Greek cinema and migration, 1991-2016:
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2020]
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Beschreibung: | vii, 272 Seiten Illustrationen, Portraits |
| ISBN: | 9781474437035 |
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Contents List of Figures Acknowledgements Introduction: Greek Immigration Cinema 1. 2. 3. 4. vi viii 1 Looking Across (Greco-Albanian) Borders: Diasporic, Migrant and Supranational Filmmaking 35 The Anxieties of Transnationalism: Reception of Immigration Films 56 En Route to Fortress Europe: Migration and Exilic Life in Roadblocks 79 Tragic Pathos and Border Syndrome: Constantine Giannaris’s Hostage 103 Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim 125 6. Others/Mirrors 145 7. Our Own People? Repatriation, Citizenship, Belonging 172 8. Migration Without a Face 197 9. Documenting Crises: Raising Awareness through Documentary Film 224 5. Filmography Bibliography Index 250 252 265
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Index 4.1 Miles, 222, 225,228-9,232-4 9/11,204 12 Years a Slave, 123n accented cinema, 12-13, 15, 25, 36, 38, 40,42, 60-1, 66, 81 actuality see documentary adventure films, 231 Agamben, Giorgio bare life, 166, 168, 199,206,225,228, 231 Agathonisi (island), 224, 233-8, 242 Agon, 24,45,47-52 Ahmed, Sara, 170 Akin, Fatih, 31n, 41, 43 Albania Albanian cinema, 40-1, 54n Albanian migration, 49,70,110,116-17, 128, 135, 137 Albanophobia, 125, 127, 139,179 Albanophone cinema, 40-1, 54n criminality (stereotype), 49, 50, 56-7, 62-3,74,103,108,119,123,126, 128, 148, 180 family, 14, 50-1,136 slave (stereotype), 47,118,120,126-7, 148-9,179; see also stereotypes Alex (Man at Sea), 163-8 Alexander (Eternity and a Day), 157-62, 201 Alexandras (The Suspended Step of the Stork), 193,200,202-11 Alimani Bujar, 24, 36-47, 52 Savina, 36,47 Almodovar, Pedro Talk to Her, 191 Anastopoulos, Thanos, 26,45-7,146-50 Anderson, Benedict imagined communities, 5,16,165 Angelopoulos, Theo Eternity and a Day,26,145,147,157-61, 169,172,183,201-2,213 Landscape in the Mist, 193 sequence shot, 69, 210, 214 The Hunters, 201 The Suspended Step of the Stork, 2,18,26, 158,197,200-2,205,211,213,238 The Travelling Players, 201 Ulysses’ Gaze, 158, 171n Voyage to Cythera, 201 Antoniou, Angeliki, 19,24—5, 56-7, 69-5, 125, 135,138-9 Arendt, Hannah, 199-200 Athens human rights violations against migrants, 60, 242-3 as a place of alienation, 84, 92, 180 as a residence for migrants, 14,41, 60, 219-20 Athens Police, 62, 245-6 Greek Film Archive, 40 illegal activities in Athens, 73, 135,138, 182,218 in Alimani’s experience,
39—41 Kurdish refugees in Athens, 79-80, 88, 99, 222n migration to, 14, 86,177,191-2, 235, 238-9 street art in, 194 wandering through, 148 working-class suburbs of, 41, 68, 153, 174 Badiou, Alain, 168 Bako, Eduart (Eduart), 69-71, 135-9, 186
266 GREEK CINEMA AND MIGRATION Bako, Raman (Eduart), 135-6,186 Balibar, Etienne, 108 Balkan region Balkan cinema and film production, 14, 36,40,44,47, 52, 56,70-1,75-6 borders, 14 communist regimes 5,179 migration routes in the, 7, 233 nationalisms, 41, 120 North Macedonia, 245 relationship between Greece and the Balkans 5,141, 201 stereotypes about Balkan culture, 5, 51-2, 67, 126, 128, 140,179; see also stereotypes The Balkan Prospect (Calotychos), 23 bare fife, 168, 199,206, 225, 228, 231 Barthes, Roland see photography Battleship Potemkin, 151 Bauman, Zygmunt, 133, 146, 165, 238 Bazin, André documentary, 210 Italian neorealism, 86, 89-90 Bergfelder, Tim, 43 Berghahn, Daniela diasporic cinema, 1,12 queer cinema, 175,176 Bhabha, Homi difference, 130,142 stereotyping, 126 Black sea region see Pontic region border Albanian, 108, 159-61 crossing, 2,25,36-7, 52,104-5,108, 112,126, 137, 190, 205,220 Greek-Albanian, 24,49,69,104, 112-14,116,139,177 subject, 25, 104-7,112-16, 119-21, 147,207 syndrome see Kapllani Budina, Robert, 24, 36-7,45,48, 50-2 Bulku, Rajmonda, 66, 68-9 Caché, 32η, 100 Calotychos, Vangelis, The Balkan Prospect, 23 Çelik, Ipek, 97,100,210 Chadha, Gurinder, 51 children caring for children, 231 children playing, 212,219 immigrant children, 244 innocence, 162 refugee children, 28n, 30n, 199, 204, 245-6 suffering children, 229-32 victims of trafficking (child-workers), 158,160, 162, 169 Chinatown, 189 Chios (island), 246,258n Chouliaraki, Lilie, 232 citizenship access to Greek citizenship, 172, 6, 26, 38,94, 96,127,157,175,190-2, 194, 196n,199 policy, 1, 72,182
claustrophobia, 25,42, 80, 82-3, 85,104, 107, 109,114-15,162 colonialism neo-colonialism, 220 post-colonialism, 11 Correction, 26,45,47, 50-1, 146-7,152, 157,169, 172 cosmopolitanism, 14,20,44, 56, 58,158, 162, 202 critical reception Eduart, 73-5 From the Edge of the City, 183 Hostage, 63-7 Roadblocks, 20, 23—4, 35, 37, 39, 56-7, 63,65-6, 73^4,76,86,101, 114,173, 224,227 Deleuze, Gilles bal(l)ade, 83, 89 Derrida, Jacques conditional hospitality, 155, 166, 178, 182 hostage situation, 164,166 unconditional hospitality, 129,140, 164,170n diaspora Albanian diaspora in Greece, 46, 66-7 co-ethnic Greeks in the Balkans, 5, 60-1,172-3 definition, 37-8, 59
