Making time: World Construction in the Present-Tense Novel
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German Ancient Greek |
| Veröffentlicht: |
Berlin
De Gruyter
2021
|
| Schriftenreihe: | Narratologia
77 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 378 Seiten |
| ISBN: | 9783110708028 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures and Tables — XV
Abbreviations of Titles — XVII
1 Introduction—1
1 1 Present-Tense Usage in Contemporary Narrative Fiction: A New
Debate—1
1 2 Theoretical Preliminaries: The Relation between Present-Tense
Narration, Time, and Narrative Worldmaking—s
1 3 Beyond the ‘Grammatical’ Fallacy: Key Arguments and Structure of
this Book—11
Part I: Mapping the Research Field on Present-Tense
Narration
2 Linguistic, Narratological, and Philosophical Considerations on Tense
Usage in Narrative Fiction —21 ‘
2 1 The Beginnings of a Theoretical Engagement with Fictional Tense
Usage: Käte Hamburger’s Thoughts on the Epic Preterite and Their
Consequences for Present-Tense Narration—21
2 2 Diachronic Approaches to Present-Tense Narration: The Evolution
of the Present Tense as a Genuine Tense of Narration—25
2-3 Synchronlc Approaches to Present-Tense Narration: Investigating
the Present Tense from an Interdisciplinary Perspective— 29
2-3»1 Linguistic Approaches: Present-Tense Usage as a Disqualifier of
Narrative—30
23-2 Narratological Approaches: The Structuralist Understanding of
Narrative and the Problematic Case of Present-Tense
Narration — 35
2321 Conceptual Problems of Fictional Present-Tense Usage:
Implications of Simultaneous Narration for the Narratological
Paradigm—37 ‘ I ,
2322 Alternatives to Simultaneous Narration: Attempts at Naturalizmg
the Fictional Present Tense—40
23-3 Philosophical Approaches: On the Irrelevance of a Tensed
Understanding of Time in Narrative Fiction ——45
X — Contents
Part II: A Narratological Model of Present-Tense Usage in
Narrative Fiction
The ‘Grammatical’ Fallacy, or: Why We Need 3 Descriptive and
Analytical Model of Present-Tense Narration -— 53
The Formal-Structural Dimension of Fictional (Present-)Tense Usage:
Textual Distribution and Narrative Orchestration ——64
Formal Criteria for Determining the Distribution of Tense Usage in
Narrative Fiction: Variety, Scope, and Prominence—64
Structural Criteria for Analyzing the Orchestration of Tense Usage
in Narrative Fiction: Tense Alternation and Foregrounding of
Tense—68
The Functional Dimension of Fictional Present-Tense Usage: Uses and
Functions of Present-Tense Narration — 81
Encoding the Here-and-Now: Present-Tense Narration and Narrative
Worldmaking—81
The Referential Function—86
The Immersive Function—91¢
The Metareferential Function —98
The Communicative Function ——106
The Synchronizing Function—110
The Thematic Function—119
The Rhetorical Function—121
The Transmodal Function —-128
Modeling the Process of Worldmaking In Present-Tense Narration,
or: The Functional Matrix of Fictional Present-Tense Usage—136
The Syntactic Dimension of Fictional Present-Tense Usage:
Correlations between (Different Kinds of) Present-Tense Narration and
Other Narrative Strategies and/or Phenomena—140
The Multifunctionality of Fictional Present-Tense Usage ——140
The Functional Interplay of Present-Tense Narration with Other
Narrative Strategies and/or Phenomena—142
Contents — XI
Part III: Uses and Functions of Present-Tense Narration in
Contemporary Narrative Fiction
7 Narrative of Reformation: The Revision of History and Narrative Form in
Hilary Mantel s Wolf Hall (2003) and Bring Up the Bodies (2012)—151
7,1 The RevisionIst Character of Mantel’s Tudor Narratives: Turning a
Historical Villain into a Fictional Hero—151
7 2 Creating a Likeable Character: The Empathic Impact of Mantel’s
