Musical nationalism, despotism and scholarly interventions in Greek popular music:
"Discusses the changing relationship between Greek Byzantine music and Greek popular music in the contemporary Greek state"--
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
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London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Zusammenfassung: | "Discusses the changing relationship between Greek Byzantine music and Greek popular music in the contemporary Greek state"-- |
| Beschreibung: | xxi, 202 Seiten Illustrationen |
| ISBN: | 9781501369445 |
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| 653 | 0 | |a Nationalism in music | |
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Contents Glossary and transliteration Further clarifications List of illustrations Preface Prelude ix x xii xv xx Part one A story of origin 1 2 3 4 5 6 7 8 9 A laiko (popular) song by Tsitsanis (1948) A hymn from the Orthodox musical tradition Comparison of the two pieces by Ilias Petropoulos(1968) Comparison by Mikis Theodorakis (1970) The stance of the laiko musician Manos Hadjidakis and laiki music The music critic Sophia Spanoudi Two key personas of laiki music: Perpiniadis and Keromytis Postlude 3 10 14 22 34 39 42 47 54 Part two The two musical worlds: The Byzantine and the laiko 10 The Greek nation state and ecclesiastical music 11 Systemizing chanting and the protagonists 12 The ‘musical issue’ at the forefront once again 13 Urban music: Examination of a remarkable network 14 Reaffirming the laiko 63 72 82 88 101 Part three Factual highlights regarding ecclesiastical music 15 The reference text and the musical act 16 ‘Notes not noted in the text’: Constantinople as a reference point 17 Style, scores and the teacher 18 Modernists and conservatives 109 111 117 122
Contents viii Part four Analyzing the two musical pieces 19 20 21 22 23 Starting with the sound Starting with the sheet music A historical recording of the hymn Postlude Epilogue Works cited Index 133 139 148 170 173 179 195
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194 Works Cited and Dimitris Christopoulos, 185-93. Athens: Rosa Luxemborg Stiftung Office in Greece, 2016. Zoubouli, Maria, and Nikos Ordoulidis. “Gia ton techniti kai to daneisma ein’ en’ apo ta organa tis prototypias tou’ (K. Palamas)’. In I diki ton rebeton, edited by Maria Zoubouli, and Pierrina Koriatopoulou-Angeli, 45-51. Department of Popular and Traditional Music and Law School of Athens, 2018.
Index Byzantine music, generally ancient melody 74,128 Arab 67, 76, 79, 84, 96, 126 Byzantine musicology 71,84 circular 12 n. 11, 67, 75, 77, 111, 124 eastern 36, 40, 66, 67, 76, 87, 102 easternized 71 eastern theory 134 Formiga, newspaper 67, 72, 75, 76 n.4, 78 New Formiga 153,160 patriarchal music committee 11, 65, 70,85, 112-13,160 patriarchal yphos 32, 55, 85,122 Persian 76, 79, 84 Byzantine music, persons Asteris, Leonidas 119 Chrysanthos of Madytos 11, 65, 85, 109,113,136 ecumenical approach 80-1 Karas reference 83 Euthymiadis, Avraam 11 Karas, Simon 74, 82-6,122-4, 160 Mantzouranis, Theodoros 75, 76 Naupliotis, Iakovos 15, 32,109,139, 148-53, 160-4 Papadopoulos, Eustratios 75,112 Peristeris, Spyros 15, 75, 82 n.2, 115-16, 122, 129-30 Petros Peloponnese 111 or Lambadarios 33 Pringos, Konstantinos 123,148 Psachos, Konstantinos 71, 74-80, 85, 115.174 akathisthymn 153-9 conservatory of national music 76,153 Sakellaridis, Ioannis 66, 67, 76-80, 