INDEX diaspora and cinema, 35,42, 182 diaspora and language, 162 diaspora and queerness, 175 diasporic chronotopes (Naficy), 211 experience of, 2, 83, 85,101, 136 Kurdish diaspora, 81, 83, 85,101 studies, 45 diasporic cinema, 36, 38, 43,48-9, 51, 52, 58-60, 66,76, 80,87,211 discrimination against Ethnic Greeks, 127, 179 against migrants and refugees, 1, 5,7, 38-9,46, 105, 108,147, 198 displacement compassion towards the displaced, 225 displaced children, 160 displaced Greeks and co-Ethnics, 160, 162-3, 173,187,211-12 displacement and accented cinema, 3, 13, 36, 38, 60, 89 displacement and Athens, 220 displacement and exclusion, 11-12, 38,106 displacement and symbolism, 218 displacement and togetherness, 95, 220 displacement and wandering, 91 displacement of Kurdish people, 83,85-6 mass displacement, 205, 218, 220,226 tragedy of, 2-3,26,88, 146,189,198, 201,213,216,233 docudrama 81, 85-6, 91, 99, 216 documentary definition, 80, 223n, 226 documentary aesthetics, 86-9, 91,98, 129,135, 168,218,231 documentary and activism, 225 documentary and blend of genres, 24, 26,203,216-17, 220 documentary truth, 81, 84, 226, 231 ethics of, 81,101, 231 Framed Youth (Giannaris), 58 Nichols, Bill, 218, 223n, 225-6 observational mode of, 224 Roadblocks, 91 Sugar Town: The Bride Groom (Tsakiris), 65 The Way to the West (Karoutzakis), 200,216 267 Dogtooth, 22-3,103,196n drama 61, 228 Dyer, Richard, 156,191 Eduart (film), 24—5, 32n, 56-7, 65, 69-76, 125, 128,135, 138-9, 142, 172, 186 Eleftheriotis, Dimitris, 19-20, 72 embodied protest, 105-6 ephemerality and encounters, 142 and home, 211, 213 and
utopia, 213 Ephemeral Town, 20, 26, 32n, 197, 210-15 Ephemeral Town, 20, 26, 32n, 197, 210-15 Eternity and a Day, 26,145,147,157-61, 169,172, 183,201-2,213 Eurocentrism, 14—16, 23, 26, 37, 119, 137, 165,207 Exarcheia (neighbourhood in Athens), 245 family Albanian family, 14,40-51, 136 family trope (motherland, fatherland), 127, 162,173, 176, 180,182; see also motherland; fatherland; patriarchy foster family, 49 Greek family, 33n, 50n, 57, 60, 62, 126, 190 surrogate family, 151,167 father and hospitality, 140 and patriarchy, 48-9,109-10,140,186, 188-9; see also patriarchy as nation, 190,192-4; see also fatherland; family; patriarchy estranged father, 141 nativity scene, 211 single father, 41-2 surrogate father, 50, 138,158 symbolic father, 69, 186,188, 191-3, 196n; see also Koulouris, Dimitris fatherland (patrida), 127,176,180,182 Fortress Europe, 1, 6, 23-4, 79-81, 83^1, 95,97,99,100-1,104,146,173,199, 205-6,216,234-5,238 fortress mentality, 1, 6, 231
268 GREEK CINEMA AND MIGRATION The Free Besieged (Solomos), 161 From the Edge of the City, 26, 58, 61, 68, 172-6,182-3, 189, 191 Frontex (European Border and Coastguard Agency), 9,238-9 Fyssas, Pavlos, 244-5 Gas (Alimani), 41-3 Gavras, Costas, 76-7n gay identity camp, 175,190-1, 193,194 gay characters, 8,175,188,190-3 Gay Pride, 60 Gay Youth Video Collective, 58 homophobia, 193 gender British cinema, 58 family trope (motherland, fatherland), 127,162,173,176,180,182-, see also motherland; fatherland; patriarchy hybridity, 191 inequality, 175 norms and stereotypes, 6,106, 167, 231; see also patriarchy place of women, 106,267, 231; see also patriarchy queer cinema, 58, 60, 174֊-5,188-90 queerness, 59, 135, 174—5, 185 genre adventure films, 231 docudrama, 81, 85-6, 91, 99, 216 documentary, 24, 26-7, 58, 65, 80-1, 84, 86-9,91,98,101, 129,135, 168, 198,200,204,216-18,220, 224-6, 231,233 drama, 61,228 generic conventions of popular cinema, 15 melodrama, 15,19, 33n, 89, 122 musical, 175 popular genre films see Old Greek cinema road movie, 13-15, 106, 133,175 thriller, 61,150,163 Georgiadis, Adonis, 9 Giannaris Constantine filmmaker, 13, 56-1, 63-9, 73, 103-4, 107-10,112,115,117-20,122, 163-4,166, 172,182-6, 188-90 Hostage, 24-5, 32n, 56-7, 59, 61-8, 75, 103-4, 108,110-12,119,121, 127, 137, 172-3, 189,238,244 One Day in August, 63—4 From the Edge of the City, 26, 58, 61, 68,172-6,182-3,189,191 Man at Sea, 26,145,147,163-5,169, 172, 189, 198 North of Vortex, 59 Shards, 59 globalisation, 1, 5,13, 15, 21,26, 35, 38, 45,56-7,59, 75,146, 153-4, 162, 198,214,220,228-9,234,238 Golden Dawn
(GD), 6, 9, 27, 60, 64, 74, 170n, 176,190,193,224-7, 236-7, 239-45 Goritsas, Sotiris From the Snom, 14,172-3, 177, 181-3 Valkanizater, 14 Graal Digital Creations, 67 Greek Film Centre (GFC) 16, 18, 20, 57, 64-5,67, 70-2,80,164 Hall, Stuart diaspora, 59, 61,141 representation, 142,152 hegemony hegemonic discourse, 21, 26, 130, 225 hegemonic identity, 80, 121,146,154, 172,231 hegemony and cinema, 9-15, 80, 86-7, 143,145-6,217,220 hegemony and hybridity, 87,217 of Hollywood, 75 political, 129 relationship between diaspora and host nations, 38 Hellenic Broadcasting Corporation (ERT), 20,32n, 40-1,45,71 Higbee, Will, 21 Higson, Andrew, 19 Hollywood, 12, 15, 17,19, 35-6, 38-9,43, 75, 188-9,204,233 Homeland, 37, 44,47-8, 59-61, 66, 96, 99,105,172-4,176,181,187,197, 204, 208, 211, 219; see also family homophobia, 193
