Shakespeare, theology, and the unstaged God:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge studies in theology, imagination and the arts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 187 Seiten 24 cm |
| ISBN: | 9780367784836 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments Foreword Introduction: on God’s hidden presence viii xi 1 PARTI Theology and history 21 1 Divine courtesy 23 2 The unexceptional king 46 PART П Theology and tragedy 67 3 The hidden double 69 4 Human gods 88 PART Ш Theology and comedy 109 5 Unauthorized grace 111 6 Comic repentance 137 Conclusion: Shakespeare’s theatrical Good Friday 159 Index 183
Shakespeare, Theology, and the Unstaged God While many scholars in Shakespeare and Religious Studies assume a secularist viewpoint in their interpretation of Shakespeare’s works, there are others that allow for a theologically coherent reading. Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and rich theological atmosphere, individually, by genre, and as a body of work. The book begins by acknowledging that a plot-controlling God figure, or even a consistent theological dogma, is absent in the plays of Shakespeare. However, it argues that this absence is not necessarily a sign of secularization, but functions in a theologically generative manner. It goes on to suggest that the plays reveal a consistent, if variant, attention to the theological possibility of a divine “presence” mediated through hinnan wit, both in gracious and malicious forms. Without any prejudice for divine intervention, the plots actually gesture on many turns toward a hidden supernatural “actor,” or God. Making bold claims about the artistic and theological scope of Shakespeare’s work, this book will be of interest to scholars of theology and the arts, Shakespeare, and literature more generally.
|
| adam_txt |
Contents Acknowledgments Foreword Introduction: on God’s hidden presence viii xi 1 PARTI Theology and history 21 1 Divine courtesy 23 2 The unexceptional king 46 PART П Theology and tragedy 67 3 The hidden double 69 4 Human gods 88 PART Ш Theology and comedy 109 5 Unauthorized grace 111 6 Comic repentance 137 Conclusion: Shakespeare’s theatrical Good Friday 159 Index 183
Shakespeare, Theology, and the Unstaged God While many scholars in Shakespeare and Religious Studies assume a secularist viewpoint in their interpretation of Shakespeare’s works, there are others that allow for a theologically coherent reading. Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and rich theological atmosphere, individually, by genre, and as a body of work. The book begins by acknowledging that a plot-controlling God figure, or even a consistent theological dogma, is absent in the plays of Shakespeare. However, it argues that this absence is not necessarily a sign of secularization, but functions in a theologically generative manner. It goes on to suggest that the plays reveal a consistent, if variant, attention to the theological possibility of a divine “presence” mediated through hinnan wit, both in gracious and malicious forms. Without any prejudice for divine intervention, the plots actually gesture on many turns toward a hidden supernatural “actor,” or God. Making bold claims about the artistic and theological scope of Shakespeare’s work, this book will be of interest to scholars of theology and the arts, Shakespeare, and literature more generally. |
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| author | Baker, Anthony D. 1975- |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | First issued in paperback |
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| indexdate | 2024-07-10T09:06:30Z |
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| isbn | 9780367784836 |
| language | English |
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| publishDate | 2021 |
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| spelling | Baker, Anthony D. 1975- Verfasser (DE-588)1046352466 aut Shakespeare, theology, and the unstaged God Anthony D. Baker First issued in paperback London ; New York Routledge, Taylor & Francis Group 2021 xii, 187 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge studies in theology, imagination and the arts Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Religion Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf God in literature Religion and drama History 16th century Christianity and literature Religion and literature Literatur (DE-588)4035964-5 gnd rswk-swf Theologie (DE-588)4059758-1 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Religion Motiv (DE-588)4207560-9 gnd rswk-swf Gott Motiv (DE-588)4157941-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Literatur (DE-588)4035964-5 s Religion Motiv (DE-588)4207560-9 s Gott Motiv (DE-588)4157941-0 s DE-604 Drama (DE-588)4012899-4 s Religion (DE-588)4049396-9 s Theologie (DE-588)4059758-1 s Erscheint auch als Online-Ausgabe, E-Book 978-0-429-19944-8 V:DE-605;X:semantics application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2019/09/27/file_14/8736536.pdf Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032641858&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032641858&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Shakespeare, theology, and the unstaged God |
| title_auth | Shakespeare, theology, and the unstaged God |
| title_exact_search | Shakespeare, theology, and the unstaged God |
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| title_full | Shakespeare, theology, and the unstaged God Anthony D. Baker |
| title_fullStr | Shakespeare, theology, and the unstaged God Anthony D. Baker |
| title_full_unstemmed | Shakespeare, theology, and the unstaged God Anthony D. Baker |
| title_short | Shakespeare, theology, and the unstaged God |
| title_sort | shakespeare theology and the unstaged god |
| topic | Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Religion Shakespeare, William 1564-1616 (DE-588)118613723 gnd God in literature Religion and drama History 16th century Christianity and literature Religion and literature Literatur (DE-588)4035964-5 gnd Theologie (DE-588)4059758-1 gnd Religion (DE-588)4049396-9 gnd Religion Motiv (DE-588)4207560-9 gnd Gott Motiv (DE-588)4157941-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Religion Shakespeare, William 1564-1616 God in literature Religion and drama History 16th century Christianity and literature Religion and literature Literatur Theologie Religion Religion Motiv Gott Motiv Drama |
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