123.124.174 ‘The Akathist Hymn’ 19, 160, 164 ‘0 Gladsome Light’ 127-8 Stanitsas, Thrasyvoulos Wellesz, Egon 71 20, 86,123 co-existence 59, 89, 124 n.4, 175, 177 and co-inherence 98 and p erichoresis 81,96 retrenchment (antonym) 175 folklore studies 26, 65, 76 folkloristic, concept and methodology 14,41, 82, 85, 94 folk music 56, 78,85, 87, 93 Merlier, Melpo 5-8 revival 37,41 n.12, 87 n.ll, 100 mass media radio 34,47,82,95,115,129 sound industry 99,104 Columbia 105 discography 13,35,40,54,90 television 13, 34, 36, 56,115, 119,129 musical analysis alla turca 45, 48-50,102 appoggiatura 4,33 backbone 134,144 bassline 5 consonance line
153 dominant note 19, 32,134, 137,139 embellishment 6,13,33,87,126, 143,144 glissando 139,144 gravitation 16, 28,134,139,143, 144, 153 idiomatic 28, 113,123,139-46 klitón 52, 53, 139 melismas 148 n.2 melodic line 19, 28, 40, 50, 58, 115, 145 and musical line 53 and vocal line 4 modenese 53, 88, 96,133,137
196 modality 49,50 pentachord 175 tetrachord 137,139 phrasing 5 and phrase 5, 6, 33,134,137,160 and phraseology 137 singing style 5, 20, 91 slow-brief, melodic construction style 11,33,148, hirmologic 10,11,13,33 spectrometer 116 vocalese 33 musical ecumene 96, 97,129,175 borrowing 32, 36,98,99,129,170 converse 58,125 cosmopolitan culture 38, 94, 97, 112.174 people 96,105,176 region 89 cosmopolitism 24 and cosmopolitanism 93, 94 loan 67,84, 89,97,98 network, geographical and cultural 94, 95, 97,101, 105,129 apprenticeship 120 music production 104 performance 35 reference 70,98, 99,126,175 syncretism, repertoire and culture 23, 88, 98,123, 126,135 hybrid (antonym) 70,88 and syncretic 59,123,125, 129.175 translocal 176 music theory and act apprenticeship 68, 77,114,119, 120,124 correctness 85,176 fluidity 5,113,114,130,149, 172, 174 and fluid 11,98 guide 76, 84,117, 139,140, 144, 150 by heart 85,114 improvisation 35,118,119,121 innovation 4,11,21,63,126 laiki aesthetic 4, 9, 20, 33,40 Index literacy 12,85,118,129 living art 58 and animate art 130,170, 174,176 living tradition 117 and living body 71 mimicry 17,31,50,58,94 modernism 78,113,126,129, 153, 176 multifarious 63,129,130 orality, chanting 74,112,114,118, 129, 148, 172, oral tradition 12,74,84,85, 117,123 popular 5,95 polymorphic 23 polyphony, chanting 19, 24, 67, 78, 79,122-5 popular 25,91 polystylism 88,94 preparatory drawings 119 recomposition 103,119 redefinition 103, 129, 176 thesi 117,119,123,126,144, 160,163 transposition 176 update 129 national music school 26,31,45,65 Athens conservatory 66, 72-6, 115,153
Kalomoiris, Manolis 42, 65-6, 76-7,171 amanes reference 45 national conservatory 77 Sakellaridis reference 80 symphony of valour 31 Lambelet, Georgios 66 Nazos, Georgios 72-4, 76,153 persons, general Christianopoulos, Ntinos 35 Dertilis, Giorgos 64 Ennig, Ioulios 77 Fallmerayer, Jakob Philipp 64, 71 Gauntlett, Stathis 36, 47 Khalil, Alexander Konrad 71, 115 n,8, 118 n.4
Index Loudovikos, Nikolaos 58 Maximus the Confessor 59 Metaxas, Ioannis 42,43 Moore, Allan 88 Mozart, Wolgang Amadeus 70 Otto, king 70 Pachtikos, Georgios 160,165 Papadopoulos, Kostas 33 Scott, Derek 88, 93 Skalkottas, Nikos 23 Spanoudi, Sophia 34, 36, 42-6,102 politics 63-5,98 adulterated 71 aphoristic 22,67 authentic, chanting 24, 71-2, 76, 78, 111, 127, 174 Greek music 26, 65, 68,110 laiko 34, 36, 99 traditional 58 authenticity 22, 23,41, 84,100, 114,124 descent, music 21, 35 n.3, 37-9, 53, 54,173 and origin 19, 24, 48, 59, 65, 170, 175 dipole 