Projecting imperial power: new nineteenth-century emperors and the public sphere
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2021
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 334 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9780198802471 |
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Datensatz im Suchindex
| _version_ | 1804182399072862208 |
|---|---|
| adam_text | Contents List of Illustrations List of Plates A Note on Proper Names xiii xvii xix Introduction Symbolic Power Legitimation through Tradition The Emperors and Modernity The Structure of the Book Sources and Scholarship 1 4 8 9 11 14 I.Creating Myth, Asserting Dynasty: Napoleon I and Franz I of Austria Napoleon and his Imperial Coronation in 1804 Napoleon’s Coronation as King of Italy in 1805 Franz II/I—From Holy Roman Emperor to Emperor of Austria The Franzensburg Franz, the Emperor of Peace II. Adopting the Imperial Idea Beyond Europe How Brazil Became an Empire—Pedro I From Consolidation to Abdication—Pedro II The First Mexican Empire and Independence The Second Mexican Empire and Maximilian of Austria The Delhi Durbar of 1877 III. Performing Emperorship Court Society and Courtiers The Viceregal Court in India Coronation Robes Court Dress and Military Uniform Dress in India Pedro II—the Exception Medals, Honours, and Decorations IV. Being an Imperial Consort Motherhood Beauty and Fashion Charitable Activities—Education and Health Political Involvement Leopoldine of Brazil 17 17 26 28 33 36 40 41 45 48 55 61 68 69 75 79 84 89 91 92 102 102 104 107 114 115
X CONTENTS Elisabeth of Austria Eugénie and Carlota The Prussian Empresses Widows V. Seeing the Emperor The Emperor in Person The Emperor as Image The Imperial State Portrait The Emperor as Servant of the People The Emperor in Uniform Possessing the Emperor’s Image VI. Harnessing Religion to the Imperial Cause Napoleon I and Religion Napoleon III, Religion, and the Feast of Saint-Napoleon Franz Joseph and Austrian Piety The Hohenzollern Emperors as Defenders of Protestantism Inaugurating the Schlosskirche in Wittenberg in 1892 Church-Building in the Prussian Lands Prestigious Imperial Church Projects VII. Creating the Imperial City Remodelling Paris Inaugurating the New Paris Rethinking Vienna Imperial Planning Expanding Berlin Prussian or Imperial Capital? London as Latecomer Mexico City and Petrópołis VIIL Showcasing the Empire: International Exhibitions Imperial Pomp in Paris—the Exposition Universelle of 1855 Social Purpose and Glamour—-the 1867 Exposition Universelle in Paris International Diplomacy in Vienna—the Weltausstellung of 1873 Pedro II and the Brazilian Exhibits in 1862, 1867, and 1873 Pedro II and the Philadelphia Centennial Exhibition of 1876 IX. Inventing Empire in Twentieth-Century India and Britain Impressing the Indians—the Victoria Memorial Hall and the 1903 Durbar George V’s Coronation Durbar in 1911 Impressing the British—the Festival of Empire in London in 1911 The Pageant of London and the Masque Imperial—1911 Setting the Empire in Stone—Building New Delhi The British Empire Exhibition of 1924 The Pageant of Empire in 1924 116 118 120 123 127 127
130 132 139 140 143 151 151 154 159 161 162 166 167 175 175 180 183 190 192 194 203 204 210 211 214 220 223 227 231 232 237 242 243 245 248 251
CONTENTS X. Staging Empire as History and Allegory in Austria and Germany Franz Josephs Diamond Jubilee in 1908 7 Wilhelm II and Imperial Theatre XI. Ending and Remembering Ending—The Debit Side Remembering—Cities and Statues Bibliography Index ХІ 256 257 264 271 271 276 295 323
The nineteenth centurv is notable for its newlv proclaimed emperors, from Franz 1 of Austria and Napoleon 1 in 1804, through Agustín of Mexico, Pedro 1 of Brazil, Napoleon III of France, Maximilian of Mexico, anei Wilhelm I erf Germany, to Victoria, empress of India, in 1876. Tirese nronarchs projected an imperial aura through coronations, courts, mečiais, costumes, portraits, monuments, international exhibitions, fcstiyals, religion, architecture, and town planning. They relied on ancient history for legitimacy while partially espousing modernity. Projecting Imperial Pomer is the first book to consider together these newly proclaimed emperors in six territories on three continents across the whole of the long nineteenth century. The first emperors successors—Pedro 11 of Brazil, Franz Joseph of Austria, and Wilhelm 11 of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial mvth for its Indian empire in the twentieth century, but George VI still had to relinquish the title of emperor in 1947. Using a wide range of sources. Projecting Imperial Pomer explains the imperial ambition behind the cities of Berlin. Paris. ienna. and New Delhi, к discusses the contested place of the emperors and their empires in national cultural memore՜ bv examining how the statues that were erected in huge numbers in the second part of the period are treated today.