INDEX homosexuality see gay identity hospitality, 26, 51, 92,129, 130-1, 139-10,147, 149,152-3, 155-6, 163-4,166-7,177-8,180-2,194, 245; see also Derrida host family, 48 host nation, 3, 9, 12-15, 19, 24, 26, 35, 37-8,42,48-9,67, 87,91,97-8, 104-6,105-7,112,121-2,126-7, 145, 147-8, 153, 183,190,208, 219-22 host society see host nation Hostage see Giannaris, Constantine Hoxha, Enver, 44, 106,127,129, 133,135, 145, 173,176 hybridity hybridity and cinema, 10 hybridity and cultural difference, 21 hybridity and in-betweenness, 175 hybridity and intersectionality, 190 hybridity and migrant journeys, 80 identity accepting one’s identity, 47,141-2, 188 collective identity, 174 cosmopolitan identity, 44 cultural identity, 91-2, 24 essentialising identity, 26, 128,143, 225-6 European identity, 2 forced identity, 110,143 Greek identity, 60, 66, 68, 80,141, 143 hegemonic identity, 172; see also hegemony identity and cinema, 17, 19, 23,25, 58, 183 identity and globalisation, 21 identity and hybridity, 59-60,175 identity and space, 106,164 identity and victimhood, 189; see also victimhood identity consciousness, 37 identity crisis, 2, 16, 26, 97, 121,145-6 174 Kurdish identity, 95, 97 loss or death of identity, 105,117,121, 128,158,214 269 male identity, 135; see also gender national identity, 4—6,12-13,16, 60, 86,148, 244 otherness, 10, 25,105, 114, 117,120, 132, 145-7,151-3, 155,157, 160-1, 163, 166-8, 173,211 queer identity, 59, 135, 174—5, 185, see also gender; queerness sexual identity, 58, 68, 183, 190-1 unconventional identities, 125, 133-4, 143,185-7,190-1,203 interstitiality, 15,
22, 60, 80, 87, 91, 116, 165,202 Ioannou, Stavros, 79-81, 85-91, 93, 95-6, 98-9,101, lOln Iordanova, Dina supranational cinema, 20,44 Islam Islamic tradition, 99 Islamophobia, 7, 28n, 236 Muslim migrants and refugees, 7, 166, 182, 208, 241 Jarman, Derek, 58,188 journey homecoming, 210-11, 215 of homelessness, 210 of hope, 2,24, 80,104,173,220-1 Journey of Hope (Koller), 2 Kapplani, Gazmend A Short Border Handbook, 104 border syndrome, 25,103-7, 112, 116-17,147-8,206 Karalis, Vrasidas, 23, 121, 146, 153 Kate (Man at Sea), 165-7,189 Katzourakis, Kyriakos, 197, 216-18, 220 Kennel, 40 Korras, Yorgos, 14, 24, 39, 45, 125, 129, 135,142-3 Koulouris Dimitris, 64, 69 Yorgos, 62, 64 Kourounis, Angeliki Golden Dawn: Personal Affair, 27, 225, 227, 240-5 Kristeva, Julia, 146 Kurdistan, 79-81, 85, 88, 90-1, 95-6, 98-101,205,220
270 GREEK CINEMA AND MIGRATION L'Eclisse (Antonioni), 151 Lefebvre, Henri The Right to the City, 91-2, 94 Lesbos (island), 7-8,200, 212,224, 227-8, 231-3, 246; see also photography Loshitzky, Yosefa hegemonic cinema, 146 identity, 2,127,146 journey of hope, 24,104,173 screening metaphor, 127 Screening Strangers, 2 Macedonia see North Macedonia Malik, Sarita cinema of duty, 10-11, 43, 228 Man at Sea, 26, 145,147, 163-5, 169, 172,189,198 Mandragos, Andreas (Ephemeral Town), 211-15 Matziaraki, Daphne (4.1 Miles), 27, 224, 226-9, 231, 234 melodrama, 15,19, 33n, 89,122 Menidi (neighbourhood in Athens), 174, 183-4,188 migrant cinema see diasporic cinema Mitsotakis, Kyriakos, 9, 244—5 mobility freedom of movement, 2, 14, 133, 237 in film production, 36 on screen, 3, 13, 104-5, 108,118,134, 159 restrictions to mobility, 24, 38, 80, 83, 88, 162,234,238 Moria (camp), 7, 8, 30n, 40n, 200,209,234 mother as home or nation, 68, 96,213 becoming a, 221 in Christian Orthodox doctrine (Mary), 64, 68, 218 motherly figure, 66, 68-9,108,110, 137,139-40, 152, 167,186,193, 211-12 ; see also patriarchy nativity scene, 211-12 separation from the, 66, 85, 93, 96, 118, 119,134,137,156,212-13 surrogate, 167, 231 motherland, 162, 173; see abo mother musical, 175 myth Greek myth, 216 of Albanian criminality, 103, 126, 128; see also stereotypes of hospitality {philoxenia), 194,236 of Ulysses, 157-8,215 of unity and coherence, 35 Naficy, Hamid accented cinema, 12-13, 15,25, 36, 38, 40, 42, 60-1, 66, 81 border subject, 25,104-7, 112-16, 119-21,147,207 chronotope, 25, 85, 177, 211-13 embodied protest, 105-6
epistolarity, 85, 87, 90, 92-3,99, 173 exilic life, 12,24,42,79, 81, 87-8,91, 93,96,98-9, 123n 173,217 liminality, 81, 89-91,173 overcompensation, 120,147 nationality Greek certificate of nationality, 57,72 mixed nationality, 58 nationality and ethnicity, 12, 231 nationality and cinema, 19, 71-2 Greek nationality, 6,24, 57, 71-3, 75, 190; see also identity New Democracy (Nea Dimokratia, party), 9,244-5 New Greek cinema, 3, 17-18, 22, 89, 183 Nichols, Bill, 218,223n, 225-6 North Macedonia, 7,19, 71, 76,129,174, 233, 245 Öcalan, Abdullah, 102n Old Greek cinema, 4,12,16-17 Orientalism (Said), 29n otherness, 10, 25, 105, 114, 117,120, 132, 145-7, 151-3, 155, 157,160-1, 163, 166-8,173, 211; see also identity Oxymoron Films (production company), 41 Papadimitriou, Lydia, 22, 54n Papadopoulos, Kyriakos (Captain), 229-33, 238,247n Papadopoulos, Stathis Hostage, 67,189 From the Edge of the City, 68,185, 189
