Music in action film: sounds like action!
"Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and inter...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge
2021
|
Schriftenreihe: | Routledge music and screen media series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"-- |
Beschreibung: | xxviii, 303 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780815384502 9780815384496 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV047260824 | ||
003 | DE-604 | ||
005 | 20211210 | ||
007 | t | ||
008 | 210429s2021 agl| b||| 00||| eng d | ||
020 | |a 9780815384502 |c paperback |9 978-0-8153-8450-2 | ||
020 | |a 9780815384496 |c hbk |9 978-0-8153-8449-6 | ||
035 | |a (OCoLC)1256430103 | ||
035 | |a (DE-599)BVBBV047260824 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-355 |a DE-11 |a DE-29 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a AP 51450 |0 (DE-625)7702: |2 rvk | ||
084 | |a LR 53509 |0 (DE-625)109546: |2 rvk | ||
245 | 1 | 0 | |a Music in action film |b sounds like action! |c edited by James Buhler and Mark Durrand |
264 | 1 | |a New York ; London |b Routledge |c 2021 | |
300 | |a xxviii, 303 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Routledge music and screen media series | |
505 | 8 | |a Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler | |
520 | 3 | |a "Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"-- | |
650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Actionfilm |0 (DE-588)4140847-0 |2 gnd |9 rswk-swf |
653 | 0 | |a Motion picture music / History and criticism | |
653 | 0 | |a Action and adventure films / History and criticism | |
653 | 0 | |a Action and adventure films | |
653 | 0 | |a Motion picture music | |
653 | 0 | |a Musique de film / Histoire et critique | |
653 | 0 | |a Films d'aventures / Histoire et critique | |
653 | 6 | |a Criticism, interpretation, etc | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Actionfilm |0 (DE-588)4140847-0 |D s |
689 | 0 | 1 | |a Filmmusik |0 (DE-588)4017129-2 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Buhler, James |d 1964- |0 (DE-588)1024738043 |4 edt | |
700 | 1 | |a Durrand, Mark |0 (DE-588)1234913143 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-351-20427-9 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032664692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20210625 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032664692 | ||
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |
Datensatz im Suchindex
_version_ | 1804182410239148032 |
---|---|
adam_text | CONTENTS Series Foreword Neil Lerner List of Contributors Preface: Sounds Like Action! James Buhler and Mark Durrand viii x xiii PARTI Action Scored: Politics, Representation, and Identity 1 1 Favela Chic in Action: Soundtracking Urban Violence in Rio de Janeiro, Brazil K. E. Goldschmitt 3 2 “You’re Not Gonna Get Mushy on Me, Are You?”: Music and the New Man in 1990s Hollywood Action Film Rebecca Fülöp 18 3 “I Am No Lady When I Fight!”: Gender Politics in the Postwar Swashbuckler Score Grace Edgar 37 4 Reviving the Swordplay Action Film: Nature, Technology, and the Soundtrack for Seven Samurai Brooke McCorkle Okazaki 59
vi Contents 5 Conan the Neoliberal? The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film James Deaville 78 PART II Action Scores: Evolving Musical Conventions 6 Underscoring Chased Heroes and Robbing Villains: Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s Michael Baumgartner 97 99 7 John Williams’s Action Music in the Twenty-First Century Frank Lehman 116 8 “There and Back Again”: Music and Generic Transformation in Peter Jackson’s Hobbit Films Stephen C. Meyer 149 9 Star Trek as Action Film: Reimagining The Original Series’ Soundscape Paul Sommerfeld 165 10 A Tale of Two Cinemas: Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film Joan Titus 181 PART III Scoring Action: The Kinesthetic Experience and Production 11 “Those Who Dance”: Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise Catrín Watts 12 Toward a Musical Understanding of Cinematic Action: Two Experiments with Embodiment and Musical Vitality in Film Experience Mark Durrand 201 203 221
Contents vii 13 Sound-Induced Visual Illusion in Film 238 Sarah Louden 14 “Humming the Foley, Singing the Sound”: Designing Sound with a Musical Perspective 256 Vanessa Theme Ament 15 Music, Digital Audio, Labor: Notes on Audio and Music Production for Contemporary Action Film 273 James Buhler Index 293
|
adam_txt |
CONTENTS Series Foreword Neil Lerner List of Contributors Preface: Sounds Like Action! James Buhler and Mark Durrand viii x xiii PARTI Action Scored: Politics, Representation, and Identity 1 1 Favela Chic in Action: Soundtracking Urban Violence in Rio de Janeiro, Brazil K. E. Goldschmitt 3 2 “You’re Not Gonna Get Mushy on Me, Are You?”: Music and the New Man in 1990s Hollywood Action Film Rebecca Fülöp 18 3 “I Am No Lady When I Fight!”: Gender Politics in the Postwar Swashbuckler Score Grace Edgar 37 4 Reviving the Swordplay Action Film: Nature, Technology, and the Soundtrack for Seven Samurai Brooke McCorkle Okazaki 59
vi Contents 5 Conan the Neoliberal? The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film James Deaville 78 PART II Action Scores: Evolving Musical Conventions 6 Underscoring Chased Heroes and Robbing Villains: Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s Michael Baumgartner 97 99 7 John Williams’s Action Music in the Twenty-First Century Frank Lehman 116 8 “There and Back Again”: Music and Generic Transformation in Peter Jackson’s Hobbit Films Stephen C. Meyer 149 9 Star Trek as Action Film: Reimagining The Original Series’ Soundscape Paul Sommerfeld 165 10 A Tale of Two Cinemas: Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film Joan Titus 181 PART III Scoring Action: The Kinesthetic Experience and Production 11 “Those Who Dance”: Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise Catrín Watts 12 Toward a Musical Understanding of Cinematic Action: Two Experiments with Embodiment and Musical Vitality in Film Experience Mark Durrand 201 203 221
