Staging technology: medium, machinery, and modern drama
"Through an examination of a range of performance works ranging from Jean Cocteau's ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor's monumental production of Spider-Man: Turn off the Dark (2010) and Mexican playwright Isaac Gomez's La Ruta(2018), Staging Technology...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Methuen Drama
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Through an examination of a range of performance works ranging from Jean Cocteau's ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor's monumental production of Spider-Man: Turn off the Dark (2010) and Mexican playwright Isaac Gomez's La Ruta(2018), Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/machine interfaces. What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the limits of the human? Staging Technology bridges the divide between the technical practices of theatre production and critical, theoretical approaches to interpreting drama to examine the way dramatic theatre's technologies are shaped by larger historical, ideological, and economic forces. At the same time, it examines how those technologies themselves have influenced 20th and 21st-century playwrights', composers', and librettists' choice of subject matter for staged representation. Examining performance works from the modernist and post-modern European and American canon of drama, opera, and performance art including works by Eugène Ionesco, Samuel Beckett, Heiner Müller, Sophie Treadwell, Harold Pinter, Tristan Tzara, Jean Cocteau, Arthur Miller, Robert Pinsky, John Adams and Alice Goodman, Staging Technology transforms how we think about the interrelationship between theatre practice, performance, narrative drama, and text. In it Craig N. Owens synthesizes approaches to interpretation and practice from disparate realms, offering insights into over-arching ways of making meaning that are illustrated through focused and innovative readings of individual works for the dramatic stage. Staging Technology provides a new and transformative paradigm for thinking about dramatic literature, the practices of representational theatre production, and the historical and social contexts they inhabit"-- |
| Beschreibung: | x, 285 Seiten 22 cm |
| ISBN: | 9781350196704 9781350168572 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments ix Introduction: Staging Technology 1 1 Avant-Garde Assemblages: Tristan Tzara, Jean Cocteau, and Eugène Ionesco 35 2 Machineries of Nostalgia and American Modernity: Sophie Treadwell, Elmer Rice, Arthur Miller, and Isaac Gomez 69 3 Alienating Devices: Bertolt Brecht Kurt Weill, John Adams Alice Goodman, Don DeLillo, and Athol Fugard 101 4 Machineries of Constraint: Samuel Beckett, Harold Pinter, and Badal Sircar 149 5 Post-Human Recursivity: Heiner Müller, Julie Taymor, and Tod Machover Robert Pinsky 185 Coda: Medium, Machinery, and the Present Moment 223 Notes Bibliography Index 229 257 269
What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the way the theatre apparatus enables meaning-making? About the limits of the human as actor, character, and concept? Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/ machine interfaces by examining a panoply of performance works ranging from Jean Cocteau’s ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor’s monumental production of Spider-Man: Turn off the Dark (2010) and MexicanAmerican playwright Isaac Gomez s La Ruta (2018). Bridging the divide between the technical practices of theatre production and theoretical approaches to interpreting drama, this study examines the ways dramatic theatre’s technologies are shaped by larger socioeconomic forces and how technologies themselves have influenced 20th- and 21st-century playwrights’ and practitioners’ choice of subject matter for staged representation. Examining performance works from the modernist and post-modern European and American canon of drama, opera, and narrative performance, including works by Eugène Ionesco, Samuel Beckett, Heiner Müller, Sophie Treadwell, Harold Pinter, Tristan Tzara, Jean Cocteau, Arthur Miller, Robert Pinsky, and John Adams and Alice Goodman, Staging Technology rethinks the interrelationship among theatre practice, performance, narrative drama, and text.
