The complete prose of T.S. Eliot: the critical edition Volume 2 The perfect critic, 1919-1926
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baltimore
Johns Hopkins University Press
2021
London Faber and Faber 2021 |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | lx, 896 Seiten, 28 ungezählte Seiten Tafeln Illustrationen, Porträts |
Internformat
MARC
| LEADER | 00000nam a2200000 cc4500 | ||
|---|---|---|---|
| 001 | BV047241087 | ||
| 003 | DE-604 | ||
| 005 | 20221124 | ||
| 007 | t | ||
| 008 | 210416s2021 ac|| |||| 00||| eng d | ||
| 035 | |a (OCoLC)1268193250 | ||
| 035 | |a (DE-599)BVBBV047241087 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-20 |a DE-12 |a DE-11 |a DE-19 |a DE-473 |a DE-384 | ||
| 100 | 1 | |a Eliot, T. S. |d 1888-1965 |e Verfasser |0 (DE-588)118529854 |4 aut | |
| 240 | 1 | 0 | |a Prosa |
| 245 | 1 | 0 | |a The complete prose of T.S. Eliot |b the critical edition |n Volume 2 |p The perfect critic, 1919-1926 |c T.S. Eliot ; Ronald Schuchard, general editor |
| 264 | 1 | |a Baltimore |b Johns Hopkins University Press |c 2021 | |
| 264 | 1 | |a London |b Faber and Faber |c 2021 | |
| 300 | |a lx, 896 Seiten, 28 ungezählte Seiten Tafeln |b Illustrationen, Porträts | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 700 | 1 | |a Cuda, Anthony |0 (DE-588)1239840268 |4 edt | |
| 700 | 1 | |a Schuchard, Ronald |0 (DE-588)1138122866 |4 edt | |
| 773 | 0 | 8 | |w (DE-604)BV047241079 |g 2 |
| 856 | 4 | 2 | |m Digitalisierung UB Bamberg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032645355 | |
Datensatz im Suchindex
| _version_ | 1805087791302836224 |
|---|---|
| adam_text |
CONTENTS The Perfect Critic, 1919-1926·. Introduction Editorial Procedures and Principles xliii Acknowledgments li List of Abbreviations lv List of Illustrations lix xiii 1919 Marivaux 1 The New Elizabethans and the Old. A review of The New Elizabethans: A First Selection ofthe Lives ofYoung Men Who Have Fallen in the Great War, by E. B. Osborn 10 The Post-Georgians. A review of Wheels: A Third Cycle, ed. Edith Sitwell 16 American Literature. A review ofA History ofAmerican Literature, vol. II, ed. William P. Trent et al. zi A Romantic Aristocrat 26 Kipling Redivivus. A review of The Years Between, by Rudyard Kipling 33 Kipling Redivivus. To the Editor of The Athenaeum 40 A Sceptical Patrician. A review of The Education ofHenry Adams: An Autobiography 41 Beyle and Balzac. A review ofA History ofthe French Novel, to the Close ofthe Nineteenth Century, vol. II, by George Saintsbury 48 Criticism in England. A review of Old and New Masters, by Robert Lynd 54 The Education of Taste. A review ofEnglish Literature during the Last Half-Century, by J. W. Cunliffe 60 Reflections on Contemporary Poetry [IV]. A review of Naked Warriors, by Herbert Read; The Charnel Rose, Senlin: A Biography, and Other Poems, by Conrad Aiken; and vingt-cinq poèmes, by Tristan Tzara 66 [v
Λ pLgn Mind. A «View of Tbc Cutting« Agau, by W. B. Yeats 7* pneration Ifit Existed. A review of Currentsand Pierce 77 “Rhetoric” and Poetic Drama 83 Was There a Scottish Literature ? A review of Scottish Literature: Character and Influence, by G. Gregory Smith 9z Christopher Marlowe 97 Tradition and the Individual Talent 1 о 5 Swinburne as Critic 115 Hamlet izz Murmuring of Innumerable Bees. An unsigned review of Coterie: Nк Illustrated Quarterly, շ IZ9 Humanist, Artist, and Scientist. A review oíLa Pensée italienne au XVIe siècle et le courant libertin and L’Ethique de Giordano Bruno et le deuxième dialogue du Spaccio, by J.