Other cinemas: politics, culture and experimental film in the 1970s
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2021
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 357 Seiten Illustrationen 22 cm |
| ISBN: | 9781350213128 1350213128 |
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Datensatz im Suchindex
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Contents List of Illustrations viii Introduction 1 Sue Clayton and Laura Mulvey PART ONE CRITICAL CONTEXTS FOR 1970s EXPERIMENTAL FILMMAKING 1. Semiotics and 1970s British Film Culture 25 Nicolas Helm-Grovas 2. 41 Listening to Women So Mayer 3. Political Contexts of 1970s Independent Filmmaking 56 Steve Sprung and Anthony Davies 4. Platforms of History: Brecht and the Public Uses of Radical History in 1970s Independent Cinema 73 Colin Perry PART TWO INFRASTRUCTURES, TECHNOLOGIES AND 1970s EXPERIMENTAL FILMMAKING 5. Audiences: Not an Optional Extra: Artists’ Distribution Practices from the London Film-Makers’ Co-op to Lux 91 Julia Knight 6. Engaging Material Specificities: Aesthetics and Politics in the 1970s Kim Knowles V 107
Contents 7. The Technologies and Practices of 1970s Community Video in the UK 121 Ed Webb-Ingall 8. ‘Whose History?’ Feminist Advocacy and Experimental Film and Video 138 Lucy Reynolds PART THREE PRACTICES, AESTHETICS AND 1970s EXPERIMENTAL tlLMMAKING (THE 200 AVANT-GARDES) 9. A Whole New Attitude: The London Film-Makers’ Co-op in the Decade of Structural/Materialism 153 Steven McIntyre 10. The ‘Salvage’ of Working-Class History and Experience: Reconsidering the Amber Collective’s 1970s Tyneside Documentaries 168 Jamie Chambers 11. Television Interventions: Experiments in Broadcasting by Artists in Britain in the 1970s and 1980s 185 Catherine Elwes 12. Britain’s Black Filmmaking Workshops and Collective Practice 205 Daniella Rose King PART FOUR CASESTUDIES 13. Views of River Yar. Reconsidering Raban and Welsb/s Landmark Landscape Film 219 Federico Windhausen 14. Between Seeing and Knowing: Stephen Dwoskin’s Behindert and the Camera’s Caress 231 Rachel Garfield 15. Rapunzel, Let Down Your Hair Amy Tobin vi 242
Contents 16. On Her Devolves the Labour’: The Cinematic Time Travel of The Song of the Shirt 257 Kodwo Eshun PART FIVE SNAPSHOTS FROM THE 1970s 17. Memories of The Other Cinema 273 Nick Hart-Williams 18. Organising for Innovation in Film and Television: The Independent Film-Makers’ Association in the Long 1970s 279 Simon Blanchard and Claire M. Holdsworth 19. The International Forum on Avant-Garde Film at the Edinburgh Film Festival, 1976: Interview with Lynda Myles 299 Kim Knowles 20. The Workshop Declaration: Independents and Organised Labour 307 Claire M. Holdsworth 21. Campaigning for Innovation and Experiment on Channel 4 313 Claire M. Holdsworth and Rod Stoneman Notes on Contributors Chronological List of Recent Events Select Bibliography Index vii 319 327 331 347
'This superb collection of essays preservis a very fimely reconsideration of many key independent and radical films, their coniext of production and exhibition in the 1970s. and their continuing importance for the aesthetics and politics of image making in our current era.' 'This anthology brilliantly reflects the struggles and achievements of a generation of filmmakers and film scholars outside Britain's commercial entertainment industry. Edited by two key figures from the movement and introducing texts by leading contemporary scholars on this period, this book offers new insights into a vibrant, influential and often highly contested film culture.' ‘An invaluable reference source for academics, researchers and the wider public less familiar with this significant period of British film history.' he innovations and debates in experimental film in the 1970s hove had far-reaching long-lasting influence, and there is a resurgence of interesi in the decade today. Professor Laura Muivey, ana writer/direcior Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema forthis collection. Chapters are aí once historically grounded yet fused with current analysis, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and Internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences.
