Criticizing photographs: an introduction to understanding images
"Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Abingdon ; New York, NY
Routledge
2021
|
| Ausgabe: | Sixth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are its implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is clear and accessible for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live"-- |
| Beschreibung: | xv, 212 Seiten Illustrationen |
| ISBN: | 9780367563387 9781350097377 |
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Datensatz im Suchindex
| _version_ | 1804182375770357760 |
|---|---|
| adam_text | CRITICIZING
PHOTOGRAPHS
AN
INTRODUCTION
TO
UNDERSTANDING
IMAGES
SIXTH
EDITION
TERRY
BARRETT
I~
~?IO~!~:N~~UP
LONDON
AND
NEW
YORK
CONTENTS
1
LIST
IF
PHOTOGRAPHS
PHOTOGRAPH
CREDITS
PREFACE
ABOUT
ART
CRITICISM
CRITICS
ARE
WRITERS
1
DEFINITIONS
IF
CRITICISM
2
SOURCES
IF
CRITICISM
4
KINDS
OF
CRITICISM
5
THE
BACKGROUNDS
IF
CRITICS
6
STANCES
TOWARD
CRITICISM
7
RELATIONS
BETWEEN
CRITICS
AND
ARTISTS
9
STUDIO
CRITIQUES
AND
ART
CRITICISM
10
CRITICIZING
CRITICISM
11
THE
VALUE
IF
CRITICISM
12
2
THEORIZING
PHOTOGRAPHS: WHAT ARE THEY? ARE
THEY
TRUE?
ARE
THEY
ETHICAL? ARE THEY
ART?
PHOTOGRAPHY
THEORY
AND
PRACTICE
15
PREMODERNISM,
MODERNISM,
POSTMODERNISM,
AND
SOCIETY
16
MODERNIST
CONCEPTIONS
IF
PHOTOGRAPHY
17
POSTMODERNIST
CONCEPTIONS
IF
PHOTOGRAPHY
18
ONTOLOGICAL
CONCERNS:
WHAT
IS
A
PHOTOGRAPH?
20
EPISTEMOLOGICAL
CONCERNS:
ARE
PHOTOGRAPHS
TRUE?
22
REALIST AND CONVENTIONALIST THEORIES
OF
KNOWLEDGE AND PHOTOGRAPHY 22
PHOTOGRAPHS, TRUTH, AND CREDIBILITY 23
ANALOG AND DIGITAL MANIPULATIONS
OF
PHOTOGRAPHS 24
PHOTOGRAPHY, CENSORSHIP, AND CONTROL 26
ETHICAL
CONCERNS:
ARE
PHOTOGRAPHS
MORAL?
27
MARXIST THEORY AND ETHICAL PHOTOGRAPHY
29
FEMINIST THEORY AND ETHICAL PHOTOGRAPHY
31
KEY IDEAS PROPEL FEMINIST THINKING AND PERFORMANCE 32
MULTICULTURAL THEORY AND ETHICAL PHOTOGRAPHY 33
IX
XI
XIV
1
14
V1
CONTENTS
QUEER
THEORY
AND ETHICAL PHOTOGRAPHY 36
POSTCOLONIAL
THEORY
AND ETHICAL PHOTOGRAPHY 38
AESTHETIC
CONCERNS:
IS
PHOTOGRAPHY
ART?
40
PHOTOGRAPHY, SCIENCE, AND ART 42
PICTORIALISM AND PURISM 43
CONCLUSION
44
3
DESCRIBING
PHOTOGRAPHS: WHAT DO I SEE?
DEFINING
DESCRIPTION
46
A
REVIEW
EF
RICHARD
AVEDON S IN
THE
AMERICAN
FFIST 47
DESCRIBING
SUBJECT
MATTER
50
DESCRIBINGFORM
55
DESCRIBING
MEDIUM 57
DESCRIBING
STYLE
60
COMPARING
AND
CONTRASTING
60
PROVIDING
INTERNAL
AND
EXTERNAL
SOURCES
EF
INFORMATION
61
DESCRIBING,
INTERPRETING,
AND
JUDGING
62
THE
IMPORTANCE
IF
DESCRIBING
63
PRINCIPLES
FOR
DESCRIBING
PHOTOGRAPHS
64
4 INTERPRETING PHOTOGRAPHS: WHAT
DOES
IT MEAN?