Referential Use ofthe Fictional Present—158
7 3 Foresight instead of Hindsight: Representing History as Future
Turning Points—164
7 4 Witnessing History in the Making: Spatial Non-Contextualization,
Associative Storytelling, and the Immersive Potential of Mantel’s
Present-Tense Usage—168
8 Narrative of Punishment: Experientiality, Immersion, and the
Representation of Narrative Space in Margaret Atwood’s Oryx and
Crake (2003) — 173
8-1 Encountering Unknown Worlds to Come: Anthropocene Fiction as a
Model for Reality—173
8-2 Before and After the Apocalypse: TemporalizingAtwood’s
Heterogeneous Use of Fictional Tense—180
8-3 Posthuman Space, Episodic Plot Structure, and the Thematic and
Descriptive Functions of the Fictional Present—182
8-4 Dynamic Descriptions and the Immersive Function of Present-Tense
Narration — 190
9 Narrative of Reminiscence: Intercultural Understanding and Narrative
Em Pathy in Nadeem Aslam s Maps for LostLovers (20010—194
9 1 Nurturing the Intercultural Mind: The Empathlc Potential of
intercultural Narratives—194 I d th
9 2 Addressing an Out-Group Readership: Tense-Swrtching an e
Communicative Situation of Aslam’s Novel—199 I f
9 3 Foregrounding Narrative Space: The Topochronlc Dynam cs o
Aslam’s Narrative—205
9 4 Narrative Immediacy and Hyper-Analepsis as Means of Strategic
Empathizlng—213
XII — Contents
10 Narrative of Deception: Narrative Progression, Suspense, and Surprise
in Don Winslow’s The Power of the Dog (2005) — 218
10 1 About Drug Lords, DEA Agents, and Webs of Deception — 218
10 2 Spatial Disorientation, Narrative Sequentiality, and Temporal
Immersion: Winslow’s Chronotopic Present-Tense
Narration—221
10 3 Leading the Reader Up the Garden Path: Covert Omnlscient
Narration and Orchestrated Multiperspectivity—228
10 4 Creating Suspense and Surprise: The Narrative Dynamics of the
Thriller—235
11 Narrative of Emergence: Metanarration, Intertextuality, and the
Disclosure of Worldmaking in Ian McEwan’s Nutshell (2016) — 2140
11 1 First Contact with a Narrating Fetus—240
11 2 Framing the Narrative Scenario: Metareferential Present-Tense
Narration as a Means to Naturalize McEwan’s Antimimetic
Narrator—242
11 3 Delayed Exposition, Emerging Plot, and Narratorial Inferences:
Combining Synchronizing, Thematic, and Descriptive Uses of the
Fictional Present—248
11 4 The Play with Generic Conventions: McEwan s Intertextual
References to the Detective Novel—251
12 Narrative of Emancipation: Character-Centered Illusion, Cognitive
Dissonance, and Narrative Unreliability in Emma Donoghue’s
Room (2010) — 257
12 1 ‘Strange’ Narrators, Cognitive Dissonance, and Character-Centered
Illusion—257
12 2 Exploring “Room”: Jack’s Strange Perception of the World and the
Dominant Use of Thematic Present-Tense Narration — 261
12 3 Takingiack’s Perspective: Immersive Present-Tense Usage,
Unreliable Narration, and Suspense—266
12 4 Adapting to “Outer Space: Descriptions, Explanations, and the
Transmodal Function of the Fictional Present— 271
Contents — XIII
13 Narrative of Life: Orality, Narrative Authority, and the (Broken) Illusion
of Immediacy in Irvine Welsh’s Skagboys (2012) and Dead Men’s
Trousers (2018) — 276
13,1 Narrative Expansion and the Representation ofTIme: Some
Preliminary Thoughts on the Temporal Structure of Prequels,
Coquels, and Sequels—276
13 2 A Different Kind of Narrative Illusion: The Communicative Function
of Present-Tense Narration, Small Stories, and Narrative
(In)Coherence—280
13 3 Oral Storytelling vs Written Narrative: The Nexus between Fictional
Tense Usage and Narrative Authority—289
13 4 The Broken Illusion of Narrative Immediacy: Why the Concept of
‘Telling to the Moment’ Is Not Always Successful—292
14 Concluding Remarks, or: The Future of Research on Present-Tense
Narration — 301
