"The answers are the question": a conversation about art history, artwriting and historical time
In this wide-ranging conversation about autobiography, temporality and historicizing, Adrian Rifkin reflects on his own history as a scholar and on the repertoire of figures that have lent themselves to his writing, research and teaching. The German refugee art historians Helen Rosenau and Edgar Win...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | In this wide-ranging conversation about autobiography, temporality and historicizing, Adrian Rifkin reflects on his own history as a scholar and on the repertoire of figures that have lent themselves to his writing, research and teaching. The German refugee art historians Helen Rosenau and Edgar Wind were early influences, Rosenau by showing Rifkin how to work inferentially from material, Wind via demonstrating a mode of argumentation akin to bricolage. For Rifkin, thinking through putative differences between history and art history has never been a primary concern. A more important consideration is artwriting and the various figures that can be assembled for thinking, for setting out or for starting over. Rifkin concludes the conversation with a performative meditation on his own practice of artwriting. |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-25601-2 |
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| spelling | Rifkin, Adrian 1945- Verfasser (DE-588)188450580 aut "The answers are the question" a conversation about art history, artwriting and historical time Adrian Rifkin 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier In this wide-ranging conversation about autobiography, temporality and historicizing, Adrian Rifkin reflects on his own history as a scholar and on the repertoire of figures that have lent themselves to his writing, research and teaching. The German refugee art historians Helen Rosenau and Edgar Wind were early influences, Rosenau by showing Rifkin how to work inferentially from material, Wind via demonstrating a mode of argumentation akin to bricolage. For Rifkin, thinking through putative differences between history and art history has never been a primary concern. A more important consideration is artwriting and the various figures that can be assembled for thinking, for setting out or for starting over. Rifkin concludes the conversation with a performative meditation on his own practice of artwriting. Rifkin, Adrian 1945- (DE-588)188450580 gnd rswk-swf Rifkin, Adrian 1945- (DE-588)188450580 p DE-604 year:2021 pages:213-236 History and art history / edited by Nicholas Chare and Mitchell B. Frank New York ; London, 2021 Seite 213-236 Routledge research in art history (DE-604)BV047123575 978-0-367-25601-2 |
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| title | "The answers are the question" a conversation about art history, artwriting and historical time |
| title_auth | "The answers are the question" a conversation about art history, artwriting and historical time |
| title_exact_search | "The answers are the question" a conversation about art history, artwriting and historical time |
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| title_full | "The answers are the question" a conversation about art history, artwriting and historical time Adrian Rifkin |
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| title_full_unstemmed | "The answers are the question" a conversation about art history, artwriting and historical time Adrian Rifkin |
| title_short | "The answers are the question" |
| title_sort | the answers are the question a conversation about art history artwriting and historical time |
| title_sub | a conversation about art history, artwriting and historical time |
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