-Roger Charbonnel 13z War-paint and Feathers. A review of The Path on the Rainbow: An Anthology ofSongs and Chantsfrom the Indians ofNorth America, ed. George W. Cronyn 137 The Method ofMr. Pound. A review of Quia Pauper Amavi, by Ezra Pound 141 Our Inaccessible Heritage. Ίο the Editor of The Athenaeum 147 Mr. Pound and His Poetry. Ίο the Editor oí The Athenaeum И9 Ben Jonson 150 The Preacher as Artist. A review ofDowwer Semions: Selected Passages, ed. Logan Pearsall Sm ith 165 The Duchess ofMalfi at the Lyric: and Poetic Drama 170 1 he Local Flavour 176 192.0 Swinburne as Poet 181 William Blake 187 The Phoenix Soeiety. To the Editor of The Μ, Eunptde, and profesor Murrav Μ^Ϊ„ ÎT °” Modern Tendencies in Poetry շ։ շ ֊i»
CONTENTS Dante 226 The Criticism of Poetry. To the Editor of the TLS 238 The Poetic Drama. A review of Cinnamon and Angelica: A Play, by John Middleton Murry 240 Philip Massinger 244 Artists and Men of Genius. To the Editor of The Athenaeum 260 The Perfect Critic 262 The Perfect Critic. To the Editor of The Athenaeum 273 A French Romantic. To the Editor of the TLS 275 The Possibility of a Poetic Drama 278 A Note on the American Critic 286 The French Intelligence 291 Introduction. The Sacred Wood: Essays on Poetry and Criticism 294 1921 Autobiographical Note. Harvard College Class of1910, Secretary’s Fourth Report 300 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 302 The Lesson of Baudelaire 306 Andrew Marvell 309 Prose and Verse 324 London Letter: March, 1921 333 London Letter: May, 1921 341 John Dryden 350 London Letter: July, 1921 362 London Letter: September, 1921 369 The Metaphysical Poets 375 The Metaphysical Poets. To the Editor of the TLS 386 Poets and Anthologies. To the Editor of the TLS 388 1922 The Three Provincialities 390 London Letter: April, 1922 394 Lettre dAngleterre (May 1922) 399 London Letter: June, 1922 406 London Letter: August, 1922 411 [vii
viii ] CONTENTS To the Editor of The Liverpool Daily Post and Mercury 416 Marie Lloyd 418 Lettre d’Angleterre: Le style dans laprose anglaise contemporaine (Dec 192г) 424 192-3 To the Editor of The Daily Mail 430 To the Literary Editor of The Chicago Daily News 432 Dramatis Personae 433 To the Literary Editor of The Globe and Commercial Advertiser 438 John Donne. A review ofLove Poems ofJohn Donne 440 Ben Jonson. To the Editor of The Nation and the Athenaeum 445 The Function of a Literary Review 446 Contemporary English Prose 448 Andrew Marvell. A review ofMiscellaneous Poems, by Andrew Marvell 455 The Function of Criticism 458 The Classics in France - and in England 469 The Beating of a Drum. A review of Studies in the Development of the Fool in the Elizabethan Drama, by Olive Mary Busby; and The Sacred Dance: A Study in Comparative Folklore, by W. О. E. О esterley 471 Ulysses, Order, and Myth. A review of Ulysses, by James Joyce 476 A Preface to Modern Literature: Being a Conspectus, Chiefly of English Poetry, Addressed to an Intelligent and Inquiring Foreigner 482 Lettre d’Angleterre (Nov 1923) 489 Marianne Moore. A review ofPoems and Marriage, by Marianne Moore 495 1924 To the Editor of The Transatlantic Review 500 Four Elizabethan Dramatists: A Preface to an Unwritten Book 503 A Prediction in Regard to Three English Authors: Writers Who, Though Masters of Thought, are Likewise Masters of Art 513 A Commentary (Apr 1924) 521 A Commentary (July 19x4) 529