100,102,110,170 erudition 80,93,153,170 Europeanization 30, 74,124,129, 153,174 exoneration 104,176 exoticism 22,94 genuine 35,43, 67, 68 hegemony 58,100,116 orientalism 45 paternalism 58 political 25,41,56,71,102,103 westernization 21, 66, 71,102 popular-like, music 41 Hadjidakis, Manos 39-41, 55 lecture 24, 43, 45, 102 six popular pictures 41 Smyrna Asia Minor 21,55,63,89,97 Peristeris, Spyros 4, 25, 90, 94, 96, 101,105 politakia 90-4 Smyrna-style 48 197 sounding and aural atmosphere (chanting) 11,13, 71,118 aural 171 common 19,20 harmonious 21 minor 58,137 musical 50 sombre 44 aural logic 19,20,136 memory 55 reality 48 n.8 chordal harmony 21 chordal sequence 9,17,105 context 133,134,145, 171 environment 48 n.8, 50, 90 n. 11, 137, 138, 170 and environ 105,139 harmonization 29, 31,78,85, 124,125 four-part 67, 81,124,160 landscape 134,136,137 musical reality 91, 93 soundscape 102 state, Greek academy of Athens 76 ancient Greek music 66, 67, 76, 81,84 citizenship 63, 91, 98 civil war 27,44 education, European 45, 68, 74 chanting 68,
71-5, 83, 115, 118 music general 55-7,70, 80, 87,94 public general 55, 64, 70 Greekness 23-7, 36-43, 54, 64,174 Greek state conservatory of Thessaloniki 56,57 historical continuation, general 54, 65, 66,174 alia byzantina 45 Karas 83 Paparrigopoulos 64,65 Petropoulos 21 Psachos 76, 78, 79 Theodorakis 24,27 laikoness 25,127
198 Index national music 35, 40, 55, 70, 74, 78, 83 society for the propagation of national music 82 protocol of independence of the Greek state 63 romiosyni 26,27 systemization 23, 70, 73, 74, 87,112 urban popular music amanes 45,48, 50, 82, 88 café aman 67, 97,101 café chantants 66,101 censorship 3,42,43,47 guitar 4,57,89-94,105,175 hashish, songs subject 45 and drugs 39, 47 kantada 23,90,134 and serenade 70,90, 96,134 kanto 89,98 mandolinata 25, 91, 96, 102 post-war 40, 98, 99, 148 n.2 urban popular music, persons Bellou, Sotiria 3-5, 15, 33 Kazantzidis, Stelios 5,15,17, 20, 33 Keromytis, Stelios 20,47, 50-3 Mitsakis, Giorgos 25, 98 Perpiniadis, Stellakis 47-52 Tsaousakis, Pródromos 3-5,15,21, 32, 33,137 Vamvakaris, Markos 25,39,47,101 |
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Contents Glossary and transliteration Further clarifications List of illustrations Preface Prelude ix x xii xv xx Part one A story of origin 1 2 3 4 5 6 7 8 9 A laiko (popular) song by Tsitsanis (1948) A hymn from the Orthodox musical tradition Comparison of the two pieces by Ilias Petropoulos(1968) Comparison by Mikis Theodorakis (1970) The stance of the laiko musician Manos Hadjidakis and laiki music The music critic Sophia Spanoudi Two key personas of laiki music: Perpiniadis and Keromytis Postlude 3 10 14 22 34 39 42 47 54 Part two The two musical worlds: The Byzantine and the laiko 10 The Greek nation state and ecclesiastical music 11 Systemizing chanting and the protagonists 12 The ‘musical issue’ at the forefront once again 13 Urban music: Examination of a remarkable network 14 Reaffirming the laiko 63 72 82 88 101 Part three Factual highlights regarding ecclesiastical music 15 The reference text and the musical act 16 ‘Notes not noted in the text’: Constantinople as a reference point 17 Style, scores and the teacher 18 Modernists and conservatives 109 111 117 122
Contents viii Part four Analyzing the two musical pieces 19 20 21 22 23 Starting with the sound Starting with the sheet music A historical recording of the hymn Postlude Epilogue Works cited Index 133 139 148 170 173 179 195
