Ancient survivals, ingenious meanings: iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance
The story of Iphigenia was in wide circulation in the Hellenistic period and then revived in the Renaissance with many later Baroque and Neoclassical additions. Nevertheless, the character of Agamemnon’s eldest daughter also survived through medieval times, not only in the acknowledged continuity of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
|
| Schlagworte: | |
| Zusammenfassung: | The story of Iphigenia was in wide circulation in the Hellenistic period and then revived in the Renaissance with many later Baroque and Neoclassical additions. Nevertheless, the character of Agamemnon’s eldest daughter also survived through medieval times, not only in the acknowledged continuity of forms from ancient models surviving on sarcophagi, Byzantine manuscripts, etc. but also in some forms of theological culture or late medieval vernacular literature (like Dante’s Commedia) where the literary motif of Iphigenia was twisted and given particular meanings relating to ideas or concerns that were not originally acknowledged in Antiquity. Against the very mention of Iphigenia in Divina Commedia, I will present two rare - if not almost unrecognizable - uses of her Dantesque image and symbol in the Sienese art of the early Renaissance. A fresco by Domenico di Bartolo and a manuscript of Dante’s Paradise illuminated by Giovanni di Paolo, both accomplished in the same decade of Quattrocento, will serve as case studies. I will therefore pursue my theses on two Sienese contemporary artists and on two different visual media, with particular analyses of the cultural and theological backgrounds, local context and artistic motifs. |
| Beschreibung: | Illustrationen |
| ISSN: | 1846-8551 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047243553 | ||
| 003 | DE-604 | ||
| 005 | 20210503 | ||
| 007 | t | ||
| 008 | 210419s2020 a||| |||| 00||| eng d | ||
| 035 | |a (OCoLC)1249665456 | ||
| 035 | |a (DE-599)BVBBV047243553 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Drăgan, Simona |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Ancient survivals, ingenious meanings |b iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |c Simona Drăgan |
| 246 | 1 | 3 | |a Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti SieneIkon |
| 264 | 1 | |c 2020 | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a The story of Iphigenia was in wide circulation in the Hellenistic period and then revived in the Renaissance with many later Baroque and Neoclassical additions. Nevertheless, the character of Agamemnon’s eldest daughter also survived through medieval times, not only in the acknowledged continuity of forms from ancient models surviving on sarcophagi, Byzantine manuscripts, etc. but also in some forms of theological culture or late medieval vernacular literature (like Dante’s Commedia) where the literary motif of Iphigenia was twisted and given particular meanings relating to ideas or concerns that were not originally acknowledged in Antiquity. Against the very mention of Iphigenia in Divina Commedia, I will present two rare - if not almost unrecognizable - uses of her Dantesque image and symbol in the Sienese art of the early Renaissance. A fresco by Domenico di Bartolo and a manuscript of Dante’s Paradise illuminated by Giovanni di Paolo, both accomplished in the same decade of Quattrocento, will serve as case studies. I will therefore pursue my theses on two Sienese contemporary artists and on two different visual media, with particular analyses of the cultural and theological backgrounds, local context and artistic motifs. | |
| 546 | |a Zusammenfassung in kroatischer Sprache unter dem Titel: Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti Siene | ||
| 600 | 0 | 7 | |a Iphigenie |0 (DE-588)118555723 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Giovanni |c di Paolo |d 1398-1482 |0 (DE-588)118717588 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Domenico |c di Bartolo |d 1400-1444 |0 (DE-588)12981640X |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Dante |c Alighieri |d 1265-1321 |t Divina commedia |0 (DE-588)4113270-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ikonographie |0 (DE-588)4026535-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Siena |0 (DE-588)4054903-3 |2 gnd |9 rswk-swf | |
| 688 | 7 | |a Dante Alighieri (1265 - 1321) |0 (DE-2581)TH000005294 |2 gbd | |
| 688 | 7 | |a Renaissance, Rezeption |0 (DE-2581)TH000005253 |2 gbd | |
| 689 | 0 | 0 | |a Siena |0 (DE-588)4054903-3 |D g |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Domenico |c di Bartolo |d 1400-1444 |0 (DE-588)12981640X |D p |
| 689 | 0 | 3 | |a Giovanni |c di Paolo |d 1398-1482 |0 (DE-588)118717588 |D p |
| 689 | 0 | 4 | |a Iphigenie |0 (DE-588)118555723 |D p |
| 689 | 0 | 5 | |a Ikonographie |0 (DE-588)4026535-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Dante |c Alighieri |d 1265-1321 |t Divina commedia |0 (DE-588)4113270-1 |D u |
| 689 | 1 | |5 DE-604 | |
| 773 | 1 | 8 | |g volume:13 |g year:2020 |g pages:135-148 |
| 773 | 0 | 8 | |t Ikon |d Rijeka, 2020 |g Band 13 (2020), Seite 135-148 |w (DE-604)BV037480230 |x 1846-8551 |o (DE-600)2500582-0 |
