 4. 5. 6. 1 15 ‘Real’ Iranian Vampires Television versus the Big Screen Simon Bacon 17 ‘It’s Not Ghosts, It’s History’ The Sonic Tradition of British Horror Television Mark Fryers 33 Terror Australis The Wilderness Myth in TV’s Wolf Creek Rebecca Janicker 51 Stories to Make You Think The Horror of Daily Life under Francisco Franco’s Regime in Historias para No Dormir Fernando Pagnoni Berns Sleep, Little Baby. Cuca Is Coming for You. Mom Went to the Field, and Dad Is Working Too The Witch Cuca in Brazilian Folklore and Television Laura Cânepa, Leandro Caraça and Lúcio Reis-Filho 67 85
Part Iwo: Forms and Aesthetics 7. 8. Beyond the Masochist Pleasure Principle The Subtle Gore of Les revenants Jonas Green Giving Kids Goosebumps Uncanny Aesthetics, Cyclic Structures and Anti-didacticism in Children s Horror Anthologies Catherine Lester 103 105 121 9. As Raw As Flesh Consuming Humans in TV Horror Lorna Piatti-Farnell 139 Part Three: Industry 1Ş9 10. Driving Industrial Innovation FOX International Channels and the Global Appeal of The Walking Dead Stella Gaynor 11. Staking Claims or Sucking Up Heartless, Nordic Twilight and the Cross-pollination of Danish and American TV Drama Andreas Halskov 12. Video Game to Streaming Series The Case of Gastlevania on Netflix E. Charlotte Stevens 13. Tracing Terror-Bytes Ring: Saishusho as Japanese TV Horror, Online Transcultural J-Horror Fan Object and Digital Only-click Television James Rendeli Conclusion: Transnationalism and TV Horror Fandom A Conversation with Iain Robert Smith and Miranda Ruth Larsen Stacey Abbott and Lorna Jowett Index 161 177 197 215 233 247
H Ui ни. Td G· GGGGJ Giri/G T lhe Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding The Walking Dead, Supernatural and Stranger Things, Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/ streaming contexts. Bringing together established scholars and new voices in the field, Global TV Horror examines historical and contemporary TV Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK, It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar - Horror on television unfamiliar yet again, :·.··.՛ : . ; , Reader in Television Studies at the University of Northampton, is author of Dancing With the Doctor, Sex and the Slayer, and co-author of TV Horror, Reader in Film anti Television Studies at the University of Roehampron, is a leading expert on Horror in film and television. She is rhe author oí Untlead Apocalypse, Celluloid Vampires, and co-author of TV Horror, ‘And no« the streaming starts; In recent years the Horror genre has come into its own, finally unfettered, in the televisual landscape. In this fascinating study, noted academics explore that landscape in forensic detail as the old broadcaster prejudices fall away and cultural borders
are broken down, creating new, international relevance for the bloody, the bold and the terrifying.’ Stephen Volk, creator/writer of TV s Ghostwatch and Afterlife, author of՝Coffinmaker’s Blues; Collected Writings on Terror This timely new collection, truly global in its scope, gets to grips with the exponential spread of Horror across a wide variet? of channels, national television networks and platforms. The recently-held belici in the incompatibility oí Horror and television seems hard to imagine now, which is precisely why this collection of essays is so necessary, Abbott and jowetis introduction to the book is written with their characteristic clarity, and they have collected here the work of both senior figures from Horror Studies and many of the field’s most exciting new scholars. Professer Helen Wheatley, University of Warwick »Cover image 0 Stnmvrsfock
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| adam_txt |
Contents 1. Acknowledgements vii Notes on Contributors ix It’s Taking Over the Whole World Global TV Horror, Then and Now Stacey Abbott and Lorna Jowett Part One: National Contexts 2. 3. 4. 5. 6. 1 15 ‘Real’ Iranian Vampires Television versus the Big Screen Simon Bacon 17 ‘It’s Not Ghosts, It’s History’ The Sonic Tradition of British Horror Television Mark Fryers 33 Terror Australis The Wilderness Myth in TV’s Wolf Creek Rebecca Janicker 51 Stories to Make You Think The Horror of Daily Life under Francisco Franco’s Regime in Historias para No Dormir Fernando Pagnoni Berns Sleep, Little Baby. Cuca Is Coming for You. Mom Went to the Field, and Dad Is Working Too The Witch Cuca in Brazilian Folklore and Television Laura Cânepa, Leandro Caraça and Lúcio Reis-Filho 67 85