Exploring and celebrating the work of The Other T Cinema, the London Film-makers' Co-op and other cornerstones of film culture, as well as the impact of creatives such as William Raban, Stephen Dwoskin, and Clayton and Muivey, this book takes account of a wave of sodally-aware film practice. Undoubtedly, this body of work has fed into the activist, queer, minority and feminist cinema of the present moment. SUE CLAYTON is Professor of Film and Television at Goldsmiths, University of London, UK. She Is also о screenwriter and film director, and her fiction films include The Song of the Shirt (19791. The Disappearance of Finbar {Ї996) and The Last Crop (1990!. She has made fifteen fiction and documentary films for Channel 4, BBC. and international broadcasters, and more recently has directed three award-winning films on the refugee crisis: Harneduilah: the Road Home (20111. Calais Children: A Case to .Answer (2017į and The Siansted 15: On Triai (20191. She is a consultant on asylum and migration stories to UK's BBC, Channel 4and ІГѴ News, and speaks internationally on these issues Her latest book Is The New internationalists: Activist Volunteers in the European Refugee Crisis ¡2020). LAURA MULVEY is Professor of Film at Birkbeck College, University of London. UK. She is the author of Visual and Other Pleasures (1989], Fetishism and Curiosity (1990!, Citizen Kane (1992), Death TwentyfourTimes a Second: Stillness and the Moving image {2006} and Afterimages: On Cinema, Women and Changing Times ¡2019). She made six films in collaboration with Peter Wollen including Riddles of the
Sphinx (1977) and Frida Kablo and Tina Modotti (1980). With artist/filmmaker Mark Lewis, she has made Disgraced Monuments (1994} and23 August2008 (2013). |
| adam_txt |
Contents List of Illustrations viii Introduction 1 Sue Clayton and Laura Mulvey PART ONE CRITICAL CONTEXTS FOR 1970s EXPERIMENTAL FILMMAKING 1. Semiotics and 1970s British Film Culture 25 Nicolas Helm-Grovas 2. 41 Listening to Women So Mayer 3. Political Contexts of 1970s Independent Filmmaking 56 Steve Sprung and Anthony Davies 4. Platforms of History: Brecht and the Public Uses of Radical History in 1970s Independent Cinema 73 Colin Perry PART TWO INFRASTRUCTURES, TECHNOLOGIES AND 1970s EXPERIMENTAL FILMMAKING 5. Audiences: Not an Optional Extra: Artists’ Distribution Practices from the London Film-Makers’ Co-op to Lux 91 Julia Knight 6. Engaging Material Specificities: Aesthetics and Politics in the 1970s Kim Knowles V 107
Contents 7. The Technologies and Practices of 1970s Community Video in the UK 121 Ed Webb-Ingall 8. ‘Whose History?’ Feminist Advocacy and Experimental Film and Video 138 Lucy Reynolds PART THREE PRACTICES, AESTHETICS AND 1970s EXPERIMENTAL tlLMMAKING (THE 200 AVANT-GARDES) 9. A Whole New Attitude: The London Film-Makers’ Co-op in the Decade of Structural/Materialism 153 Steven McIntyre 10. The ‘Salvage’ of Working-Class History and Experience: Reconsidering the Amber Collective’s 1970s Tyneside Documentaries 168 Jamie Chambers 11. Television Interventions: Experiments in Broadcasting by Artists in Britain in the 1970s and 1980s 185 Catherine Elwes 12. Britain’s Black Filmmaking Workshops and Collective Practice 205 Daniella Rose King PART FOUR CASESTUDIES 13. Views of River Yar. Reconsidering Raban and Welsb/s Landmark Landscape Film 219 Federico Windhausen 14. Between Seeing and Knowing: Stephen Dwoskin’s Behindert and the Camera’s Caress 231 Rachel Garfield 15. Rapunzel, Let Down Your Hair Amy Tobin vi 242
Contents 16. On Her Devolves the Labour’: The Cinematic Time Travel of The Song of the Shirt 257 Kodwo Eshun PART FIVE SNAPSHOTS FROM THE 1970s 17. Memories of The Other Cinema 273 Nick Hart-Williams 18. Organising for Innovation in Film and Television: The Independent Film-Makers’ Association in the Long 1970s 279 Simon Blanchard and Claire M. Holdsworth 19. The International Forum on Avant-Garde Film at the Edinburgh Film Festival, 1976: Interview with Lynda Myles 299 Kim Knowles 20. The Workshop Declaration: Independents and Organised Labour 307 Claire M. Holdsworth 21. Campaigning for Innovation and Experiment on Channel 4 313 Claire M. Holdsworth and Rod Stoneman Notes on Contributors Chronological List of Recent Events Select Bibliography Index vii 319 327 331 347
'This superb collection of essays preservis a very fimely reconsideration of many key independent and radical films, their coniext of production and exhibition in the 1970s. and their continuing importance for the aesthetics and politics of image making in our current era.' 'This anthology brilliantly reflects the struggles and achievements of a generation of filmmakers and film scholars outside Britain's commercial entertainment industry. Edited by two key figures from the movement and introducing texts by leading contemporary scholars on this period, this book offers new insights into a vibrant, influential and often highly contested film culture.' ‘An invaluable reference source for academics, researchers and the wider public less familiar with this significant period of British film history.' he innovations and debates in experimental film in the 1970s hove had far-reaching long-lasting influence, and there is a resurgence of interesi in the decade today. Professor Laura Muivey, ana writer/direcior Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema forthis collection. Chapters are aí once historically grounded yet fused with current analysis, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and Internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences.