INDEX Papanikolaou, Dimitris, 161, 174, 185-6 Papataxiarchis, Evthymios, 224, 227 pathos, 25,100, 103,114, 156,161-2 patriarchy, 26,33η, 44,49, 69-70, 85, 91, 99-100, 109-12, 118-19, 127-8, 134-6, 138-9,141, 143, 182-3, 186-7, 189,207,236 photography elderly women in Lesbos, 231 Ephemeral Town, 212,214—15 Plato’s Academy, 156-7, 212 Roadblocks, 79 Pisli, Flamur, 61-2, 65-7,103-4, 108 Plato’s Academy, 17, 22,26,48, 51, 55n, 145,147,152-3, 157, 169, 170n, 172,212 Pontian Greek (Russo-Pontian), 67, 172^1,182-5, 187-90; see also Pontic region Pontic region, 26,172-3 queerness queer cinema, 58, 60, 174-5, 188-190 queer desire, 59,185 Rawie, Steven Transnational Cinema: An Introduction, 21 refugee camp, 2, 51, 177, 180,182, 198,200,210 characters, 158,162-9, 197-219, 222 children, 28n, 30n, 199, 204 crisis, 27, 163,225-8, 231 definition, 30n representation overrepresentation, 103, 210, 215, 221, 243 migrant representation, 3, 22-3,48, 81, 217-18 misrepresentation, 10-11,199, 217, 228; see also stereotypes road movie, 13-15, 106, 133,175 Roadblocks, 20, 24-5, 32n, 79-83, 85-7, 89-92,96-7,99-100,102n, 172-3, 226,238 Safe Sex, 18 Said, Edward, 29n, 89 271 Saimir (Agon), 48-51 Sasha (From the Edge of the City), 183-9, 191,195n See You, 14,20,24-5, 39,45,125,128, 130,133,135, 139֊40,142-3,172, 191 Senja, Elion (Hostage), 65-8, 104—5, 108-22, 127,137-8, 189,244 Soldatos, Yannis, 16 Solomos, Dionysios, 161 stereotypes about Albanians and Albanian criminality, 4, 49-50, 57, 119, 125-6, 131, 148, 153,154, 179-80 about Balkan culture, 5, 51—2, 67, 126, 128,140,179 about Eastern European
women, 18 about refugees and migrants, 197, 215 arbitrary logic of stereotyping, 126, 217 of Greek racists, 48,122 (pitfalls of) positive stereotyping, 135, 148 stranger Screening Strangers (Loshitzky), 2 Strangers at Our Door (Bauman), 2 surrogate family, 151,167, 177 father, 138,158 mother, 167 status, 149,167 The Suspended Step of the Stork, 2,18, 26, 158, 197,200-2, 205,211,213,238 Synaspismos (party), 95 Syriza (party), 8-9, 228, 245 sweep operation against Albanian immigrants, 62,128 against Greek co-Ethnics, 173,180 definition, 6 Ministry of Public Order, 29n Thessaloniki city, 47,158, 193 International Film Festival, 41 thriller, 61,150,163 Tirana (city), 39, 52, 128 Tirana Year Zero, 40
272 GREEK CINEMA AND MIGRATION trafficking children {Eternity and a Day), 158, 160, 162,169 traffickers, 158-9, 162,165, 167, 169 women, 48,187,189, 197,216,218, 220-1,223n transnationalism transnational cinema, 15, 21,41,49, 75, 133,138,164 transnational film discourse, 21, 220 transnational film studies, 35, 37, 51 Tsakiris, Kimon Greek History X: Summer on the Island of Good, 27,224,233,239 Sugartown: the Bridegrooms, 65 Tsitos, Filippos, 17, 26,145, 154 Ulysses, 157-8,215 vagabond, 132-5,143 Valkanizater see Goritsas, Sotiris Van Sant, Gus My Own Private Idaho, 187 victimhood agency, 95, 101,138,160, 175, 190 bare life (Agamben), 168 embodied protest, 118,122 exclusion, 3, 25,234 female victimhood, 187-8,221; see also trafficking Fortress Europe and Eurocentrism, 23, 105,119 hierarchy of, 205, 215, 236 migrant tragedy, 27,105 pitfalls of victimhood, 69, 99, 119, 160, 190, 206, 216, 226,229, 231; see also hegemony racism and racist violence, 25, 39, 46, 56, 97,107,126,148-9,169, 179; see also stereotypes silent victimhood, 27, 198; see also stereotypes victimhood and otherness, 166 voluntary victimisation (overcompensation), 107,147; see also Naficy Vini (Agon), 48-9, 51 violence migrant-related, 7, 99,165, 208,210; see also victimhood systemic, 49, 99,122,233 Voupouras, Christos, 14, 39, 125, 129, 135,141-3 The Way to the West, 26, 197, 216-18, 221 white guilt, 11, 32n Williams, Alan national cinema, 57, 75 Xenia (film), 26, 172, 175-6,190—3 Xenia (hotel), 194 Zirek, Mizouri (Roadblocks), 80, 82, 84-5, 87-9,93—4, 98-101 Žižek, Slavoj, 132 Zorba the Greek, 19 Bayerische
Staatsbibliothek München V-,,., /-■—------ ■՜ |
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Contents List of Figures Acknowledgements Introduction: Greek Immigration Cinema 1. 2. 3. 4. vi viii 1 Looking Across (Greco-Albanian) Borders: Diasporic, Migrant and Supranational Filmmaking 35 The Anxieties of Transnationalism: Reception of Immigration Films 56 En Route to Fortress Europe: Migration and Exilic Life in Roadblocks 79 Tragic Pathos and Border Syndrome: Constantine Giannaris’s Hostage 103 Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim 125 6. Others/Mirrors 145 7. Our Own People? Repatriation, Citizenship, Belonging 172 8. Migration Without a Face 197 9. Documenting Crises: Raising Awareness through Documentary Film 224 5. Filmography Bibliography Index 250 252 265
