Laurence Sterne and the eighteenth-century book:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 217 Seiten Illustrationen |
| ISBN: | 9781108842761 9781108822602 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents page vii ix List ofFigures Acknowledgements Introduction i 2 3 4 I Hands ІЗ I Marking Hands II The Manierile III Literary Property IV Richardson as Precursor D i8 21 26 The Black Page 35 I Alas, Poor Yorick! II Experiments and Conventions III The Clichés of Commemoration IV Typographic Epitaphs V Imitation and Innovation 35 39 52 55 62 The Sermon 66 I Sermons in Print II Sermons in Fiction III Dramatic Sermons ГѴ Dramatic Fictions 70 The Marbled Page 99 99 76 85 9° I A Natural Philosophy of Noses II Coloured Book Illustration III Marbling and the Book IV Marbling and Medicine из 124 OO 5 102 Footnotes and Catchwords I Rereading Catchwords II Interrupting Footnotes III Navigating Unruly Texts IV Modern Textual Apparatus 140 148 155 166 v
Contents VI 6 Engraved Lines I II Dance, Digression and Lines Cartography and Movement 169 170 177 Coda: Frontispieces 192 Bibliography Index 196 111
Scrutinising Sterne’s fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne’s own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period’s literature and the print matter of everyday life, this stud}՜ sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, while introducing readers to diverse print cultural forms and their production histories.
|
| adam_txt |
Contents page vii ix List ofFigures Acknowledgements Introduction i 2 3 4 I Hands ІЗ I Marking Hands II The Manierile III Literary Property IV Richardson as Precursor D i8 21 26 The Black Page 35 I Alas, Poor Yorick! II Experiments and Conventions III The Clichés of Commemoration IV Typographic Epitaphs V Imitation and Innovation 35 39 52 55 62 The Sermon 66 I Sermons in Print II Sermons in Fiction III Dramatic Sermons ГѴ Dramatic Fictions 70 The Marbled Page 99 99 76 85 9° I A Natural Philosophy of Noses II Coloured Book Illustration III Marbling and the Book IV Marbling and Medicine из 124 OO 5 102 Footnotes and Catchwords I Rereading Catchwords II Interrupting Footnotes III Navigating Unruly Texts IV Modern Textual Apparatus 140 148 155 166 v
Contents VI 6 Engraved Lines I II Dance, Digression and Lines Cartography and Movement 169 170 177 Coda: Frontispieces 192 Bibliography Index 196 111
Scrutinising Sterne’s fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne’s own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period’s literature and the print matter of everyday life, this stud}՜ sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, while introducing readers to diverse print cultural forms and their production histories. |
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