Exploring and celebrating the work of The Other T Cinema, the London Film-makers' Co-op and other cornerstones of film culture, as well as the impact of creatives such as William Raban, Stephen Dwoskin, and Clayton and Muivey, this book takes account of a wave of sodally-aware film practice. Undoubtedly, this body of work has fed into the activist, queer, minority and feminist cinema of the present moment. SUE CLAYTON is Professor of Film and Television at Goldsmiths, University of London, UK. She Is also о screenwriter and film director, and her fiction films include The Song of the Shirt (19791. The Disappearance of Finbar {Ї996) and The Last Crop (1990!. She has made fifteen fiction and documentary films for Channel 4, BBC. and international broadcasters, and more recently has directed three award-winning films on the refugee crisis: Harneduilah: the Road Home (20111. Calais Children: A Case to .Answer (2017į and The Siansted 15: On Triai (20191. She is a consultant on asylum and migration stories to UK's BBC, Channel 4and ІГѴ News, and speaks internationally on these issues Her latest book Is The New internationalists: Activist Volunteers in the European Refugee Crisis ¡2020). LAURA MULVEY is Professor of Film at Birkbeck College, University of London. UK. She is the author of Visual and Other Pleasures (1989], Fetishism and Curiosity (1990!, Citizen Kane (1992), Death TwentyfourTimes a Second: Stillness and the Moving image {2006} and Afterimages: On Cinema, Women and Changing Times ¡2019). She made six films in collaboration with Peter Wollen including Riddles of the
Sphinx (1977) and Frida Kablo and Tina Modotti (1980). With artist/filmmaker Mark Lewis, she has made Disgraced Monuments (1994} and23 August2008 (2013). |
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| spelling | Other cinemas politics, culture and experimental film in the 1970s edited by Sue Clayton and Laura Mulvey Paperback edition London Bloomsbury Academic 2021 x, 357 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Geschichte 1970-1979 gnd rswk-swf Experimental films / History / 20th century Experimental films fast Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Experimentalfilm (DE-588)4153359-8 s Unabhängiger Film (DE-588)4485045-1 s Geschichte 1970-1979 z DE-604 Clayton, Sue ca. 20./21. Jh. Sonstige (DE-588)1232038318 oth Mulvey, Laura 1941- Sonstige (DE-588)123736633 oth Äquivalent Druck-Ausgabe, Hardcover 978-1-7845-3718-0 Erscheint auch als Online-Ausgabe 978-1-7867-2204-1 Erscheint auch als Online-Ausgabe, PDF 978-1-7867-3204-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032655537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032655537&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Other cinemas politics, culture and experimental film in the 1970s Experimental films / History / 20th century Experimental films fast Experimentalfilm (DE-588)4153359-8 gnd Unabhängiger Film (DE-588)4485045-1 gnd |
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| title | Other cinemas politics, culture and experimental film in the 1970s |
| title_auth | Other cinemas politics, culture and experimental film in the 1970s |
| title_exact_search | Other cinemas politics, culture and experimental film in the 1970s |
| title_exact_search_txtP | Other cinemas politics, culture and experimental film in the 1970s |
| title_full | Other cinemas politics, culture and experimental film in the 1970s edited by Sue Clayton and Laura Mulvey |
| title_fullStr | Other cinemas politics, culture and experimental film in the 1970s edited by Sue Clayton and Laura Mulvey |
| title_full_unstemmed | Other cinemas politics, culture and experimental film in the 1970s edited by Sue Clayton and Laura Mulvey |
| title_short | Other cinemas |
| title_sort | other cinemas politics culture and experimental film in the 1970s |
| title_sub | politics, culture and experimental film in the 1970s |
| topic | Experimental films / History / 20th century Experimental films fast Experimentalfilm (DE-588)4153359-8 gnd Unabhängiger Film (DE-588)4485045-1 gnd |
| topic_facet | Experimental films / History / 20th century Experimental films Experimentalfilm Unabhängiger Film Großbritannien Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032655537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032655537&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT claytonsue othercinemaspoliticscultureandexperimentalfilminthe1970s AT mulveylaura othercinemaspoliticscultureandexperimentalfilminthe1970s |