The giallo canvas: art, excess and horror cinema
"Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, di...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli-an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto"-- |
| Beschreibung: | x, 248 Seiten Illustrationen 23 cm |
| ISBN: | 9781476675398 |
Internformat
MARC
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|---|---|---|---|
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| 020 | |a 9781476675398 |c (pbk.) |9 978-1-4766-7539-8 | ||
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| 041 | 0 | |a eng | |
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| 100 | 1 | |a Heller-Nicholas, Alexandra |d 1974- |e Verfasser |0 (DE-588)1015513964 |4 aut | |
| 245 | 1 | 0 | |a The giallo canvas |b art, excess and horror cinema |c Alexandra Heller-Nicholas |
| 264 | 1 | |a Jefferson, North Carolina |b McFarland & Company, Inc., Publishers |c [2021] | |
| 300 | |a x, 248 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Art, cinema, horror, excess -- Giallo : Italy and beyond -- Girls asleep, girls afraid : Vermeer in The forbidden room (Anima Persa, 1977) and The psychic (Sette Note in Nero, 1977) -- Swan guts and screaming popes : Salvador Dalí, Francis Bacon and A lizard in a woman's skin (Una lucertola con la pelle di donna, Lucio Fulci, 1971) -- The Medusa's warning : The Stendhal syndrome (La Sindrome di Stendhal, Dario Argento, 1996) -- Misreading clues : Dario Argento's The bird with the crystal plumage (L'uccello dalle piume di cristallo, 1970) and Deep red (Profondo rosso, 1975) -- Haunted portraits : The red queen kills seven times (La dama rossa uccide sette volte, Emilio Miraglia, 1972) and Your vice is a locked room and only I have the key (Il tuo vizio è una stanza chiusa e solo io ne ho la chiave, Sergio Martino, 1972) -- Paint death clearly : Saint Sebastian and The house with laughing windows (La casa dalle finestre che ridono, Pupi Avati, 1976) -- A portrait of an artist as a mad drunk : The red headed corpse (La rossa dalla pelle che scotta, Renzo Russo, 1972) -- The myth of the "mad" genius : Vincent Van Gogh and Blood delirium (Delirio di sangue, Sergio Bergonzelli, 1988) -- The ghosts of capitalism : art, labor and exploitation in A quiet place in the country (Un tranquillo posto di campagna, Elio Petri, 1968) -- Fashion and photography -- Filmmaking -- Theater and performance -- Hybridity -- Conclusion: Style is the substance | |
| 520 | 3 | |a "Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli-an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto"-- | |
| 648 | 7 | |a Geschichte 1968-1996 |2 gnd |9 rswk-swf | |
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| 651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Horror films / Italy / History and criticism | |
| 653 | 0 | |a Motion pictures / Italy / History / 20th century | |
| 653 | 0 | |a Horror films | |
| 653 | 0 | |a Motion pictures | |
| 653 | 2 | |a Italy | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
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| 689 | 0 | 1 | |a Horrorfilm |0 (DE-588)4127415-5 |D s |
| 689 | 0 | 2 | |a Kunstwerk |g Motiv |0 (DE-588)4272651-7 |D s |
| 689 | 0 | 3 | |a Geschichte 1968-1996 |A z |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4766-4076-1 |
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Datensatz im Suchindex
| _version_ | 1820172969462202368 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Heller-Nicholas, Alexandra 1974- |
| author_GND | (DE-588)1015513964 |
| author_facet | Heller-Nicholas, Alexandra 1974- |
| author_role | aut |
| author_sort | Heller-Nicholas, Alexandra 1974- |
| author_variant | a h n ahn |
| building | Verbundindex |
| bvnumber | BV047242885 |
| contents | Art, cinema, horror, excess -- Giallo : Italy and beyond -- Girls asleep, girls afraid : Vermeer in The forbidden room (Anima Persa, 1977) and The psychic (Sette Note in Nero, 1977) -- Swan guts and screaming popes : Salvador Dalí, Francis Bacon and A lizard in a woman's skin (Una lucertola con la pelle di donna, Lucio Fulci, 1971) -- The Medusa's warning : The Stendhal syndrome (La Sindrome di Stendhal, Dario Argento, 1996) -- Misreading clues : Dario Argento's The bird with the crystal plumage (L'uccello dalle piume di cristallo, 1970) and Deep red (Profondo rosso, 1975) -- Haunted portraits : The red queen kills seven times (La dama rossa uccide sette volte, Emilio Miraglia, 1972) and Your vice is a locked room and only I have the key (Il tuo vizio è una stanza chiusa e solo io ne ho la chiave, Sergio Martino, 1972) -- Paint death clearly : Saint Sebastian and The house with laughing windows (La casa dalle finestre che ridono, Pupi Avati, 1976) -- A portrait of an artist as a mad drunk : The red headed corpse (La rossa dalla pelle che scotta, Renzo Russo, 1972) -- The myth of the "mad" genius : Vincent Van Gogh and Blood delirium (Delirio di sangue, Sergio Bergonzelli, 1988) -- The ghosts of capitalism : art, labor and exploitation in A quiet place in the country (Un tranquillo posto di campagna, Elio Petri, 1968) -- Fashion and photography -- Filmmaking -- Theater and performance -- Hybridity -- Conclusion: Style is the substance |
| ctrlnum | (OCoLC)1237690990 (DE-599)BVBBV047242885 |
| era | Geschichte 1968-1996 gnd |
| era_facet | Geschichte 1968-1996 |
| format | Book |
