Word play: experimental poetry and Soviet children's literature
"Word Play focuses on the intertwined fates of children's literature and underground poetry throughout the Soviet period. Five case studies feature experimental poets whose unpublished work was not written for children but featured a childlike lyric speaker, diction, form, and humor"-...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Evanston, Illinois
Northwestern University Press
2021
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| Schriftenreihe: | Northwestern University Press studies in Russian literature and theory
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Word Play focuses on the intertwined fates of children's literature and underground poetry throughout the Soviet period. Five case studies feature experimental poets whose unpublished work was not written for children but featured a childlike lyric speaker, diction, form, and humor"-- |
| Beschreibung: | Literaturverzeichnis Seite 223-242 |
| Beschreibung: | xiii, 251 Seiten Illustrationen |
| ISBN: | 9780810143289 9780810143272 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations ix Acknowledgments xi Note on the Text xiii Introduction Living Backward: The Childlike in Unofficial Poetry 3 Prologue The Dictionary as a Toy Collection: The Avant-Garde Origins of the Childlike Aesthetic 18 Soviet Alphabet: Early Soviet Children’s Literature and Experimental Poetics 31 Detki v kletke: OBERIU as the First Unofficial Children’s Poets 48 Playing with Words: Late Soviet Experimental Unofficial Poetry and Children’s Literature 75 Chapter Four Vsevolod Nekrasov: We All Come from Childhood 99 Chapter Fire Leonid Aronzon: Naked Child on a Hilltop 116 Chapter Six Igor Kholin: Buy Your Kids a Poet 131 Chapter Seven Oleg Grigoriev: Children! If You Only Knew 148 Chapter Eight Dmitri Prigov: I Am Fragile and Small 163 Chapter One Chapter Two Chapter Three
Epilogue “We can’t keep hold of big loud letters”: The Childlike Aesthetic in Post-Soviet Poetry 181 Notes 197 References 223 Index 243
Word Play traces the history of the relationship between experimental aesthetics and Soviet children’s books over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant-garde trends. Although experimental aesthetics were largely relegated to underground literature in the more repressive environment following Stalin’s rise to power, unofficial writers continued to author children’s books. Word Play focuses on poetry, with case studies of five authors—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today.
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| adam_txt |
Contents List of Illustrations ix Acknowledgments xi Note on the Text xiii Introduction Living Backward: The Childlike in Unofficial Poetry 3 Prologue The Dictionary as a Toy Collection: The Avant-Garde Origins of the Childlike Aesthetic 18 Soviet Alphabet: Early Soviet Children’s Literature and Experimental Poetics 31 Detki v kletke: OBERIU as the First Unofficial Children’s Poets 48 Playing with Words: Late Soviet Experimental Unofficial Poetry and Children’s Literature 75 Chapter Four Vsevolod Nekrasov: We All Come from Childhood 99 Chapter Fire Leonid Aronzon: Naked Child on a Hilltop 116 Chapter Six Igor Kholin: Buy Your Kids a Poet 131 Chapter Seven Oleg Grigoriev: Children! If You Only Knew 148 Chapter Eight Dmitri Prigov: I Am Fragile and Small 163 Chapter One Chapter Two Chapter Three
Epilogue “We can’t keep hold of big loud letters”: The Childlike Aesthetic in Post-Soviet Poetry 181 Notes 197 References 223 Index 243
Word Play traces the history of the relationship between experimental aesthetics and Soviet children’s books over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant-garde trends. Although experimental aesthetics were largely relegated to underground literature in the more repressive environment following Stalin’s rise to power, unofficial writers continued to author children’s books. Word Play focuses on poetry, with case studies of five authors—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today. |
