Watching Game of Thrones: how audiences engage with dark television
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 200 Seiten |
| ISBN: | 9781526152176 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of tables Acknowledgements vi vii 1 The remarkable phenomenon that is Game of Thrones 2 Generating a ‘richly structured combination of data and discourses’ 3 Distinguishing different kinds of audience 4 Favourite characters, favourite survivors 5 The significance of favourite character choices 6 Winter is coming ... 7 Conflicts and controversies 8 Making predictions for an unpredictable world Postscript: ‘If you think this has a happy ending, you haven’t been paying attention’ 1 158 Appendix 1: The questionnaire Appendix 2: ‘Mentions’ Bibliography Index 170 173 176 196 14 33 47 71 88 117 143
HBO’s television adaptation of George R. R. Martin’s Game of Thrones was an international sensation, generating intense debates and controversies throughout its run. This book draws on ambitious international research that used innovative methods to gather information from over 10,000 viewers of the series. It details seven distinct ways in which audiences watched the series and how these led to different responses and judgements. The book considers the claim that Game of Thrones can be seen as a lens for thinking about the world by exploring how viewers engaged with the series characters, lands and peoples and how they understood its world in relation to their own. It examines how some of the show’s more shocking scenes were understood and appreciated as examples of ‘extreme storytelling’ while others were angrily rejected, and it reflects on what this suggests about broader debates on television and representations of violence. Aiid in the wake of the controversy over the show s final series, it explores how audiences make sense of ‘endings’.
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| adam_txt |
Contents List of tables Acknowledgements vi vii 1 The remarkable phenomenon that is Game of Thrones 2 Generating a ‘richly structured combination of data and discourses’ 3 Distinguishing different kinds of audience 4 Favourite characters, favourite survivors 5 The significance of favourite character choices 6 Winter is coming . 7 Conflicts and controversies 8 Making predictions for an unpredictable world Postscript: ‘If you think this has a happy ending, you haven’t been paying attention’ 1 158 Appendix 1: The questionnaire Appendix 2: ‘Mentions’ Bibliography Index 170 173 176 196 14 33 47 71 88 117 143
HBO’s television adaptation of George R. R. Martin’s Game of Thrones was an international sensation, generating intense debates and controversies throughout its run. This book draws on ambitious international research that used innovative methods to gather information from over 10,000 viewers of the series. It details seven distinct ways in which audiences watched the series and how these led to different responses and judgements. The book considers the claim that Game of Thrones can be seen as a lens for thinking about the world by exploring how viewers engaged with the series' characters, lands and peoples and how they understood its world in relation to their own. It examines how some of the show’s more shocking scenes were understood and appreciated as examples of ‘extreme storytelling’ while others were angrily rejected, and it reflects on what this suggests about broader debates on television and representations of violence. Aiid in the wake of the controversy over the show's final series, it explores how audiences make sense of ‘endings’. |
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| title | Watching Game of Thrones how audiences engage with dark television |
| title_auth | Watching Game of Thrones how audiences engage with dark television |
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| title_exact_search_txtP | Watching Game of Thrones how audiences engage with dark television |
| title_full | Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood |
| title_fullStr | Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood |
| title_full_unstemmed | Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood |
| title_short | Watching Game of Thrones |
| title_sort | watching game of thrones how audiences engage with dark television |
| title_sub | how audiences engage with dark television |
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