"The infallible sign of the destiny": reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era
The aim of this paper is to examine some pictorial and sculptural works in which the myth of the foundation of Rome was represented in the fascist era. This traditional iconographic theme was reinterpreted during the regime of Mussolini as demonstrated in many examples in monumental art such as the...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Schlagworte: | |
| Zusammenfassung: | The aim of this paper is to examine some pictorial and sculptural works in which the myth of the foundation of Rome was represented in the fascist era. This traditional iconographic theme was reinterpreted during the regime of Mussolini as demonstrated in many examples in monumental art such as the mural paintings by Romano Romanelli (1930) in Palazzo delle Corporazioni, Gerardo Dottori in the Aula Magna of the "Regia Universita per Stranieri" in Perugia (1937), or the decorations of the buildings designed for the Rome Universal Exhibition in 1942 (also known as E42). The recurring theme, which had enjoyed great iconographic success is the figure of Romulus who traces the sulcus primigenius (the primordial furrow). In most cases, the figure of the founder is central in the composition, at times even isolated, in order tocreate a unique symbolic image included in the broader narration of the myth. This paper aims to investigate this subject using an innovative and comparative approach based on the research methodologies of classical archaeology and the history of art. It proposes to identify the ancient sources and the traditional iconographic motifs related to the act of the foundation by Romulus and to investigate the new meaning that they assumed in fascist Italy. |
| Beschreibung: | Illustrationen |
| ISSN: | 1846-8551 |
Internformat
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| 245 | 1 | 0 | |a "The infallible sign of the destiny" |b reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |c Rita Ladogana, Ciro Parodo, Marco Giuman |
| 246 | 1 | 3 | |a "Nepogrešivi znak sudbine" : osvrti na ikonografiju mita o utemeljenju Rima u umjetnosti fašističkoga razdoblja |
| 264 | 1 | |c 2020 | |
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| 520 | 3 | |a The aim of this paper is to examine some pictorial and sculptural works in which the myth of the foundation of Rome was represented in the fascist era. This traditional iconographic theme was reinterpreted during the regime of Mussolini as demonstrated in many examples in monumental art such as the mural paintings by Romano Romanelli (1930) in Palazzo delle Corporazioni, Gerardo Dottori in the Aula Magna of the "Regia Universita per Stranieri" in Perugia (1937), or the decorations of the buildings designed for the Rome Universal Exhibition in 1942 (also known as E42). The recurring theme, which had enjoyed great iconographic success is the figure of Romulus who traces the sulcus primigenius (the primordial furrow). In most cases, the figure of the founder is central in the composition, at times even isolated, in order tocreate a unique symbolic image included in the broader narration of the myth. This paper aims to investigate this subject using an innovative and comparative approach based on the research methodologies of classical archaeology and the history of art. It proposes to identify the ancient sources and the traditional iconographic motifs related to the act of the foundation by Romulus and to investigate the new meaning that they assumed in fascist Italy. | |
| 546 | |a Zusammenfassung in kroatischer Sprache unter dem Titel: "Nepogrešivi znak sudbine" : osvrti na ikonografiju mita o utemeljenju Rima u umjetnosti fašističkoga razdoblja | ||
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Datensatz im Suchindex
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| article_link | (DE-604)BV037480230 |
| author | Ladogana, Rita 1974- Parodo, Ciro Giuman, Marco 1967- |
| author_GND | (DE-588)1094716391 (DE-588)1150890835 (DE-588)1092234179 |
| author_facet | Ladogana, Rita 1974- Parodo, Ciro Giuman, Marco 1967- |
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| author_sort | Ladogana, Rita 1974- |
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| bvnumber | BV047244437 |
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| era | Geschichte 1937 gnd Geschichte 1942 gnd Geschichte 1930-1943 gnd Geschichte 1930 gnd |
| era_facet | Geschichte 1937 Geschichte 1942 Geschichte 1930-1943 Geschichte 1930 |
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| geographic | Perugia (DE-588)4045314-5 gnd Rom (DE-588)4050471-2 gnd Palazzo del Ministero delle Attività Produttive Rom (DE-588)7574362-0 gnd Rom-EUR (DE-588)4234535-2 gnd Italien (DE-588)4027833-5 gnd |
| geographic_facet | Perugia Rom Palazzo del Ministero delle Attività Produttive Rom Rom-EUR Italien |
| id | DE-604.BV047244437 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:05:41Z |
| indexdate | 2025-01-02T21:10:12Z |
| institution | BVB |
| issn | 1846-8551 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032648629 |
| oclc_num | 1249664436 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| record_format | marc |
