The sound track: designing dialogue, music and other sound for audiovisual productions
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Utrecht
HKU Professorship Performative Processes
[2020]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 272 Seiten Illustrationen, Notenbeispiele 25 cm |
| ISBN: | 9789064038921 |
Internformat
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| 245 | 1 | 0 | |a The sound track |b designing dialogue, music and other sound for audiovisual productions |c Rens Machielse |
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| 653 | 0 | |a Sound / Recording and reproducing | |
| 653 | 0 | |a Motion pictures / Sound effects | |
| 653 | 0 | |a Motion picture music / Production and direction | |
| 653 | 0 | |a Motion pictures / Sound effects | |
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Datensatz im Suchindex
| _version_ | 1804182346790862848 |
|---|---|
| adam_text | content the design process for an audiovisual production 64 • foreword 6 • preamble 10 - introduction introduction 64 • stages 65 • general stage 69 ֊ the designer s point of view • - the structure of this book - concept forming - screenplay - soundboard - collaboration the basic principles of audiovisual production 18 • pre-production stage 80 - departments - sound and music departments • classification 18 • narrative 19 - breakdown • production stage 93 • post-production stage 93 - the structure of a story - elements of the narrative - composer and editor • visual track 23 - sound designer and editor - editing process • sound track 25 - production sound 6 - sound designer and composer BcmM· Staatsbibliothek Լ München - Foley У - sound effects and ambiences - sound designer, composer, editor and director - temp mix - integration of dialogue, music - music • the sound track combined with the visual track 32 and other sound - final mix • possible improvements 124 - technical combinations - perception - rhythmic combinations - spatial combinations - combinations from a time perspective the composer s design process 128 - meaning - emotional codes - cultural codes - dramatic codes - narrative characteristics of the sound track - static-dynamic ֊ stable-unstable - combinations: dipole model • • • • introduction 128 design in a general sense 129 preparing, searching and collecting 131 getting started, sketching, standing back and validating 131 - sketching - standing back and validating
• elaboration 140 - trial and error - musical cells contexts - minimal music 230 - Shepard tone - playing with tonality • introduction 230 • entertainment 231 ֊ playing with sound - fiction - melodies - playing with rhythm - design process - playing with silence - financial aspects - playing with time - other kinds of programmes - playing with clichés - design process - elaborating to the visuals - financial aspects - information and branding information 242 - the big composition - reports • getting stuck 175 • home stretch 177 - documentaries - design process - financial aspects - the benefits and drawbacks of mock-ups - commissioned films (informative) - click track - design process - stems - financial aspects • branding 249 - commercials INI - design process - financial aspects - commissioned films (branding) the sound designer s design process 184 - design process - financial aspects • in conclusion 256 • • • • • • introduction 184 concept development 186 methods 193 searching and collecting 196 getting going and sketching 197 creating and processing material 200 - sound effects and ambiences - dialogue editing + ADR - Foley - silence • getting stuck 218 • home stretch 219 - temp mixes and validating - premixes - final mix • • • • acknowledgements 262 notes 264 selective bibliography 267 register of names 270
|
| adam_txt |
content the design process for an audiovisual production 64 • foreword 6 • preamble 10 - introduction introduction 64 • stages 65 • general stage 69 ֊ the designer's point of view • - the structure of this book - concept forming - screenplay - soundboard - collaboration the basic principles of audiovisual production 18 • pre-production stage 80 - departments - sound and music departments • classification 18 • narrative 19 - breakdown • production stage 93 • post-production stage 93 - the structure of a story - elements of the narrative - composer and editor • visual track 23 - sound designer and editor - editing process • sound track 25 - production sound 6 - sound designer and composer BcmM· Staatsbibliothek Լ München - Foley У - sound effects and ambiences - sound designer, composer, editor and director - temp mix - integration of dialogue, music - music • the sound track combined with the visual track 32 and other sound - final mix • possible improvements 124 - technical combinations - perception - rhythmic combinations - spatial combinations - combinations from a time perspective the composer's design process 128 - meaning - emotional codes - cultural codes - dramatic codes - narrative characteristics of the sound track - static-dynamic ֊ stable-unstable - combinations: dipole model • • • • introduction 128 design in a general sense 129 preparing, searching and collecting 131 getting started, sketching, standing back and validating 131 - sketching - standing back and validating
