Transgressing frontiers: shifting rhetorics in linguistic and literary discourses
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Mankon, Bamenda
Langaa Research & Publishing CIG
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 272 Seiten Diagramme |
| ISBN: | 9956551457 9789956551453 |
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Datensatz im Suchindex
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| adam_text | Table of Contents Introduction.......................................................................1 Kelvin Ngong Toh Section I: Creating the Seif, Dismantling the Other Chapter One: Each Other’s Other, or Not at All: Ideological Barriers and Literary Iconoclasm in J. M. Coetzee’s Foe.................................................................... 11 Mbuh Tennu Mbuh Chapter Two: A Language of their Own: Feminist Poetry and Linguistic Experimentation............................................... 39 Rosalyn Mutia Chapter Three: Transgressing Otherness through Marvellous Realism and Negotiating Self/Space in Maryse Condé’s Լ Tituba, Black Witch ofSalem............................................65 Funke Fonyuy Fondņe-Fombele Chapter Four: Signature and the Self-Other Dialectic in the Poetry of Robert Graves................................................................. 87 Peter Foinjong Awoh Chapter Five: Globalization, Information Communication Technologies and African Narratives: Reading Onmamanda Ngozi Adichie’s The Thing Around Your Neck and Ameúcanah.... Eunice Ngongkum 111
Section II: Linguistic Shift and Accommodation Chapter Six: Towards a Policy of Linguistic Freedom in Cameroon........................................ 133 Blasius Agha-ah Chiatoh Chapter Seven: Justice Across Linguistic Frontiers: Preserving Second Official Language Rights in Cameroon Law Courts.......................................................153 Kiwoh Terence Nsai Chapter Eight: Voices Behind Writings on Walls: Effective Communication or Not?........................................................ 169 Fonka Hans Mbonmh Chapter Nine: An Emie Reading of Taxicab Inscriptions in Cameroon............................................ 189 Joseph Nkrnin Chapter Ten: Euphemism Versus Blunt Language in Linus Asong’s The Crown of Thoms..............................................................209 Miriam Ayafor Section ПІ: Displacement and Recognition Chapter Eleven: Displacement and the Quest for Self in Amos Tutaola ’s The Palm-wine Drinkard.................................................................................... 235 Нему Kah Jìck Chapter Twelve: Rape and the Nation in Edwidge Danticaťs Breath, Eyes, Memory. Kelvin Ngong Toh 251
The focus of this book is to assess, through language and literary studies in interpretation, the epistemic representation of frontiers in its shifting and fixing categories. The contributing researchers stress on the fact that crisscrossing has taken its toll on communities and disciplines and that hegemonic positions are becoming increasingly redundant and provocative. Frontier discourse is therefore, a socio-political and culturally oriented discourse. Importing it to language and literary studies also shows that literary circles like language are equally shifting and erasing borderlines. The chapters discuss crisscrossing of frontiers both as geography and epistemology.This is in line with the new cultural ontology that opens up new interpretations and shifts from previous ones in the disciplines of Language, Linguistics, Arts and Literature.The book pulls together a wide range of issues based on a plurality of theoretical assumptions. The issues presented are grouped into three broad sections. Section one looks at the creation of the self as a way to dismantle the other. In section two, the focus is on linguistic shifts and the fact that all languages need space in multilingual societies. And section three shows how people travel out of their homelands to seek comfort. Resourceful, insightful and incisive, the book offers depth and breadth in refined scholarship. The contributors are masterly in their handling of borderlines between ideology and iconoclasm, globalisation and nationalism, memory and nation, gender and identity, official and indigenous languages, self
/other dialertics, migration and identity. The book is an invaluable asset to researchers and students with a penchant for interdisciplinarity, intertextuality, muLticulturaUsm and globalisation. KELVIN NGONG TOH is Associate Professor of African and Comparative Literatures. He teaches in the English Departments at the University of Buea and The University of Bamenda. His areas of research are the black diaspora literatures and cultures, literature of the African continent and cultures, political philosophy, music and film studies as well as literary and cultural theory.
