Taking stakes in the unknown: tracing Post-Black Art
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Pok...
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| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
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transcript
[2021]
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| Schriftenreihe: | Image
volume 180 |
| Schlagworte: | |
| Online-Zugang: | DE-634 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-703 DE-739 DE-898 Volltext |
| Zusammenfassung: | In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz |
| Beschreibung: | 1 Online-Ressource (228 Seiten) |
| ISBN: | 9783839452943 |
| DOI: | 10.14361/9783839452943 |
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| author | Adusei-Poku, Nana |
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| discipline | Kunstgeschichte |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
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| id | DE-604.BV047273918 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:14:54Z |
| indexdate | 2024-09-25T16:00:31Z |
| institution | BVB |
| isbn | 9783839452943 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032677575 |
| oclc_num | 1250468114 |
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| physical | 1 Online-Ressource (228 Seiten) |
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| series2 | Image |
| spelling | Adusei-Poku, Nana Verfasser (DE-588)1162342560 aut Taking stakes in the unknown tracing Post-Black Art Nana Adusei-Poku Bielefeld transcript [2021] © 2021 1 Online-Ressource (228 Seiten) txt rdacontent c rdamedia cr rdacarrier Image volume 180 Dissertation Humboldt-Universität zu Berlin 2015 In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz Metz, Philip 1971- (DE-588)123412080 gnd rswk-swf Bradford, Mark 1961- (DE-588)133634272 gnd rswk-swf Thomas, Hank Willis 1976- (DE-588)136818528 gnd rswk-swf Hewitt, Leslie 1977- (DE-588)140769382 gnd rswk-swf Thomas, Mickalene 1971- (DE-588)140505571 gnd rswk-swf African American Art Black Diaspora Art Black German Critical Race Art History Cultural Studies Fine Arts Gender Studies Gender Postcolonialism Theory of Art ART / Criticism bisacsh Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Engagierte Kunst (DE-588)4681311-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Bradford, Mark 1961- (DE-588)133634272 p Hewitt, Leslie 1977- (DE-588)140769382 p Thomas, Mickalene 1971- (DE-588)140505571 p Thomas, Hank Willis 1976- (DE-588)136818528 p Metz, Philip 1971- (DE-588)123412080 p Engagierte Kunst (DE-588)4681311-1 s Schwarze (DE-588)4116433-7 s Postkolonialismus (DE-588)4566658-1 s DE-604 Erscheint auch als Druck-Ausgabe 978-3-8376-5294-9 Image volume 180 (DE-604)BV042230377 180 https://doi.org/10.14361/9783839452943 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Adusei-Poku, Nana Taking stakes in the unknown tracing Post-Black Art Image Metz, Philip 1971- (DE-588)123412080 gnd Bradford, Mark 1961- (DE-588)133634272 gnd Thomas, Hank Willis 1976- (DE-588)136818528 gnd Hewitt, Leslie 1977- (DE-588)140769382 gnd Thomas, Mickalene 1971- (DE-588)140505571 gnd African American Art Black Diaspora Art Black German Critical Race Art History Cultural Studies Fine Arts Gender Studies Gender Postcolonialism Theory of Art ART / Criticism bisacsh Postkolonialismus (DE-588)4566658-1 gnd Schwarze (DE-588)4116433-7 gnd Engagierte Kunst (DE-588)4681311-1 gnd |
| subject_GND | (DE-588)123412080 (DE-588)133634272 (DE-588)136818528 (DE-588)140769382 (DE-588)140505571 (DE-588)4566658-1 (DE-588)4116433-7 (DE-588)4681311-1 (DE-588)4113937-9 |
| title | Taking stakes in the unknown tracing Post-Black Art |
| title_auth | Taking stakes in the unknown tracing Post-Black Art |
| title_exact_search | Taking stakes in the unknown tracing Post-Black Art |
| title_exact_search_txtP | Taking stakes in the unknown tracing Post-Black Art |
| title_full | Taking stakes in the unknown tracing Post-Black Art Nana Adusei-Poku |
| title_fullStr | Taking stakes in the unknown tracing Post-Black Art Nana Adusei-Poku |
| title_full_unstemmed | Taking stakes in the unknown tracing Post-Black Art Nana Adusei-Poku |
| title_short | Taking stakes in the unknown |
| title_sort | taking stakes in the unknown tracing post black art |
| title_sub | tracing Post-Black Art |
| topic | Metz, Philip 1971- (DE-588)123412080 gnd Bradford, Mark 1961- (DE-588)133634272 gnd Thomas, Hank Willis 1976- (DE-588)136818528 gnd Hewitt, Leslie 1977- (DE-588)140769382 gnd Thomas, Mickalene 1971- (DE-588)140505571 gnd African American Art Black Diaspora Art Black German Critical Race Art History Cultural Studies Fine Arts Gender Studies Gender Postcolonialism Theory of Art ART / Criticism bisacsh Postkolonialismus (DE-588)4566658-1 gnd Schwarze (DE-588)4116433-7 gnd Engagierte Kunst (DE-588)4681311-1 gnd |
| topic_facet | Metz, Philip 1971- Bradford, Mark 1961- Thomas, Hank Willis 1976- Hewitt, Leslie 1977- Thomas, Mickalene 1971- African American Art Black Diaspora Art Black German Critical Race Art History Cultural Studies Fine Arts Gender Studies Gender Postcolonialism Theory of Art ART / Criticism Postkolonialismus Schwarze Engagierte Kunst Hochschulschrift |
| url | https://doi.org/10.14361/9783839452943 |
| volume_link | (DE-604)BV042230377 |
| work_keys_str_mv | AT aduseipokunana takingstakesintheunknowntracingpostblackart |