TWO
EXEMPLARY
INTERPRETATIONS
65
ABOUT
INTERPRETATION
68
TO
INTERPRET
69
THE
OBJECTS
EF
INTERPRETATIONS
72
INTERPRETIVE
CLAIMS
AND
ARGUMENTS
7
3
INTERPRETIVE
PERSPECTIVES
7
4
THREE INTERPRETATIONS
OF
ELEANOR
75
MORE
INTERPRETIVE STRATEGIES 76
COMBINATIONS
OF
INTERPRETIVE APPROACHES 79
RIGHT
INTERPRETATIONS
80
INTERPRETATIONS
AND
THE
ARTIST S
INTENT
81
INTERPRETATIONS
AND
FEELINGS
82
THE
COMMUNITY
EF
INTERPRETERS
83
5 TYPES
OF
PHOTOGRAPHS
CATEGORIES
EF
PHOTOGRAPHS
84
NEWER
CATEGORIES
THAT
REQUIRE
JUSTIFICATIONS
8 6
DESCRIPTIVE
EXPLANATORY
PHOTOGRAPHS
86
INTERPRETIVE
PHOTOIRAPHS
93
ETHICALLY
EVALUATIVE
PHOTOIRAPHS
98
AESTHETICALLY
EVALUATIVE
PHOTOGRAPHS
103
THEORETICAL
PHOTOGRAPHS
107
THE
CATEGORIES
ARE
OVERLAPPING
112
45
65
84
6
PHOTOGRAPHS AND CONTEXTS
INTERNAL
CONTEXT
113
ORIGINAL
CONTEXT
114
EXTERNAL
CONTEXT
115
EXTERNAL
CONTEXTS
AND
CONNOTATIONS
117
INTERPRETATION
EF
BARBARA
KRUGER S
UNTITLED
( SURVEILLANCE )
WITH
CONTEXTUAL
INFORMATION
118
SURVEILLANCE AND INTERNAL CONTEXT 119
SURVEILLANCE AND ORIGINAL CONTEXT 119
SURVEILLANCE AND EXTERNAL CONTEXT 122
BARBARA
KRUGER S
UNTITLED
( SURVEILLANCE )
AND
THE
CATEGORIES
125
DESCRIPTIVE EXPLANATORY PHOTOGRAPHS 125
INTERPRETIVE PHOTOGRAPHS 125
ETHICALLY EVALUATIVE PHOTOGRAPHS 126
AESTHETICALLY EVALUATIVE PHOTOGRAPHS 126
THEORETICAL PHOTOGRAPHS 127
T11E
INTERPRETIVE
PROCESS:
A
SUMMARY
127
PRINCIPLES
FOR
INTERPRETING
PHOTOGRAPHS
12
8
7
JUDGING
PHOTOGRAPHS: IS IT GOOD?