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Index Byzantine music, generally ancient melody 74,128 Arab 67, 76, 79, 84, 96, 126 Byzantine musicology 71,84 circular 12 n. 11, 67, 75, 77, 111, 124 eastern 36, 40, 66, 67, 76, 87, 102 easternized 71 eastern theory 134 Formiga, newspaper 67, 72, 75, 76 n.4, 78 New Formiga 153,160 patriarchal music committee 11, 65, 70,85, 112-13,160 patriarchal yphos 32, 55, 85,122 Persian 76, 79, 84 Byzantine music, persons Asteris, Leonidas 119 Chrysanthos of Madytos 11, 65, 85, 109,113,136 ecumenical approach 80-1 Karas reference 83 Euthymiadis, Avraam 11 Karas, Simon 74, 82-6,122-4, 160 Mantzouranis, Theodoros 75, 76 Naupliotis, Iakovos 15, 32,109,139, 148-53, 160-4 Papadopoulos, Eustratios 75,112 Peristeris, Spyros 15, 75, 82 n.2, 115-16, 122, 129-30 Petros Peloponnese 111 or Lambadarios 33 Pringos, Konstantinos 123,148 Psachos, Konstantinos 71, 74-80, 85, 115.174 akathisthymn 153-9 conservatory of national music 76,153 Sakellaridis, Ioannis 66, 67, 76-80, 123.124.174 ‘The Akathist Hymn’ 19, 160, 164 ‘0 Gladsome Light’ 127-8 Stanitsas, Thrasyvoulos Wellesz, Egon 71 20, 86,123 co-existence 59, 89, 124 n.4, 175, 177 and co-inherence 98 and p erichoresis 81,96 retrenchment (antonym) 175 folklore studies 26, 65, 76 folkloristic, concept and methodology 14,41, 82, 85, 94 folk music 56, 78,85, 87, 93 Merlier, Melpo 5-8 revival 37,41 n.12, 87 n.ll, 100 mass media radio 34,47,82,95,115,129 sound industry 99,104 Columbia 105 discography 13,35,40,54,90 television 13, 34, 36, 56,115, 119,129 musical analysis alla turca 45, 48-50,102 appoggiatura 4,33 backbone 134,144 bassline 5 consonance line
153 dominant note 19, 32,134, 137,139 embellishment 6,13,33,87,126, 143,144 glissando 139,144 gravitation 16, 28,134,139,143, 144, 153 idiomatic 28, 113,123,139-46 klitón 52, 53, 139 melismas 148 n.2 melodic line 19, 28, 40, 50, 58, 115, 145 and musical line 53 and vocal line 4 modenese 53, 88, 96,133,137
196 modality 49,50 pentachord 175 tetrachord 137,139 phrasing 5 and phrase 5, 6, 33,134,137,160 and phraseology 137 singing style 5, 20, 91 slow-brief, melodic construction style 11,33,148, hirmologic 10,11,13,33 spectrometer 116 vocalese 33 musical ecumene 96, 97,129,175 borrowing 32, 36,98,99,129,170 converse 58,125 cosmopolitan culture 38, 94, 97, 112.174 people 96,105,176 region 89 cosmopolitism 24 and cosmopolitanism 93, 94 loan 67,84, 89,97,98 network, geographical and cultural 94, 95, 97,101, 105,129 apprenticeship 120 music production 104 performance 35 reference 70,98, 99,126,175 syncretism, repertoire and culture 23, 88, 98,123, 126,135 hybrid (antonym) 70,88 and syncretic 59,123,125, 129.175 translocal 176 music theory and act apprenticeship 68, 77,114,119, 120,124 correctness 85,176 fluidity 5,113,114,130,149, 172, 174 and fluid 11,98 guide 76, 84,117, 139,140, 144, 150 by heart 85,114 improvisation 35,118,119,121 innovation 4,11,21,63,126 laiki aesthetic 4, 9, 20, 33,40 Index literacy 12,85,118,129 living art 58 and animate art 130,170, 174,176 living tradition 117 and living body 71 mimicry 17,31,50,58,94 modernism 78,113,126,129, 153, 176 multifarious 63,129,130 orality, chanting 74,112,114,118, 129, 148, 172, oral tradition 12,74,84,85, 117,123 popular 5,95 polymorphic 23 polyphony, chanting 19, 24, 67, 78, 79,122-5 popular 25,91 polystylism 88,94 preparatory drawings 119 recomposition 103,119 redefinition 103, 129, 176 thesi 117,119,123,126,144, 160,163 transposition 176 update 129 national music school 26,31,45,65 Athens conservatory 66, 72-6, 115,153