Part Iwo: Forms and Aesthetics 7. 8. Beyond the Masochist Pleasure Principle The Subtle Gore of Les revenants Jonas Green Giving Kids Goosebumps Uncanny Aesthetics, Cyclic Structures and Anti-didacticism in Children s Horror Anthologies Catherine Lester 103 105 121 9. As Raw As Flesh Consuming Humans in TV Horror Lorna Piatti-Farnell 139 Part Three: Industry 1Ş9 10. Driving Industrial Innovation FOX International Channels and the Global Appeal of The Walking Dead Stella Gaynor 11. Staking Claims or Sucking Up Heartless, Nordic Twilight and the Cross-pollination of Danish and American TV Drama Andreas Halskov 12. Video Game to Streaming Series The Case of Gastlevania on Netflix E. Charlotte Stevens 13. Tracing Terror-Bytes Ring: Saishusho as Japanese TV Horror, Online Transcultural J-Horror Fan Object and Digital Only-click Television James Rendeli Conclusion: Transnationalism and TV Horror Fandom A Conversation with Iain Robert Smith and Miranda Ruth Larsen Stacey Abbott and Lorna Jowett Index 161 177 197 215 233 247
H Ui ни. Td G· GGGGJ Giri/G T lhe Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding The Walking Dead, Supernatural and Stranger Things, Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/ streaming contexts. Bringing together established scholars and new voices in the field, Global TV Horror examines historical and contemporary TV' Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK, It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar - Horror on television unfamiliar yet again, :·.··.՛ : . ; , Reader in Television Studies at the University of Northampton, is author of Dancing With the Doctor, Sex and the Slayer, and co-author of TV Horror, Reader in Film anti Television Studies at the University of Roehampron, is a leading expert on Horror in film and television. She is rhe author oí Untlead Apocalypse, Celluloid Vampires, and co-author of TV Horror, ‘And no«' the streaming starts; In recent years the Horror genre has come into its own, finally unfettered, in the televisual landscape. In this fascinating study, noted academics explore that landscape in forensic detail as the old broadcaster prejudices fall away and cultural borders
are broken down, creating new, international relevance for the bloody, the bold and the terrifying.’ Stephen Volk, creator/writer of TV's Ghostwatch and Afterlife, author of՝Coffinmaker’s Blues; Collected Writings on Terror This timely new collection, truly global in its scope, gets to grips with the exponential spread of Horror across a wide variet? of channels, national television networks and platforms. The recently-held belici in the incompatibility oí Horror and television seems hard to imagine now, which is precisely why this collection of essays is so necessary, Abbott and jowetis introduction to the book is written with their characteristic clarity, and they have collected here the work of both senior figures from Horror Studies and many of the field’s most exciting new scholars." Professer Helen Wheatley, University of Warwick »Cover image 0 Stnmvrsfock |
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| spelling | Global TV horror edited by Stacey Abbott and Lorna Jowett Global television horror Cardiff University of Wales Press 2021 xiv, 252 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Horror studies Horrorfilm (DE-588)4127415-5 gnd rswk-swf Fernsehserie (DE-588)4154072-4 gnd rswk-swf Horror television programs / History and criticism Horror television programs / Cross-cultural studies Horror television programs Criticism, interpretation, etc Cross-cultural studies (DE-588)4143413-4 Aufsatzsammlung gnd-content Horrorfilm (DE-588)4127415-5 s Fernsehserie (DE-588)4154072-4 s DE-604 Abbott, Stacey ca. 20./21. Jh. (DE-588)13796207X edt Jowett, Lorna 1971- (DE-588)1119831814 edt Erscheint auch als Online-Ausgabe 978-1-78683-695-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679625&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Global TV horror Horrorfilm (DE-588)4127415-5 gnd Fernsehserie (DE-588)4154072-4 gnd |
| subject_GND | (DE-588)4127415-5 (DE-588)4154072-4 (DE-588)4143413-4 |
| title | Global TV horror |
| title_alt | Global television horror |
| title_auth | Global TV horror |
| title_exact_search | Global TV horror |
| title_exact_search_txtP | Global TV horror |
| title_full | Global TV horror edited by Stacey Abbott and Lorna Jowett |
| title_fullStr | Global TV horror edited by Stacey Abbott and Lorna Jowett |
| title_full_unstemmed | Global TV horror edited by Stacey Abbott and Lorna Jowett |
| title_short | Global TV horror |
| title_sort | global tv horror |
| topic | Horrorfilm (DE-588)4127415-5 gnd Fernsehserie (DE-588)4154072-4 gnd |
| topic_facet | Horrorfilm Fernsehserie Aufsatzsammlung |
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