| spelling | Ladogana, Rita 1974- Verfasser (DE-588)1094716391 aut "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era Rita Ladogana, Ciro Parodo, Marco Giuman "Nepogrešivi znak sudbine" : osvrti na ikonografiju mita o utemeljenju Rima u umjetnosti fašističkoga razdoblja 2020 Illustrationen txt rdacontent n rdamedia nc rdacarrier The aim of this paper is to examine some pictorial and sculptural works in which the myth of the foundation of Rome was represented in the fascist era. This traditional iconographic theme was reinterpreted during the regime of Mussolini as demonstrated in many examples in monumental art such as the mural paintings by Romano Romanelli (1930) in Palazzo delle Corporazioni, Gerardo Dottori in the Aula Magna of the "Regia Universita per Stranieri" in Perugia (1937), or the decorations of the buildings designed for the Rome Universal Exhibition in 1942 (also known as E42). The recurring theme, which had enjoyed great iconographic success is the figure of Romulus who traces the sulcus primigenius (the primordial furrow). In most cases, the figure of the founder is central in the composition, at times even isolated, in order tocreate a unique symbolic image included in the broader narration of the myth. This paper aims to investigate this subject using an innovative and comparative approach based on the research methodologies of classical archaeology and the history of art. It proposes to identify the ancient sources and the traditional iconographic motifs related to the act of the foundation by Romulus and to investigate the new meaning that they assumed in fascist Italy. Zusammenfassung in kroatischer Sprache unter dem Titel: "Nepogrešivi znak sudbine" : osvrti na ikonografiju mita o utemeljenju Rima u umjetnosti fašističkoga razdoblja Romanelli, Romano 1882-1968 (DE-588)137360371 gnd rswk-swf Dottori, Gerardo 1884-1977 (DE-588)119015595 gnd rswk-swf Geschichte 1937 gnd rswk-swf Geschichte 1942 gnd rswk-swf Geschichte 1930-1943 gnd rswk-swf Geschichte 1930 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Gründung (DE-588)4020642-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Stadt (DE-588)4056723-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mythos (DE-588)4075159-4 gnd rswk-swf Faschismus (DE-588)4016494-9 gnd rswk-swf Perugia (DE-588)4045314-5 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Palazzo del Ministero delle Attività Produttive Rom (DE-588)7574362-0 gnd rswk-swf Rom-EUR (DE-588)4234535-2 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Rom (DE-588)4050471-2 g Stadt (DE-588)4056723-0 s Gründung (DE-588)4020642-7 s Mythos (DE-588)4075159-4 s Rezeption (DE-588)4049716-1 s Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Faschismus (DE-588)4016494-9 s Geschichte 1930-1943 z DE-604 Romanelli, Romano 1882-1968 (DE-588)137360371 p Palazzo del Ministero delle Attività Produttive Rom (DE-588)7574362-0 g Wandmalerei (DE-588)4064542-3 s Geschichte 1930 z Dottori, Gerardo 1884-1977 (DE-588)119015595 p Perugia (DE-588)4045314-5 g Geschichte 1937 z Rom-EUR (DE-588)4234535-2 g Geschichte 1942 z Parodo, Ciro Verfasser (DE-588)1150890835 aut Giuman, Marco 1967- Verfasser (DE-588)1092234179 aut volume:13 year:2020 pages:345-360 Ikon Rijeka, 2020 Band 13 (2020), Seite 345-360 (DE-604)BV037480230 1846-8551 (DE-600)2500582-0 |
| spellingShingle | Ladogana, Rita 1974- Parodo, Ciro Giuman, Marco 1967- "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era Romanelli, Romano 1882-1968 (DE-588)137360371 gnd Dottori, Gerardo 1884-1977 (DE-588)119015595 gnd Wandmalerei (DE-588)4064542-3 gnd Gründung (DE-588)4020642-7 gnd Kunst (DE-588)4114333-4 gnd Stadt (DE-588)4056723-0 gnd Rezeption (DE-588)4049716-1 gnd Mythos (DE-588)4075159-4 gnd Faschismus (DE-588)4016494-9 gnd |
| subject_GND | (DE-588)137360371 (DE-588)119015595 (DE-588)4064542-3 (DE-588)4020642-7 (DE-588)4114333-4 (DE-588)4056723-0 (DE-588)4049716-1 (DE-588)4075159-4 (DE-588)4016494-9 (DE-588)4045314-5 (DE-588)4050471-2 (DE-588)7574362-0 (DE-588)4234535-2 (DE-588)4027833-5 |
| title | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |
| title_alt | "Nepogrešivi znak sudbine" : osvrti na ikonografiju mita o utemeljenju Rima u umjetnosti fašističkoga razdoblja |
| title_auth | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |
| title_exact_search | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |
| title_exact_search_txtP | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |
| title_full | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era Rita Ladogana, Ciro Parodo, Marco Giuman |
| title_fullStr | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era Rita Ladogana, Ciro Parodo, Marco Giuman |
| title_full_unstemmed | "The infallible sign of the destiny" reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era Rita Ladogana, Ciro Parodo, Marco Giuman |
| title_short | "The infallible sign of the destiny" |
| title_sort | the infallible sign of the destiny reflections on the iconography of the myth of the foundation of rome in the art of the fascist era |
| title_sub | reflections on the iconography of the myth of the foundation of Rome in the art of the Fascist era |
| topic | Romanelli, Romano 1882-1968 (DE-588)137360371 gnd Dottori, Gerardo 1884-1977 (DE-588)119015595 gnd Wandmalerei (DE-588)4064542-3 gnd Gründung (DE-588)4020642-7 gnd Kunst (DE-588)4114333-4 gnd Stadt (DE-588)4056723-0 gnd Rezeption (DE-588)4049716-1 gnd Mythos (DE-588)4075159-4 gnd Faschismus (DE-588)4016494-9 gnd |
| topic_facet | Romanelli, Romano 1882-1968 Dottori, Gerardo 1884-1977 Wandmalerei Gründung Kunst Stadt Rezeption Mythos Faschismus Perugia Rom Palazzo del Ministero delle Attività Produttive Rom Rom-EUR Italien |
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