Art-historical moments in cinema:
Given the abundance of previous publications focused on the intersections between cinema and the history of art, it is worth stating at the outset that the originality of this project lies in its capacity to analyse the medium of film, and particularly fiction film - from Peter Greenaway to Michelan...
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Canterano (Rome)
Aracne editrice
November 2020
|
| Ausgabe: | 1st edition |
| Schriftenreihe: | Afterimage
5 |
| Schlagworte: | |
| Zusammenfassung: | Given the abundance of previous publications focused on the intersections between cinema and the history of art, it is worth stating at the outset that the originality of this project lies in its capacity to analyse the medium of film, and particularly fiction film - from Peter Greenaway to Michelangelo Antonioni, Brian De Palma, Chris Marker and Alex Garland - as an instrument rather than as an object of (art)history. Above all else, this implies becoming aware not so much of the presence of artworks and their significance with respect to the related events, but of the ways in which the fiction itself, through certain motifs (windows, chairs, serpentine lines), visual or optical qualities (contrast of black and white, transparency) or even symbolic gestures (signing, designating or combining) evolves into a figuration of the history of art. Where in the film do these art-historical moments arise and what provokes them? How do these moments contribute to history as a discipline? In what ways does the film reinvent the theory or history of art? The authors of this volume have attempted to answer to such intriguing questions in diverse ways, involving the various ideas of Leon Battista Alberti, William Hogarth, Aloïs Riegl, Michel Carrouges, or Rosalind Krauss. |
| Beschreibung: | 140 Seiten Illustrationen |
| ISBN: | 9788825536997 |
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| isbn | 9788825536997 |
| language | English |
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| physical | 140 Seiten Illustrationen |
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| spelling | Art-historical moments in cinema edited by Bruno Nassim Aboudrar, Joséphine Jibokji, Barbara Le Maître, Jessie Martin 1st edition Canterano (Rome) Aracne editrice November 2020 140 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Afterimage 5 Given the abundance of previous publications focused on the intersections between cinema and the history of art, it is worth stating at the outset that the originality of this project lies in its capacity to analyse the medium of film, and particularly fiction film - from Peter Greenaway to Michelangelo Antonioni, Brian De Palma, Chris Marker and Alex Garland - as an instrument rather than as an object of (art)history. Above all else, this implies becoming aware not so much of the presence of artworks and their significance with respect to the related events, but of the ways in which the fiction itself, through certain motifs (windows, chairs, serpentine lines), visual or optical qualities (contrast of black and white, transparency) or even symbolic gestures (signing, designating or combining) evolves into a figuration of the history of art. Where in the film do these art-historical moments arise and what provokes them? How do these moments contribute to history as a discipline? In what ways does the film reinvent the theory or history of art? The authors of this volume have attempted to answer to such intriguing questions in diverse ways, involving the various ideas of Leon Battista Alberti, William Hogarth, Aloïs Riegl, Michel Carrouges, or Rosalind Krauss. Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s Film (DE-588)4017102-4 s DE-604 Aboudrar, Bruno Nassim 1964- (DE-588)161107230 edt aut Jibokji, Joséphine (DE-588)1161041680 edt aut Le Maître, Barbara (DE-588)1035266938 edt aut Martin, Jessie edt aut Afterimage 5 (DE-604)BV046910044 5 |
| spellingShingle | Aboudrar, Bruno Nassim 1964- Jibokji, Joséphine Le Maître, Barbara Martin, Jessie Art-historical moments in cinema Afterimage Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4114333-4 (DE-588)4049716-1 (DE-588)4143413-4 |
| title | Art-historical moments in cinema |
| title_auth | Art-historical moments in cinema |
| title_exact_search | Art-historical moments in cinema |
| title_exact_search_txtP | Art-historical moments in cinema |
| title_full | Art-historical moments in cinema edited by Bruno Nassim Aboudrar, Joséphine Jibokji, Barbara Le Maître, Jessie Martin |
| title_fullStr | Art-historical moments in cinema edited by Bruno Nassim Aboudrar, Joséphine Jibokji, Barbara Le Maître, Jessie Martin |
| title_full_unstemmed | Art-historical moments in cinema edited by Bruno Nassim Aboudrar, Joséphine Jibokji, Barbara Le Maître, Jessie Martin |
| title_short | Art-historical moments in cinema |
| title_sort | art historical moments in cinema |
| topic | Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Film Kunst Rezeption Aufsatzsammlung |
| volume_link | (DE-604)BV046910044 |
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