Dante's Paradiso and the theological origins of modern thought: toward a speculative philosophy of self-reflection
"Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante's lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London
Routledge
2021
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| Schriftenreihe: | Routledge interdisciplinary perspectives on literature
131 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante's lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can also lead to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante's thought and work indicate an alternative modernity along the path not taken. This alternative shows up in Nicholas of Cusa's conjectural science and in Giambattista Vico's new science of imagination as alternatives to positive empirical science. In continuity with Dante's vision, they contribute to a reappropriation of self-reflection for the humanities"-- |
| Beschreibung: | xix, 344 Seiten Illustrationen 24 cm |
| ISBN: | 9780367714666 |
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| 505 | 8 | |a Introduction: The theological apotheosis of lyric in Dante's Paradiso -- Self-reflexion and lyricism in the Paradiso -- The Paradiso's theology of language and its lyric origins : out of the abyss -- Self-reflection on the threshold between the Middle Ages and modernity : a theological genealogy of the birthing of modernity as the age of representation -- The origin of language in reflection and the breaking of its circuits : overcoming the age of representation through repetition -- Self-reflection, speculation, and revelation : modern philosophy and the linguistic way to wisdom in western tradition -- Dante's redemption of Narcissus and the spiritual vocation of poetry as an exercise in self-reflection -- Epilogue: Reflexive stylistics in the language of Paradiso | |
| 520 | 3 | |a "Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante's lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can also lead to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante's thought and work indicate an alternative modernity along the path not taken. This alternative shows up in Nicholas of Cusa's conjectural science and in Giambattista Vico's new science of imagination as alternatives to positive empirical science. In continuity with Dante's vision, they contribute to a reappropriation of self-reflection for the humanities"-- | |
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| adam_text | Contents Prologue Acknowledgments Introduction: The Theological Apotheosis of Lyric in Dante’s Paradiso 1 Self-Reflexion and Lyricism in the Paradiso Lyric Poetics of Presence through Self-Reflection in the Paradiso 5 Narcissus and the Reality of Reflection 8 Metaphorical Poetics of Invisible Presence 11 From Formalist Poetics to the Paradise of Poetic Language 16 2 Orientation to Philosophical Logics and Rhetorics of Self-Reflexivity 3 Self Reflexive Lyricism and Ineffability Self-Reflexivity as an Eminent Way of Theological Transcendence 27 Language of the Other as Reflection of Trinitarian and Incarnational Theology 29 PARTI The Paradise s Theology of Language and its Lyric Origins: Out of the Abyss 4 The Self-Reflexive Trinitarian Structure of God and Creation The Self-Reflective Structure of Language Made Manifest 37 The Abyss of Godhead and the Self-Reflexive Being of Language 39
viii Contents 5 Beyond Representation—Origins of Lyric Reflection in Nothing 42 Troubadour Origins of Lyric Self-Transcendence in Nothing 43 Social Dimension and Sitz-im-Leben of Troubadour Lyric 46 Primary Narcissism or the Death Duel of Self with Nothing 49 6 The Circularity of Song—and its Mystic Upshot 53 7 Self-Reflexive Fulfillment in Lyric Tradition and its Theological Troping by Dante 56 8 The Lark Motif and its Echoes 59 Ontological Resonances of Self-Reflection 63 9 An Otherness Beyond Objective Representation and Reference 10 The Mother Bird’s Vigil—Canto XXIII and the Lyric Circle Lyrical Self-Reflexiveness as Foretaste of Paradise 74 Lyric Self-Reflection and the Creation of Time 77 11 Ineffability in the Round—and its Breakthrough Circles of (Self-)Reflection from the Core of Creation 67 70 80 to the Trinitarian Godhead 83 The Broken-Open Circle or Chiasmus 84 12 The Substance of Creation as Divine Self-Reflection 86 Self-Reflexivity as Trinitarian and Incarnational 90 13 Eclipse of Trinity and Incarnation as Models of Transcendence through Self-Reflection 14 Narcissus and his Redemption by Dante Divine Narcissus 101 93 96