EXAMPLES
EF
JUDGMENTS
131
POSITIVE JUDGMENTS 131
NEGATIVE JUDGMENTS
131
OPPOSINGJUDGMENTS
132
]UDGMENTS,
REASONS,
AND
CRITERIA
132
DIFFERENT
CRITERIA
13 3
REALISM 134
EXPRESSIONISM 134
FORMALISM 135
OTHER
CRITERIA 135
CHOOSING
AMONG
CRITERIA
13
6
DIFFERING
JUDGMENTS
13
7
JUDGMENTS
ARE
ARGUMENTS
13
7
REAPPRAISALS
13
8
JUDGMENTS
AND
PREFERENCES
138
INTENTIONALISM
AND
JUDGMENTS
13
9
JUDGMENTS
EF
ROBERT
MAPPLETHORPE S
PHOTOGRAPHS
13
9
CONCLUSION
144
PRINCIPLES
FOR JUDGING
PHOTOGRAPHS
144
8 WRITING AND TALKING ABOUT PHOTOGRAPHS
WRITING
ABOUT
PHOTOGRAPHS
146
OBSERVING AND TAKING NOTES 146
QUICK-WRITES AND CAREFUL-WRITES 147
CONTENTS
VU
113
130
146
VM
CONTENTS
STUDENTS INTERPRETIVE WRITINGS 149
JUDGING PHOTOGRAPHS 151
WRITING
CRITERIA STATEMENTS 152
THREE STUDENT
ESSAYS
ABOUT
IMMEDIATE
FAMILY
BY SALLY
MANN
153
WRITING
AN
ARTIST S
STATEMENT
157
PROCESSES
OF
WRITING
159
TALKING
ABOUT
PHOTOGRAPHS
162
STUDIO
CRITIQUES
164
KINDS
OF
CRITIQUES 166
INTENTIONALIST
CRITIQUES
166
DESCRIPTIVE
CRITIQUES
167
INTERPRETIVE
CRITIQUES
168
]UDGMENTAL
CRITIQUES
169
THEORETICAL
CRITIQUES
17 0
SUGGESTIONS FOR CONTRIBUTING
TO
SUCCESSFUL CRITIQUES 171
PRINCIPLES FOR EFFECTIVE CRITIQUES 173
NOTES
175
BIBLIOGRAPHY
188
INDEX
202
|
| adam_txt |
CRITICIZING
PHOTOGRAPHS
AN
INTRODUCTION
TO
UNDERSTANDING
IMAGES
SIXTH
EDITION
TERRY
BARRETT
I~
~?IO~!~:N~~UP
LONDON
AND
NEW
YORK
CONTENTS
1
LIST
IF
PHOTOGRAPHS
PHOTOGRAPH
CREDITS
PREFACE
ABOUT
ART
CRITICISM
CRITICS
ARE
WRITERS
1
DEFINITIONS
IF
CRITICISM
2
SOURCES
IF
CRITICISM
4
KINDS
OF
CRITICISM
5
THE
BACKGROUNDS
IF
CRITICS
6
STANCES
TOWARD
CRITICISM
7
RELATIONS
BETWEEN
CRITICS
AND
ARTISTS
9
STUDIO
CRITIQUES
AND
ART
CRITICISM
10
CRITICIZING
CRITICISM
11
THE
VALUE
IF
CRITICISM
12
2
THEORIZING
PHOTOGRAPHS: WHAT ARE THEY? ARE
THEY
TRUE?
ARE
THEY
ETHICAL? ARE THEY
ART?
PHOTOGRAPHY
THEORY
AND
PRACTICE
15
PREMODERNISM,
MODERNISM,
POSTMODERNISM,
AND
SOCIETY
16
MODERNIST
CONCEPTIONS
IF
PHOTOGRAPHY
17
POSTMODERNIST
CONCEPTIONS
IF
PHOTOGRAPHY
18
ONTOLOGICAL
CONCERNS:
WHAT
IS
A
PHOTOGRAPH?
20
EPISTEMOLOGICAL
CONCERNS:
ARE
PHOTOGRAPHS
TRUE?
22
REALIST AND CONVENTIONALIST THEORIES
OF
KNOWLEDGE AND PHOTOGRAPHY 22
PHOTOGRAPHS, TRUTH, AND CREDIBILITY 23
ANALOG AND DIGITAL MANIPULATIONS
OF
PHOTOGRAPHS 24
PHOTOGRAPHY, CENSORSHIP, AND CONTROL 26
ETHICAL
CONCERNS:
ARE
PHOTOGRAPHS
MORAL?
27
MARXIST THEORY AND ETHICAL PHOTOGRAPHY
29
FEMINIST THEORY AND ETHICAL PHOTOGRAPHY
31
KEY IDEAS PROPEL FEMINIST THINKING AND PERFORMANCE 32
MULTICULTURAL THEORY AND ETHICAL PHOTOGRAPHY 33
IX
XI
XIV
1
14
V1
CONTENTS
QUEER
THEORY
AND ETHICAL PHOTOGRAPHY 36
POSTCOLONIAL
THEORY
AND ETHICAL PHOTOGRAPHY 38
AESTHETIC
CONCERNS:
IS
PHOTOGRAPHY
ART?
40
PHOTOGRAPHY, SCIENCE, AND ART 42
PICTORIALISM AND PURISM 43
CONCLUSION
44
3
DESCRIBING
PHOTOGRAPHS: WHAT DO I SEE?