|
| adam_txt |
Contents Acknowledgments ix Introduction: Staging Technology 1 1 Avant-Garde Assemblages: Tristan Tzara, Jean Cocteau, and Eugène Ionesco 35 2 Machineries of Nostalgia and American Modernity: Sophie Treadwell, Elmer Rice, Arthur Miller, and Isaac Gomez 69 3 Alienating Devices: Bertolt Brecht Kurt Weill, John Adams Alice Goodman, Don DeLillo, and Athol Fugard 101 4 Machineries of Constraint: Samuel Beckett, Harold Pinter, and Badal Sircar 149 5 Post-Human Recursivity: Heiner Müller, Julie Taymor, and Tod Machover Robert Pinsky 185 Coda: Medium, Machinery, and the Present Moment 223 Notes Bibliography Index 229 257 269
What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the way the theatre apparatus enables meaning-making? About the limits of the human as actor, character, and concept? Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/ machine interfaces by examining a panoply of performance works ranging from Jean Cocteau’s ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor’s monumental production of Spider-Man: Turn off the Dark (2010) and MexicanAmerican playwright Isaac Gomez's La Ruta (2018). Bridging the divide between the technical practices of theatre production and theoretical approaches to interpreting drama, this study examines the ways dramatic theatre’s technologies are shaped by larger socioeconomic forces and how technologies themselves have influenced 20th- and 21st-century playwrights’ and practitioners’ choice of subject matter for staged representation. Examining performance works from the modernist and post-modern European and American canon of drama, opera, and narrative performance, including works by Eugène Ionesco, Samuel Beckett, Heiner Müller, Sophie Treadwell, Harold Pinter, Tristan Tzara, Jean Cocteau, Arthur Miller, Robert Pinsky, and John Adams and Alice Goodman, Staging Technology rethinks the interrelationship among theatre practice, performance, narrative drama, and text. |
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| spelling | Owens, Craig N. Verfasser (DE-588)1228028044 aut Staging technology medium, machinery, and modern drama Craig N. Owens London ; New York Methuen Drama 2021 x, 285 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier "Through an examination of a range of performance works ranging from Jean Cocteau's ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor's monumental production of Spider-Man: Turn off the Dark (2010) and Mexican playwright Isaac Gomez's La Ruta(2018), Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/machine interfaces. What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the limits of the human? Staging Technology bridges the divide between the technical practices of theatre production and critical, theoretical approaches to interpreting drama to examine the way dramatic theatre's technologies are shaped by larger historical, ideological, and economic forces. At the same time, it examines how those technologies themselves have influenced 20th and 21st-century playwrights', composers', and librettists' choice of subject matter for staged representation. Examining performance works from the modernist and post-modern European and American canon of drama, opera, and performance art including works by Eugène Ionesco, Samuel Beckett, Heiner Müller, Sophie Treadwell, Harold Pinter, Tristan Tzara, Jean Cocteau, Arthur Miller, Robert Pinsky, John Adams and Alice Goodman, Staging Technology transforms how we think about the interrelationship between theatre practice, performance, narrative drama, and text. In it Craig N. Owens synthesizes approaches to interpretation and practice from disparate realms, offering insights into over-arching ways of making meaning that are illustrated through focused and innovative readings of individual works for the dramatic stage. Staging Technology provides a new and transformative paradigm for thinking about dramatic literature, the practices of representational theatre production, and the historical and social contexts they inhabit"-- Geschichte 1900- gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Bühnentechnik (DE-588)4146863-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater / Production and direction Technology and the arts Drama (DE-588)4012899-4 s Moderne (DE-588)4039827-4 s Bühnentechnik (DE-588)4146863-6 s Geschichte 1900- z DE-604 Erscheint auch als Online-Ausgabe, ebook 9781350168589 Erscheint auch als Online-Ausgabe, epdf 9781350168596 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032660440&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032660440&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Staging technology medium, machinery, and modern drama |
| title_auth | Staging technology medium, machinery, and modern drama |
| title_exact_search | Staging technology medium, machinery, and modern drama |
| title_exact_search_txtP | Staging technology medium, machinery, and modern drama |
| title_full | Staging technology medium, machinery, and modern drama Craig N. Owens |
| title_fullStr | Staging technology medium, machinery, and modern drama Craig N. Owens |
| title_full_unstemmed | Staging technology medium, machinery, and modern drama Craig N. Owens |
| title_short | Staging technology |
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