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Index 4.1 Miles, 222, 225,228-9,232-4 9/11,204 12 Years a Slave, 123n accented cinema, 12-13, 15, 25, 36, 38, 40,42, 60-1, 66, 81 actuality see documentary adventure films, 231 Agamben, Giorgio bare life, 166, 168, 199,206,225,228, 231 Agathonisi (island), 224, 233-8, 242 Agon, 24,45,47-52 Ahmed, Sara, 170 Akin, Fatih, 31n, 41, 43 Albania Albanian cinema, 40-1, 54n Albanian migration, 49,70,110,116-17, 128, 135, 137 Albanophobia, 125, 127, 139,179 Albanophone cinema, 40-1, 54n criminality (stereotype), 49, 50, 56-7, 62-3,74,103,108,119,123,126, 128, 148, 180 family, 14, 50-1,136 slave (stereotype), 47,118,120,126-7, 148-9,179; see also stereotypes Alex (Man at Sea), 163-8 Alexander (Eternity and a Day), 157-62, 201 Alexandras (The Suspended Step of the Stork), 193,200,202-11 Alimani Bujar, 24, 36-47, 52 Savina, 36,47 Almodovar, Pedro Talk to Her, 191 Anastopoulos, Thanos, 26,45-7,146-50 Anderson, Benedict imagined communities, 5,16,165 Angelopoulos, Theo Eternity and a Day,26,145,147,157-61, 169,172,183,201-2,213 Landscape in the Mist, 193 sequence shot, 69, 210, 214 The Hunters, 201 The Suspended Step of the Stork, 2,18,26, 158,197,200-2,205,211,213,238 The Travelling Players, 201 Ulysses’ Gaze, 158, 171n Voyage to Cythera, 201 Antoniou, Angeliki, 19,24—5, 56-7, 69-5, 125, 135,138-9 Arendt, Hannah, 199-200 Athens human rights violations against migrants, 60, 242-3 as a place of alienation, 84, 92, 180 as a residence for migrants, 14,41, 60, 219-20 Athens Police, 62, 245-6 Greek Film Archive, 40 illegal activities in Athens, 73, 135,138, 182,218 in Alimani’s experience,
39—41 Kurdish refugees in Athens, 79-80, 88, 99, 222n migration to, 14, 86,177,191-2, 235, 238-9 street art in, 194 wandering through, 148 working-class suburbs of, 41, 68, 153, 174 Badiou, Alain, 168 Bako, Eduart (Eduart), 69-71, 135-9, 186
266 GREEK CINEMA AND MIGRATION Bako, Raman (Eduart), 135-6,186 Balibar, Etienne, 108 Balkan region Balkan cinema and film production, 14, 36,40,44,47, 52, 56,70-1,75-6 borders, 14 communist regimes 5,179 migration routes in the, 7, 233 nationalisms, 41, 120 North Macedonia, 245 relationship between Greece and the Balkans 5,141, 201 stereotypes about Balkan culture, 5, 51-2, 67, 126, 128, 140,179; see also stereotypes The Balkan Prospect (Calotychos), 23 bare fife, 168, 199,206, 225, 228, 231 Barthes, Roland see photography Battleship Potemkin, 151 Bauman, Zygmunt, 133, 146, 165, 238 Bazin, André documentary, 210 Italian neorealism, 86, 89-90 Bergfelder, Tim, 43 Berghahn, Daniela diasporic cinema, 1,12 queer cinema, 175,176 Bhabha, Homi difference, 130,142 stereotyping, 126 Black sea region see Pontic region border Albanian, 108, 159-61 crossing, 2,25,36-7, 52,104-5,108, 112,126, 137, 190, 205,220 Greek-Albanian, 24,49,69,104, 112-14,116,139,177 subject, 25, 104-7,112-16, 119-21, 147,207 syndrome see Kapllani Budina, Robert, 24, 36-7,45,48, 50-2 Bulku, Rajmonda, 66, 68-9 Caché, 32η, 100 Calotychos, Vangelis, The Balkan Prospect, 23 Çelik, Ipek, 97,100,210 Chadha, Gurinder, 51 children caring for children, 231 children playing, 212,219 immigrant children, 244 innocence, 162 refugee children, 28n, 30n, 199, 204, 245-6 suffering children, 229-32 victims of trafficking (child-workers), 158,160, 162, 169 Chinatown, 189 Chios (island), 246,258n Chouliaraki, Lilie, 232 citizenship access to Greek citizenship, 172, 6, 26, 38,94, 96,127,157,175,190-2, 194, 196n,199 policy, 1, 72,182
claustrophobia, 25,42, 80, 82-3, 85,104, 107, 109,114-15,162 colonialism neo-colonialism, 220 post-colonialism, 11 Correction, 26,45,47, 50-1, 146-7,152, 157,169, 172 cosmopolitanism, 14,20,44, 56, 58,158, 162, 202 critical reception Eduart, 73-5 From the Edge of the City, 183 Hostage, 63-7 Roadblocks, 20, 23—4, 35, 37, 39, 56-7, 63,65-6, 73^4,76,86,101, 114,173, 224,227 Deleuze, Gilles bal(l)ade, 83, 89 Derrida, Jacques conditional hospitality, 155, 166, 178, 182 hostage situation, 164,166 unconditional hospitality, 129,140, 164,170n diaspora Albanian diaspora in Greece, 46, 66-7 co-ethnic Greeks in the Balkans, 5, 60-1,172-3 definition, 37-8, 59
INDEX diaspora and cinema, 35,42, 182 diaspora and language, 162 diaspora and queerness, 175 diasporic chronotopes (Naficy), 211 experience of, 2, 83, 85,101, 136 Kurdish diaspora, 81, 83, 85,101 studies, 45 diasporic cinema, 36, 38, 43,48-9, 51, 52, 58-60, 66,76, 80,87,211 discrimination against Ethnic Greeks, 127, 179 against migrants and refugees, 1, 5,7, 38-9,46, 105, 108,147, 198 displacement compassion towards the displaced, 225 displaced children, 160 displaced Greeks and co-Ethnics, 160, 162-3, 173,187,211-12 displacement and accented cinema, 3, 13, 36, 38, 60, 89 displacement and Athens, 220 displacement and exclusion, 11-12, 38,106 displacement and symbolism, 218 displacement and togetherness, 95, 220 displacement and wandering, 91 displacement of Kurdish people, 83,85-6 mass displacement, 205, 218, 220,226 tragedy of, 2-3,26,88, 146,189,198, 201,213,216,233 docudrama 81, 85-6, 91, 99, 216 documentary definition, 80, 223n, 226 documentary aesthetics, 86-9, 91,98, 129,135, 168,218,231 documentary and activism, 225 documentary and blend of genres, 24, 26,203,216-17, 220 documentary truth, 81, 84, 226, 231 ethics of, 81,101, 231 Framed Youth (Giannaris), 58 Nichols, Bill, 218, 223n, 225-6 observational mode of, 224 Roadblocks, 91 Sugar Town: The Bride Groom (Tsakiris), 65 The Way to the West (Karoutzakis), 200,216 267 Dogtooth, 22-3,103,196n drama 61, 228 Dyer, Richard, 156,191 Eduart (film), 24—5, 32n, 56-7, 65, 69-76, 125, 128,135, 138-9, 142, 172, 186 Eleftheriotis, Dimitris, 19-20, 72 embodied protest, 105-6 ephemerality and encounters, 142 and home, 211, 213 and