14 1 What This Book Has to Offer —301
14 2 What Else Could Be in Store —306
14-3 and What the Present-Tense Novel Can Tell Us about
Contemporary Culture—310
Works Cited —319
Author Index—361
Subiect Index—367
|
| adam_txt |
Contents
List of Figures and Tables — XV
Abbreviations of Titles — XVII
1 Introduction—1
1 1 Present-Tense Usage in Contemporary Narrative Fiction: A New
Debate—1
1 2 Theoretical Preliminaries: The Relation between Present-Tense
Narration, Time, and Narrative Worldmaking—s
1 3 Beyond the ‘Grammatical’ Fallacy: Key Arguments and Structure of
this Book—11
Part I: Mapping the Research Field on Present-Tense
Narration
2 Linguistic, Narratological, and Philosophical Considerations on Tense
Usage in Narrative Fiction —21 ‘
2 1 The Beginnings of a Theoretical Engagement with Fictional Tense
Usage: Käte Hamburger’s Thoughts on the Epic Preterite and Their
Consequences for Present-Tense Narration—21
2 2 Diachronic Approaches to Present-Tense Narration: The Evolution
of the Present Tense as a Genuine Tense of Narration—25
2-3 Synchronlc Approaches to Present-Tense Narration: Investigating
the Present Tense from an Interdisciplinary Perspective— 29
2-3»1 Linguistic Approaches: Present-Tense Usage as a Disqualifier of
Narrative—30
23-2 Narratological Approaches: The Structuralist Understanding of
Narrative and the Problematic Case of Present-Tense
Narration — 35
2321 Conceptual Problems of Fictional Present-Tense Usage:
Implications of Simultaneous Narration for the Narratological
Paradigm—37 ‘ I ,
2322 Alternatives to Simultaneous Narration: Attempts at Naturalizmg
the Fictional Present Tense—40
23-3 Philosophical Approaches: On the Irrelevance of a Tensed
Understanding of Time in Narrative Fiction ——45
X — Contents
Part II: A Narratological Model of Present-Tense Usage in
Narrative Fiction
The ‘Grammatical’ Fallacy, or: Why We Need 3 Descriptive and
Analytical Model of Present-Tense Narration -— 53
The Formal-Structural Dimension of Fictional (Present-)Tense Usage:
Textual Distribution and Narrative Orchestration ——64
Formal Criteria for Determining the Distribution of Tense Usage in
Narrative Fiction: Variety, Scope, and Prominence—64
Structural Criteria for Analyzing the Orchestration of Tense Usage
in Narrative Fiction: Tense Alternation and Foregrounding of
Tense—68
The Functional Dimension of Fictional Present-Tense Usage: Uses and
Functions of Present-Tense Narration — 81
Encoding the Here-and-Now: Present-Tense Narration and Narrative
Worldmaking—81
The Referential Function—86
The Immersive Function—91¢
The Metareferential Function —98
The Communicative Function ——106
The Synchronizing Function—110
The Thematic Function—119
The Rhetorical Function—121
The Transmodal Function —-128
Modeling the Process of Worldmaking In Present-Tense Narration,
or: The Functional Matrix of Fictional Present-Tense Usage—136
The Syntactic Dimension of Fictional Present-Tense Usage:
Correlations between (Different Kinds of) Present-Tense Narration and
Other Narrative Strategies and/or Phenomena—140
The Multifunctionality of Fictional Present-Tense Usage ——140
The Functional Interplay of Present-Tense Narration with Other
Narrative Strategies and/or Phenomena—142
Contents — XI
Part III: Uses and Functions of Present-Tense Narration in
Contemporary Narrative Fiction
7 Narrative of Reformation: The Revision of History and Narrative Form in
Hilary Mantel's Wolf Hall (2003) and Bring Up the Bodies (2012)—151
7,1 The RevisionIst Character of Mantel’s Tudor Narratives: Turning a
Historical Villain into a Fictional Hero—151
7 2 Creating a Likeable Character: The Empathic Impact of Mantel’s
Referential Use ofthe Fictional Present—158
7 3 Foresight instead of Hindsight: Representing History as Future
Turning Points—164