Kalomoiris, Manolis 42, 65-6, 76-7,171 amanes reference 45 national conservatory 77 Sakellaridis reference 80 symphony of valour 31 Lambelet, Georgios 66 Nazos, Georgios 72-4, 76,153 persons, general Christianopoulos, Ntinos 35 Dertilis, Giorgos 64 Ennig, Ioulios 77 Fallmerayer, Jakob Philipp 64, 71 Gauntlett, Stathis 36, 47 Khalil, Alexander Konrad 71, 115 n,8, 118 n.4
Index Loudovikos, Nikolaos 58 Maximus the Confessor 59 Metaxas, Ioannis 42,43 Moore, Allan 88 Mozart, Wolgang Amadeus 70 Otto, king 70 Pachtikos, Georgios 160,165 Papadopoulos, Kostas 33 Scott, Derek 88, 93 Skalkottas, Nikos 23 Spanoudi, Sophia 34, 36, 42-6,102 politics 63-5,98 adulterated 71 aphoristic 22,67 authentic, chanting 24, 71-2, 76, 78, 111, 127, 174 Greek music 26, 65, 68,110 laiko 34, 36, 99 traditional 58 authenticity 22, 23,41, 84,100, 114,124 descent, music 21, 35 n.3, 37-9, 53, 54,173 and origin 19, 24, 48, 59, 65, 170, 175 dipole 100,102,110,170 erudition 80,93,153,170 Europeanization 30, 74,124,129, 153,174 exoneration 104,176 exoticism 22,94 genuine 35,43, 67, 68 hegemony 58,100,116 orientalism 45 paternalism 58 political 25,41,56,71,102,103 westernization 21, 66, 71,102 popular-like, music 41 Hadjidakis, Manos 39-41, 55 lecture 24, 43, 45, 102 six popular pictures 41 Smyrna Asia Minor 21,55,63,89,97 Peristeris, Spyros 4, 25, 90, 94, 96, 101,105 politakia 90-4 Smyrna-style 48 197 sounding and aural atmosphere (chanting) 11,13, 71,118 aural 171 common 19,20 harmonious 21 minor 58,137 musical 50 sombre 44 aural logic 19,20,136 memory 55 reality 48 n.8 chordal harmony 21 chordal sequence 9,17,105 context 133,134,145, 171 environment 48 n.8, 50, 90 n. 11, 137, 138, 170 and environ 105,139 harmonization 29, 31,78,85, 124,125 four-part 67, 81,124,160 landscape 134,136,137 musical reality 91, 93 soundscape 102 state, Greek academy of Athens 76 ancient Greek music 66, 67, 76, 81,84 citizenship 63, 91, 98 civil war 27,44 education, European 45, 68, 74 chanting 68,
71-5, 83, 115, 118 music general 55-7,70, 80, 87,94 public general 55, 64, 70 Greekness 23-7, 36-43, 54, 64,174 Greek state conservatory of Thessaloniki 56,57 historical continuation, general 54, 65, 66,174 alia byzantina 45 Karas 83 Paparrigopoulos 64,65 Petropoulos 21 Psachos 76, 78, 79 Theodorakis 24,27 laikoness 25,127
198 Index national music 35, 40, 55, 70, 74, 78, 83 society for the propagation of national music 82 protocol of independence of the Greek state 63 romiosyni 26,27 systemization 23, 70, 73, 74, 87,112 urban popular music amanes 45,48, 50, 82, 88 café aman 67, 97,101 café chantants 66,101 censorship 3,42,43,47 guitar 4,57,89-94,105,175 hashish, songs subject 45 and drugs 39, 47 kantada 23,90,134 and serenade 70,90, 96,134 kanto 89,98 mandolinata 25, 91, 96, 102 post-war 40, 98, 99, 148 n.2 urban popular music, persons Bellou, Sotiria 3-5, 15, 33 Kazantzidis, Stelios 5,15,17, 20, 33 Keromytis, Stelios 20,47, 50-3 Mitsakis, Giorgos 25, 98 Perpiniadis, Stellakis 47-52 Tsaousakis, Pródromos 3-5,15,21, 32, 33,137 Vamvakaris, Markos 25,39,47,101 |
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| author | Ordulidēs, Nikos ca. 20./21. Jh |
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| ctrlnum | (OCoLC)1256440480 (DE-599)BVBBV047241120 |
| era | Geschichte 1940-1970 gnd |
| era_facet | Geschichte 1940-1970 |
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| geographic | Griechenland (DE-588)4022047-3 gnd |