Contents ix PART Π Self-Reflection on the Threshold between the Middle Ages and Modernity: A Theological Genealogy of the Birthing of Modernity as the Age of Representation 105 15 Self-Reflective Refoundation of Consciousness in Philosophy 107 16 From Postmodern to Premodern Critique of Self-Reflection—Egolology versus Theology 113 17 Self-Reflection in the Turning from Medieval to Modern Epistemology 117 18 Crisis of Conflicting Worldviews and Duns Seotus Duns’s Original Concept—Univocal Being 122 121 19 Toward the Self-Reflexive Formation of Transcendental Concepts 124 20 Severance of Theory from Practice, Disentangling of Infinite from Finite, by Transcendental Reflection 127 21 Scotus’s Discovery of a New Path for Metaphysics— Intensities of Being 129 22 Scotus’s Formal Distinction 132 23 The Intensional Object of Onto-theology as Transcendental Science 134 24 Phenomenological Reduction and the Univocity of Being 137 25 The Epistemological Turn in the Formal Understanding of Being 140 26 Signification of the Real and an Autonomous Sphere for Representation 143 27 Objective Representation—Beyond Naming and Desiring the Divine The Good as Sought through Will without Intellect—Subjectivity 149 146
x Contents 28 Conceptual Production of “Objective” Being—The Way of Representation 151 The Paradigm of Representation and Dante’s Alternative Version 152 29 From Logical (Dis)Analogy to Imaginative Conjecture versus the Forgetting of Being 156 30 Reflective Repetition Realized in the Supersensible Reality of Willing 160 31 Fichte’s Absolutization—and Overcoming—of Self-Reflection 162 Fichte’s Reversal of Reflection into Revelation 164 From Religious to Poetic Revelation—Novalis, Schlegel, Schelling, Hölderlin, and Hamann 166 32 From Analogy to Metaphor 169 Henry of Ghent and Analogical Imagination 169 Secular and Theological in Dante and Duns 170 33 Univocity as Ground of the Autonomy of the Secular 175 34 The Fate of Negative Theology inSeotus 178 35 Coda on Seotus and Modality 180 Possible Worlds and Possibility as Greater than Actuality 181 36 Arabic Epistemology of Reflectionof Transcendence 183 PART III The Origin of Language in Reflection and the Breaking of its Circuits: Overcoming the Age of Representation through Repetition 187 37 The Tradition of Self-Reflection and Modern SelfForgetting 189 Self-Negating and Self-Transcending Self-Reflection 191 38 The Original Event of Language in Modern Lyric Tradition The Individual and the Other—A Mirror Relation 197 194
Contents xi 39 The New Rhetoric of Reflexivity in Geoffrey de Vinsauf 200 40 Poetic Self-Referentiality as Creative Source—From Paradiso to les Symbolistes 203 41 The Paradox of Lyric as Song of the Self—Deflected to the Other 206 42 Self and Other between Order and Chance— Ambiguity in Lyric Language 208 43 Language beyond Representation—-Repetition and Per formativity 211 From Reference to Repetition—The Production of Presence 213 From Modern Philosophies of Repetition to Lyric as Non-Identical Repetition 214 44 Quest for the Origin of Language—From De vulgari eloquentia to the Paradiso 218 45 Dante’s Recovery of Speculative Metaphysics as Productive 221 46 Referentially Empty Signs and Semiotic Plenitude 223 47 Sum—Lyric as Self-Manifestation of Language and its Ontological Power of Creation 225 PART IV Self-Reflection, Speculation, and Revelation: Modern Philosophy and the Linguistic Way to Wisdom in Western Tradition 227 48 Lacanian Psychoanalytics of Self-love: From the In-fantile to the Divine 229 49 Formal Linguistic Approaches to Self-Reflexivity 234 Vindicating the Aesthetic Autonomy of the Linguistic Sign 234 Social and Theological Perspectives—Language as Fallen and as Resurrected 237
