Still another, and yet another: Li Ran's re-writings of art history - a translational historiographical approach to global art history
In his installations Mont Sainte-Victoire (2012) and Another ‘The Other Story’ (2013), contemporary artist Li Ran, who is based in China, poses questions about art historiographical frameworks of modern and contemporary art from a locally situated, transcultural perspective. Engaging with Li Ran’s h...
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| Format: | Artikel |
| Sprache: | English |
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2021
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| Schlagworte: | |
| Zusammenfassung: | In his installations Mont Sainte-Victoire (2012) and Another ‘The Other Story’ (2013), contemporary artist Li Ran, who is based in China, poses questions about art historiographical frameworks of modern and contemporary art from a locally situated, transcultural perspective. Engaging with Li Ran’s historiographic art, Birgit Hopfener explores how he positions himself as subject to certain ‘realities’ of Chinese politics and art education, and discourses of global contemporary art. For Hopfener, Li Ran’s artworks also raise larger questions about the need for the historian to take into account a multiplicity of historiographical perspectives and models when practising history and art history in the global context. She thus reads Li Ran’s focus on modern and contemporary art’s relation to time and temporal epistemologies through the lenses of the Chinese literati tradition and recent discussions of transnational cultural studies and global art history as a practice of translation.. The first section of her chapter examines Li Ran’s practice as multi-perspectival, transcultural, and situated in a particular geo-cultural context. The second part treats Li Ran’s works in the tradition of Chinese literati art as an exercise and conceptualization of global art history as translational historiography. |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-25601-2 |
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| 520 | 3 | |a In his installations Mont Sainte-Victoire (2012) and Another ‘The Other Story’ (2013), contemporary artist Li Ran, who is based in China, poses questions about art historiographical frameworks of modern and contemporary art from a locally situated, transcultural perspective. Engaging with Li Ran’s historiographic art, Birgit Hopfener explores how he positions himself as subject to certain ‘realities’ of Chinese politics and art education, and discourses of global contemporary art. For Hopfener, Li Ran’s artworks also raise larger questions about the need for the historian to take into account a multiplicity of historiographical perspectives and models when practising history and art history in the global context. She thus reads Li Ran’s focus on modern and contemporary art’s relation to time and temporal epistemologies through the lenses of the Chinese literati tradition and recent discussions of transnational cultural studies and global art history as a practice of translation.. The first section of her chapter examines Li Ran’s practice as multi-perspectival, transcultural, and situated in a particular geo-cultural context. The second part treats Li Ran’s works in the tradition of Chinese literati art as an exercise and conceptualization of global art history as translational historiography. | |
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| spelling | Hopfener, Birgit Verfasser (DE-588)133931471 aut Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history Birgit Hopfener 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier In his installations Mont Sainte-Victoire (2012) and Another ‘The Other Story’ (2013), contemporary artist Li Ran, who is based in China, poses questions about art historiographical frameworks of modern and contemporary art from a locally situated, transcultural perspective. Engaging with Li Ran’s historiographic art, Birgit Hopfener explores how he positions himself as subject to certain ‘realities’ of Chinese politics and art education, and discourses of global contemporary art. For Hopfener, Li Ran’s artworks also raise larger questions about the need for the historian to take into account a multiplicity of historiographical perspectives and models when practising history and art history in the global context. She thus reads Li Ran’s focus on modern and contemporary art’s relation to time and temporal epistemologies through the lenses of the Chinese literati tradition and recent discussions of transnational cultural studies and global art history as a practice of translation.. The first section of her chapter examines Li Ran’s practice as multi-perspectival, transcultural, and situated in a particular geo-cultural context. The second part treats Li Ran’s works in the tradition of Chinese literati art as an exercise and conceptualization of global art history as translational historiography. Li, Ran 1986- (DE-588)1234184168 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Li, Ran 1986- (DE-588)1234184168 p China (DE-588)4009937-4 g Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Kunstwissenschaft (DE-588)4120632-0 s Globalisierung (DE-588)4557997-0 s DE-604 volume:Seite 149-160 year:2021 pages:149-160 History and art history / edited by Nicholas Chare and Mitchell B. Frank New York ; London, 2021 Band Seite 149-160 (2021), Seite 149-160 Routledge research in art history (DE-604)BV047123575 978-0-367-25601-2 |
| spellingShingle | Hopfener, Birgit Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history Li, Ran 1986- (DE-588)1234184168 gnd Globalisierung (DE-588)4557997-0 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)1234184168 (DE-588)4557997-0 (DE-588)4120632-0 (DE-588)4046514-7 (DE-588)4114333-4 (DE-588)4009937-4 |
| title | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history |
| title_auth | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history |
| title_exact_search | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history |
| title_exact_search_txtP | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history |
| title_full | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history Birgit Hopfener |
| title_fullStr | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history Birgit Hopfener |
| title_full_unstemmed | Still another, and yet another Li Ran's re-writings of art history - a translational historiographical approach to global art history Birgit Hopfener |
| title_short | Still another, and yet another |
| title_sort | still another and yet another li ran s re writings of art history a translational historiographical approach to global art history |
| title_sub | Li Ran's re-writings of art history - a translational historiographical approach to global art history |
| topic | Li, Ran 1986- (DE-588)1234184168 gnd Globalisierung (DE-588)4557997-0 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Li, Ran 1986- Globalisierung Kunstwissenschaft Politik Kunst China |
| work_keys_str_mv | AT hopfenerbirgit stillanotherandyetanotherliransrewritingsofarthistoryatranslationalhistoriographicalapproachtoglobalarthistory |