Shakespeare and lost plays: reimagining drama in early modern England
"Shakespeare and Lost Plays returns Shakespeare's dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare's original audiences, but lost to us. David McInnis reassesses the value of lost plays in relation...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Shakespeare and Lost Plays returns Shakespeare's dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare's original audiences, but lost to us. David McInnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama. This innovative study revisits key moments in Shakespeare's career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama"-- |
| Beschreibung: | xiii, 223 Seiten Illustrationen 24cm |
| ISBN: | 9781108843263 9781108824156 |
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| 520 | 3 | |a "Shakespeare and Lost Plays returns Shakespeare's dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare's original audiences, but lost to us. David McInnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama. This innovative study revisits key moments in Shakespeare's career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures and Tables AcknowL·dgements A Note on Conventions for the Titles of Lost Plays Introduction i Why Do Plays Become Lost? A Case Study: ‘Love’s Labour’s Won’ Where to from Here? Lost Plays and Rubin’s Vase 1 2 xi 14 20 Charting the Landscape of Loss 27 Lost Plays and Shakespeare’s Company The Value of Lost Plays The Composition of a Company’s Repertory: The Admiral’s Men 2 Early Shakespeare: 1594-1598 59 70 Shakespeare at the Turn of the Century: 1599— 1603 Love and War: ‘Owen Tudor’ and Henry V Denmark without Shakespeare Hamlet and ‘felmelanco’ 4 Courting Controversy — Shakespeare and the King’s Men: 1604-1608 ‘[T]he tragedie of Gowrie’ ‘A Tragidye of The Spanishe Maz:’ The Blackfriars: 1608 5 29 36 41 58 ‘Beginning at Newington’: 1594 Moving to the Curtain: 1597-1598 3 page ix x xiii 89 91 95 104 118 120 129 137 Late Shakespeare: 1609-1613 150 Recycling Romance Shakespeare and the King’s Men at Court: 1612-1613 What Was ‘Cardenio’? ‘Catdenio’at Court: 1612-1613 vii 153 160 166 175
Contents viii 6 Loose Canons: The Lost Shakespeare Apocrypha ‘Henry ľ and ‘Henry II’ ‘Duke Humphrey’, with a Note on ‘King Stephen and ‘Iphis and Ianthe’ ‘Eurialus and Lucretia’ 185 187 191 197 Conclusion 205 Index 208
Shakespeare and Lost Plays returns Shakespeare’s dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare’s original audiences, but lost to us. David Mclnnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama.This innovative study revisits key moments in Shakespeare’s career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama.
|
| adam_txt |
Contents List of Figures and Tables AcknowL·dgements A Note on Conventions for the Titles of Lost Plays Introduction i Why Do Plays Become Lost? A Case Study: ‘Love’s Labour’s Won’ Where to from Here? Lost Plays and Rubin’s Vase 1 2 xi 14 20 Charting the Landscape of Loss 27 Lost Plays and Shakespeare’s Company The Value of Lost Plays The Composition of a Company’s Repertory: The Admiral’s Men 2 Early Shakespeare: 1594-1598 59 70 Shakespeare at the Turn of the Century: 1599— 1603 Love and War: ‘Owen Tudor’ and Henry V Denmark without Shakespeare Hamlet and ‘felmelanco’ 4 Courting Controversy — Shakespeare and the King’s Men: 1604-1608 ‘[T]he tragedie of Gowrie’ ‘A Tragidye of The Spanishe Maz:’ The Blackfriars: 1608 5 29 36 41 58 ‘Beginning at Newington’: 1594 Moving to the Curtain: 1597-1598 3 page ix x xiii 89 91 95 104 118 120 129 137 Late Shakespeare: 1609-1613 150 Recycling Romance Shakespeare and the King’s Men at Court: 1612-1613 What Was ‘Cardenio’? ‘Catdenio’at Court: 1612-1613 vii 153 160 166 175
Contents viii 6 Loose Canons: The Lost Shakespeare Apocrypha ‘Henry ľ and ‘Henry II’ ‘Duke Humphrey’, with a Note on ‘King Stephen' and ‘Iphis and Ianthe’ ‘Eurialus and Lucretia’ 185 187 191 197 Conclusion 205 Index 208
Shakespeare and Lost Plays returns Shakespeare’s dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare’s original audiences, but lost to us. David Mclnnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama.This innovative study revisits key moments in Shakespeare’s career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama. |
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| spelling | McInnis, David 1981- Verfasser (DE-588)1033078158 aut Shakespeare and lost plays reimagining drama in early modern England David McInnis, University of Melbourne Cambridge, United Kingdom Cambridge University Press 2021 xiii, 223 Seiten Illustrationen 24cm txt rdacontent n rdamedia nc rdacarrier "Shakespeare and Lost Plays returns Shakespeare's dramatic work to its most immediate and (arguably) pivotal context; by situating it alongside the hundreds of plays known to Shakespeare's original audiences, but lost to us. David McInnis reassesses the value of lost plays in relation to both the companies that originally performed them, and to contemporary scholars of early modern drama. This innovative study revisits key moments in Shakespeare's career and the development of his company and, by prioritising the immense volume of information we now possess about lost plays, provides a richer, more accurate picture of dramatic activity than has hitherto been possible. By considering a variety of ways to grapple with the problem of lost, imperceptible, or ignored texts, this volume presents a methodology for working with lacunae in archival evidence and the distorting effect of Shakespeare-centric narratives, thus reinterpreting our perception of the field of early modern drama"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Shakespeare, William / 1564-1616 / Contemporaries Lost literature / England Shakespeare, William / 1564-1616 Contemporaries English drama English drama / Early modern and Elizabethan Lost literature England 1500-1699 Criticism, interpretation, etc Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s DE-604 Erscheint auch als Onlline-Ausgabe, epub 978-1-108-91525-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032642184&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032642184&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | McInnis, David 1981- Shakespeare and lost plays reimagining drama in early modern England Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd |
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| title | Shakespeare and lost plays reimagining drama in early modern England |
| title_auth | Shakespeare and lost plays reimagining drama in early modern England |
| title_exact_search | Shakespeare and lost plays reimagining drama in early modern England |
| title_exact_search_txtP | Shakespeare and lost plays reimagining drama in early modern England |
| title_full | Shakespeare and lost plays reimagining drama in early modern England David McInnis, University of Melbourne |
| title_fullStr | Shakespeare and lost plays reimagining drama in early modern England David McInnis, University of Melbourne |
| title_full_unstemmed | Shakespeare and lost plays reimagining drama in early modern England David McInnis, University of Melbourne |
| title_short | Shakespeare and lost plays |
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