xii Contents 50 Formalist Theory of the Poem and Agamben’s “La fine del poema” 240 51 Self-Reflexivity and Self-Transcendence—Toward the Unknown 243 52 The Ambiguity of Self-Reflection in Contemporary Thought and History The Ambiguity of Self-Reflection as Means to 246 Self-Transcendence or as End-in-Itself 247 Critical Wisdom versus Technological Framing 2S0 Self-Reflection in the Tension between Science and Mysticism 251 53 The Historical Turn of Self-Reflection in Vico’s New Science 253 Dialectic and Coincidence of Secular and Sacred 255 Reflecting to the Origins of Thinking 257 Self-Reflective Imagining of the Unknowable: From Vico to Dante 258 The Unknown and One’s Own Limits 259 Cyclical Repetition of Birth to Humanity and Barbarism 262 54 Self-Reflexivity in Paradiso and the Secular Destiny of the West 265 Gay Science as Immediacy of Self-Reflective Knowing 269 55 Language as Speculative Mirroring of the Whole of Being in the Word—Gadamer 272 56 From Philosophical Idealism to Linguistic Ontology 276 57 Language as Revelation or Revealment 278 58 Language as Disclosure in Lyric Time—Heidegger, Heraclitus, and Unconcealment 280 Revelation and Re-Veiling—From Purgatorio XXIX-XXXIII to Paradiso 282
Contents xiii PART V Dante’s Redemption of Narcissus and the Spiritual Vocation of Poetry as an Exercise in Self-Reflection 287 59 Lyric Subjectivity and Narcissism—Totalization and Transcendence 289 Lyric Poetics and Psychoanalytical Subjectification 292 From Lyric Idealization to Epic Spiritual Journey of Self-Perfection 294 60 Narcissus Redeemed—Positive Precedents from Plotinus 297 61 Lyric Self-Reflection and the Subversion of the Proper 301 62 Lyric Language as Spiritual Knowledge in its Sensual Immediacy—Orphic Echoes 304 63 The Exaltation of Technique in the Troubadours and in Dante’s Stony Rhymes 307 64 Lyric Reflexivity in Panoptie Historical-Philosophical Perspective—Troubadours, Christianity, and Romanticism 312 65 Romantic Singularity as a New Universal Reflexivity 316 66 Dante’s Narcissus Redeemed—A Perennial Paradigm for Contemporary Thought 321 Epilogue: Reflexive Stylistics in the Language of Paradiso 324 Postscript on Method: From Genealogy to Apophatics Index 333 335
|
| adam_txt |
Contents Prologue Acknowledgments Introduction: The Theological Apotheosis of Lyric in Dante’s Paradiso 1 Self-Reflexion and Lyricism in the Paradiso Lyric Poetics of Presence through Self-Reflection in the Paradiso 5 Narcissus and the Reality of Reflection 8 Metaphorical Poetics of Invisible Presence 11 From Formalist Poetics to the Paradise of Poetic Language 16 2 Orientation to Philosophical Logics and Rhetorics of Self-Reflexivity 3 Self'Reflexive Lyricism and Ineffability Self-Reflexivity as an Eminent Way of Theological Transcendence 27 Language of the Other as Reflection of Trinitarian and Incarnational Theology 29 PARTI The Paradise's Theology of Language and its Lyric Origins: Out of the Abyss 4 The Self-Reflexive Trinitarian Structure of God and Creation The Self-Reflective Structure of Language Made Manifest 37 The Abyss of Godhead and the Self-Reflexive Being of Language 39
viii Contents 5 Beyond Representation—Origins of Lyric Reflection in Nothing 42 Troubadour Origins of Lyric Self-Transcendence in Nothing 43 Social Dimension and Sitz-im-Leben of Troubadour Lyric 46 Primary Narcissism or the Death Duel of Self with Nothing 49 6 The Circularity of Song—and its Mystic Upshot 53 7 Self-Reflexive Fulfillment in Lyric Tradition and its Theological Troping by Dante 56 8 The Lark Motif and its Echoes 59 Ontological Resonances of Self-Reflection 63 9 An Otherness Beyond Objective Representation and Reference 10 The Mother Bird’s Vigil—Canto XXIII and the Lyric Circle Lyrical Self-Reflexiveness as Foretaste of Paradise 74 Lyric Self-Reflection and the Creation of Time 77 11 Ineffability in the Round—and its Breakthrough Circles of (Self-)Reflection from the Core of Creation 67 70 80 to the Trinitarian Godhead 83 The Broken-Open Circle or Chiasmus 84 12 The Substance of Creation as Divine Self-Reflection 86 Self-Reflexivity as Trinitarian and Incarnational 90 13 Eclipse of Trinity and Incarnation as Models of Transcendence through Self-Reflection 14 Narcissus and his Redemption by Dante Divine Narcissus 101 93 96