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| contents | Introduction. Living Backward: The Childlike in Unofficial Poetry -- Prologue. The Dictionary as a Toy Collection: The Avant-Garde Origins of the Childlike Aesthetic -- Soviet Alphabet: Early Soviet Children's Literature and Experimental Poetics -- Detki v kletke: OBERIU as the First Unofficial Children's Poets -- Playing with Words: Late Soviet Experimental Unofficial Poetry and Children's Literature -- Vsevolod Nekrasov: We All Come from Childhood -- Leonid Aronzon: Naked Child on a Hilltop -- Igor Kholin: Buy Your Kids a Poet -- Oleg Grigoriev: Children! If You Only Knew -- Dmitri Prigov: I Am Fragile and Small -- Epilogue "We can't keep hold of big loud letters": The Childlike Aesthetic in Post-Soviet Poetry |
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| spelling | Morse, Ainsley 1983- Verfasser (DE-588)1231286512 aut Word play experimental poetry and Soviet children's literature Ainsley Morse Evanston, Illinois Northwestern University Press 2021 xiii, 251 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Northwestern University Press studies in Russian literature and theory Literaturverzeichnis Seite 223-242 Introduction. Living Backward: The Childlike in Unofficial Poetry -- Prologue. The Dictionary as a Toy Collection: The Avant-Garde Origins of the Childlike Aesthetic -- Soviet Alphabet: Early Soviet Children's Literature and Experimental Poetics -- Detki v kletke: OBERIU as the First Unofficial Children's Poets -- Playing with Words: Late Soviet Experimental Unofficial Poetry and Children's Literature -- Vsevolod Nekrasov: We All Come from Childhood -- Leonid Aronzon: Naked Child on a Hilltop -- Igor Kholin: Buy Your Kids a Poet -- Oleg Grigoriev: Children! If You Only Knew -- Dmitri Prigov: I Am Fragile and Small -- Epilogue "We can't keep hold of big loud letters": The Childlike Aesthetic in Post-Soviet Poetry "Word Play focuses on the intertwined fates of children's literature and underground poetry throughout the Soviet period. Five case studies feature experimental poets whose unpublished work was not written for children but featured a childlike lyric speaker, diction, form, and humor"-- Geschichte gnd rswk-swf Kinderliteratur (DE-588)4073409-2 gnd rswk-swf Experimentelle Lyrik (DE-588)4153364-1 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Experimental poetry, Russian / 20th century / History and criticism Children's literature, Russian / 20th century / History and criticism Children's literature, Russian Experimental poetry, Russian 1900-1999 Criticism, interpretation, etc Sowjetunion (DE-588)4077548-3 g Kinderliteratur (DE-588)4073409-2 s Experimentelle Lyrik (DE-588)4153364-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-8101-4329-6 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647167&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647167&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Morse, Ainsley 1983- Word play experimental poetry and Soviet children's literature Introduction. Living Backward: The Childlike in Unofficial Poetry -- Prologue. The Dictionary as a Toy Collection: The Avant-Garde Origins of the Childlike Aesthetic -- Soviet Alphabet: Early Soviet Children's Literature and Experimental Poetics -- Detki v kletke: OBERIU as the First Unofficial Children's Poets -- Playing with Words: Late Soviet Experimental Unofficial Poetry and Children's Literature -- Vsevolod Nekrasov: We All Come from Childhood -- Leonid Aronzon: Naked Child on a Hilltop -- Igor Kholin: Buy Your Kids a Poet -- Oleg Grigoriev: Children! If You Only Knew -- Dmitri Prigov: I Am Fragile and Small -- Epilogue "We can't keep hold of big loud letters": The Childlike Aesthetic in Post-Soviet Poetry Kinderliteratur (DE-588)4073409-2 gnd Experimentelle Lyrik (DE-588)4153364-1 gnd |
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| title | Word play experimental poetry and Soviet children's literature |
| title_auth | Word play experimental poetry and Soviet children's literature |
| title_exact_search | Word play experimental poetry and Soviet children's literature |
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| title_full | Word play experimental poetry and Soviet children's literature Ainsley Morse |
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| title_short | Word play |
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