Remaking Red Classics in post-Mao China: TV drama as popular media
"In the 1990s, China's economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high Socialist era were widely taken up again in television drama ada...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Rowman & Littlefield
[2021]
|
| Schriftenreihe: | Media, culture and communication in Asia-Pacific societies
|
| Schlagworte: | |
| Zusammenfassung: | "In the 1990s, China's economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high Socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender and locality in contemporary China"-- |
| Beschreibung: | xxiv, 181 Seiten 24 cm |
| ISBN: | 9781786609250 |
Internformat
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| 245 | 1 | 0 | |a Remaking Red Classics in post-Mao China |b TV drama as popular media |c Qian Gong |
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| 300 | |a xxiv, 181 Seiten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Media, culture and communication in Asia-Pacific societies | |
| 505 | 8 | |a Introduction: revolution and TV drama: the uneasy bedfellows in the Reform Era -- TV dramas as market commodities, cultural artifacts and social practices -- Hybridising the Red Classics in post-Mao China: the production and consumption context -- From chief to chef: remoulding heroes -- Getting the right mix: revolutionary women and contemporary feminity -- Living Red: production, consumptin and local memory of Revolutionary culture in Linyi -- The questions of faith in TV drama series -- Conclusion | |
| 520 | 3 | |a "In the 1990s, China's economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high Socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender and locality in contemporary China"-- | |
| 648 | 7 | |a Geschichte 1990-2009 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Revolution |g Motiv |0 (DE-588)4177942-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fernsehserie |0 (DE-588)4154072-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a China |0 (DE-588)4009937-4 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Television programs / Social aspects / China / History | |
| 653 | 0 | |a Communism and culture / China | |
| 653 | 0 | |a Communism and culture | |
| 653 | 0 | |a Television programs / Social aspects | |
| 653 | 2 | |a China | |
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| 689 | 0 | 3 | |a Geschichte 1990-2009 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781786609267 |
| 940 | 1 | |q BSB_NED_20210723 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032668823 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09049 |g 51 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090511 |g 51 |
Datensatz im Suchindex
| _version_ | 1804182417324376064 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Gong, Qian |
| author_GND | (DE-588)1134998171 |
| author_facet | Gong, Qian |
| author_role | aut |
| author_sort | Gong, Qian |
| author_variant | q g qg |
| building | Verbundindex |
| bvnumber | BV047265040 |
| classification_rvk | AP 19620 MS 7960 |
| contents | Introduction: revolution and TV drama: the uneasy bedfellows in the Reform Era -- TV dramas as market commodities, cultural artifacts and social practices -- Hybridising the Red Classics in post-Mao China: the production and consumption context -- From chief to chef: remoulding heroes -- Getting the right mix: revolutionary women and contemporary feminity -- Living Red: production, consumptin and local memory of Revolutionary culture in Linyi -- The questions of faith in TV drama series -- Conclusion |
| ctrlnum | (OCoLC)1258964847 (DE-599)BVBBV047265040 |
| discipline | Allgemeines Soziologie |
| discipline_str_mv | Allgemeines Soziologie |
| era | Geschichte 1990-2009 gnd |
| era_facet | Geschichte 1990-2009 |
| format | Book |
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| id | DE-604.BV047265040 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:12:21Z |
| indexdate | 2024-07-10T09:07:13Z |
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| isbn | 9781786609250 |
| language | English |
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| series2 | Media, culture and communication in Asia-Pacific societies |
| spelling | Gong, Qian Verfasser (DE-588)1134998171 aut Remaking Red Classics in post-Mao China TV drama as popular media Qian Gong London ; New York Rowman & Littlefield [2021] xxiv, 181 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Media, culture and communication in Asia-Pacific societies Introduction: revolution and TV drama: the uneasy bedfellows in the Reform Era -- TV dramas as market commodities, cultural artifacts and social practices -- Hybridising the Red Classics in post-Mao China: the production and consumption context -- From chief to chef: remoulding heroes -- Getting the right mix: revolutionary women and contemporary feminity -- Living Red: production, consumptin and local memory of Revolutionary culture in Linyi -- The questions of faith in TV drama series -- Conclusion "In the 1990s, China's economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high Socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender and locality in contemporary China"-- Geschichte 1990-2009 gnd rswk-swf Revolution Motiv (DE-588)4177942-3 gnd rswk-swf Fernsehserie (DE-588)4154072-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Television programs / Social aspects / China / History Communism and culture / China Communism and culture Television programs / Social aspects China History China (DE-588)4009937-4 g Fernsehserie (DE-588)4154072-4 s Revolution Motiv (DE-588)4177942-3 s Geschichte 1990-2009 z DE-604 Erscheint auch als Online-Ausgabe 9781786609267 |
| spellingShingle | Gong, Qian Remaking Red Classics in post-Mao China TV drama as popular media Introduction: revolution and TV drama: the uneasy bedfellows in the Reform Era -- TV dramas as market commodities, cultural artifacts and social practices -- Hybridising the Red Classics in post-Mao China: the production and consumption context -- From chief to chef: remoulding heroes -- Getting the right mix: revolutionary women and contemporary feminity -- Living Red: production, consumptin and local memory of Revolutionary culture in Linyi -- The questions of faith in TV drama series -- Conclusion Revolution Motiv (DE-588)4177942-3 gnd Fernsehserie (DE-588)4154072-4 gnd |
| subject_GND | (DE-588)4177942-3 (DE-588)4154072-4 (DE-588)4009937-4 |
| title | Remaking Red Classics in post-Mao China TV drama as popular media |
| title_auth | Remaking Red Classics in post-Mao China TV drama as popular media |
| title_exact_search | Remaking Red Classics in post-Mao China TV drama as popular media |
| title_exact_search_txtP | Remaking Red Classics in post-Mao China TV drama as popular media |
| title_full | Remaking Red Classics in post-Mao China TV drama as popular media Qian Gong |
| title_fullStr | Remaking Red Classics in post-Mao China TV drama as popular media Qian Gong |
| title_full_unstemmed | Remaking Red Classics in post-Mao China TV drama as popular media Qian Gong |
| title_short | Remaking Red Classics in post-Mao China |
| title_sort | remaking red classics in post mao china tv drama as popular media |
| title_sub | TV drama as popular media |
| topic | Revolution Motiv (DE-588)4177942-3 gnd Fernsehserie (DE-588)4154072-4 gnd |
| topic_facet | Revolution Motiv Fernsehserie China |
| work_keys_str_mv | AT gongqian remakingredclassicsinpostmaochinatvdramaaspopularmedia |