DEFINING
DESCRIPTION
46
A
REVIEW
EF
RICHARD
AVEDON'S "IN
THE
AMERICAN
FFIST" 47
DESCRIBING
SUBJECT
MATTER
50
DESCRIBINGFORM
55
DESCRIBING
MEDIUM 57
DESCRIBING
STYLE
60
COMPARING
AND
CONTRASTING
60
PROVIDING
INTERNAL
AND
EXTERNAL
SOURCES
EF
INFORMATION
61
DESCRIBING,
INTERPRETING,
AND
JUDGING
62
THE
IMPORTANCE
IF
DESCRIBING
63
PRINCIPLES
FOR
DESCRIBING
PHOTOGRAPHS
64
4 INTERPRETING PHOTOGRAPHS: WHAT
DOES
IT MEAN?
TWO
EXEMPLARY
INTERPRETATIONS
65
ABOUT
INTERPRETATION
68
TO
INTERPRET
69
THE
OBJECTS
EF
INTERPRETATIONS
72
INTERPRETIVE
CLAIMS
AND
ARGUMENTS
7
3
INTERPRETIVE
PERSPECTIVES
7
4
THREE INTERPRETATIONS
OF
ELEANOR
75
MORE
INTERPRETIVE STRATEGIES 76
COMBINATIONS
OF
INTERPRETIVE APPROACHES 79
"RIGHT"
INTERPRETATIONS
80
INTERPRETATIONS
AND
THE
ARTIST'S
INTENT
81
INTERPRETATIONS
AND
FEELINGS
82
THE
COMMUNITY
EF
INTERPRETERS
83
5 TYPES
OF
PHOTOGRAPHS
CATEGORIES
EF
PHOTOGRAPHS
84
NEWER
CATEGORIES
THAT
REQUIRE
JUSTIFICATIONS
8 6
DESCRIPTIVE
EXPLANATORY
PHOTOGRAPHS
86
INTERPRETIVE
PHOTOIRAPHS
93
ETHICALLY
EVALUATIVE
PHOTOIRAPHS
98
AESTHETICALLY
EVALUATIVE
PHOTOGRAPHS
103
THEORETICAL
PHOTOGRAPHS
107
THE
CATEGORIES
ARE
OVERLAPPING
112
45
65
84
6
PHOTOGRAPHS AND CONTEXTS
INTERNAL
CONTEXT
113
ORIGINAL
CONTEXT
114
EXTERNAL
CONTEXT
115
EXTERNAL
CONTEXTS
AND
CONNOTATIONS
117
INTERPRETATION
EF
BARBARA
KRUGER'S
UNTITLED
("SURVEILLANCE")
WITH
CONTEXTUAL
INFORMATION
118
"SURVEILLANCE" AND INTERNAL CONTEXT 119
"SURVEILLANCE" AND ORIGINAL CONTEXT 119
"SURVEILLANCE" AND EXTERNAL CONTEXT 122
BARBARA
KRUGER'S
UNTITLED
("SURVEILLANCE")
AND
THE
CATEGORIES
125
DESCRIPTIVE EXPLANATORY PHOTOGRAPHS 125
INTERPRETIVE PHOTOGRAPHS 125
ETHICALLY EVALUATIVE PHOTOGRAPHS 126
AESTHETICALLY EVALUATIVE PHOTOGRAPHS 126
THEORETICAL PHOTOGRAPHS 127
T11E
INTERPRETIVE
PROCESS:
A
SUMMARY
127
PRINCIPLES
FOR
INTERPRETING
PHOTOGRAPHS
12
8
7
JUDGING
PHOTOGRAPHS: IS IT GOOD?