CONTENTS An untitled review of The Growth ofCivilization and The Origin of Magic and Religion, by W. J. Perry 536 A Commentary (Oct 1914) 539 Preface to Homage to John Dryden: Three Essays on Poetry ofthe Seventeenth Century 546 A Neglected Aspect of Chapman 548 A Brief Introduction to the Method of Paul Valery 559 192-5 A Commentary (Jan 19x5) 567 On the Eve: A Dialogue [with Vivien Eliot] 572 A Commentary (Apr 1925) 576 The Ballet. A review of The Dance: An Historical Survey ofDancing in Europe, by Cecil J. Sharp and A. P. Oppé; axià Mudrūs: The Ritual Hand-Poses ofthe Buddha Priests and Shiva Priests, by Tyra De Kleen 581 Rencontre 585 Why Rural Verse. A review of Spring Thunder and Other Poems, by Mark Van Doren 589 Autobiographical Note. Harvard College Class of1910, Quindecennial Report 592 English Satire. An unsigned review ofEnglish Satire and Satirists, by Hugh Walker 593 An Italian Critic on Donne and Crashaw. An unsigned review of Secentismo e marinismo in Inghilterra: John Donne - Richard Crashaw, by Mario Praz 596 Shakespeare and Montaigne. An unsigned review of Shakspeare’s Debt to Montaigne, by George Coffin Taylor 600 Wanley and Chapman. An unsigned review oíEssays and Studies by Members ofthe English Association, vol. XI, collected by Oliver Elton 603 1926 The Clark Lectures. Lectures on the Metaphysical Poetry of the Seventeenth Century with Special Reference to Donne, Crashaw and Cowley 609 [Author s Preface] 609 Lecture I: Introduction 610 Lecture II: Donne and the Middle Ages 628 [ix
x] CONTENTS Lecture III: Donne and the Trecento 648 Lecture IV: The Conceit in Donne 669 Lecture V: Donne s Longer Poems 686 Lecture VI: Crashaw 705 Lecture VII: Cowley and the Transition 715 Lecture VIII; The Nineteenth Century 742 Textual Notes 759 The Idea of a Literary Review 762 A Popular Shakespeare. An unsigned review of The Works of Shakespeare, vols. I-III. Introductions by Charles Whibley 768 Introduction to Savonarola: A Dramatic Poem, by Charlotte Eliot 771 A Commentary (Apr 1926) 777 Mr. Robertson and Mr. Shaw. A review of Mr. Shaw and “The Maid,пЪу J. Μ. Robertson 781 An untitled review of All God’s Chillun Got Wings (with Desire under the Elms and Welded}, by Eugene O’Neill 783 A Commentary (June 1926) 785 English Verse Satire. An unsigned review ofA Book ofEnglish Verse Satire, ed. A. G. Barnes 790 The Influence of Ovid. An unsigned review of Ovid and his Influence, by Edward Kennard Rand 795 The Author of “The Burning Babe.” An unsigned review of The Book ofRobert Southwell, by Christobel Μ. Hood 797 Plague Pamphlets. An unsigned review of The Plague Pamphlets of Thomas Dekker, ed. E P. Wilson 801 Creative Criticism. An unsigned review of Creative Criticism: Essays on the Unity of Genius and Taste, by J. E. Spingarn 805 Chaucer s “Troilus.” An unsigned review of The Book ofTroilus and Criseyde, by Geoffrey Chaucer, ed. Robert Kilburn Root 807 American Prose. An unsigned review of The Outlookfor American Prose, by Joseph Warren Beach; and S. P. E. Tract No. XXIV, which includes Notes on Relative Clauses, by Otto Jespersen, and American Slang, by Fred Newton
Scott 812 Lancelot Andrewes 817 A Commentary (Oct 1926) 830 Mr. Read and Μ. Fernandez. A review of Reason and Romanticism: Essays in Literary Criticism, by Herbert Read; and Messages, by Ramon Fernandez 834
CONTENTS Note sur Mallarmé et Poe 843 Hooker, Hobbes, and Others. An unsigned review of The Social and Political Ideas ofSome Great Thinkers ofthe Sixteenth and Seventeenth Centuries, ed. F. J. C. Hearnshaw 848 Massinger. An unsigned review ofEtude sur la collaboration de Massinger avec Fletcher et son groupe, by Maurice Chelii; and Massinger’s A New Way to Pay Old Debts, ed. A. H. Cruickshank 85г More and Tudor Drama. An unsigned review oí Early Tudor Drama: Medwall, the Rąstelis, Heywood, and the More Circle, by A. W. Reed 856 Sir John Davies 860 Early Tudor Drama. To the Editor of the TĹS 868 Medieval Philosophy. An unsigned review aíHistory ofMediaeval Philosophy, by Maurice De Wulf 870 Mr. J. Μ. Robertson and Shakespeare. To the Editor of The Nation and the Athenaeum 8 74 Whitman and Tennyson. A review of Whitman: An Interpretation in Narrative, by Emory Holloway 876 Index 881 [xi |