| 940 | 1 | |n gbd | |
| 940 | 1 | |q gbd_4_2105 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032647769 | ||
| 941 | |b 13 |j 2020 |s 135-148 | ||
Datensatz im Suchindex
| _version_ | 1804182382488584192 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV037480230 |
| author | Drăgan, Simona |
| author_facet | Drăgan, Simona |
| author_role | aut |
| author_sort | Drăgan, Simona |
| author_variant | s d sd |
| building | Verbundindex |
| bvnumber | BV047243553 |
| ctrlnum | (OCoLC)1249665456 (DE-599)BVBBV047243553 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03650naa a2200553 c 4500</leader><controlfield tag="001">BV047243553</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210503 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210419s2020 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1249665456</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047243553</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Drăgan, Simona</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ancient survivals, ingenious meanings</subfield><subfield code="b">iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance</subfield><subfield code="c">Simona Drăgan</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti SieneIkon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The story of Iphigenia was in wide circulation in the Hellenistic period and then revived in the Renaissance with many later Baroque and Neoclassical additions. Nevertheless, the character of Agamemnon’s eldest daughter also survived through medieval times, not only in the acknowledged continuity of forms from ancient models surviving on sarcophagi, Byzantine manuscripts, etc. but also in some forms of theological culture or late medieval vernacular literature (like Dante’s Commedia) where the literary motif of Iphigenia was twisted and given particular meanings relating to ideas or concerns that were not originally acknowledged in Antiquity. Against the very mention of Iphigenia in Divina Commedia, I will present two rare - if not almost unrecognizable - uses of her Dantesque image and symbol in the Sienese art of the early Renaissance. A fresco by Domenico di Bartolo and a manuscript of Dante’s Paradise illuminated by Giovanni di Paolo, both accomplished in the same decade of Quattrocento, will serve as case studies. I will therefore pursue my theses on two Sienese contemporary artists and on two different visual media, with particular analyses of the cultural and theological backgrounds, local context and artistic motifs.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Zusammenfassung in kroatischer Sprache unter dem Titel: Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti Siene</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Iphigenie</subfield><subfield code="0">(DE-588)118555723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Giovanni</subfield><subfield code="c">di Paolo</subfield><subfield code="d">1398-1482</subfield><subfield code="0">(DE-588)118717588</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Domenico</subfield><subfield code="c">di Bartolo</subfield><subfield code="d">1400-1444</subfield><subfield code="0">(DE-588)12981640X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Dante</subfield><subfield code="c">Alighieri</subfield><subfield code="d">1265-1321</subfield><subfield code="t">Divina commedia</subfield><subfield code="0">(DE-588)4113270-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Siena</subfield><subfield code="0">(DE-588)4054903-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Dante Alighieri (1265 - 1321)</subfield><subfield code="0">(DE-2581)TH000005294</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Renaissance, Rezeption</subfield><subfield code="0">(DE-2581)TH000005253</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Siena</subfield><subfield code="0">(DE-588)4054903-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Domenico</subfield><subfield code="c">di Bartolo</subfield><subfield code="d">1400-1444</subfield><subfield code="0">(DE-588)12981640X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Giovanni</subfield><subfield code="c">di Paolo</subfield><subfield code="d">1398-1482</subfield><subfield code="0">(DE-588)118717588</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Iphigenie</subfield><subfield code="0">(DE-588)118555723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Dante</subfield><subfield code="c">Alighieri</subfield><subfield code="d">1265-1321</subfield><subfield code="t">Divina commedia</subfield><subfield code="0">(DE-588)4113270-1</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:13</subfield><subfield code="g">year:2020</subfield><subfield code="g">pages:135-148</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Ikon</subfield><subfield code="d">Rijeka, 2020</subfield><subfield code="g">Band 13 (2020), Seite 135-148</subfield><subfield code="w">(DE-604)BV037480230</subfield><subfield code="x">1846-8551</subfield><subfield code="o">(DE-600)2500582-0</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_2105</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032647769</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">13</subfield><subfield code="j">2020</subfield><subfield code="s">135-148</subfield></datafield></record></collection> |
