Inceptions: literary beginnings and contingencies of form
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Fordham University Press
2021
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Ausgabe: | First edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | vi, 292 Seiten |
ISBN: | 9780823294633 |
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Datensatz im Suchindex
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adam_text | Contents Exordium і PART I. POTENTIALITY AND GESTURE 1 Revision, Origin, and the Courage of Truth: Henry James’s New York Edition Prefaces 23 2 “First Love”: Gesture and the Emergence of Desire in Eudora Welty 50 PART II. NOVELS AND THE BEGINNINGS OF CHARACTER 3 Robinson Crusoe and the Inception of Speech 73 4 The Clock Finger at Nought: Daniel Deronda and the Positing of Perspective 91 5 Proto-Reading and the Positing of Character in Our Mutual Friend 103 PART III. OUR STONY ANCESTRY 6 Ovid and Orpheus 127 7 Wallace Stevens and the Temporalities of Inception and Embodiment 148
CONTENTS V! PART IV. SOLITUDE AND QUEER ORIGINS 8 “Epitaph, the Idiom of Man”: Imaginings of the Beginning 9 Etiology, Solitude, and Queer Incipience ACKNOWLEDGMENTS NOTES 227 INDEX 283 223 199 177
The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity ofany textual beginning, which must bear witness to the self-grounding quality ofthe literary work—its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but also human thought with a self-division shaped by asynchronicity. From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing ofthe ex nihilo emergence ofcharacter, from Wallace Stevens’s abstract consideration ofpoetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: In the beginning, all could have been otherwise. Fbr Kevin Ohi, the act of inception, and the potential it embodies, enables its to see making and unmaking coincide within the mechanism ofcreation. In this sense, Inceptions traces an ethics ofreading, the possibility ofperceiving, in the ostensibly finished forms oflives and texts, the potentiality inherent in their having started forth.
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adam_txt |
Contents Exordium і PART I. POTENTIALITY AND GESTURE 1 Revision, Origin, and the Courage of Truth: Henry James’s New York Edition Prefaces 23 2 “First Love”: Gesture and the Emergence of Desire in Eudora Welty 50 PART II. NOVELS AND THE BEGINNINGS OF CHARACTER 3 Robinson Crusoe and the Inception of Speech 73 4 The Clock Finger at Nought: Daniel Deronda and the Positing of Perspective 91 5 Proto-Reading and the Positing of Character in Our Mutual Friend 103 PART III. OUR STONY ANCESTRY 6 Ovid and Orpheus 127 7 Wallace Stevens and the Temporalities of Inception and Embodiment 148
CONTENTS V! PART IV. SOLITUDE AND QUEER ORIGINS 8 “Epitaph, the Idiom of Man”: Imaginings of the Beginning 9 Etiology, Solitude, and Queer Incipience ACKNOWLEDGMENTS NOTES 227 INDEX 283 223 199 177
The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity ofany textual beginning, which must bear witness to the self-grounding quality ofthe literary work—its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but also human thought with a self-division shaped by asynchronicity. From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing ofthe ex nihilo emergence ofcharacter, from Wallace Stevens’s abstract consideration ofpoetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: In the beginning, all could have been otherwise. Fbr Kevin Ohi, the act of inception, and the potential it embodies, enables its to see making and unmaking coincide within the mechanism ofcreation. In this sense, Inceptions traces an ethics ofreading, the possibility ofperceiving, in the ostensibly finished forms oflives and texts, the potentiality inherent in their having started forth. |
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spelling | Ohi, Kevin 1972- Verfasser (DE-588)1012196259 aut Inceptions literary beginnings and contingencies of form Kevin Ohi First edition New York Fordham University Press 2021 vi, 292 Seiten txt rdacontent n rdamedia nc rdacarrier Literarischer Text (DE-588)4167851-5 gnd rswk-swf Anfang (DE-588)4001988-3 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Literarischer Text (DE-588)4167851-5 s Anfang (DE-588)4001988-3 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032642137&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032642137&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Ohi, Kevin 1972- Inceptions literary beginnings and contingencies of form Literarischer Text (DE-588)4167851-5 gnd Anfang (DE-588)4001988-3 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4167851-5 (DE-588)4001988-3 (DE-588)4014777-0 |
title | Inceptions literary beginnings and contingencies of form |
title_auth | Inceptions literary beginnings and contingencies of form |
title_exact_search | Inceptions literary beginnings and contingencies of form |
title_exact_search_txtP | Inceptions literary beginnings and contingencies of form |
title_full | Inceptions literary beginnings and contingencies of form Kevin Ohi |
title_fullStr | Inceptions literary beginnings and contingencies of form Kevin Ohi |
title_full_unstemmed | Inceptions literary beginnings and contingencies of form Kevin Ohi |
title_short | Inceptions |
title_sort | inceptions literary beginnings and contingencies of form |
title_sub | literary beginnings and contingencies of form |
topic | Literarischer Text (DE-588)4167851-5 gnd Anfang (DE-588)4001988-3 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Literarischer Text Anfang Englisch |
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