| adam_txt |
CONTENTS The Perfect Critic, 1919-1926·. Introduction Editorial Procedures and Principles xliii Acknowledgments li List of Abbreviations lv List of Illustrations lix xiii 1919 Marivaux 1 The New Elizabethans and the Old. A review of The New Elizabethans: A First Selection ofthe Lives ofYoung Men Who Have Fallen in the Great War, by E. B. Osborn 10 The Post-Georgians. A review of Wheels: A Third Cycle, ed. Edith Sitwell 16 American Literature. A review ofA History ofAmerican Literature, vol. II, ed. William P. Trent et al. zi A Romantic Aristocrat 26 Kipling Redivivus. A review of The Years Between, by Rudyard Kipling 33 Kipling Redivivus. To the Editor of The Athenaeum 40 A Sceptical Patrician. A review of The Education ofHenry Adams: An Autobiography 41 Beyle and Balzac. A review ofA History ofthe French Novel, to the Close ofthe Nineteenth Century, vol. II, by George Saintsbury 48 Criticism in England. A review of Old and New Masters, by Robert Lynd 54 The Education of Taste. A review ofEnglish Literature during the Last Half-Century, by J. W. Cunliffe 60 Reflections on Contemporary Poetry [IV]. A review of Naked Warriors, by Herbert Read; The Charnel Rose, Senlin: A Biography, and Other Poems, by Conrad Aiken; and vingt-cinq poèmes, by Tristan Tzara 66 [v
Λ pLgn Mind. A «View of Tbc Cutting« Agau, by W. B. Yeats 7* pneration Ifit Existed. A review of Currentsand Pierce 77 “Rhetoric” and Poetic Drama 83 Was There a Scottish Literature ? A review of Scottish Literature: Character and Influence, by G. Gregory Smith 9z Christopher Marlowe 97 Tradition and the Individual Talent 1 о 5 Swinburne as Critic 115 Hamlet izz Murmuring of Innumerable Bees. An unsigned review of Coterie: Nк Illustrated Quarterly, շ IZ9 Humanist, Artist, and Scientist. A review oíLa Pensée italienne au XVIe siècle et le courant libertin and L’Ethique de Giordano Bruno et le deuxième dialogue du Spaccio, by J.-Roger Charbonnel 13z War-paint and Feathers. A review of The Path on the Rainbow: An Anthology ofSongs and Chantsfrom the Indians ofNorth America, ed. George W. Cronyn 137 The Method ofMr. Pound. A review of Quia Pauper Amavi, by Ezra Pound 141 Our Inaccessible Heritage. Ίο the Editor of The Athenaeum 147 Mr. Pound and His Poetry. Ίο the Editor oí The Athenaeum И9 Ben Jonson 150 The Preacher as Artist. A review ofDowwer Semions: Selected Passages, ed. Logan Pearsall Sm ith 165 The Duchess ofMalfi at the Lyric: and Poetic Drama 170 1 he Local Flavour 176 192.0 Swinburne as Poet 181 William Blake 187 The Phoenix Soeiety. To the Editor of The Μ, Eunptde, and profesor Murrav Μ^Ϊ„ ÎT °” Modern Tendencies in Poetry շ։ շ ֊i»
CONTENTS Dante 226 The Criticism of Poetry. To the Editor of the TLS 238 The Poetic Drama. A review of Cinnamon and Angelica: A Play, by John Middleton Murry 240 Philip Massinger 244 Artists and Men of Genius. To the Editor of The Athenaeum 260 The Perfect Critic 262 The Perfect Critic. To the Editor of The Athenaeum 273 A French Romantic. To the Editor of the TLS 275 The Possibility of a Poetic Drama 278 A Note on the American Critic 286 The French Intelligence 291 Introduction. The Sacred Wood: Essays on Poetry and Criticism 294 1921 Autobiographical Note. Harvard College Class of1910, Secretary’s Fourth Report 300 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 302 The Lesson of Baudelaire 306 Andrew Marvell 309 Prose and Verse 324 London Letter: March, 1921 333 London Letter: May, 1921 341 John Dryden 350 London Letter: July, 1921 362 London Letter: September, 1921 369 The Metaphysical Poets 375 The Metaphysical Poets. To the Editor of the TLS 386 Poets and Anthologies. To the Editor of the TLS 388 1922 The Three Provincialities 390 London Letter: April, 1922 394 Lettre dAngleterre (May 1922) 399 London Letter: June, 1922 406 London Letter: August, 1922 411 [vii