Contents ix PART Π Self-Reflection on the Threshold between the Middle Ages and Modernity: A Theological Genealogy of the Birthing of Modernity as the Age of Representation 105 15 Self-Reflective Refoundation of Consciousness in Philosophy 107 16 From Postmodern to Premodern Critique of Self-Reflection—Egolology versus Theology 113 17 Self-Reflection in the Turning from Medieval to Modern Epistemology 117 18 Crisis of Conflicting Worldviews and Duns Seotus Duns’s Original Concept—Univocal Being 122 121 19 Toward the Self-Reflexive Formation of Transcendental Concepts 124 20 Severance of Theory from Practice, Disentangling of Infinite from Finite, by Transcendental Reflection 127 21 Scotus’s Discovery of a New Path for Metaphysics— Intensities of Being 129 22 Scotus’s Formal Distinction 132 23 The Intensional Object of Onto-theology as Transcendental Science 134 24 Phenomenological Reduction and the Univocity of Being 137 25 The Epistemological Turn in the Formal Understanding of Being 140 26 Signification of the Real and an Autonomous Sphere for Representation 143 27 Objective Representation—Beyond Naming and Desiring the Divine The Good as Sought through Will without Intellect—Subjectivity 149 146
x Contents 28 Conceptual Production of “Objective” Being—The Way of Representation 151 The Paradigm of Representation and Dante’s Alternative Version 152 29 From Logical (Dis)Analogy to Imaginative Conjecture versus the Forgetting of Being 156 30 Reflective Repetition Realized in the Supersensible Reality of Willing 160 31 Fichte’s Absolutization—and Overcoming—of Self-Reflection 162 Fichte’s Reversal of Reflection into Revelation 164 From Religious to Poetic Revelation—Novalis, Schlegel, Schelling, Hölderlin, and Hamann 166 32 From Analogy to Metaphor 169 Henry of Ghent and Analogical Imagination 169 Secular and Theological in Dante and Duns 170 33 Univocity as Ground of the Autonomy of the Secular 175 34 The Fate of Negative Theology inSeotus 178 35 Coda on Seotus and Modality 180 Possible Worlds and Possibility as Greater than Actuality 181 36 Arabic Epistemology of Reflectionof Transcendence 183 PART III The Origin of Language in Reflection and the Breaking of its Circuits: Overcoming the Age of Representation through Repetition 187 37 The Tradition of Self-Reflection and Modern SelfForgetting 189 Self-Negating and Self-Transcending Self-Reflection 191 38 The Original Event of Language in Modern Lyric Tradition The Individual and the Other—A Mirror Relation 197 194
Contents xi 39 The New Rhetoric of Reflexivity in Geoffrey de Vinsauf 200 40 Poetic Self-Referentiality as Creative Source—From Paradiso to les Symbolistes 203 41 The Paradox of Lyric as Song of the Self—Deflected to the Other 206 42 Self and Other between Order and Chance— Ambiguity in Lyric Language 208 43 Language beyond Representation—-Repetition and Per formativity 211 From Reference to Repetition—The Production of Presence 213 From Modern Philosophies of Repetition to Lyric as Non-Identical Repetition 214 44 Quest for the Origin of Language—From De vulgari eloquentia to the Paradiso 218 45 Dante’s Recovery of Speculative Metaphysics as Productive 221 46 Referentially Empty Signs and Semiotic Plenitude 223 47 Sum—Lyric as Self-Manifestation of Language and its Ontological Power of Creation 225 PART IV Self-Reflection, Speculation, and Revelation: Modern Philosophy and the Linguistic Way to Wisdom in Western Tradition 227 48 Lacanian Psychoanalytics of Self-love: From the In-fantile to the Divine 229 49 Formal Linguistic Approaches to Self-Reflexivity 234 Vindicating the Aesthetic Autonomy of the Linguistic Sign 234 Social and Theological Perspectives—Language as Fallen and as Resurrected 237
