The operetta empire: music theater in early twentieth-century Vienna
"'When the world comes to an end,' Viennese writer Karl Kraus lamented in 1908, 'all the big city orchestras will still be playing The Merry Widow.' Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire...
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Oakland, California
University of California Press
[2021]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "'When the world comes to an end,' Viennese writer Karl Kraus lamented in 1908, 'all the big city orchestras will still be playing The Merry Widow.' Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life-one whose transgressions helped define the musical hierarchies of its day"-- |
Beschreibung: | xi, 235 Seiten Illustrationen, Notenbeispiele, Karte |
ISBN: | 9780520379121 9780520401228 |
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520 | 3 | |a "'When the world comes to an end,' Viennese writer Karl Kraus lamented in 1908, 'all the big city orchestras will still be playing The Merry Widow.' Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life-one whose transgressions helped define the musical hierarchies of its day"-- | |
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Datensatz im Suchindex
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adam_text |
CONTENTS Preface Acknowledgments Map of Vienna Introduction: Operetta in Vienna vii ix xii і 1. Die lustige Witwe and the Creation of Silver Age Viennese Operetta 15 2. Sentimentality, Satire, and Labor 44 3. Hungary, Vienna, and the “Gypsy Operetta” 73 4. Operetta and the Great War 93 5. Exotic Liaisons 122 6. Operetta in the Past Tense 158 Notes Bibliography Index 177 215 229 |
adam_txt |
CONTENTS Preface Acknowledgments Map of Vienna Introduction: Operetta in Vienna vii ix xii і 1. Die lustige Witwe and the Creation of Silver Age Viennese Operetta 15 2. Sentimentality, Satire, and Labor 44 3. Hungary, Vienna, and the “Gypsy Operetta” 73 4. Operetta and the Great War 93 5. Exotic Liaisons 122 6. Operetta in the Past Tense 158 Notes Bibliography Index 177 215 229 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Baranello, Micaela 1985- |
author_GND | (DE-588)113797219X |
author_facet | Baranello, Micaela 1985- |
author_role | aut |
author_sort | Baranello, Micaela 1985- |
author_variant | m b mb |
building | Verbundindex |
bvnumber | BV047241968 |
classification_rvk | LR 54146 LR 54187 |
contents | Introduction : operetta in Vienna -- Die lustige Witwe and the birth of silver age Viennese operetta, 1900- -- Sentimentality, satire, and labor -- Hungary, Vienna, and the "gypsy operetta" -- Operetta and the great war -- Exotic liaisons -- Operetta in the past tense |
ctrlnum | (OCoLC)1261743824 (DE-599)BVBBV047241968 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1900-1933 gnd |
era_facet | Geschichte 1900-1933 |
format | Thesis Book |
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spelling | Baranello, Micaela 1985- Verfasser (DE-588)113797219X aut The operetta empire music theater in early twentieth-century Vienna Micaela Baranello Oakland, California University of California Press [2021] © 2021 xi, 235 Seiten Illustrationen, Notenbeispiele, Karte txt rdacontent n rdamedia nc rdacarrier Dissertation Princeton University überarbeitete und erweiterte Fassung Introduction : operetta in Vienna -- Die lustige Witwe and the birth of silver age Viennese operetta, 1900- -- Sentimentality, satire, and labor -- Hungary, Vienna, and the "gypsy operetta" -- Operetta and the great war -- Exotic liaisons -- Operetta in the past tense "'When the world comes to an end,' Viennese writer Karl Kraus lamented in 1908, 'all the big city orchestras will still be playing The Merry Widow.' Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life-one whose transgressions helped define the musical hierarchies of its day"-- Geschichte 1900-1933 gnd rswk-swf Operette (DE-588)4043602-0 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Operetta / Austria / Vienna / 20th century Operetta Austria / Vienna 1900-1999 (DE-588)4113937-9 Hochschulschrift gnd-content Wien (DE-588)4066009-6 g Operette (DE-588)4043602-0 s Geschichte 1900-1933 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-97654-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646213&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Baranello, Micaela 1985- The operetta empire music theater in early twentieth-century Vienna Introduction : operetta in Vienna -- Die lustige Witwe and the birth of silver age Viennese operetta, 1900- -- Sentimentality, satire, and labor -- Hungary, Vienna, and the "gypsy operetta" -- Operetta and the great war -- Exotic liaisons -- Operetta in the past tense Operette (DE-588)4043602-0 gnd |
subject_GND | (DE-588)4043602-0 (DE-588)4066009-6 (DE-588)4113937-9 |
title | The operetta empire music theater in early twentieth-century Vienna |
title_auth | The operetta empire music theater in early twentieth-century Vienna |
title_exact_search | The operetta empire music theater in early twentieth-century Vienna |
title_exact_search_txtP | The operetta empire music theater in early twentieth-century Vienna |
title_full | The operetta empire music theater in early twentieth-century Vienna Micaela Baranello |
title_fullStr | The operetta empire music theater in early twentieth-century Vienna Micaela Baranello |
title_full_unstemmed | The operetta empire music theater in early twentieth-century Vienna Micaela Baranello |
title_short | The operetta empire |
title_sort | the operetta empire music theater in early twentieth century vienna |
title_sub | music theater in early twentieth-century Vienna |
topic | Operette (DE-588)4043602-0 gnd |
topic_facet | Operette Wien Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032646213&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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