7 4 Witnessing History in the Making: Spatial Non-Contextualization,
Associative Storytelling, and the Immersive Potential of Mantel’s
Present-Tense Usage—168
8 Narrative of Punishment: Experientiality, Immersion, and the
Representation of Narrative Space in Margaret Atwood’s Oryx and
Crake (2003) — 173
8-1 Encountering Unknown Worlds to Come: Anthropocene Fiction as a
Model for Reality—173
8-2 Before and After the Apocalypse: TemporalizingAtwood’s
Heterogeneous Use of Fictional Tense—180
8-3 Posthuman Space, Episodic Plot Structure, and the Thematic and
Descriptive Functions of the Fictional Present—182
8-4 Dynamic Descriptions and the Immersive Function of Present-Tense
Narration — 190
9 Narrative of Reminiscence: Intercultural Understanding and Narrative
Em Pathy in Nadeem Aslam's Maps for LostLovers (20010—194
9 1 Nurturing the Intercultural Mind: The Empathlc Potential of
intercultural Narratives—194 I d th
9'2 Addressing an Out-Group Readership: Tense-Swrtching an e
Communicative Situation of Aslam’s Novel—199 I f
9'3 Foregrounding Narrative Space: The Topochronlc Dynam cs o
Aslam’s Narrative—205
9'4 Narrative Immediacy and Hyper-Analepsis as Means of Strategic
Empathizlng—213
XII — Contents
10 Narrative of Deception: Narrative Progression, Suspense, and Surprise
in Don Winslow’s The Power of the Dog (2005) — 218
10 1 About Drug Lords, DEA Agents, and Webs of Deception — 218
10 2 Spatial Disorientation, Narrative Sequentiality, and Temporal
Immersion: Winslow’s Chronotopic Present-Tense
Narration—221
10 3 Leading the Reader Up the Garden Path: Covert Omnlscient
Narration and Orchestrated Multiperspectivity—228
10 4 Creating Suspense and Surprise: The Narrative Dynamics of the
Thriller—235
11 Narrative of Emergence: Metanarration, Intertextuality, and the
Disclosure of Worldmaking in Ian McEwan’s Nutshell (2016) — 2140
11 1 First Contact with a Narrating Fetus—240
11 2 Framing the Narrative Scenario: Metareferential Present-Tense
Narration as a Means to Naturalize McEwan’s Antimimetic
Narrator—242
11 3 Delayed Exposition, Emerging Plot, and Narratorial Inferences:
Combining Synchronizing, Thematic, and Descriptive Uses of the
Fictional Present—248
11 4 The Play with Generic Conventions: McEwan's Intertextual
References to the Detective Novel—251
12 Narrative of Emancipation: Character-Centered Illusion, Cognitive
Dissonance, and Narrative Unreliability in Emma Donoghue’s
Room (2010) — 257
12 1 ‘Strange’ Narrators, Cognitive Dissonance, and Character-Centered
Illusion—257
12 2 Exploring “Room”: Jack’s Strange Perception of the World and the
Dominant Use of Thematic Present-Tense Narration — 261
12 3 Takingiack’s Perspective: Immersive Present-Tense Usage,
Unreliable Narration, and Suspense—266
12 4 Adapting to “Outer Space: Descriptions, Explanations, and the
Transmodal Function of the Fictional Present— 271
Contents — XIII
13 Narrative of Life: Orality, Narrative Authority, and the (Broken) Illusion
of Immediacy in Irvine Welsh’s Skagboys (2012) and Dead Men’s
Trousers (2018) — 276
13,1 Narrative Expansion and the Representation ofTIme: Some
Preliminary Thoughts on the Temporal Structure of Prequels,
Coquels, and Sequels—276
13 2 A Different Kind of Narrative Illusion: The Communicative Function
of Present-Tense Narration, Small Stories, and Narrative
(In)Coherence—280
13 3 Oral Storytelling vs Written Narrative: The Nexus between Fictional
Tense Usage and Narrative Authority—289
13 4 The Broken Illusion of Narrative Immediacy: Why the Concept of
‘Telling to the Moment’ Is Not Always Successful—292
14 Concluding Remarks, or: The Future of Research on Present-Tense
Narration — 301
14 1 What This Book Has to Offer —301
14 2 What Else Could Be in Store —306
14-3 and What the Present-Tense Novel Can Tell Us about
