Sound for moving pictures: the four sound areas
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Sound design
A Focal Press book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxx, 189 Seiten Illustrationen, Diagramme |
| ISBN: | 9780367517786 9780367517793 |
Internformat
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| 653 | 0 | |a Film soundtracks / Production and direction | |
| 653 | 0 | |a Sound / Recording and reproducing | |
| 653 | 0 | |a Motion picture music / Instruction and study | |
| 653 | 0 | |a Sound / Recording and reproducing | |
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Datensatz im Suchindex
| _version_ | 1804182415303770112 |
|---|---|
| adam_text | Contents List offigures List of tables Foreword Preface 1 Introduction ix xi xii xvii 1 PART 1 Constructing the soundtrack 15 2 Emotion in sound design 17 3 Validating a new approach 34 PART 2 Deconstructing the soundtrack 41 4 The Four Sound Areas 43 5 Applying the Four Sound Areas 72 6 Reflections on practice 107 PART 3 Communicating the soundtrack 119 7 Adding to the lexicon 121 8 Closing thoughts 132
Contents Appendices 137 Appenda 1 Appendix 2 Appenda 3 Appenda 4 Appendix 5 Appenda 6 Appendix 7 137 137 138 142 148 148 148 Credits 158 Glossary References ·. Index 159 168 179
Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing. Neil Hillman, PhD, is a highly dxperienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.
|
| adam_txt |
Contents List offigures List of tables Foreword Preface 1 Introduction ix xi xii xvii 1 PART 1 Constructing the soundtrack 15 2 Emotion in sound design 17 3 Validating a new approach 34 PART 2 Deconstructing the soundtrack 41 4 The Four Sound Areas 43 5 Applying the Four Sound Areas 72 6 Reflections on practice 107 PART 3 Communicating the soundtrack 119 7 Adding to the lexicon 121 8 Closing thoughts 132
Contents Appendices 137 Appenda 1 Appendix 2 Appenda 3 Appenda 4 Appendix 5 Appenda 6 Appendix 7 137 137 138 142 148 148 148 Credits 158 Glossary References ·. Index 159 168 179
Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing. Neil Hillman, PhD, is a highly dxperienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack. |
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| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:12:00Z |
| indexdate | 2024-07-10T09:07:11Z |
| institution | BVB |
| isbn | 9780367517786 9780367517793 |
| language | English |
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| physical | xxx, 189 Seiten Illustrationen, Diagramme |
| publishDate | 2021 |
| publishDateSearch | 2021 |
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| publisher | Routledge, Taylor & Francis Group |
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| series2 | Sound design A Focal Press book |
| spelling | Hillman, Neil 1960- Verfasser (DE-588)1236179420 aut Sound for moving pictures the four sound areas Neil Hillman London ; New York Routledge, Taylor & Francis Group 2021 xxx, 189 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Sound design A Focal Press book Film (DE-588)4017102-4 gnd rswk-swf Sounddesign (DE-588)7693207-2 gnd rswk-swf Motion picture music / Instruction and study Film soundtracks / Production and direction Sound / Recording and reproducing Film (DE-588)4017102-4 s Sounddesign (DE-588)7693207-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-000-37629-6 Erscheint auch als Online-Ausgabe 978-1-003-05518-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032667650&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032667650&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Hillman, Neil 1960- Sound for moving pictures the four sound areas Film (DE-588)4017102-4 gnd Sounddesign (DE-588)7693207-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)7693207-2 |
| title | Sound for moving pictures the four sound areas |
| title_auth | Sound for moving pictures the four sound areas |
| title_exact_search | Sound for moving pictures the four sound areas |
| title_exact_search_txtP | Sound for moving pictures the four sound areas |
| title_full | Sound for moving pictures the four sound areas Neil Hillman |
| title_fullStr | Sound for moving pictures the four sound areas Neil Hillman |
| title_full_unstemmed | Sound for moving pictures the four sound areas Neil Hillman |
| title_short | Sound for moving pictures |
| title_sort | sound for moving pictures the four sound areas |
| title_sub | the four sound areas |
| topic | Film (DE-588)4017102-4 gnd Sounddesign (DE-588)7693207-2 gnd |
| topic_facet | Film Sounddesign |
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