utopia, 213 Ephemeral Town, 20, 26, 32n, 197, 210-15 Ephemeral Town, 20, 26, 32n, 197, 210-15 Eternity and a Day, 26,145,147,157-61, 169,172, 183,201-2,213 Eurocentrism, 14—16, 23, 26, 37, 119, 137, 165,207 Exarcheia (neighbourhood in Athens), 245 family Albanian family, 14,40-51, 136 family trope (motherland, fatherland), 127, 162,173, 176, 180,182; see also motherland; fatherland; patriarchy foster family, 49 Greek family, 33n, 50n, 57, 60, 62, 126, 190 surrogate family, 151,167 father and hospitality, 140 and patriarchy, 48-9,109-10,140,186, 188-9; see also patriarchy as nation, 190,192-4; see also fatherland; family; patriarchy estranged father, 141 nativity scene, 211 single father, 41-2 surrogate father, 50, 138,158 symbolic father, 69, 186,188, 191-3, 196n; see also Koulouris, Dimitris fatherland (patrida), 127,176,180,182 Fortress Europe, 1, 6, 23-4, 79-81, 83^1, 95,97,99,100-1,104,146,173,199, 205-6,216,234-5,238 fortress mentality, 1, 6, 231
268 GREEK CINEMA AND MIGRATION The Free Besieged (Solomos), 161 From the Edge of the City, 26, 58, 61, 68, 172-6,182-3, 189, 191 Frontex (European Border and Coastguard Agency), 9,238-9 Fyssas, Pavlos, 244-5 Gas (Alimani), 41-3 Gavras, Costas, 76-7n gay identity camp, 175,190-1, 193,194 gay characters, 8,175,188,190-3 Gay Pride, 60 Gay Youth Video Collective, 58 homophobia, 193 gender British cinema, 58 family trope (motherland, fatherland), 127,162,173,176,180,182-, see also motherland; fatherland; patriarchy hybridity, 191 inequality, 175 norms and stereotypes, 6,106, 167, 231; see also patriarchy place of women, 106,267, 231; see also patriarchy queer cinema, 58, 60, 174֊-5,188-90 queerness, 59, 135, 174—5, 185 genre adventure films, 231 docudrama, 81, 85-6, 91, 99, 216 documentary, 24, 26-7, 58, 65, 80-1, 84, 86-9,91,98,101, 129,135, 168, 198,200,204,216-18,220, 224-6, 231,233 drama, 61,228 generic conventions of popular cinema, 15 melodrama, 15,19, 33n, 89, 122 musical, 175 popular genre films see Old Greek cinema road movie, 13-15, 106, 133,175 thriller, 61,150,163 Georgiadis, Adonis, 9 Giannaris Constantine filmmaker, 13, 56-1, 63-9, 73, 103-4, 107-10,112,115,117-20,122, 163-4,166, 172,182-6, 188-90 Hostage, 24-5, 32n, 56-7, 59, 61-8, 75, 103-4, 108,110-12,119,121, 127, 137, 172-3, 189,238,244 One Day in August, 63—4 From the Edge of the City, 26, 58, 61, 68,172-6,182-3,189,191 Man at Sea, 26,145,147,163-5,169, 172, 189, 198 North of Vortex, 59 Shards, 59 globalisation, 1, 5,13, 15, 21,26, 35, 38, 45,56-7,59, 75,146, 153-4, 162, 198,214,220,228-9,234,238 Golden Dawn
(GD), 6, 9, 27, 60, 64, 74, 170n, 176,190,193,224-7, 236-7, 239-45 Goritsas, Sotiris From the Snom, 14,172-3, 177, 181-3 Valkanizater, 14 Graal Digital Creations, 67 Greek Film Centre (GFC) 16, 18, 20, 57, 64-5,67, 70-2,80,164 Hall, Stuart diaspora, 59, 61,141 representation, 142,152 hegemony hegemonic discourse, 21, 26, 130, 225 hegemonic identity, 80, 121,146,154, 172,231 hegemony and cinema, 9-15, 80, 86-7, 143,145-6,217,220 hegemony and hybridity, 87,217 of Hollywood, 75 political, 129 relationship between diaspora and host nations, 38 Hellenic Broadcasting Corporation (ERT), 20,32n, 40-1,45,71 Higbee, Will, 21 Higson, Andrew, 19 Hollywood, 12, 15, 17,19, 35-6, 38-9,43, 75, 188-9,204,233 Homeland, 37, 44,47-8, 59-61, 66, 96, 99,105,172-4,176,181,187,197, 204, 208, 211, 219; see also family homophobia, 193
INDEX homosexuality see gay identity hospitality, 26, 51, 92,129, 130-1, 139-10,147, 149,152-3, 155-6, 163-4,166-7,177-8,180-2,194, 245; see also Derrida host family, 48 host nation, 3, 9, 12-15, 19, 24, 26, 35, 37-8,42,48-9,67, 87,91,97-8, 104-6,105-7,112,121-2,126-7, 145, 147-8, 153, 183,190,208, 219-22 host society see host nation Hostage see Giannaris, Constantine Hoxha, Enver, 44, 106,127,129, 133,135, 145, 173,176 hybridity hybridity and cinema, 10 hybridity and cultural difference, 21 hybridity and in-betweenness, 175 hybridity and intersectionality, 190 hybridity and migrant journeys, 80 identity accepting one’s identity, 47,141-2, 188 collective identity, 174 cosmopolitan identity, 44 cultural identity, 91-2, 24 essentialising identity, 26, 128,143, 225-6 European identity, 2 forced identity, 110,143 Greek identity, 60, 66, 68, 80,141, 143 hegemonic identity, 172; see also hegemony identity and cinema, 17, 19, 23,25, 58, 183 identity and globalisation, 21 identity and hybridity, 59-60,175 identity and space, 106,164 identity and victimhood, 189; see also victimhood identity consciousness, 37 identity crisis, 2, 16, 26, 97, 121,145-6 174 Kurdish identity, 95, 97 loss or death of identity, 105,117,121, 128,158,214 269 male identity, 135; see also gender national identity, 4—6,12-13,16, 60, 86,148, 244 otherness, 10, 25,105, 114, 117,120, 132, 145-7,151-3, 155,157, 160-1, 163, 166-8, 173,211 queer identity, 59, 135, 174—5, 185, see also gender; queerness sexual identity, 58, 68, 183, 190-1 unconventional identities, 125, 133-4, 143,185-7,190-1,203 interstitiality, 15,
