The pragmatics of fiction: literature, stage and screen discourse
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2021
|
| Schriftenreihe: | Edinburgh textbooks on the English language - advanced
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvii, 275 Seiten |
| ISBN: | 9781474447935 9781474447942 |
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Datensatz im Suchindex
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| adam_text | Contents List offigures and tables To readers Acknowledgements Transcription conventions Part I: ix xi xiii xv The pragmatics of fiction as communication 1 Fiction and pragmatics 1.1 Introduction 1.2 The scope of fiction 1.3 The scope of pragmatics 1.4 The levels of communication in fiction 1.5 Fictional data for pragmatic research 1.6 The aims of this textbook Key concepts Exercises Further reading 3 3 4 6 8 10 11 13 13 13 2 Fiction and non-fiction 2.1 Introduction 2.2 Fictional utterances as‘non-serious’speech acts 2.3 Literary models of fiction 2.4 A pragmatic model of fiction 2.5 Fictitious worlds and their extensions 2.6 Conclusions Key concepts Exercises Further reading 15 15 17 19 22 27 33 34 34 35 3 Literature as communication 3.1 Introduction 36 36 v
vi THE PRAGMATICS OF FICTION 3.2 Communicating literature 3.3 Participation structure: the recipients 3.4 Participation structure: the creators 3.5 The complexities of performed fiction 3.6 The audience talking back 3.7 Conclusions Key concepts Exercises Further reading Part II: 4 5 6 CONTENTS 37 41 49 51 55 56 56 57 58 The pragmatics of story worlds Genres of fiction 4.1 Introduction 4.2 Structures of expectation in face-to-face communication 4.3 Structures of expectation in written communication 4.4 Structures of expectation in fiction 4.5 Frames within frames: intradiegetic and extradiegetic 4.6 Conclusions Key concepts Exercises Further reading 61 61 The narrative core 5.1 Introduction 5.2 Stories as fundamental meaning making units in discourse 5.3 Stories in fiction: from starting point to intertextuality 5.4 Stories in fiction: story world and narratorial voice 5.5 Conclusions Key concepts Exercises Further reading 77 77 Character creation 6.1 Introduction 6.2 Multimodal cues in character creation 6.3 Contrasts: regional, social and ethnic variation in past and present 98 98 99 6.4 Multilingualism infictional character creation 6.5 Alienation effects: past and future 6.6 Translation challenges for character positioning 6.7 Conclusions Key concepts Exercises Further reading 7 The performance of fiction 7.1 Introduction 7.2 The role of dialogue in fiction 7.3 Planning, production and interaction 7.4 Features of orality 7.5 Conclusions Key concepts Exercises Further reading 125 125 127 135 139 146 147 148 149 8 Relational work and (im/politeness) ideologies 8.1
Introduction 8.2 Relational work and (character) identity construction 8.3 Relational work in fiction 8.4 Fiction as locus for discursive im/politeness ideologies 8.5 Censuring and manufacturing 8.6 Conclusions Key concepts Exercises Further reading 150 150 153 158 162 166 170 171 171 172 The language of emotion 9.1 Introduction 9.2 The nature of emotions 9.3 Two modes of presenting emotions in fiction 9.4 Emotion cues in fiction 9.5 The paradox of fiction: real and fake emotions 9.6 Conclusions Key concepts Exercises Further reading 173 173 175 177 180 189 192 194 194 195 78 84 88 95 96 96 97 103 112 116 118 118 119 119 121 Part III: Themes in the pragmatics of fiction 61 64 65 71 73 74 74 75 VÜ 9
viii THE PRAGMATICS OF FICTION 10 Poetic language 10.1 Introduction 10.2 Poetic effects 10.3 Metaphors 10.4 Irony 10.5 Conclusions Key concepts Exercises Further reading 196 196 197 207 214 220 221 221 222 11 Fiction, pragmatics and future research 11.1 Introduction 11.2 Fact, fiction and thefictional contract 11.3 Distinctive pragmatic features of fiction 11.4 Outlook and future research Exercises Further reading 224 224 226 230 235 237 238 Glossary Bibliography Literary sources Movies and television series Dictionaries and corpora Websites References 239 257 257 258 259 259 259 Index 271
|
| adam_txt |
Contents List offigures and tables To readers Acknowledgements Transcription conventions Part I: ix xi xiii xv The pragmatics of fiction as communication 1 Fiction and pragmatics 1.1 Introduction 1.2 The scope of fiction 1.3 The scope of pragmatics 1.4 The levels of communication in fiction 1.5 Fictional data for pragmatic research 1.6 The aims of this textbook Key concepts Exercises Further reading 3 3 4 6 8 10 11 13 13 13 2 Fiction and non-fiction 2.1 Introduction 2.2 Fictional utterances as‘non-serious’speech acts 2.3 Literary models of fiction 2.4 A pragmatic model of fiction 2.5 Fictitious worlds and their extensions 2.6 Conclusions Key concepts Exercises Further reading 15 15 17 19 22 27 33 34 34 35 3 Literature as communication 3.1 Introduction 36 36 v
