Contemporary Hollywood animation: style, storytelling, culture and ideology since the 1990s
A cultural history of the contemporary Hollywood animated feature, from Toy Story to The Lego Movie. Examines critically a range of prominent contemporary Hollywood animated features. Reveals the aspects which make these texts attractive to multiple audience sections. Situates the genre in its socia...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
|
| Schriftenreihe: | Traditions in American cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | A cultural history of the contemporary Hollywood animated feature, from Toy Story to The Lego Movie. Examines critically a range of prominent contemporary Hollywood animated features. Reveals the aspects which make these texts attractive to multiple audience sections. Situates the genre in its social, cultural, and industrial contexts. Contributes to current debates on children's media. Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Frozen and Moana, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns, and the developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation |
| Beschreibung: | ix, 216 Seiten Illustrationen 24 cm |
| ISBN: | 9781474410564 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures and Tables Acknowledgements vii ix 1. Change and Continuity: The Making of Contemporary Hollywood Animation Production Trends Animation and Hollywood Cinema Since the 1970s Style and Aesthetics Storytelling and Narrative Critical Approach 1 2 6 22 28 39 2. Crossing Boundaries: Families, Audiences and the Mainstream Aesthetic The Family Audience Repositioning the Family: The Lion King and Toy Story Family and Kinship Family and Individualism Child-Adult Crossovers 41 43 47 54 67 74 3. Hollywood Animation, Late Modernityand Contemporary America Postmodern Irony: DreamWorks and Beyond Social Comment and Contemporary America Conclusion 78 79 92 107
CONTEMPORARY HOLLYWOOD ANIMATION 4. Ways of Being: Identityand Hollywood Animation Disney in Transition: Sexual Politics in the Early Films of the ‘Disney Renaissance’ Diversity and Contemporary Disney Films Women and the Contemporary Princess Film Models of Masculinity Conclusion 109 114 128 137 142 5. On the Borders:Children’s Horror and IndiewoodAnimation Children’s Horror and Contemporary Hollywood ‘Indiewood’ Animation Hybridisation Conclusion 144 145 161 171 175 Conclusion 178 Notes Select Filmography Select Bibliography Index 185 206 209 213 vi 109
‘Masterfully handling vast amounts of sources, this engagingly written book combines concise film analyses with the discussion of relevant film industrial and cultural contexts. It focuses on the contemporary period but also covers key developments in feature animation in the United States since the 1930s. This is essential reading for anyone interested in American animation or, more generally, in American cinema and culture.’ Peter Krämer, Leicester Media School at De Montfort University Overturning prejudices that have often marginalised the study of mainstream animation, Brown provides a compelling overview of post-1990s Hollywood animation. Detailing the contributions of Disney, DreamWorks, LAIKA and Pixar, amongst others. Brown establishes a nuanced history that promotes a rich understanding of computer-based, hand-drawn, and stop-motion animation in equal measure. Chris Pallant, Canterbury Christ Church University Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Prozen and Moona, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns,
and developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation. Noel Brown is Senior Lecturer in Media and Communication at Uverpool Hope University.
|
| adam_txt |
CONTENTS List of Figures and Tables Acknowledgements vii ix 1. Change and Continuity: The Making of Contemporary Hollywood Animation Production Trends Animation and Hollywood Cinema Since the 1970s Style and Aesthetics Storytelling and Narrative Critical Approach 1 2 6 22 28 39 2. Crossing Boundaries: Families, Audiences and the Mainstream Aesthetic The Family Audience Repositioning the Family: The Lion King and Toy Story Family and Kinship Family and Individualism Child-Adult Crossovers 41 43 47 54 67 74 3. Hollywood Animation, Late Modernityand Contemporary America Postmodern Irony: DreamWorks and Beyond Social Comment and Contemporary America Conclusion 78 79 92 107
CONTEMPORARY HOLLYWOOD ANIMATION 4. Ways of Being: Identityand Hollywood Animation Disney in Transition: Sexual Politics in the Early Films of the ‘Disney Renaissance’ Diversity and Contemporary Disney Films Women and the Contemporary Princess Film Models of Masculinity Conclusion 109 114 128 137 142 5. On the Borders:Children’s Horror and IndiewoodAnimation Children’s Horror and Contemporary Hollywood ‘Indiewood’ Animation Hybridisation Conclusion 144 145 161 171 175 Conclusion 178 Notes Select Filmography Select Bibliography Index 185 206 209 213 vi 109
‘Masterfully handling vast amounts of sources, this engagingly written book combines concise film analyses with the discussion of relevant film industrial and cultural contexts. It focuses on the contemporary period but also covers key developments in feature animation in the United States since the 1930s. This is essential reading for anyone interested in American animation or, more generally, in American cinema and culture.’ Peter Krämer, Leicester Media School at De Montfort University Overturning prejudices that have often marginalised the study of mainstream animation, Brown provides a compelling overview of post-1990s Hollywood animation. Detailing the contributions of Disney, DreamWorks, LAIKA and Pixar, amongst others. Brown establishes a nuanced history that promotes a rich understanding of computer-based, hand-drawn, and stop-motion animation in equal measure.' Chris Pallant, Canterbury Christ Church University Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Prozen and Moona, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns,
and developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation. Noel Brown is Senior Lecturer in Media and Communication at Uverpool Hope University. |
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| spelling | Brown, Noel ca. 20./21. Jh. Verfasser (DE-588)1032140585 aut Contemporary Hollywood animation style, storytelling, culture and ideology since the 1990s Noel Brown Edinburgh Edinburgh University Press [2021] ix, 216 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Traditions in American cinema A cultural history of the contemporary Hollywood animated feature, from Toy Story to The Lego Movie. Examines critically a range of prominent contemporary Hollywood animated features. Reveals the aspects which make these texts attractive to multiple audience sections. Situates the genre in its social, cultural, and industrial contexts. Contributes to current debates on children's media. Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Frozen and Moana, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns, and the developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation Geschichte 1990-2020 gnd rswk-swf Animationsfilm (DE-588)4142484-0 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Animated films / United States / History and criticism Animated films United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Filmwirtschaft (DE-588)4154384-1 s Animationsfilm (DE-588)4142484-0 s Geschichte 1990-2020 z DE-604 Erscheint auch als Online-Ausgabe, webready pdf 978-1-4744-1057-1 Erscheint auch als Online-Ausgabe, epub 978-1-4744-1058-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647355&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Contemporary Hollywood animation style, storytelling, culture and ideology since the 1990s |
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| title_full | Contemporary Hollywood animation style, storytelling, culture and ideology since the 1990s Noel Brown |
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