22, 60, 80, 87, 91, 116, 165,202 Ioannou, Stavros, 79-81, 85-91, 93, 95-6, 98-9,101, lOln Iordanova, Dina supranational cinema, 20,44 Islam Islamic tradition, 99 Islamophobia, 7, 28n, 236 Muslim migrants and refugees, 7, 166, 182, 208, 241 Jarman, Derek, 58,188 journey homecoming, 210-11, 215 of homelessness, 210 of hope, 2,24, 80,104,173,220-1 Journey of Hope (Koller), 2 Kapplani, Gazmend A Short Border Handbook, 104 border syndrome, 25,103-7, 112, 116-17,147-8,206 Karalis, Vrasidas, 23, 121, 146, 153 Kate (Man at Sea), 165-7,189 Katzourakis, Kyriakos, 197, 216-18, 220 Kennel, 40 Korras, Yorgos, 14, 24, 39, 45, 125, 129, 135,142-3 Koulouris Dimitris, 64, 69 Yorgos, 62, 64 Kourounis, Angeliki Golden Dawn: Personal Affair, 27, 225, 227, 240-5 Kristeva, Julia, 146 Kurdistan, 79-81, 85, 88, 90-1, 95-6, 98-101,205,220
270 GREEK CINEMA AND MIGRATION L'Eclisse (Antonioni), 151 Lefebvre, Henri The Right to the City, 91-2, 94 Lesbos (island), 7-8,200, 212,224, 227-8, 231-3, 246; see also photography Loshitzky, Yosefa hegemonic cinema, 146 identity, 2,127,146 journey of hope, 24,104,173 screening metaphor, 127 Screening Strangers, 2 Macedonia see North Macedonia Malik, Sarita cinema of duty, 10-11, 43, 228 Man at Sea, 26, 145,147, 163-5, 169, 172,189,198 Mandragos, Andreas (Ephemeral Town), 211-15 Matziaraki, Daphne (4.1 Miles), 27, 224, 226-9, 231, 234 melodrama, 15,19, 33n, 89,122 Menidi (neighbourhood in Athens), 174, 183-4,188 migrant cinema see diasporic cinema Mitsotakis, Kyriakos, 9, 244—5 mobility freedom of movement, 2, 14, 133, 237 in film production, 36 on screen, 3, 13, 104-5, 108,118,134, 159 restrictions to mobility, 24, 38, 80, 83, 88, 162,234,238 Moria (camp), 7, 8, 30n, 40n, 200,209,234 mother as home or nation, 68, 96,213 becoming a, 221 in Christian Orthodox doctrine (Mary), 64, 68, 218 motherly figure, 66, 68-9,108,110, 137,139-40, 152, 167,186,193, 211-12 ; see also patriarchy nativity scene, 211-12 separation from the, 66, 85, 93, 96, 118, 119,134,137,156,212-13 surrogate, 167, 231 motherland, 162, 173; see abo mother musical, 175 myth Greek myth, 216 of Albanian criminality, 103, 126, 128; see also stereotypes of hospitality {philoxenia), 194,236 of Ulysses, 157-8,215 of unity and coherence, 35 Naficy, Hamid accented cinema, 12-13, 15,25, 36, 38, 40, 42, 60-1, 66, 81 border subject, 25,104-7, 112-16, 119-21,147,207 chronotope, 25, 85, 177, 211-13 embodied protest, 105-6
epistolarity, 85, 87, 90, 92-3,99, 173 exilic life, 12,24,42,79, 81, 87-8,91, 93,96,98-9, 123n 173,217 liminality, 81, 89-91,173 overcompensation, 120,147 nationality Greek certificate of nationality, 57,72 mixed nationality, 58 nationality and ethnicity, 12, 231 nationality and cinema, 19, 71-2 Greek nationality, 6,24, 57, 71-3, 75, 190; see also identity New Democracy (Nea Dimokratia, party), 9,244-5 New Greek cinema, 3, 17-18, 22, 89, 183 Nichols, Bill, 218,223n, 225-6 North Macedonia, 7,19, 71, 76,129,174, 233, 245 Öcalan, Abdullah, 102n Old Greek cinema, 4,12,16-17 Orientalism (Said), 29n otherness, 10, 25, 105, 114, 117,120, 132, 145-7, 151-3, 155, 157,160-1, 163, 166-8,173, 211; see also identity Oxymoron Films (production company), 41 Papadimitriou, Lydia, 22, 54n Papadopoulos, Kyriakos (Captain), 229-33, 238,247n Papadopoulos, Stathis Hostage, 67,189 From the Edge of the City, 68,185, 189
INDEX Papanikolaou, Dimitris, 161, 174, 185-6 Papataxiarchis, Evthymios, 224, 227 pathos, 25,100, 103,114, 156,161-2 patriarchy, 26,33η, 44,49, 69-70, 85, 91, 99-100, 109-12, 118-19, 127-8, 134-6, 138-9,141, 143, 182-3, 186-7, 189,207,236 photography elderly women in Lesbos, 231 Ephemeral Town, 212,214—15 Plato’s Academy, 156-7, 212 Roadblocks, 79 Pisli, Flamur, 61-2, 65-7,103-4, 108 Plato’s Academy, 17, 22,26,48, 51, 55n, 145,147,152-3, 157, 169, 170n, 172,212 Pontian Greek (Russo-Pontian), 67, 172^1,182-5, 187-90; see also Pontic region Pontic region, 26,172-3 queerness queer cinema, 58, 60, 174-5, 188-190 queer desire, 59,185 Rawie, Steven Transnational Cinema: An Introduction, 21 refugee camp, 2, 51, 177, 180,182, 198,200,210 characters, 158,162-9, 197-219, 222 children, 28n, 30n, 199, 204 crisis, 27, 163,225-8, 231 definition, 30n representation overrepresentation, 103, 210, 215, 221, 243 migrant representation, 3, 22-3,48, 81, 217-18 misrepresentation, 10-11,199, 217, 228; see also stereotypes road movie, 13-15, 106, 133,175 Roadblocks, 20, 24-5, 32n, 79-83, 85-7, 89-92,96-7,99-100,102n, 172-3, 226,238 Safe Sex, 18 Said, Edward, 29n, 89 271 Saimir (Agon), 48-51 Sasha (From the Edge of the City), 183-9, 191,195n See You, 14,20,24-5, 39,45,125,128, 130,133,135, 139֊40,142-3,172, 191 Senja, Elion (Hostage), 65-8, 104—5, 108-22, 127,137-8, 189,244 Soldatos, Yannis, 16 Solomos, Dionysios, 161 stereotypes about Albanians and Albanian criminality, 4, 49-50, 57, 119, 125-6, 131, 148, 153,154, 179-80 about Balkan culture, 5, 51—2, 67, 126, 128,140,179 about Eastern European