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| id | DE-604.BV047242885 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:05:03Z |
| indexdate | 2025-01-02T21:10:12Z |
| institution | BVB |
| isbn | 9781476675398 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032647114 |
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| physical | x, 248 Seiten Illustrationen 23 cm |
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| spelling | Heller-Nicholas, Alexandra 1974- Verfasser (DE-588)1015513964 aut The giallo canvas art, excess and horror cinema Alexandra Heller-Nicholas Jefferson, North Carolina McFarland & Company, Inc., Publishers [2021] x, 248 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Art, cinema, horror, excess -- Giallo : Italy and beyond -- Girls asleep, girls afraid : Vermeer in The forbidden room (Anima Persa, 1977) and The psychic (Sette Note in Nero, 1977) -- Swan guts and screaming popes : Salvador Dalí, Francis Bacon and A lizard in a woman's skin (Una lucertola con la pelle di donna, Lucio Fulci, 1971) -- The Medusa's warning : The Stendhal syndrome (La Sindrome di Stendhal, Dario Argento, 1996) -- Misreading clues : Dario Argento's The bird with the crystal plumage (L'uccello dalle piume di cristallo, 1970) and Deep red (Profondo rosso, 1975) -- Haunted portraits : The red queen kills seven times (La dama rossa uccide sette volte, Emilio Miraglia, 1972) and Your vice is a locked room and only I have the key (Il tuo vizio è una stanza chiusa e solo io ne ho la chiave, Sergio Martino, 1972) -- Paint death clearly : Saint Sebastian and The house with laughing windows (La casa dalle finestre che ridono, Pupi Avati, 1976) -- A portrait of an artist as a mad drunk : The red headed corpse (La rossa dalla pelle che scotta, Renzo Russo, 1972) -- The myth of the "mad" genius : Vincent Van Gogh and Blood delirium (Delirio di sangue, Sergio Bergonzelli, 1988) -- The ghosts of capitalism : art, labor and exploitation in A quiet place in the country (Un tranquillo posto di campagna, Elio Petri, 1968) -- Fashion and photography -- Filmmaking -- Theater and performance -- Hybridity -- Conclusion: Style is the substance "Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli-an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto"-- Geschichte 1968-1996 gnd rswk-swf Kunstwerk Motiv (DE-588)4272651-7 gnd rswk-swf Horrorfilm (DE-588)4127415-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Horror films / Italy / History and criticism Motion pictures / Italy / History / 20th century Horror films Motion pictures Italy 1900-1999 Criticism, interpretation, etc History Italien (DE-588)4027833-5 g Horrorfilm (DE-588)4127415-5 s Kunstwerk Motiv (DE-588)4272651-7 s Geschichte 1968-1996 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4766-4076-1 |
| spellingShingle | Heller-Nicholas, Alexandra 1974- The giallo canvas art, excess and horror cinema Art, cinema, horror, excess -- Giallo : Italy and beyond -- Girls asleep, girls afraid : Vermeer in The forbidden room (Anima Persa, 1977) and The psychic (Sette Note in Nero, 1977) -- Swan guts and screaming popes : Salvador Dalí, Francis Bacon and A lizard in a woman's skin (Una lucertola con la pelle di donna, Lucio Fulci, 1971) -- The Medusa's warning : The Stendhal syndrome (La Sindrome di Stendhal, Dario Argento, 1996) -- Misreading clues : Dario Argento's The bird with the crystal plumage (L'uccello dalle piume di cristallo, 1970) and Deep red (Profondo rosso, 1975) -- Haunted portraits : The red queen kills seven times (La dama rossa uccide sette volte, Emilio Miraglia, 1972) and Your vice is a locked room and only I have the key (Il tuo vizio è una stanza chiusa e solo io ne ho la chiave, Sergio Martino, 1972) -- Paint death clearly : Saint Sebastian and The house with laughing windows (La casa dalle finestre che ridono, Pupi Avati, 1976) -- A portrait of an artist as a mad drunk : The red headed corpse (La rossa dalla pelle che scotta, Renzo Russo, 1972) -- The myth of the "mad" genius : Vincent Van Gogh and Blood delirium (Delirio di sangue, Sergio Bergonzelli, 1988) -- The ghosts of capitalism : art, labor and exploitation in A quiet place in the country (Un tranquillo posto di campagna, Elio Petri, 1968) -- Fashion and photography -- Filmmaking -- Theater and performance -- Hybridity -- Conclusion: Style is the substance Kunstwerk Motiv (DE-588)4272651-7 gnd Horrorfilm (DE-588)4127415-5 gnd |
| subject_GND | (DE-588)4272651-7 (DE-588)4127415-5 (DE-588)4027833-5 |
| title | The giallo canvas art, excess and horror cinema |
| title_auth | The giallo canvas art, excess and horror cinema |
| title_exact_search | The giallo canvas art, excess and horror cinema |
| title_exact_search_txtP | The giallo canvas art, excess and horror cinema |
| title_full | The giallo canvas art, excess and horror cinema Alexandra Heller-Nicholas |
| title_fullStr | The giallo canvas art, excess and horror cinema Alexandra Heller-Nicholas |
| title_full_unstemmed | The giallo canvas art, excess and horror cinema Alexandra Heller-Nicholas |
| title_short | The giallo canvas |
| title_sort | the giallo canvas art excess and horror cinema |
| title_sub | art, excess and horror cinema |
| topic | Kunstwerk Motiv (DE-588)4272651-7 gnd Horrorfilm (DE-588)4127415-5 gnd |
| topic_facet | Kunstwerk Motiv Horrorfilm Italien |
| work_keys_str_mv | AT hellernicholasalexandra thegiallocanvasartexcessandhorrorcinema |