viii ] CONTENTS To the Editor of The Liverpool Daily Post and Mercury 416 Marie Lloyd 418 Lettre d’Angleterre: Le style dans laprose anglaise contemporaine (Dec 192г) 424 192-3 To the Editor of The Daily Mail 430 To the Literary Editor of The Chicago Daily News 432 Dramatis Personae 433 To the Literary Editor of The Globe and Commercial Advertiser 438 John Donne. A review ofLove Poems ofJohn Donne 440 Ben Jonson. To the Editor of The Nation and the Athenaeum 445 The Function of a Literary Review 446 Contemporary English Prose 448 Andrew Marvell. A review ofMiscellaneous Poems, by Andrew Marvell 455 The Function of Criticism 458 The Classics in France - and in England 469 The Beating of a Drum. A review of Studies in the Development of the Fool in the Elizabethan Drama, by Olive Mary Busby; and The Sacred Dance: A Study in Comparative Folklore, by W. О. E. О esterley 471 Ulysses, Order, and Myth. A review of Ulysses, by James Joyce 476 A Preface to Modern Literature: Being a Conspectus, Chiefly of English Poetry, Addressed to an Intelligent and Inquiring Foreigner 482 Lettre d’Angleterre (Nov 1923) 489 Marianne Moore. A review ofPoems and Marriage, by Marianne Moore 495 1924 To the Editor of The Transatlantic Review 500 Four Elizabethan Dramatists: A Preface to an Unwritten Book 503 A Prediction in Regard to Three English Authors: Writers Who, Though Masters of Thought, are Likewise Masters of Art 513 A Commentary (Apr 1924) 521 A Commentary (July 19x4) 529
CONTENTS An untitled review of The Growth ofCivilization and The Origin of Magic and Religion, by W. J. Perry 536 A Commentary (Oct 1914) 539 Preface to Homage to John Dryden: Three Essays on Poetry ofthe Seventeenth Century 546 A Neglected Aspect of Chapman 548 A Brief Introduction to the Method of Paul Valery 559 192-5 A Commentary (Jan 19x5) 567 On the Eve: A Dialogue [with Vivien Eliot] 572 A Commentary (Apr 1925) 576 The Ballet. A review of The Dance: An Historical Survey ofDancing in Europe, by Cecil J. Sharp and A. P. Oppé; axià Mudrūs: The Ritual Hand-Poses ofthe Buddha Priests and Shiva Priests, by Tyra De Kleen 581 Rencontre 585 Why Rural Verse. A review of Spring Thunder and Other Poems, by Mark Van Doren 589 Autobiographical Note. Harvard College Class of1910, Quindecennial Report 592 English Satire. An unsigned review ofEnglish Satire and Satirists, by Hugh Walker 593 An Italian Critic on Donne and Crashaw. An unsigned review of Secentismo e marinismo in Inghilterra: John Donne - Richard Crashaw, by Mario Praz 596 Shakespeare and Montaigne. An unsigned review of Shakspeare’s Debt to Montaigne, by George Coffin Taylor 600 Wanley and Chapman. An unsigned review oíEssays and Studies by Members ofthe English Association, vol. XI, collected by Oliver Elton 603 1926 The Clark Lectures. Lectures on the Metaphysical Poetry of the Seventeenth Century with Special Reference to Donne, Crashaw and Cowley 609 [Author s Preface] 609 Lecture I: Introduction 610 Lecture II: Donne and the Middle Ages 628 [ix