women, 18 about refugees and migrants, 197, 215 arbitrary logic of stereotyping, 126, 217 of Greek racists, 48,122 (pitfalls of) positive stereotyping, 135, 148 stranger Screening Strangers (Loshitzky), 2 Strangers at Our Door (Bauman), 2 surrogate family, 151,167, 177 father, 138,158 mother, 167 status, 149,167 The Suspended Step of the Stork, 2,18, 26, 158, 197,200-2, 205,211,213,238 Synaspismos (party), 95 Syriza (party), 8-9, 228, 245 sweep operation against Albanian immigrants, 62,128 against Greek co-Ethnics, 173,180 definition, 6 Ministry of Public Order, 29n Thessaloniki city, 47,158, 193 International Film Festival, 41 thriller, 61,150,163 Tirana (city), 39, 52, 128 Tirana Year Zero, 40
272 GREEK CINEMA AND MIGRATION trafficking children {Eternity and a Day), 158, 160, 162,169 traffickers, 158-9, 162,165, 167, 169 women, 48,187,189, 197,216,218, 220-1,223n transnationalism transnational cinema, 15, 21,41,49, 75, 133,138,164 transnational film discourse, 21, 220 transnational film studies, 35, 37, 51 Tsakiris, Kimon Greek History X: Summer on the Island of Good, 27,224,233,239 Sugartown: the Bridegrooms, 65 Tsitos, Filippos, 17, 26,145, 154 Ulysses, 157-8,215 vagabond, 132-5,143 Valkanizater see Goritsas, Sotiris Van Sant, Gus My Own Private Idaho, 187 victimhood agency, 95, 101,138,160, 175, 190 bare life (Agamben), 168 embodied protest, 118,122 exclusion, 3, 25,234 female victimhood, 187-8,221; see also trafficking Fortress Europe and Eurocentrism, 23, 105,119 hierarchy of, 205, 215, 236 migrant tragedy, 27,105 pitfalls of victimhood, 69, 99, 119, 160, 190, 206, 216, 226,229, 231; see also hegemony racism and racist violence, 25, 39, 46, 56, 97,107,126,148-9,169, 179; see also stereotypes silent victimhood, 27, 198; see also stereotypes victimhood and otherness, 166 voluntary victimisation (overcompensation), 107,147; see also Naficy Vini (Agon), 48-9, 51 violence migrant-related, 7, 99,165, 208,210; see also victimhood systemic, 49, 99,122,233 Voupouras, Christos, 14, 39, 125, 129, 135,141-3 The Way to the West, 26, 197, 216-18, 221 white guilt, 11, 32n Williams, Alan national cinema, 57, 75 Xenia (film), 26, 172, 175-6,190—3 Xenia (hotel), 194 Zirek, Mizouri (Roadblocks), 80, 82, 84-5, 87-9,93—4, 98-101 Žižek, Slavoj, 132 Zorba the Greek, 19 Bayerische
Staatsbibliothek München V-,,., /-■—------ ■՜ |
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| geographic | Griechenland (DE-588)4022047-3 gnd |
| geographic_facet | Griechenland |
| id | DE-604.BV047242701 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:04:59Z |
| indexdate | 2024-08-31T00:53:22Z |
| institution | BVB |
| isbn | 9781474437035 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032646940 |
| oclc_num | 1250467827 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | vii, 272 Seiten Illustrationen, Portraits |
| psigel | BSB_NED_20210517 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Phillis, Philip E. Verfasser (DE-588)1233367927 aut Greek cinema and migration, 1991-2016 Philip E. Phillis Edinburgh Edinburgh University Press [2020] © 2020 vii, 272 Seiten Illustrationen, Portraits txt rdacontent n rdamedia nc rdacarrier Geschichte 1991-2016 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Migration Motiv (DE-588)4393588-6 gnd rswk-swf Griechenland (DE-588)4022047-3 gnd rswk-swf Motion pictures / Greece / History / 21st century Immigrants in motion pictures Greece / Emigration and immigration / Social aspects Emigration and immigration / Social aspects Motion pictures Greece 2000-2099 History Griechenland (DE-588)4022047-3 g Film (DE-588)4017102-4 s Migration Motiv (DE-588)4393588-6 s Geschichte 1991-2016 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Phillis, Philip E. Greek cinema and migration, 1991-2016 Film (DE-588)4017102-4 gnd Migration Motiv (DE-588)4393588-6 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4393588-6 (DE-588)4022047-3 |
| title | Greek cinema and migration, 1991-2016 |
| title_auth | Greek cinema and migration, 1991-2016 |
| title_exact_search | Greek cinema and migration, 1991-2016 |
| title_exact_search_txtP | Greek cinema and migration, 1991-2016 |
| title_full | Greek cinema and migration, 1991-2016 Philip E. Phillis |
| title_fullStr | Greek cinema and migration, 1991-2016 Philip E. Phillis |
| title_full_unstemmed | Greek cinema and migration, 1991-2016 Philip E. Phillis |
| title_short | Greek cinema and migration, 1991-2016 |
| title_sort | greek cinema and migration 1991 2016 |
| topic | Film (DE-588)4017102-4 gnd Migration Motiv (DE-588)4393588-6 gnd |
| topic_facet | Film Migration Motiv Griechenland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646940&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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