See/saw: looking at photographs : essays 2010-2020
See/Saw' is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readin...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Canongate
[2021]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | See/Saw' is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.00Following Dyer's previous books on photography, 'The Ongoing Moment' and 'The Street Philosophy of Garry Winogrand', 'See/Saw' brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work.00In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh |
Beschreibung: | 330 Seiten Illustrationen |
ISBN: | 9781838852092 |
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Datensatz im Suchindex
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---|---|
adam_text | SEE/SAW
LOOKING
AT
PHOTOGRAPHS
ESSAYS
2010-2020
GEOFF DYER
II
CAN
OF
GATE
INTRODUCTION
CONTENTS
PART
ONE
ENCOUNTERS
13
EUGENE ATGET S
PARIS
20
ALVIN LANGDON COBURN S
LONDON
AND
NEW
YORK
28
AUGUST SANDER S PEOPLE 36
ILSE BING S GARBO 43
HELEN LEVITT S STREETS 46
VIVIAN MAIER
51
THE
BOY
IN
A PHOTOGRAPH
BY
ELI
WEINBERG 55
ROY
DECARAVA: JOHN COLTRANE,
BEN
WEBSTER AND ELVIN JONES
61
OLD SPARKY: ANDY WARHOL 70
DENNIS HOPPER 78
THEY: WILLIAM EGGLESTON IN BLACK AND WHITE 85
FRED HERZOG 93
LEE
FRIEDLANDER S AMERICAN MONUMENTS 99
BEVAN DAVIES S
LOS ANGELES, 1976
105
LUIGI GHIRRI 108
PETER MITCHELL S SCARECROWS 114
NICHOLAS NIXON: THE BROWN SISTERS
LYNN
SAVILLE AND THE ARCHAEOLOGY
OF
OVERNIGHT
PHILIP-LORCA DICORCIA S MAGIC
ALEX WEBB
VEGAS DREAMTIME: FRED SIGMAN S MOTELS
THE UNDENIABLE STRUTH
ANDREAS GURSKY
THOMAS RUFF
PRABUDDHA DASGUPTA S
LONGING
PHOTOJOURNALISM AND HISTORY PAINTING: GARY KNIGHT
PAVEL MARIA SMEJKAL S
FATESCAPES
CHRIS DORLEY-BROWN S CORNERS
DAYANITA SINGH:
NOW
WE CAN SEE
OLIVER CURTIS:
VOLTE-FACE
TOM
HUNTER: THE PERSISTENCE
OF
ELEGY
FERNANDO MAQUIEIRA AND THE
MAJA
AT
NIGHT
SPIRIT AND FLESH IN NAPLES
ZOE STRAUSS
MATT
STUART:
WHY
HE
DOES THIS EVERY DAY
STAY-AT-HOME STREET PHOTOGRAPHERS: MICHAEL WOLF,
JON RAFMAN AND DOUG RICKARD
MIKE BRODIE:
A PERIOD
OF
JUVENILE PROSPERITY
CHLOE DEWE MATHEWS:
SHOT
AT
DAWN
121
126
131
137
150
155
162
168
176
182
188
193
198
208
212
216
220
226
230
235
245
251
PART
TWO
EXPOSURES
FRANCO PAGETTI: ALEPPO, SYRIA, 19 FEBRUARY 2013 260
TOMAS VAN HOUTRYVE: PHILADELPHIA,
USA,
10 NOVEMBER 2013 263
JASON REED: MELBOURNE, AUSTRALIA, 17 JANUARY 2014 266
BULLIT MARQUEZ: MANILA, PHILIPPINES, 27 JANUARY 2014 269
THOMAS PETER: PEREVALNE, UKRAINE, 5 MARCH 2014 272
MARKO DJURICA: DONETSK, UKRAINE, 22 APRIL 2014 275
NIKOLAY DOYCHINOV: DRAGINOVO, BULGARIA, 4 MAY 2014 278
FINBARR O REILLY: GAZA STRIP, 24 JULY 2014 281
KIM LUDBROOK: PRETORIA, SOUTH AFRICA,
11
SEPTEMBER 2014 285
JUSTIN SULLIVAN: DELLWOOD, MISSOURI,
USA,
26 NOVEMBER 2014 288
PART
THREE
WRITERS
ROLAND BARTHES:
CAMERA LUCIDO
294
MICHAEL FRIED:
WHY PHOTOGRAPHY MATTERS
AS
ART
AS NEVER
303
BEFORE
JOHN BERGER:
UNDERSTANDING A PHOTOGRAPH
307
CHRONOLOGICAL LIST
OF
PHOTOGRAPHERS DISCUSSED IN PART ONE
315
ACKNOWLEDGEMENTS
317
ENDNOTES
321
PERMISSION CREDITS
331
|
adam_txt |
SEE/SAW
LOOKING
AT
PHOTOGRAPHS
ESSAYS
2010-2020
GEOFF DYER
II
CAN
OF
GATE
INTRODUCTION
CONTENTS
PART
ONE
ENCOUNTERS
13
EUGENE ATGET'S
PARIS
20
ALVIN LANGDON COBURN'S
LONDON
AND
NEW
YORK
28
AUGUST SANDER'S PEOPLE 36
ILSE BING'S GARBO 43
HELEN LEVITT'S STREETS 46