x] CONTENTS Lecture III: Donne and the Trecento 648 Lecture IV: The Conceit in Donne 669 Lecture V: Donne s Longer Poems 686 Lecture VI: Crashaw 705 Lecture VII: Cowley and the Transition 715 Lecture VIII; The Nineteenth Century 742 Textual Notes 759 The Idea of a Literary Review 762 A Popular Shakespeare. An unsigned review of The Works of Shakespeare, vols. I-III. Introductions by Charles Whibley 768 Introduction to Savonarola: A Dramatic Poem, by Charlotte Eliot 771 A Commentary (Apr 1926) 777 Mr. Robertson and Mr. Shaw. A review of Mr. Shaw and “The Maid,пЪу J. Μ. Robertson 781 An untitled review of All God’s Chillun Got Wings (with Desire under the Elms and Welded}, by Eugene O’Neill 783 A Commentary (June 1926) 785 English Verse Satire. An unsigned review ofA Book ofEnglish Verse Satire, ed. A. G. Barnes 790 The Influence of Ovid. An unsigned review of Ovid and his Influence, by Edward Kennard Rand 795 The Author of “The Burning Babe.” An unsigned review of The Book ofRobert Southwell, by Christobel Μ. Hood 797 Plague Pamphlets. An unsigned review of The Plague Pamphlets of Thomas Dekker, ed. E P. Wilson 801 Creative Criticism. An unsigned review of Creative Criticism: Essays on the Unity of Genius and Taste, by J. E. Spingarn 805 Chaucer s “Troilus.” An unsigned review of The Book ofTroilus and Criseyde, by Geoffrey Chaucer, ed. Robert Kilburn Root 807 American Prose. An unsigned review of The Outlookfor American Prose, by Joseph Warren Beach; and S. P. E. Tract No. XXIV, which includes Notes on Relative Clauses, by Otto Jespersen, and American Slang, by Fred Newton
Scott 812 Lancelot Andrewes 817 A Commentary (Oct 1926) 830 Mr. Read and Μ. Fernandez. A review of Reason and Romanticism: Essays in Literary Criticism, by Herbert Read; and Messages, by Ramon Fernandez 834
CONTENTS Note sur Mallarmé et Poe 843 Hooker, Hobbes, and Others. An unsigned review of The Social and Political Ideas ofSome Great Thinkers ofthe Sixteenth and Seventeenth Centuries, ed. F. J. C. Hearnshaw 848 Massinger. An unsigned review ofEtude sur la collaboration de Massinger avec Fletcher et son groupe, by Maurice Chelii; and Massinger’s A New Way to Pay Old Debts, ed. A. H. Cruickshank 85г More and Tudor Drama. An unsigned review oí Early Tudor Drama: Medwall, the Rąstelis, Heywood, and the More Circle, by A. W. Reed 856 Sir John Davies 860 Early Tudor Drama. To the Editor of the TĹS 868 Medieval Philosophy. An unsigned review aíHistory ofMediaeval Philosophy, by Maurice De Wulf 870 Mr. J. Μ. Robertson and Shakespeare. To the Editor of The Nation and the Athenaeum 8 74 Whitman and Tennyson. A review of Whitman: An Interpretation in Narrative, by Emory Holloway 876 Index 881 [xi |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Eliot, T. S. 1888-1965 |
| author2 | Cuda, Anthony Schuchard, Ronald |
| author2_role | edt edt |
| author2_variant | a c ac r s rs |
| author_GND | (DE-588)118529854 (DE-588)1239840268 (DE-588)1138122866 |
| author_facet | Eliot, T. S. 1888-1965 Cuda, Anthony Schuchard, Ronald |
| author_role | aut |
| author_sort | Eliot, T. S. 1888-1965 |
| author_variant | t s e ts tse |
| building | Verbundindex |
| bvnumber | BV047241087 |
| ctrlnum | (OCoLC)1268193250 (DE-599)BVBBV047241087 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cc4500</leader><controlfield tag="001">BV047241087</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221124</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210416s2021 ac|| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1268193250</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047241087</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-384</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Eliot, T. S.