Contents vii 13 Sound-Induced Visual Illusion in Film 238 Sarah Louden 14 “Humming the Foley, Singing the Sound”: Designing Sound with a Musical Perspective 256 Vanessa Theme Ament 15 Music, Digital Audio, Labor: Notes on Audio and Music Production for Contemporary Action Film 273 James Buhler Index 293 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Buhler, James 1964- Durrand, Mark |
author2_role | edt edt |
author2_variant | j b jb m d md |
author_GND | (DE-588)1024738043 (DE-588)1234913143 |
author_facet | Buhler, James 1964- Durrand, Mark |
building | Verbundindex |
bvnumber | BV047260824 |
classification_rvk | AP 51450 LR 53509 |
contents | Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler |
ctrlnum | (OCoLC)1256430103 (DE-599)BVBBV047260824 |
discipline | Allgemeines Musikwissenschaft |
discipline_str_mv | Allgemeines Musikwissenschaft |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05041nam a2200589 c 4500</leader><controlfield tag="001">BV047260824</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211210 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210429s2021 agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780815384502</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-8153-8450-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780815384496</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-8153-8449-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1256430103</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047260824</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-29</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51450</subfield><subfield code="0">(DE-625)7702:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53509</subfield><subfield code="0">(DE-625)109546:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music in action film</subfield><subfield code="b">sounds like action!</subfield><subfield code="c">edited by James Buhler and Mark Durrand</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxviii, 303 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge music and screen media series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Actionfilm</subfield><subfield code="0">(DE-588)4140847-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Action and adventure films / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Action and adventure films</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique de film / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Films d'aventures / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Actionfilm</subfield><subfield code="0">(DE-588)4140847-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buhler, James</subfield><subfield code="d">1964-</subfield><subfield code="0">(DE-588)1024738043</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Durrand, Mark</subfield><subfield code="0">(DE-588)1234913143</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-351-20427-9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032664692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210625</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032664692</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV047260824 |
illustrated | Illustrated |
index_date | 2024-07-03T17:11:07Z |
indexdate | 2024-07-10T09:07:06Z |
institution | BVB |
isbn | 9780815384502 9780815384496 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032664692 |
oclc_num | 1256430103 |
open_access_boolean | |
owner | DE-12 DE-355 DE-BY-UBR DE-11 DE-29 |
owner_facet | DE-12 DE-355 DE-BY-UBR DE-11 DE-29 |
physical | xxviii, 303 Seiten Illustrationen, Notenbeispiele |
psigel | BSB_NED_20210625 |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Routledge |
record_format | marc |
series2 | Routledge music and screen media series |
spelling | Music in action film sounds like action! edited by James Buhler and Mark Durrand New York ; London Routledge 2021 xxviii, 303 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge music and screen media series Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler "Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"-- Filmmusik (DE-588)4017129-2 gnd rswk-swf Actionfilm (DE-588)4140847-0 gnd rswk-swf Motion picture music / History and criticism Action and adventure films / History and criticism Action and adventure films Motion picture music Musique de film / Histoire et critique Films d'aventures / Histoire et critique Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Actionfilm (DE-588)4140847-0 s Filmmusik (DE-588)4017129-2 s DE-604 Buhler, James 1964- (DE-588)1024738043 edt Durrand, Mark (DE-588)1234913143 edt Erscheint auch als Online-Ausgabe 978-1-351-20427-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032664692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Music in action film sounds like action! Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler Filmmusik (DE-588)4017129-2 gnd Actionfilm (DE-588)4140847-0 gnd |
subject_GND | (DE-588)4017129-2 (DE-588)4140847-0 (DE-588)4143413-4 |
title | Music in action film sounds like action! |
title_auth | Music in action film sounds like action! |
title_exact_search | Music in action film sounds like action! |
title_exact_search_txtP | Music in action film sounds like action! |
title_full | Music in action film sounds like action! edited by James Buhler and Mark Durrand |
title_fullStr | Music in action film sounds like action! edited by James Buhler and Mark Durrand |
title_full_unstemmed | Music in action film sounds like action! edited by James Buhler and Mark Durrand |
title_short | Music in action film |
title_sort | music in action film sounds like action |
title_sub | sounds like action! |
topic | Filmmusik (DE-588)4017129-2 gnd Actionfilm (DE-588)4140847-0 gnd |
topic_facet | Filmmusik Actionfilm Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032664692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT buhlerjames musicinactionfilmsoundslikeaction AT durrandmark musicinactionfilmsoundslikeaction |