Contemporary Culture—310
Works Cited —319
Author Index—361
Subiect Index—367 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV047253085 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:08:33Z |
| indexdate | 2024-07-10T09:06:54Z |
| institution | BVB |
| institution_GND | (DE-588)10095502-2 |
| isbn | 9783110708028 |
| language | German Ancient Greek |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032657140 |
| oclc_num | 1248666152 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-29 DE-739 |
| owner_facet | DE-19 DE-BY-UBM DE-29 DE-739 |
| physical | XIII, 378 Seiten |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | De Gruyter |
| record_format | marc |
| series | Narratologia |
| series2 | Narratologia |
| spelling | Gebauer, Carolin Verfasser (DE-588)1236450299 aut Making time World Construction in the Present-Tense Novel Carolin Gebauer Berlin De Gruyter 2021 XIII, 378 Seiten txt rdacontent n rdamedia nc rdacarrier Narratologia 77 McEwan, Ian 1948- Nutshell (DE-588)111773434X gnd rswk-swf Mantel, Hilary 1952- Wolf Hall (DE-588)1215509472 gnd rswk-swf Atwood, Margaret 1939- Oryx and Crake (DE-588)7619165-5 gnd rswk-swf Welsh, Irvine 1958- (DE-588)115629394 gnd rswk-swf Präsens (DE-588)4146254-3 gnd rswk-swf Erzählzeit (DE-588)4452693-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mantel, Hilary 1952- Wolf Hall (DE-588)1215509472 u Atwood, Margaret 1939- Oryx and Crake (DE-588)7619165-5 u McEwan, Ian 1948- Nutshell (DE-588)111773434X u Welsh, Irvine 1958- (DE-588)115629394 p Erzählzeit (DE-588)4452693-3 s Präsens (DE-588)4146254-3 s DE-604 Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-11-070813-4 Erscheint auch als Online-Ausgabe, EPUB 978-3-11-070819-6 Narratologia 77 (DE-604)BV017772165 77 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032657140&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gebauer, Carolin Making time World Construction in the Present-Tense Novel Narratologia McEwan, Ian 1948- Nutshell (DE-588)111773434X gnd Mantel, Hilary 1952- Wolf Hall (DE-588)1215509472 gnd Atwood, Margaret 1939- Oryx and Crake (DE-588)7619165-5 gnd Welsh, Irvine 1958- (DE-588)115629394 gnd Präsens (DE-588)4146254-3 gnd Erzählzeit (DE-588)4452693-3 gnd |
| subject_GND | (DE-588)111773434X (DE-588)1215509472 (DE-588)7619165-5 (DE-588)115629394 (DE-588)4146254-3 (DE-588)4452693-3 (DE-588)4113937-9 |
| title | Making time World Construction in the Present-Tense Novel |
| title_auth | Making time World Construction in the Present-Tense Novel |
| title_exact_search | Making time World Construction in the Present-Tense Novel |
| title_exact_search_txtP | Making time World Construction in the Present-Tense Novel |
| title_full | Making time World Construction in the Present-Tense Novel Carolin Gebauer |
| title_fullStr | Making time World Construction in the Present-Tense Novel Carolin Gebauer |
| title_full_unstemmed | Making time World Construction in the Present-Tense Novel Carolin Gebauer |
| title_short | Making time |
| title_sort | making time world construction in the present tense novel |
| title_sub | World Construction in the Present-Tense Novel |
| topic | McEwan, Ian 1948- Nutshell (DE-588)111773434X gnd Mantel, Hilary 1952- Wolf Hall (DE-588)1215509472 gnd Atwood, Margaret 1939- Oryx and Crake (DE-588)7619165-5 gnd Welsh, Irvine 1958- (DE-588)115629394 gnd Präsens (DE-588)4146254-3 gnd Erzählzeit (DE-588)4452693-3 gnd |
| topic_facet | McEwan, Ian 1948- Nutshell Mantel, Hilary 1952- Wolf Hall Atwood, Margaret 1939- Oryx and Crake Welsh, Irvine 1958- Präsens Erzählzeit Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032657140&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017772165 |
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