xii Contents 50 Formalist Theory of the Poem and Agamben’s “La fine del poema” 240 51 Self-Reflexivity and Self-Transcendence—Toward the Unknown 243 52 The Ambiguity of Self-Reflection in Contemporary Thought and History The Ambiguity of Self-Reflection as Means to 246 Self-Transcendence or as End-in-Itself 247 Critical Wisdom versus Technological Framing 2S0 Self-Reflection in the Tension between Science and Mysticism 251 53 The Historical Turn of Self-Reflection in Vico’s New Science 253 Dialectic and Coincidence of Secular and Sacred 255 Reflecting to the Origins of Thinking 257 Self-Reflective Imagining of the Unknowable: From Vico to Dante 258 The Unknown and One’s Own Limits 259 Cyclical Repetition of Birth to Humanity and Barbarism 262 54 Self-Reflexivity in Paradiso and the Secular Destiny of the West 265 Gay Science as Immediacy of Self-Reflective Knowing 269 55 Language as Speculative Mirroring of the Whole of Being in the Word—Gadamer 272 56 From Philosophical Idealism to Linguistic Ontology 276 57 Language as Revelation or Revealment 278 58 Language as Disclosure in Lyric Time—Heidegger, Heraclitus, and Unconcealment 280 Revelation and Re-Veiling—From Purgatorio XXIX-XXXIII to Paradiso 282
Contents xiii PART V Dante’s Redemption of Narcissus and the Spiritual Vocation of Poetry as an Exercise in Self-Reflection 287 59 Lyric Subjectivity and Narcissism—Totalization and Transcendence 289 Lyric Poetics and Psychoanalytical Subjectification 292 From Lyric Idealization to Epic Spiritual Journey of Self-Perfection 294 60 Narcissus Redeemed—Positive Precedents from Plotinus 297 61 Lyric Self-Reflection and the Subversion of the Proper 301 62 Lyric Language as Spiritual Knowledge in its Sensual Immediacy—Orphic Echoes 304 63 The Exaltation of Technique in the Troubadours and in Dante’s Stony Rhymes 307 64 Lyric Reflexivity in Panoptie Historical-Philosophical Perspective—Troubadours, Christianity, and Romanticism 312 65 Romantic Singularity as a New Universal Reflexivity 316 66 Dante’s Narcissus Redeemed—A Perennial Paradigm for Contemporary Thought 321 Epilogue: Reflexive Stylistics in the Language of Paradiso 324 Postscript on Method: From Genealogy to Apophatics Index 333 335 |
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| contents | Introduction: The theological apotheosis of lyric in Dante's Paradiso -- Self-reflexion and lyricism in the Paradiso -- The Paradiso's theology of language and its lyric origins : out of the abyss -- Self-reflection on the threshold between the Middle Ages and modernity : a theological genealogy of the birthing of modernity as the age of representation -- The origin of language in reflection and the breaking of its circuits : overcoming the age of representation through repetition -- Self-reflection, speculation, and revelation : modern philosophy and the linguistic way to wisdom in western tradition -- Dante's redemption of Narcissus and the spiritual vocation of poetry as an exercise in self-reflection -- Epilogue: Reflexive stylistics in the language of Paradiso |
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| id | DE-604.BV047264735 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:12:16Z |
| indexdate | 2024-07-10T09:07:12Z |
| institution | BVB |
| isbn | 9780367714666 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032668524 |
| oclc_num | 1229091253 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xix, 344 Seiten Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge interdisciplinary perspectives on literature |
| series2 | Routledge interdisciplinary perspectives on literature |
| spelling | Franke, William 1956- Verfasser (DE-588)143533223 aut Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection William Franke New York, NY ; London Routledge 2021 xix, 344 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge interdisciplinary perspectives on literature 131 Introduction: The theological apotheosis of lyric in Dante's Paradiso -- Self-reflexion and lyricism in the Paradiso -- The Paradiso's theology of language and its lyric origins : out of the abyss -- Self-reflection on the threshold between the Middle Ages and modernity : a theological genealogy of the birthing of modernity as the age of representation -- The