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| adam_txt |
Table of Contents Introduction.1 Kelvin Ngong Toh Section I: Creating the Seif, Dismantling the Other Chapter One: Each Other’s Other, or Not at All: Ideological Barriers and Literary Iconoclasm in J. M. Coetzee’s Foe. 11 Mbuh Tennu Mbuh Chapter Two: A Language of their Own: Feminist Poetry and Linguistic Experimentation. 39 Rosalyn Mutia Chapter Three: Transgressing Otherness through Marvellous Realism and Negotiating Self/Space in Maryse Condé’s Լ Tituba, Black Witch ofSalem.65 Funke Fonyuy Fondņe-Fombele Chapter Four: Signature and the Self-Other Dialectic in the Poetry of Robert Graves. 87 Peter Foinjong Awoh Chapter Five: Globalization, Information Communication Technologies and African Narratives: Reading Onmamanda Ngozi Adichie’s The Thing Around Your Neck and Ameúcanah. Eunice Ngongkum 111
Section II: Linguistic Shift and Accommodation Chapter Six: Towards a Policy of Linguistic Freedom in Cameroon. 133 Blasius Agha-ah Chiatoh Chapter Seven: Justice Across Linguistic Frontiers: Preserving Second Official Language Rights in Cameroon Law Courts.153 Kiwoh Terence Nsai Chapter Eight: Voices Behind Writings on Walls: Effective Communication or Not?. 169 Fonka Hans Mbonmh Chapter Nine: An Emie Reading of Taxicab Inscriptions in Cameroon. 189 Joseph Nkrnin Chapter Ten: Euphemism Versus Blunt Language in Linus Asong’s The Crown of Thoms.209 Miriam Ayafor Section ПІ: Displacement and Recognition Chapter Eleven: Displacement and the Quest for Self in Amos Tutaola ’s The Palm-wine Drinkard. 235 Нему Kah Jìck Chapter Twelve: Rape and the Nation in Edwidge Danticaťs Breath, Eyes, Memory. Kelvin Ngong Toh 251
The focus of this book is to assess, through language and literary studies in interpretation, the epistemic representation of frontiers in its shifting and fixing categories. The contributing researchers stress on the fact that crisscrossing has taken its toll on communities and disciplines and that hegemonic positions are becoming increasingly redundant and provocative. Frontier discourse is therefore, a socio-political and culturally oriented discourse. Importing it to language and literary studies also shows that literary circles like language are equally shifting and erasing borderlines. The chapters discuss crisscrossing of frontiers both as geography and epistemology.This is in line with the new cultural ontology that opens up new interpretations and shifts from previous ones in the disciplines of Language, Linguistics, Arts and Literature.The book pulls together a wide range of issues based on a plurality of theoretical assumptions. The issues presented are grouped into three broad sections. Section one looks at the creation of the self as a way to dismantle the other. In section two, the focus is on linguistic shifts and the fact that all languages need space in multilingual societies. And section three shows how people travel out of their homelands to seek comfort. Resourceful, insightful and incisive, the book offers depth and breadth in refined scholarship. The contributors are masterly in their handling of borderlines between ideology and iconoclasm, globalisation and nationalism, memory and nation, gender and identity, official and indigenous languages, self
/other dialertics, migration and identity. The book is an invaluable asset to researchers and students with a penchant for interdisciplinarity, intertextuality, muLticulturaUsm and globalisation. KELVIN NGONG TOH is Associate Professor of African and Comparative Literatures. He teaches in the English Departments at the University of Buea and The University of Bamenda. His areas of research are the black diaspora literatures and cultures, literature of the African continent and cultures, political philosophy, music and film studies as well as literary and cultural theory. |
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| title | Transgressing frontiers shifting rhetorics in linguistic and literary discourses |
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