</subfield><subfield code="d">1888-1965</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)118529854</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Prosa</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The complete prose of T.S. Eliot</subfield><subfield code="b">the critical edition</subfield><subfield code="n">Volume 2</subfield><subfield code="p">The perfect critic, 1919-1926</subfield><subfield code="c">T.S. Eliot ; Ronald Schuchard, general editor</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Baltimore</subfield><subfield code="b">Johns Hopkins University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Faber and Faber</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">lx, 896 Seiten, 28 ungezählte Seiten Tafeln</subfield><subfield code="b">Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cuda, Anthony</subfield><subfield code="0">(DE-588)1239840268</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Schuchard, Ronald</subfield><subfield code="0">(DE-588)1138122866</subfield><subfield code="4">edt</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="w">(DE-604)BV047241079</subfield><subfield code="g">2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bamberg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032645355</subfield></datafield></record></collection> |
| id | DE-604.BV047241087 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:04:17Z |
| indexdate | 2024-07-20T08:57:45Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032645355 |
| oclc_num | 1268193250 |
| open_access_boolean | |
| owner | DE-20 DE-12 DE-11 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-384 |
| owner_facet | DE-20 DE-12 DE-11 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-384 |
| physical | lx, 896 Seiten, 28 ungezählte Seiten Tafeln Illustrationen, Porträts |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Johns Hopkins University Press Faber and Faber |
| record_format | marc |
| spelling | Eliot, T. S. 1888-1965 Verfasser (DE-588)118529854 aut Prosa The complete prose of T.S. Eliot the critical edition Volume 2 The perfect critic, 1919-1926 T.S. Eliot ; Ronald Schuchard, general editor Baltimore Johns Hopkins University Press 2021 London Faber and Faber 2021 lx, 896 Seiten, 28 ungezählte Seiten Tafeln Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier Cuda, Anthony (DE-588)1239840268 edt Schuchard, Ronald (DE-588)1138122866 edt (DE-604)BV047241079 2 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Eliot, T. S. 1888-1965 The complete prose of T.S. Eliot the critical edition |
| title | The complete prose of T.S. Eliot the critical edition |
| title_alt | Prosa |
| title_auth | The complete prose of T.S. Eliot the critical edition |
| title_exact_search | The complete prose of T.S. Eliot the critical edition |
| title_exact_search_txtP | The complete prose of T.S. Eliot the critical edition |
| title_full | The complete prose of T.S. Eliot the critical edition Volume 2 The perfect critic, 1919-1926 T.S. Eliot ; Ronald Schuchard, general editor |
| title_fullStr | The complete prose of T.S. Eliot the critical edition Volume 2 The perfect critic, 1919-1926 T.S. Eliot ; Ronald Schuchard, general editor |
| title_full_unstemmed | The complete prose of T.S. Eliot the critical edition Volume 2 The perfect critic, 1919-1926 T.S. Eliot ; Ronald Schuchard, general editor |
| title_short | The complete prose of T.S. Eliot |
| title_sort | the complete prose of t s eliot the critical edition the perfect critic 1919 1926 |
| title_sub | the critical edition |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032645355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV047241079 |
| work_keys_str_mv | AT eliotts prosa AT cudaanthony prosa AT schuchardronald prosa AT eliotts thecompleteproseoftseliotthecriticaleditionvolume2 AT cudaanthony thecompleteproseoftseliotthecriticaleditionvolume2 AT schuchardronald thecompleteproseoftseliotthecriticaleditionvolume2 |