origin of language in reflection and the breaking of its circuits : overcoming the age of representation through repetition -- Self-reflection, speculation, and revelation : modern philosophy and the linguistic way to wisdom in western tradition -- Dante's redemption of Narcissus and the spiritual vocation of poetry as an exercise in self-reflection -- Epilogue: Reflexive stylistics in the language of Paradiso "Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante's lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can also lead to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante's thought and work indicate an alternative modernity along the path not taken. This alternative shows up in Nicholas of Cusa's conjectural science and in Giambattista Vico's new science of imagination as alternatives to positive empirical science. In continuity with Dante's vision, they contribute to a reappropriation of self-reflection for the humanities"-- Dante Alighieri 1265-1321 Paradiso (DE-588)4306073-0 gnd rswk-swf Theologie (DE-588)4059758-1 gnd rswk-swf Dante Alighieri / 1265-1321 / Paradiso Dante Alighieri / 1265-1321 / Versification Self in literature Theology in literature Christian poetry / History and criticism Dante Alighieri / 1265-1321 Paradiso (Dante Alighieri) Christian poetry Versification Criticism, interpretation, etc Dante Alighieri 1265-1321 Paradiso (DE-588)4306073-0 u Theologie (DE-588)4059758-1 s DE-604 Erscheint auch als Online-Ausgabe 9781000361803 Routledge interdisciplinary perspectives on literature 131 (DE-604)BV039398624 131 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032668524&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Franke, William 1956- Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection Routledge interdisciplinary perspectives on literature Introduction: The theological apotheosis of lyric in Dante's Paradiso -- Self-reflexion and lyricism in the Paradiso -- The Paradiso's theology of language and its lyric origins : out of the abyss -- Self-reflection on the threshold between the Middle Ages and modernity : a theological genealogy of the birthing of modernity as the age of representation -- The origin of language in reflection and the breaking of its circuits : overcoming the age of representation through repetition -- Self-reflection, speculation, and revelation : modern philosophy and the linguistic way to wisdom in western tradition -- Dante's redemption of Narcissus and the spiritual vocation of poetry as an exercise in self-reflection -- Epilogue: Reflexive stylistics in the language of Paradiso Dante Alighieri 1265-1321 Paradiso (DE-588)4306073-0 gnd Theologie (DE-588)4059758-1 gnd |
| subject_GND | (DE-588)4306073-0 (DE-588)4059758-1 |
| title | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection |
| title_auth | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection |
| title_exact_search | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection |
| title_exact_search_txtP | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection |
| title_full | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection William Franke |
| title_fullStr | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection William Franke |
| title_full_unstemmed | Dante's Paradiso and the theological origins of modern thought toward a speculative philosophy of self-reflection William Franke |
| title_short | Dante's Paradiso and the theological origins of modern thought |
| title_sort | dante s paradiso and the theological origins of modern thought toward a speculative philosophy of self reflection |
| title_sub | toward a speculative philosophy of self-reflection |
| topic | Dante Alighieri 1265-1321 Paradiso (DE-588)4306073-0 gnd Theologie (DE-588)4059758-1 gnd |
| topic_facet | Dante Alighieri 1265-1321 Paradiso Theologie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032668524&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV039398624 |
| work_keys_str_mv | AT frankewilliam dantesparadisoandthetheologicaloriginsofmodernthoughttowardaspeculativephilosophyofselfreflection |