vi THE PRAGMATICS OF FICTION 3.2 Communicating literature 3.3 Participation structure: the recipients 3.4 Participation structure: the creators 3.5 The complexities of performed fiction 3.6 The audience talking back 3.7 Conclusions Key concepts Exercises Further reading Part II: 4 5 6 CONTENTS 37 41 49 51 55 56 56 57 58 The pragmatics of story worlds Genres of fiction 4.1 Introduction 4.2 Structures of expectation in face-to-face communication 4.3 Structures of expectation in written communication 4.4 Structures of expectation in fiction 4.5 Frames within frames: intradiegetic and extradiegetic 4.6 Conclusions Key concepts Exercises Further reading 61 61 The narrative core 5.1 Introduction 5.2 Stories as fundamental meaning making units in discourse 5.3 Stories in fiction: from starting point to intertextuality 5.4 Stories in fiction: story world and narratorial voice 5.5 Conclusions Key concepts Exercises Further reading 77 77 Character creation 6.1 Introduction 6.2 Multimodal cues in character creation 6.3 Contrasts: regional, social and ethnic variation in past and present 98 98 99 6.4 Multilingualism infictional character creation 6.5 Alienation effects: past and future 6.6 Translation challenges for character positioning 6.7 Conclusions Key concepts Exercises Further reading 7 The performance of fiction 7.1 Introduction 7.2 The role of dialogue in fiction 7.3 Planning, production and interaction 7.4 Features of orality 7.5 Conclusions Key concepts Exercises Further reading 125 125 127 135 139 146 147 148 149 8 Relational work and (im/politeness) ideologies 8.1
Introduction 8.2 Relational work and (character) identity construction 8.3 Relational work in fiction 8.4 Fiction as locus for discursive im/politeness ideologies 8.5 Censuring and manufacturing 8.6 Conclusions Key concepts Exercises Further reading 150 150 153 158 162 166 170 171 171 172 The language of emotion 9.1 Introduction 9.2 The nature of emotions 9.3 Two modes of presenting emotions in fiction 9.4 Emotion cues in fiction 9.5 The paradox of fiction: real and fake emotions 9.6 Conclusions Key concepts Exercises Further reading 173 173 175 177 180 189 192 194 194 195 78 84 88 95 96 96 97 103 112 116 118 118 119 119 121 Part III: Themes in the pragmatics of fiction 61 64 65 71 73 74 74 75 VÜ 9
viii THE PRAGMATICS OF FICTION 10 Poetic language 10.1 Introduction 10.2 Poetic effects 10.3 Metaphors 10.4 Irony 10.5 Conclusions Key concepts Exercises Further reading 196 196 197 207 214 220 221 221 222 11 Fiction, pragmatics and future research 11.1 Introduction 11.2 Fact, fiction and thefictional contract 11.3 Distinctive pragmatic features of fiction 11.4 Outlook and future research Exercises Further reading 224 224 226 230 235 237 238 Glossary Bibliography Literary sources Movies and television series Dictionaries and corpora Websites References 239 257 257 258 259 259 259 Index 271 |
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| spelling | Locher, Miriam A. 1972- Verfasser (DE-588)1053252099 aut The pragmatics of fiction literature, stage and screen discourse Miriam A. Locher and Andreas H. Jucker Edinburgh Edinburgh University Press 2021 xvii, 275 Seiten txt rdacontent n rdamedia nc rdacarrier Edinburgh textbooks on the English language - advanced English fiction Pragmatics Englisch (DE-588)4014777-0 gnd rswk-swf Literatursprache (DE-588)4284306-6 gnd rswk-swf Pragmatik (DE-588)4076315-8 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Englisch (DE-588)4014777-0 s Literatursprache (DE-588)4284306-6 s Pragmatik (DE-588)4076315-8 s DE-604 Jucker, Andreas H. 1957- Verfasser (DE-588)121465845 aut Erscheint auch als Online-Ausgabe, PDF 978-1-4744-4795-9 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-4796-6 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032670549&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Locher, Miriam A. 1972- Jucker, Andreas H. 1957- The pragmatics of fiction literature, stage and screen discourse English fiction Pragmatics Englisch (DE-588)4014777-0 gnd Literatursprache (DE-588)4284306-6 gnd Pragmatik (DE-588)4076315-8 gnd |
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| title | The pragmatics of fiction literature, stage and screen discourse |
| title_auth | The pragmatics of fiction literature, stage and screen discourse |
| title_exact_search | The pragmatics of fiction literature, stage and screen discourse |
| title_exact_search_txtP | The pragmatics of fiction literature, stage and screen discourse |
| title_full | The pragmatics of fiction literature, stage and screen discourse Miriam A. Locher and Andreas H. Jucker |
| title_fullStr | The pragmatics of fiction literature, stage and screen discourse Miriam A. Locher and Andreas H. Jucker |
| title_full_unstemmed | The pragmatics of fiction literature, stage and screen discourse Miriam A. Locher and Andreas H. Jucker |
| title_short | The pragmatics of fiction |
| title_sort | the pragmatics of fiction literature stage and screen discourse |
| title_sub | literature, stage and screen discourse |
| topic | English fiction Pragmatics Englisch (DE-588)4014777-0 gnd Literatursprache (DE-588)4284306-6 gnd Pragmatik (DE-588)4076315-8 gnd |
| topic_facet | English fiction Pragmatics Englisch Literatursprache Pragmatik Lehrbuch |
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