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| adam_txt |
Contents List of Illustrations List of Plates A Note on Proper Names xiii xvii xix Introduction Symbolic Power Legitimation through Tradition The Emperors and Modernity The Structure of the Book Sources and Scholarship 1 4 8 9 11 14 I.Creating Myth, Asserting Dynasty: Napoleon I and Franz I of Austria Napoleon and his Imperial Coronation in 1804 Napoleon’s Coronation as King of Italy in 1805 Franz II/I—From Holy Roman Emperor to Emperor of Austria The Franzensburg Franz, the Emperor of Peace II. Adopting the Imperial Idea Beyond Europe How Brazil Became an Empire—Pedro I From Consolidation to Abdication—Pedro II The First Mexican Empire and Independence The Second Mexican Empire and Maximilian of Austria The Delhi Durbar of 1877 III. Performing Emperorship Court Society and Courtiers The Viceregal Court in India Coronation Robes Court Dress and Military Uniform Dress in India Pedro II—the Exception Medals, Honours, and Decorations IV. Being an Imperial Consort Motherhood Beauty and Fashion Charitable Activities—Education and Health Political Involvement Leopoldine of Brazil 17 17 26 28 33 36 40 41 45 48 55 61 68 69 75 79 84 89 91 92 102 102 104 107 114 115
X CONTENTS Elisabeth of Austria Eugénie and Carlota The Prussian Empresses Widows V. Seeing the Emperor The Emperor in Person The Emperor as Image The Imperial State Portrait The Emperor as Servant of the People The Emperor in Uniform Possessing the Emperor’s Image VI. Harnessing Religion to the Imperial Cause Napoleon I and Religion Napoleon III, Religion, and the Feast of Saint-Napoleon Franz Joseph and Austrian Piety The Hohenzollern Emperors as Defenders of Protestantism Inaugurating the Schlosskirche in Wittenberg in 1892 Church-Building in the Prussian Lands Prestigious Imperial Church Projects VII. Creating the Imperial City Remodelling Paris Inaugurating the New Paris Rethinking Vienna Imperial Planning Expanding Berlin Prussian or Imperial Capital? London as Latecomer Mexico City and Petrópołis VIIL Showcasing the Empire: International Exhibitions Imperial Pomp in Paris—the Exposition Universelle of 1855 Social Purpose and Glamour—-the 1867 Exposition Universelle in Paris International Diplomacy in Vienna—the Weltausstellung of 1873 Pedro II and the Brazilian Exhibits in 1862, 1867, and 1873 Pedro II and the Philadelphia Centennial Exhibition of 1876 IX. Inventing Empire in Twentieth-Century India and Britain Impressing the Indians—the Victoria Memorial Hall and the 1903 Durbar George V’s Coronation Durbar in 1911 Impressing the British—the Festival of Empire in London in 1911 The Pageant of London and the Masque Imperial—1911 Setting the Empire in Stone—Building New Delhi The British Empire Exhibition of 1924 The Pageant of Empire in 1924 116 118 120 123 127 127
130 132 139 140 143 151 151 154 159 161 162 166 167 175 175 180 183 190 192 194 203 204 210 211 214 220 223 227 231 232 237 242 243 245 248 251
CONTENTS X. Staging Empire as History and Allegory in Austria and Germany Franz Josephs Diamond Jubilee in 1908 7 Wilhelm II and Imperial Theatre XI. Ending and Remembering Ending—The Debit Side Remembering—Cities and Statues Bibliography Index ХІ 256 257 264 271 271 276 295 323
The nineteenth centurv is notable for its newlv proclaimed emperors, from Franz 1 of Austria and Napoleon 1 in 1804, through Agustín of Mexico, Pedro 1 of Brazil, Napoleon III of France, Maximilian of Mexico, anei Wilhelm I erf Germany, to Victoria, empress of India, in 1876. Tirese nronarchs projected an imperial aura through coronations, courts, mečiais, costumes, portraits, monuments, international exhibitions, fcstiyals, religion, architecture, and town planning. They relied on ancient history for legitimacy while partially espousing modernity. Projecting Imperial Pomer is the first book to consider together these newly proclaimed emperors in six territories on three continents across the whole of the long nineteenth century. The first emperors' successors—Pedro 11 of Brazil, Franz Joseph of Austria, and Wilhelm 11 of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial mvth for its Indian empire in the twentieth century, but George VI still had to relinquish the title of emperor in 1947. Using a wide range of sources. Projecting Imperial Pomer explains the imperial ambition behind the cities of Berlin. Paris. \ ienna. and New Delhi, к discusses the contested place of the emperors and their empires in national cultural memore՜ bv examining how the statues that were erected in huge numbers in the second part of the period are treated today. |
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| title | Projecting imperial power new nineteenth-century emperors and the public sphere |
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| title_full | Projecting imperial power new nineteenth-century emperors and the public sphere Helen Watanabe-O'Kelly |
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