Music for others: care, justice, and relational ethics in Christian music
"Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"-- |
| Beschreibung: | xi, 155 Seiten Illustrationen |
| ISBN: | 9780197550632 9780197550625 |
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| 520 | 3 | |a "Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"-- | |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments Introduction: ‘Td Rather Not Have It” AboutThis Book Music and Moral Agency Methodology Fieldwork Sites Relationship of Researcher to Fieldwork Sites Interview Questions and Processes Organizational Features of the Book A Concern and a Caveat ix 1 4 7 9 11 15 17 18 20 PART I: AFFECT, CONNECTION, AND MEANING: MUSIC’S WAY OF BEING IN THE WORLD 1. Discourse: Meaning, Genre, and Cosmopolitan Ethics of Style 25 Musical Communication and Connection Discourse Ethics and Music Musical Geme and the Discursive Construction of Musical Meaning The Ethics of Genre and Style Generic Conflicts and Stylistic Battles: The “Worship Wars” Music and Language: Different in the Same Kinds of Ways The Dingman Hypothesis: Musical Genre and the Means of Determination Controlling Discourse: The Shadow Side of Genre and Musical Meaning 25 26 28 32 36 40 2. Formation: Affection, Emotion, and the Problem of Authenticity 50 Affect, Reason, and “Emotional Intelligence” Narrative Formation Ethics: Story, Ritual, and Character Musical Worship and Formation Emotional Intelligence and the Relational Self Emotional Well-Being: On the Importance ofMusical Ritual Emotional Efficacy and Embodied Relationships The Problem of Authenticity and Music’s Way of Being at Church 43 44 51 52 57 60 61 66 68
viii CONTENTS PART II: CARE, JUSTICE, AND BEING FOR OTHERS: A PROPOSAL 3. Restore: Care, Justice, Relationships, and Music 75 Aural Relationships: Music and the Other Care: Responsive, Reciprocal, and Restorative Relational Rupture: Care versus Justice in Congregational Life Care and Justice in Dialogue Restorative Justice Musical Caring 77 80 83 85 89 91 4. Response: Music, Others, and God Theological Ontology of Relationships “What Would That Even Look Like?” Relational Response Ethics in Christian Communities Response Ethics and Music The Trouble with Responsibility: Relating Selves and Others through Music Theological Response Ethics: Agency, Care, and Power Relational Theology: Grace and Being for Others Navigating Power and Relational Ethics in and through Music A Hospitable Defense: Observation from Greater Ebenezer Baptist Church Music for Others 93 93 Conclusion: The Relational Ethics of Music for Others The Relationship of Authenticity to Aesthetics Lyrics, Actions, and Human Flourishing Conclusion: Care, Justice, and Relationships Suggestions for Further Research Final Thoughts Notes Bibliography Index 94 95 97 101 105 107 112 113 117 117 119 120 124 125 12 7 135 151
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| adam_txt |
Contents Acknowledgments Introduction: ‘Td Rather Not Have It” AboutThis Book Music and Moral Agency Methodology Fieldwork Sites Relationship of Researcher to Fieldwork Sites Interview Questions and Processes Organizational Features of the Book A Concern and a Caveat ix 1 4 7 9 11 15 17 18 20 PART I: AFFECT, CONNECTION, AND MEANING: MUSIC’S WAY OF BEING IN THE WORLD 1. Discourse: Meaning, Genre, and Cosmopolitan Ethics of Style 25 Musical Communication and Connection Discourse Ethics and Music Musical Geme and the Discursive Construction of Musical Meaning The Ethics of Genre and Style Generic Conflicts and Stylistic Battles: The “Worship Wars” Music and Language: Different in the Same Kinds of Ways The Dingman Hypothesis: Musical Genre and the Means of Determination Controlling Discourse: The Shadow Side of Genre and Musical Meaning 25 26 28 32 36 40 2. Formation: Affection, Emotion, and the Problem of Authenticity 50 Affect, Reason, and “Emotional Intelligence” Narrative Formation Ethics: Story, Ritual, and Character Musical Worship and Formation Emotional Intelligence and the Relational Self Emotional Well-Being: On the Importance ofMusical Ritual Emotional Efficacy and Embodied Relationships The Problem of Authenticity and Music’s Way of Being at Church 43 44 51 52 57 60 61 66 68
viii CONTENTS PART II: CARE, JUSTICE, AND BEING FOR OTHERS: A PROPOSAL 3. Restore: Care, Justice, Relationships, and Music 75 Aural Relationships: Music and the Other Care: Responsive, Reciprocal, and Restorative Relational Rupture: Care versus Justice in Congregational Life Care and Justice in Dialogue Restorative Justice Musical Caring 77 80 83 85 89 91 4. Response: Music, Others, and God Theological Ontology of Relationships “What Would That Even Look Like?” Relational Response Ethics in Christian Communities Response Ethics and Music The Trouble with Responsibility: Relating Selves and Others through Music Theological Response Ethics: Agency, Care, and Power Relational Theology: Grace and Being for Others Navigating Power and Relational Ethics in and through Music A Hospitable Defense: Observation from Greater Ebenezer Baptist Church Music for Others 93 93 Conclusion: The Relational Ethics of Music for Others The Relationship of Authenticity to Aesthetics Lyrics, Actions, and Human Flourishing Conclusion: Care, Justice, and Relationships Suggestions for Further Research Final Thoughts Notes Bibliography Index 94 95 97 101 105 107 112 113 117 117 119 120 124 125 12 7 135 151 |
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| spelling | Myrick, Nathan ca. 20./21. Jh. Verfasser (DE-588)1193055334 aut Music for others care, justice, and relational ethics in Christian music Nathan Myrick New York, NY Oxford University Press [2021] © 2021 xi, 155 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"-- Nächstenliebe (DE-588)4041110-2 gnd rswk-swf Gemeindewachstum (DE-588)4140380-0 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Christliche Ethik (DE-588)4069994-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Music in churches Church music / Protestant churches Music / Moral and ethical aspects USA (DE-588)4078704-7 g Geistliche Musik (DE-588)4126228-1 s Gemeindewachstum (DE-588)4140380-0 s Nächstenliebe (DE-588)4041110-2 s Christliche Ethik (DE-588)4069994-8 s DE-604 Online version 9780197550656 Myrick, Nathan Music for others New York : Oxford University Press, 2021 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032664710&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Myrick, Nathan ca. 20./21. Jh Music for others care, justice, and relational ethics in Christian music Nächstenliebe (DE-588)4041110-2 gnd Gemeindewachstum (DE-588)4140380-0 gnd Geistliche Musik (DE-588)4126228-1 gnd Christliche Ethik (DE-588)4069994-8 gnd |
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| title | Music for others care, justice, and relational ethics in Christian music |
| title_auth | Music for others care, justice, and relational ethics in Christian music |
| title_exact_search | Music for others care, justice, and relational ethics in Christian music |
| title_exact_search_txtP | Music for others care, justice, and relational ethics in Christian music |
| title_full | Music for others care, justice, and relational ethics in Christian music Nathan Myrick |
| title_fullStr | Music for others care, justice, and relational ethics in Christian music Nathan Myrick |
| title_full_unstemmed | Music for others care, justice, and relational ethics in Christian music Nathan Myrick |
| title_short | Music for others |
| title_sort | music for others care justice and relational ethics in christian music |
| title_sub | care, justice, and relational ethics in Christian music |
| topic | Nächstenliebe (DE-588)4041110-2 gnd Gemeindewachstum (DE-588)4140380-0 gnd Geistliche Musik (DE-588)4126228-1 gnd Christliche Ethik (DE-588)4069994-8 gnd |
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