VIVIAN MAIER
51
THE
BOY
IN
A PHOTOGRAPH
BY
ELI
WEINBERG 55
ROY
DECARAVA: JOHN COLTRANE,
BEN
WEBSTER AND ELVIN JONES
61
OLD SPARKY: ANDY WARHOL 70
DENNIS HOPPER 78
THEY: WILLIAM EGGLESTON IN BLACK AND WHITE 85
FRED HERZOG 93
LEE
FRIEDLANDER'S AMERICAN MONUMENTS 99
BEVAN DAVIES'S
LOS ANGELES, 1976
105
LUIGI GHIRRI 108
PETER MITCHELL'S SCARECROWS 114
NICHOLAS NIXON: THE BROWN SISTERS
LYNN
SAVILLE AND THE ARCHAEOLOGY
OF
OVERNIGHT
PHILIP-LORCA DICORCIA'S MAGIC
ALEX WEBB
VEGAS DREAMTIME: FRED SIGMAN'S MOTELS
THE UNDENIABLE STRUTH
ANDREAS GURSKY
THOMAS RUFF
PRABUDDHA DASGUPTA'S
LONGING
PHOTOJOURNALISM AND HISTORY PAINTING: GARY KNIGHT
PAVEL MARIA SMEJKAL'S
FATESCAPES
CHRIS DORLEY-BROWN'S CORNERS
DAYANITA SINGH:
NOW
WE CAN SEE
OLIVER CURTIS:
VOLTE-FACE
TOM
HUNTER: THE PERSISTENCE
OF
ELEGY
FERNANDO MAQUIEIRA AND THE
MAJA
AT
NIGHT
SPIRIT AND FLESH IN NAPLES
ZOE STRAUSS
MATT
STUART:
WHY
HE
DOES THIS EVERY DAY
STAY-AT-HOME STREET PHOTOGRAPHERS: MICHAEL WOLF,
JON RAFMAN AND DOUG RICKARD
MIKE BRODIE:
A PERIOD
OF
JUVENILE PROSPERITY
CHLOE DEWE MATHEWS:
SHOT
AT
DAWN
121
126
131
137
150
155
162
168
176
182
188
193
198
208
212
216
220
226
230
235
245
251
PART
TWO
EXPOSURES
FRANCO PAGETTI: ALEPPO, SYRIA, 19 FEBRUARY 2013 260
TOMAS VAN HOUTRYVE: PHILADELPHIA,
USA,
10 NOVEMBER 2013 263
JASON REED: MELBOURNE, AUSTRALIA, 17 JANUARY 2014 266
BULLIT MARQUEZ: MANILA, PHILIPPINES, 27 JANUARY 2014 269
THOMAS PETER: PEREVALNE, UKRAINE, 5 MARCH 2014 272
MARKO DJURICA: DONETSK, UKRAINE, 22 APRIL 2014 275
NIKOLAY DOYCHINOV: DRAGINOVO, BULGARIA, 4 MAY 2014 278
FINBARR O'REILLY: GAZA STRIP, 24 JULY 2014 281
KIM LUDBROOK: PRETORIA, SOUTH AFRICA,
11
SEPTEMBER 2014 285
JUSTIN SULLIVAN: DELLWOOD, MISSOURI,
USA,
26 NOVEMBER 2014 288
PART
THREE
WRITERS
ROLAND BARTHES:
CAMERA LUCIDO
294
MICHAEL FRIED:
WHY PHOTOGRAPHY MATTERS
AS
ART
AS NEVER
303
BEFORE
JOHN BERGER:
UNDERSTANDING A PHOTOGRAPH
307
CHRONOLOGICAL LIST
OF
PHOTOGRAPHERS DISCUSSED IN PART ONE
315
ACKNOWLEDGEMENTS
317
ENDNOTES
321
PERMISSION CREDITS
331 |
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spellingShingle | Dyer, Geoff 1958- See/saw looking at photographs : essays 2010-2020 Kritik (DE-588)4033229-9 gnd Beschreibung (DE-588)4144882-0 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4033229-9 (DE-588)4144882-0 (DE-588)4045895-7 (DE-588)4143413-4 |
title | See/saw looking at photographs : essays 2010-2020 |
title_alt | See saw |
title_auth | See/saw looking at photographs : essays 2010-2020 |
title_exact_search | See/saw looking at photographs : essays 2010-2020 |
title_exact_search_txtP | See/saw looking at photographs : essays 2010-2020 |
title_full | See/saw looking at photographs : essays 2010-2020 Geoff Dyer |
title_fullStr | See/saw looking at photographs : essays 2010-2020 Geoff Dyer |
title_full_unstemmed | See/saw looking at photographs : essays 2010-2020 Geoff Dyer |
title_short | See/saw |
title_sort | see saw looking at photographs essays 2010 2020 |
title_sub | looking at photographs : essays 2010-2020 |
topic | Kritik (DE-588)4033229-9 gnd Beschreibung (DE-588)4144882-0 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Kritik Beschreibung Fotografie Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032653306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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