| geographic | Siena (DE-588)4054903-3 gnd |
| geographic_facet | Siena |
| id | DE-604.BV047243553 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:05:15Z |
| indexdate | 2024-07-10T09:06:40Z |
| institution | BVB |
| issn | 1846-8551 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032647769 |
| oclc_num | 1249665456 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | Illustrationen |
| psigel | gbd_4_2105 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| record_format | marc |
| spelling | Drăgan, Simona Verfasser aut Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance Simona Drăgan Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti SieneIkon 2020 Illustrationen txt rdacontent n rdamedia nc rdacarrier The story of Iphigenia was in wide circulation in the Hellenistic period and then revived in the Renaissance with many later Baroque and Neoclassical additions. Nevertheless, the character of Agamemnon’s eldest daughter also survived through medieval times, not only in the acknowledged continuity of forms from ancient models surviving on sarcophagi, Byzantine manuscripts, etc. but also in some forms of theological culture or late medieval vernacular literature (like Dante’s Commedia) where the literary motif of Iphigenia was twisted and given particular meanings relating to ideas or concerns that were not originally acknowledged in Antiquity. Against the very mention of Iphigenia in Divina Commedia, I will present two rare - if not almost unrecognizable - uses of her Dantesque image and symbol in the Sienese art of the early Renaissance. A fresco by Domenico di Bartolo and a manuscript of Dante’s Paradise illuminated by Giovanni di Paolo, both accomplished in the same decade of Quattrocento, will serve as case studies. I will therefore pursue my theses on two Sienese contemporary artists and on two different visual media, with particular analyses of the cultural and theological backgrounds, local context and artistic motifs. Zusammenfassung in kroatischer Sprache unter dem Titel: Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti Siene Iphigenie (DE-588)118555723 gnd rswk-swf Giovanni di Paolo 1398-1482 (DE-588)118717588 gnd rswk-swf Domenico di Bartolo 1400-1444 (DE-588)12981640X gnd rswk-swf Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Siena (DE-588)4054903-3 gnd rswk-swf Dante Alighieri (1265 - 1321) (DE-2581)TH000005294 gbd Renaissance, Rezeption (DE-2581)TH000005253 gbd Siena (DE-588)4054903-3 g Malerei (DE-588)4037220-0 s Domenico di Bartolo 1400-1444 (DE-588)12981640X p Giovanni di Paolo 1398-1482 (DE-588)118717588 p Iphigenie (DE-588)118555723 p Ikonographie (DE-588)4026535-3 s DE-604 Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 u volume:13 year:2020 pages:135-148 Ikon Rijeka, 2020 Band 13 (2020), Seite 135-148 (DE-604)BV037480230 1846-8551 (DE-600)2500582-0 |
| spellingShingle | Drăgan, Simona Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance Iphigenie (DE-588)118555723 gnd Giovanni di Paolo 1398-1482 (DE-588)118717588 gnd Domenico di Bartolo 1400-1444 (DE-588)12981640X gnd Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd Ikonographie (DE-588)4026535-3 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118555723 (DE-588)118717588 (DE-588)12981640X (DE-588)4113270-1 (DE-588)4026535-3 (DE-588)4037220-0 (DE-588)4054903-3 |
| title | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |
| title_alt | Antički prežici, iznimna značenja : ikonografski odjeci Danteove Ifigenije u ranorenesansnoj umjetnosti SieneIkon |
| title_auth | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |
| title_exact_search | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |
| title_exact_search_txtP | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |
| title_full | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance Simona Drăgan |
| title_fullStr | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance Simona Drăgan |
| title_full_unstemmed | Ancient survivals, ingenious meanings iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance Simona Drăgan |
| title_short | Ancient survivals, ingenious meanings |
| title_sort | ancient survivals ingenious meanings iconographic echoes and symbols of dante s iphigenia in the sienese art of the early renaissance |
| title_sub | iconographic echoes and symbols of Dante's Iphigenia in the Sienese art of the early Renaissance |
| topic | Iphigenie (DE-588)118555723 gnd Giovanni di Paolo 1398-1482 (DE-588)118717588 gnd Domenico di Bartolo 1400-1444 (DE-588)12981640X gnd Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd Ikonographie (DE-588)4026535-3 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Iphigenie Giovanni di Paolo 1398-1482 Domenico di Bartolo 1400-1444 Dante Alighieri 1265-1321 Divina commedia Ikonographie Malerei Siena |
| work_keys_str_mv | AT dragansimona ancientsurvivalsingeniousmeaningsiconographicechoesandsymbolsofdantesiphigeniainthesieneseartoftheearlyrenaissance AT dragansimona antickipreziciiznimnaznacenjaikonografskiodjecidanteoveifigenijeuranorenesansnojumjetnostisieneikon |