Puppets for the Margravine: Japanese ephemera and their (re)construction in eighteenth-century chinoiserie
This article introduces a group of 23 textile appliqués, or oshi-e – scraps of padded and painted fabric applied to a support of papier mâché – that were manufactured in Japan during the final decades of the seventeenth century. The pieces were soon transferred to Europe and collected by Sibylla Aug...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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2021
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| Online-Zugang: | Volltext |
| Zusammenfassung: | This article introduces a group of 23 textile appliqués, or oshi-e – scraps of padded and painted fabric applied to a support of papier mâché – that were manufactured in Japan during the final decades of the seventeenth century. The pieces were soon transferred to Europe and collected by Sibylla Augusta Margravine of Baden (1675–1733). One of Germany’s early advocates of the stylistic idiom of chinoiserie, by 1723 Sibylla had integrated the pieces into the decoration of her newly erected mansion Favorite near Rastatt. This article has two foci. First, it contextualizes the genre of textile appliqués within its Japanese culture of origin where such items served as ephemeral festival decoration, fashionable accessories, and tools of sophisticated pastime in the milieu of urban merchants. Secondly, the article explores practical and theoretical aspects of intercultural transfer and discusses the fundamental re-reading of transferred artifacts against the background of chinoiserie in central Europe. The appliqués at Schloss Favorite are significant in several respects. They count among the oldest surviving examples of this genre worldwide. They become even more valuable from the fact that their maker, Fujiya Saburōbei, can be unambiguously identified from existent documentation as a leading manufacturer of oshi-e and purveyor to the Dutch East India Company. While there is no conclusive evidence, there is a strong possibility that the appliqués at Schloss Favorite came to Europe as private merchandise of the famous traveler and author, Engelbert Kaempfer (1651–1716). Lastly, the pieces constitute exceedingly rare material evidence for the role of textiles and other ephemera in both early modern Japan and Europe as well as related practices of collecting and display |
| Beschreibung: | 1 Online-Ressource 18 Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2021.1.79014 |
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| publishDateSort | 2021 |
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| spelling | Schweizer, Anton 19XX- Verfasser (DE-588)1020722800 aut Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie Anton Schweizer 2021 1 Online-Ressource 18 Illustrationen txt rdacontent c rdamedia cr rdacarrier This article introduces a group of 23 textile appliqués, or oshi-e – scraps of padded and painted fabric applied to a support of papier mâché – that were manufactured in Japan during the final decades of the seventeenth century. The pieces were soon transferred to Europe and collected by Sibylla Augusta Margravine of Baden (1675–1733). One of Germany’s early advocates of the stylistic idiom of chinoiserie, by 1723 Sibylla had integrated the pieces into the decoration of her newly erected mansion Favorite near Rastatt. This article has two foci. First, it contextualizes the genre of textile appliqués within its Japanese culture of origin where such items served as ephemeral festival decoration, fashionable accessories, and tools of sophisticated pastime in the milieu of urban merchants. Secondly, the article explores practical and theoretical aspects of intercultural transfer and discusses the fundamental re-reading of transferred artifacts against the background of chinoiserie in central Europe. The appliqués at Schloss Favorite are significant in several respects. They count among the oldest surviving examples of this genre worldwide. They become even more valuable from the fact that their maker, Fujiya Saburōbei, can be unambiguously identified from existent documentation as a leading manufacturer of oshi-e and purveyor to the Dutch East India Company. While there is no conclusive evidence, there is a strong possibility that the appliqués at Schloss Favorite came to Europe as private merchandise of the famous traveler and author, Engelbert Kaempfer (1651–1716). Lastly, the pieces constitute exceedingly rare material evidence for the role of textiles and other ephemera in both early modern Japan and Europe as well as related practices of collecting and display Sibylla Augusta Baden-Baden, Markgräfin 1675-1733 (DE-588)118613871 gnd rswk-swf Geschichte 1675-1750 gnd rswk-swf Geschichte 1670-1700 gnd rswk-swf Raumausstattung (DE-588)4115704-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Applikation Textilkunst (DE-588)4002495-7 gnd rswk-swf Chinoiserie (DE-588)4202440-7 gnd rswk-swf Textilkunst (DE-588)4059624-2 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Schloss Favorite Rastatt (DE-588)4646655-1 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan Chinoiserie Kulturtransfer Barock Edo-Zeit Innenraumgestaltung materielle Kultur Ephemera Exotismus Textilappliken Applikationsarbeiten Japan (DE-588)4028495-5 g Textilkunst (DE-588)4059624-2 s Applikation Textilkunst (DE-588)4002495-7 s Geschichte 1670-1700 z DE-604 Rezeption (DE-588)4049716-1 s Europa (DE-588)4015701-5 g Chinoiserie (DE-588)4202440-7 s Geschichte 1675-1750 z Sibylla Augusta Baden-Baden, Markgräfin 1675-1733 (DE-588)118613871 p Schloss Favorite Rastatt (DE-588)4646655-1 g Raumausstattung (DE-588)4115704-7 s volume:2 number:1 year:2021 pages:3-46 21: inquiries into art, history, and the visual Heidelberg, 2021 Vol. 2, No. 1 (2021), Seite 3-46 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2021.1.79014 Resolving-System kostenfrei Volltext |
| spellingShingle | Schweizer, Anton 19XX- Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie Sibylla Augusta Baden-Baden, Markgräfin 1675-1733 (DE-588)118613871 gnd Raumausstattung (DE-588)4115704-7 gnd Rezeption (DE-588)4049716-1 gnd Applikation Textilkunst (DE-588)4002495-7 gnd Chinoiserie (DE-588)4202440-7 gnd Textilkunst (DE-588)4059624-2 gnd |
| subject_GND | (DE-588)118613871 (DE-588)4115704-7 (DE-588)4049716-1 (DE-588)4002495-7 (DE-588)4202440-7 (DE-588)4059624-2 (DE-588)4015701-5 (DE-588)4646655-1 (DE-588)4028495-5 |
| title | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie |
| title_auth | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie |
| title_exact_search | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie |
| title_exact_search_txtP | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie |
| title_full | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie Anton Schweizer |
| title_fullStr | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie Anton Schweizer |
| title_full_unstemmed | Puppets for the Margravine Japanese ephemera and their (re)construction in eighteenth-century chinoiserie Anton Schweizer |
| title_short | Puppets for the Margravine |
| title_sort | puppets for the margravine japanese ephemera and their re construction in eighteenth century chinoiserie |
| title_sub | Japanese ephemera and their (re)construction in eighteenth-century chinoiserie |
| topic | Sibylla Augusta Baden-Baden, Markgräfin 1675-1733 (DE-588)118613871 gnd Raumausstattung (DE-588)4115704-7 gnd Rezeption (DE-588)4049716-1 gnd Applikation Textilkunst (DE-588)4002495-7 gnd Chinoiserie (DE-588)4202440-7 gnd Textilkunst (DE-588)4059624-2 gnd |
| topic_facet | Sibylla Augusta Baden-Baden, Markgräfin 1675-1733 Raumausstattung Rezeption Applikation Textilkunst Chinoiserie Textilkunst Europa Schloss Favorite Rastatt Japan |
| url | https://doi.org/10.11588/xxi.2021.1.79014 |
| work_keys_str_mv | AT schweizeranton puppetsforthemargravinejapaneseephemeraandtheirreconstructionineighteenthcenturychinoiserie |