Half sound, half philosophy: aesthetics, politics, and history of China's sound art
"Maps the aesthetic, cultural, and socio-economical networks of a variety of sound practices and discourses in contemporary China"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Bloomsbury Academic, Bloomsbury Publishing Inc
2021
|
| Schlagworte: | |
| Zusammenfassung: | "Maps the aesthetic, cultural, and socio-economical networks of a variety of sound practices and discourses in contemporary China"-- |
| Beschreibung: | xiv, 216 Seiten Illustrationen |
| ISBN: | 9781501333484 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV047241264 | ||
| 003 | DE-604 | ||
| 005 | 20221202 | ||
| 007 | t | ||
| 008 | 210416s2021 a||| b||| 00||| eng d | ||
| 020 | |a 9781501333484 |9 978-1-5013-3348-4 | ||
| 035 | |a (OCoLC)1347214246 | ||
| 035 | |a (DE-599)BVBBV047241264 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
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| 084 | |a LS 41100 |0 (DE-625)110385: |2 rvk | ||
| 100 | 1 | |a Wang, Jing |e Verfasser |0 (DE-588)1225532078 |4 aut | |
| 245 | 1 | 0 | |a Half sound, half philosophy |b aesthetics, politics, and history of China's sound art |c Jing Wang |
| 264 | 1 | |a New York, NY |b Bloomsbury Academic, Bloomsbury Publishing Inc |c 2021 | |
| 300 | |a xiv, 216 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction : Qi-Philosophy ; Sounds as Qi -- Sound, Resonance, the Philosophy of Qi : Ancient Chinese Acoustics ; The Philosophy of Qi ; Sound Explained through Qi-Philosophy ; Conclusion -- A Brief History of Sound in China's Contemporary Art : Conditions and Precursors ; New Media Art after 2000 ; Sound Art after 2000 -- A Brief History of Electronic and Experimental Music in China : The Electronic Instrument Builders ; Academic Electronic Music: Inauguration ; Nonacademic Electronic and Experimental Music ; Conclusion -- Shanshui-Thought in Experimental Music Practices : Shanshui-Thought: An Overview ; Shanshui: The Existential and the Epistemological ; Making Shanshui-Thought Audible: Two Aesthetic Qualities ; Conclusion -- In Praise of Strange Sounds of the Shamanistic : The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang ; Acoustic Cultural Heritage and Nationalism ; Huanghu and Its Two Aesthetic Operations: Resonance and Withdrawal ; Conclusion -- Ubiquitous Control : From Cosmic Bell, Loudspeakers to Immanent Humming : Zhang Peili and Anti-Monumentality of Sound ; Zhang Ding and the Military-Entertainment-Art Complex ; Liu Chuang and the (Im)Possibility of Not Being Governed ; Conclusion - Qi-Thinking, or Cybernetics: A Way of Going On | |
| 520 | 3 | |a "Maps the aesthetic, cultural, and socio-economical networks of a variety of sound practices and discourses in contemporary China"-- | |
| 653 | 0 | |a Music / China / 21st century / History and criticism | |
| 653 | 0 | |a Music / China / 20th century / History and criticism | |
| 653 | 0 | |a Music / China / Philosophy and aesthetics | |
| 653 | 0 | |a Sound art / China / History and criticism | |
| 653 | 0 | |a Qi (Chinese philosophy) | |
| 653 | 0 | |a Sound (Philosophy) | |
| 653 | 0 | |a Music | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 0 | |a Qi (Chinese philosophy) | |
| 653 | 0 | |a Sound (Philosophy) | |
| 653 | 2 | |a China | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-5013-3349-1 |w (DE-604)BV047804430 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5013-3350-7 |w (DE-604)BV047804430 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032645528 | ||
Datensatz im Suchindex
| _version_ | 1804182378796548096 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Wang, Jing |
| author_GND | (DE-588)1225532078 |
| author_facet | Wang, Jing |
| author_role | aut |
| author_sort | Wang, Jing |
| author_variant | j w jw |
| building | Verbundindex |
| bvnumber | BV047241264 |
| classification_rvk | LQ 94008 LS 41100 |
| contents | Introduction : Qi-Philosophy ; Sounds as Qi -- Sound, Resonance, the Philosophy of Qi : Ancient Chinese Acoustics ; The Philosophy of Qi ; Sound Explained through Qi-Philosophy ; Conclusion -- A Brief History of Sound in China's Contemporary Art : Conditions and Precursors ; New Media Art after 2000 ; Sound Art after 2000 -- A Brief History of Electronic and Experimental Music in China : The Electronic Instrument Builders ; Academic Electronic Music: Inauguration ; Nonacademic Electronic and Experimental Music ; Conclusion -- Shanshui-Thought in Experimental Music Practices : Shanshui-Thought: An Overview ; Shanshui: The Existential and the Epistemological ; Making Shanshui-Thought Audible: Two Aesthetic Qualities ; Conclusion -- In Praise of Strange Sounds of the Shamanistic : The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang ; Acoustic Cultural Heritage and Nationalism ; Huanghu and Its Two Aesthetic Operations: Resonance and Withdrawal ; Conclusion -- Ubiquitous Control : From Cosmic Bell, Loudspeakers to Immanent Humming : Zhang Peili and Anti-Monumentality of Sound ; Zhang Ding and the Military-Entertainment-Art Complex ; Liu Chuang and the (Im)Possibility of Not Being Governed ; Conclusion - Qi-Thinking, or Cybernetics: A Way of Going On |