EXAMPLES
EF
JUDGMENTS
131
POSITIVE JUDGMENTS 131
NEGATIVE JUDGMENTS
131
OPPOSINGJUDGMENTS
132
]UDGMENTS,
REASONS,
AND
CRITERIA
132
DIFFERENT
CRITERIA
13 3
REALISM 134
EXPRESSIONISM 134
FORMALISM 135
OTHER
CRITERIA 135
CHOOSING
AMONG
CRITERIA
13
6
DIFFERING
JUDGMENTS
13
7
JUDGMENTS
ARE
ARGUMENTS
13
7
REAPPRAISALS
13
8
JUDGMENTS
AND
PREFERENCES
138
INTENTIONALISM
AND
JUDGMENTS
13
9
JUDGMENTS
EF
ROBERT
MAPPLETHORPE'S
PHOTOGRAPHS
13
9
CONCLUSION
144
PRINCIPLES
FOR JUDGING
PHOTOGRAPHS
144
8 WRITING AND TALKING ABOUT PHOTOGRAPHS
WRITING
ABOUT
PHOTOGRAPHS
146
OBSERVING AND TAKING NOTES 146
QUICK-WRITES AND CAREFUL-WRITES 147
CONTENTS
VU
113
130
146
VM
CONTENTS
STUDENTS' INTERPRETIVE WRITINGS 149
JUDGING PHOTOGRAPHS 151
WRITING
CRITERIA STATEMENTS 152
THREE STUDENT
ESSAYS
ABOUT
IMMEDIATE
FAMILY
BY SALLY
MANN
153
WRITING
AN
ARTIST'S
STATEMENT
157
PROCESSES
OF
WRITING
159
TALKING
ABOUT
PHOTOGRAPHS
162
STUDIO
CRITIQUES
164
KINDS
OF
CRITIQUES 166
INTENTIONALIST
CRITIQUES
166
DESCRIPTIVE
CRITIQUES
167
INTERPRETIVE
CRITIQUES
168
]UDGMENTAL
CRITIQUES
169
THEORETICAL
CRITIQUES
17 0
SUGGESTIONS FOR CONTRIBUTING
TO
SUCCESSFUL CRITIQUES 171
PRINCIPLES FOR EFFECTIVE CRITIQUES 173
NOTES
175
BIBLIOGRAPHY
188
INDEX
202 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Barrett, Terry 1945- |
| author_GND | (DE-588)1015084826 |
| author_facet | Barrett, Terry 1945- |
| author_role | aut |
| author_sort | Barrett, Terry 1945- |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | BV047239442 |
| ctrlnum | (OCoLC)1252702198 (DE-599)BVBBV047239442 |
| edition | Sixth edition |
| format | Book |
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| id | DE-604.BV047239442 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:03:44Z |
| indexdate | 2024-07-10T09:06:33Z |
| institution | BVB |
| isbn | 9780367563387 9781350097377 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032643748 |
| oclc_num | 1252702198 |
| open_access_boolean | |
| owner | DE-Y3 |
| owner_facet | DE-Y3 |
| physical | xv, 212 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge |
| record_format | marc |
| spelling | Barrett, Terry 1945- Verfasser (DE-588)1015084826 aut Criticizing photographs an introduction to understanding images Terry Barrett Sixth edition Abingdon ; New York, NY Routledge 2021 xv, 212 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are its implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is clear and accessible for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live"-- Auslegung (DE-588)4069008-8 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Photography, Artistic Photographic criticism Fotografie (DE-588)4045895-7 s Auslegung (DE-588)4069008-8 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-08512-6 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032643748&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Barrett, Terry 1945- Criticizing photographs an introduction to understanding images Auslegung (DE-588)4069008-8 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4069008-8 (DE-588)4045895-7 |
| title | Criticizing photographs an introduction to understanding images |
| title_auth | Criticizing photographs an introduction to understanding images |
| title_exact_search | Criticizing photographs an introduction to understanding images |
| title_exact_search_txtP | Criticizing photographs an introduction to understanding images |
| title_full | Criticizing photographs an introduction to understanding images Terry Barrett |
| title_fullStr | Criticizing photographs an introduction to understanding images Terry Barrett |
| title_full_unstemmed | Criticizing photographs an introduction to understanding images Terry Barrett |
| title_short | Criticizing photographs |
| title_sort | criticizing photographs an introduction to understanding images |
| title_sub | an introduction to understanding images |
| topic | Auslegung (DE-588)4069008-8 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Auslegung Fotografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032643748&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT barrettterry criticizingphotographsanintroductiontounderstandingimages |