| geographic_facet | Griechenland |
| id | DE-604.BV047241120 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:04:19Z |
| indexdate | 2025-01-14T11:01:09Z |
| institution | BVB |
| isbn | 9781501369445 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032645388 |
| oclc_num | 1256440480 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xxi, 202 Seiten Illustrationen |
| psigel | BSB_NED_20210604 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Ordulidēs, Nikos ca. 20./21. Jh. Verfasser (DE-588)1073837998 aut Musical nationalism, despotism and scholarly interventions in Greek popular music Nikos Ordoulidis London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xxi, 202 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Discusses the changing relationship between Greek Byzantine music and Greek popular music in the contemporary Greek state"-- Griechisch-Orthodoxe Kirche (DE-588)4020030-9 gnd rswk-swf Geschichte 1940-1970 gnd rswk-swf Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Griechenland (DE-588)4022047-3 gnd rswk-swf Popular music / Greece / History and criticism Popular music / Greece / Byzantine influences Popular music / Political aspects / Greece / History Nationalism in music Popular music / Byzantine influences Popular music Popular music / Political aspects Greece Criticism, interpretation, etc History Griechenland (DE-588)4022047-3 g Popmusik (DE-588)4046781-8 s Griechisch-Orthodoxe Kirche (DE-588)4020030-9 b Kirchenmusik (DE-588)4030736-0 s Nationalismus (DE-588)4041300-7 s Geschichte 1940-1970 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-5013-6945-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Ordulidēs, Nikos ca. 20./21. Jh Musical nationalism, despotism and scholarly interventions in Greek popular music Griechisch-Orthodoxe Kirche (DE-588)4020030-9 gnd Kirchenmusik (DE-588)4030736-0 gnd Nationalismus (DE-588)4041300-7 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4020030-9 (DE-588)4030736-0 (DE-588)4041300-7 (DE-588)4046781-8 (DE-588)4022047-3 |
| title | Musical nationalism, despotism and scholarly interventions in Greek popular music |
| title_auth | Musical nationalism, despotism and scholarly interventions in Greek popular music |
| title_exact_search | Musical nationalism, despotism and scholarly interventions in Greek popular music |
| title_exact_search_txtP | Musical nationalism, despotism and scholarly interventions in Greek popular music |
| title_full | Musical nationalism, despotism and scholarly interventions in Greek popular music Nikos Ordoulidis |
| title_fullStr | Musical nationalism, despotism and scholarly interventions in Greek popular music Nikos Ordoulidis |
| title_full_unstemmed | Musical nationalism, despotism and scholarly interventions in Greek popular music Nikos Ordoulidis |
| title_short | Musical nationalism, despotism and scholarly interventions in Greek popular music |
| title_sort | musical nationalism despotism and scholarly interventions in greek popular music |
| topic | Griechisch-Orthodoxe Kirche (DE-588)4020030-9 gnd Kirchenmusik (DE-588)4030736-0 gnd Nationalismus (DE-588)4041300-7 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Griechisch-Orthodoxe Kirche Kirchenmusik Nationalismus Popmusik Griechenland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645388&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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