| ctrlnum | (OCoLC)1347214246 (DE-599)BVBBV047241264 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047241264 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:04:23Z |
| indexdate | 2024-07-10T09:06:36Z |
| institution | BVB |
| isbn | 9781501333484 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032645528 |
| oclc_num | 1347214246 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | xiv, 216 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic, Bloomsbury Publishing Inc |
| record_format | marc |
| spelling | Wang, Jing Verfasser (DE-588)1225532078 aut Half sound, half philosophy aesthetics, politics, and history of China's sound art Jing Wang New York, NY Bloomsbury Academic, Bloomsbury Publishing Inc 2021 xiv, 216 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction : Qi-Philosophy ; Sounds as Qi -- Sound, Resonance, the Philosophy of Qi : Ancient Chinese Acoustics ; The Philosophy of Qi ; Sound Explained through Qi-Philosophy ; Conclusion -- A Brief History of Sound in China's Contemporary Art : Conditions and Precursors ; New Media Art after 2000 ; Sound Art after 2000 -- A Brief History of Electronic and Experimental Music in China : The Electronic Instrument Builders ; Academic Electronic Music: Inauguration ; Nonacademic Electronic and Experimental Music ; Conclusion -- Shanshui-Thought in Experimental Music Practices : Shanshui-Thought: An Overview ; Shanshui: The Existential and the Epistemological ; Making Shanshui-Thought Audible: Two Aesthetic Qualities ; Conclusion -- In Praise of Strange Sounds of the Shamanistic : The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang ; Acoustic Cultural Heritage and Nationalism ; Huanghu and Its Two Aesthetic Operations: Resonance and Withdrawal ; Conclusion -- Ubiquitous Control : From Cosmic Bell, Loudspeakers to Immanent Humming : Zhang Peili and Anti-Monumentality of Sound ; Zhang Ding and the Military-Entertainment-Art Complex ; Liu Chuang and the (Im)Possibility of Not Being Governed ; Conclusion - Qi-Thinking, or Cybernetics: A Way of Going On "Maps the aesthetic, cultural, and socio-economical networks of a variety of sound practices and discourses in contemporary China"-- Music / China / 21st century / History and criticism Music / China / 20th century / History and criticism Music / China / Philosophy and aesthetics Sound art / China / History and criticism Qi (Chinese philosophy) Sound (Philosophy) Music Music / Philosophy and aesthetics China 1900-2099 Criticism, interpretation, etc Erscheint auch als Online-Ausgabe, ebk 978-1-5013-3349-1 (DE-604)BV047804430 Erscheint auch als Online-Ausgabe 978-1-5013-3350-7 (DE-604)BV047804430 |
| spellingShingle | Wang, Jing Half sound, half philosophy aesthetics, politics, and history of China's sound art Introduction : Qi-Philosophy ; Sounds as Qi -- Sound, Resonance, the Philosophy of Qi : Ancient Chinese Acoustics ; The Philosophy of Qi ; Sound Explained through Qi-Philosophy ; Conclusion -- A Brief History of Sound in China's Contemporary Art : Conditions and Precursors ; New Media Art after 2000 ; Sound Art after 2000 -- A Brief History of Electronic and Experimental Music in China : The Electronic Instrument Builders ; Academic Electronic Music: Inauguration ; Nonacademic Electronic and Experimental Music ; Conclusion -- Shanshui-Thought in Experimental Music Practices : Shanshui-Thought: An Overview ; Shanshui: The Existential and the Epistemological ; Making Shanshui-Thought Audible: Two Aesthetic Qualities ; Conclusion -- In Praise of Strange Sounds of the Shamanistic : The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang ; Acoustic Cultural Heritage and Nationalism ; Huanghu and Its Two Aesthetic Operations: Resonance and Withdrawal ; Conclusion -- Ubiquitous Control : From Cosmic Bell, Loudspeakers to Immanent Humming : Zhang Peili and Anti-Monumentality of Sound ; Zhang Ding and the Military-Entertainment-Art Complex ; Liu Chuang and the (Im)Possibility of Not Being Governed ; Conclusion - Qi-Thinking, or Cybernetics: A Way of Going On |
| title | Half sound, half philosophy aesthetics, politics, and history of China's sound art |
| title_auth | Half sound, half philosophy aesthetics, politics, and history of China's sound art |
| title_exact_search | Half sound, half philosophy aesthetics, politics, and history of China's sound art |
| title_exact_search_txtP | Half sound, half philosophy aesthetics, politics, and history of China's sound art |
| title_full | Half sound, half philosophy aesthetics, politics, and history of China's sound art Jing Wang |
| title_fullStr | Half sound, half philosophy aesthetics, politics, and history of China's sound art Jing Wang |
| title_full_unstemmed | Half sound, half philosophy aesthetics, politics, and history of China's sound art Jing Wang |
| title_short | Half sound, half philosophy |
| title_sort | half sound half philosophy aesthetics politics and history of china s sound art |
| title_sub | aesthetics, politics, and history of China's sound art |
| work_keys_str_mv | AT wangjing halfsoundhalfphilosophyaestheticspoliticsandhistoryofchinassoundart |