• elaboration 140 - trial and error - musical cells contexts - minimal music 230 - Shepard tone - playing with tonality • introduction 230 • entertainment 231 ֊ playing with sound - fiction - melodies - playing with rhythm - design process - playing with silence - financial aspects - playing with time - other kinds of programmes - playing with clichés - design process - elaborating to the visuals - financial aspects - information and branding information 242 - the 'big' composition - reports • getting stuck 175 • home stretch 177 - documentaries - design process - financial aspects - the benefits and drawbacks of mock-ups - commissioned films (informative) - click track - design process - stems - financial aspects • branding 249 - commercials INI - design process - financial aspects - commissioned films (branding) the sound designer's design process 184 - design process - financial aspects • in conclusion 256 • • • • • • introduction 184 concept development 186 methods 193 searching and collecting 196 getting going and sketching 197 creating and processing material 200 - sound effects and ambiences - dialogue editing + ADR - Foley - silence • getting stuck 218 • home stretch 219 - temp mixes and validating - premixes - final mix • • • • acknowledgements 262 notes 264 selective bibliography 267 register of names 270 |
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| bvnumber | BV047223472 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:58:22Z |
| indexdate | 2024-07-10T09:06:06Z |
| institution | BVB |
| isbn | 9789064038921 |
| language | English |
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| physical | 272 Seiten Illustrationen, Notenbeispiele 25 cm |
| psigel | BSB_NED_20210422 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | HKU Professorship Performative Processes |
| record_format | marc |
| spelling | Machielse, Rens Verfasser (DE-588)1228368465 aut The sound track designing dialogue, music and other sound for audiovisual productions Rens Machielse Soundtrack Utrecht HKU Professorship Performative Processes [2020] © 2020 272 Seiten Illustrationen, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Sounddesign (DE-588)7693207-2 gnd rswk-swf Sound / Recording and reproducing Motion pictures / Sound effects Motion picture music / Production and direction Audiovisuelle Medien (DE-588)4068939-6 s Musikproduktion (DE-588)4235850-4 s Sounddesign (DE-588)7693207-2 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032628048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Machielse, Rens The sound track designing dialogue, music and other sound for audiovisual productions Audiovisuelle Medien (DE-588)4068939-6 gnd Musikproduktion (DE-588)4235850-4 gnd Sounddesign (DE-588)7693207-2 gnd |
| subject_GND | (DE-588)4068939-6 (DE-588)4235850-4 (DE-588)7693207-2 |
| title | The sound track designing dialogue, music and other sound for audiovisual productions |
| title_alt | Soundtrack |
| title_auth | The sound track designing dialogue, music and other sound for audiovisual productions |
| title_exact_search | The sound track designing dialogue, music and other sound for audiovisual productions |
| title_exact_search_txtP | The sound track designing dialogue, music and other sound for audiovisual productions |
| title_full | The sound track designing dialogue, music and other sound for audiovisual productions Rens Machielse |
| title_fullStr | The sound track designing dialogue, music and other sound for audiovisual productions Rens Machielse |
| title_full_unstemmed | The sound track designing dialogue, music and other sound for audiovisual productions Rens Machielse |
| title_short | The sound track |
| title_sort | the sound track designing dialogue music and other sound for audiovisual productions |
| title_sub | designing dialogue, music and other sound for audiovisual productions |
| topic | Audiovisuelle Medien (DE-588)4068939-6 gnd Musikproduktion (DE-588)4235850-4 gnd Sounddesign (DE-588)7693207-2 gnd |
| topic_facet | Audiovisuelle Medien Musikproduktion Sounddesign |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032628048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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