Female Spectacle: The Theatrical Roots of Modern Feminism
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Explo...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Susan Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021) |
| Beschreibung: | 1 online resource (336 pages) |
| ISBN: | 9780674037663 |
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| 520 | |a When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Susan Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism | ||
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| spelling | Glenn, Susan A. Verfasser aut Female Spectacle The Theatrical Roots of Modern Feminism Susan A. Glenn Cambridge, MA Harvard University Press [2021] © 2000 1 online resource (336 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021) When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women." Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Susan Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism In English PERFORMING ARTS / Theater / History & Criticism bisacsh Actresses United States Biography Feminism and theater United States Women in the theater United States History 19th century Women in the theater United States History 20th century https://www.degruyter.com/isbn/9780674037663 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Glenn, Susan A. Female Spectacle The Theatrical Roots of Modern Feminism PERFORMING ARTS / Theater / History & Criticism bisacsh Actresses United States Biography Feminism and theater United States Women in the theater United States History 19th century Women in the theater United States History 20th century |
| title | Female Spectacle The Theatrical Roots of Modern Feminism |
| title_auth | Female Spectacle The Theatrical Roots of Modern Feminism |
| title_exact_search | Female Spectacle The Theatrical Roots of Modern Feminism |
| title_exact_search_txtP | Female Spectacle The Theatrical Roots of Modern Feminism |
| title_full | Female Spectacle The Theatrical Roots of Modern Feminism Susan A. Glenn |
| title_fullStr | Female Spectacle The Theatrical Roots of Modern Feminism Susan A. Glenn |
| title_full_unstemmed | Female Spectacle The Theatrical Roots of Modern Feminism Susan A. Glenn |
| title_short | Female Spectacle |
| title_sort | female spectacle the theatrical roots of modern feminism |
| title_sub | The Theatrical Roots of Modern Feminism |
| topic | PERFORMING ARTS / Theater / History & Criticism bisacsh Actresses United States Biography Feminism and theater United States Women in the theater United States History 19th century Women in the theater United States History 20th century |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism Actresses United States Biography Feminism and theater United States Women in the theater United States History 19th century Women in the theater United States History 20th century |
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