Grief: the biography of a Holocaust photograph
In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Bal...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took pictures that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never-before-seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image of a grieving woman to render this gruesome mass atrocity into a transcendentally human tragedy |
| Beschreibung: | 274 Seiten Illustrationen, Portraits (schwarz-weiß) |
| ISBN: | 9780190923815 9780190923822 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047221123 | ||
| 003 | DE-604 | ||
| 005 | 20220204 | ||
| 007 | t | ||
| 008 | 210331s2020 ac|| |||| 00||| eng d | ||
| 020 | |a 9780190923815 |c hardback |9 978-0-19092-381-5 | ||
| 020 | |a 9780190923822 |9 978-0-19092-382-2 | ||
| 035 | |a (OCoLC)1244434704 | ||
| 035 | |a (DE-599)BVBBV047221123 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-12 |a DE-384 | ||
| 082 | 0 | |a 779.99405318 | |
| 084 | |a HIST |q DE-12 |2 fid | ||
| 084 | |a OST |q DE-12 |2 fid | ||
| 100 | 1 | |a Shneer, David |d 1972- |e Verfasser |0 (DE-588)173697372 |4 aut | |
| 245 | 1 | 0 | |a Grief |b the biography of a Holocaust photograph |c David Shneer |
| 264 | 1 | |a New York |b Oxford University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 274 Seiten |b Illustrationen, Portraits (schwarz-weiß) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took pictures that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never-before-seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image of a grieving woman to render this gruesome mass atrocity into a transcendentally human tragedy | ||
| 600 | 1 | 4 | |a Bal terman t s, D. / (Dmitri i) / Gor e |
| 600 | 1 | 7 | |a Bal'termanc, Dmitrij N. |d 1912-1990 |0 (DE-588)122920635 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1942 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a War photographers / Soviet Union / History | |
| 650 | 4 | |a World War, 1939-1945 / Photography | |
| 650 | 4 | |a War photography / Ukraine / Kerch | |
| 650 | 4 | |a Documentary photography / Soviet Union / History | |
| 650 | 4 | |a World War, 1939-1945 / Atrocities / Ukraine / Kerch | |
| 650 | 4 | |a Massacres / Ukraine / Kerch | |
| 650 | 4 | |a Holocaust, Jewish (1939-1945) / In mass media | |
| 650 | 0 | 7 | |a Judenvernichtung |0 (DE-588)4073091-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Kertsch |0 (DE-588)4110239-3 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a Bal'termanc, Dmitrij N. |d 1912-1990 |0 (DE-588)122920635 |D p |
| 689 | 0 | 1 | |a Kertsch |0 (DE-588)4110239-3 |D g |
| 689 | 0 | 2 | |a Judenvernichtung |0 (DE-588)4073091-8 |D s |
| 689 | 0 | 3 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | 4 | |a Geschichte 1942 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-750461-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-092383-9 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
| 940 | 1 | |n oe | |
| 940 | 1 | |n DHB | |
| 940 | 1 | |q BSB_NED_20220204 | |
| 940 | 1 | |q DHB_BSB_FID | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032625740 | ||
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 09044 |g 43 |
| 942 | 1 | 1 | |c 070.9 |e 22/bsb |f 09044 |g 947.08 |
Datensatz im Suchindex
| _version_ | 1804182342826196992 |
|---|---|
| adam_text | CONTENTS Introduction: Introducing Grief ! 1. The Making of a Soviet War Photographer and the German Occupation of Kerch 5 2. Witnessing Grief: The First Reports of Genocide 31 3. The Aftermath of Grief 61 4. Producing and Displaying Grief 95 5. Valuing Grief 123 6. How GriefBccamc a Commodity 153 7. Seeing the Holocaust in Grief 179 Epilogue 203 Gratitude 207 Notes 211 Bibliography 245 Index 257
BIBLIOGRAPHY ARCHIVAL SOURCES France Yahad in Unum Archives, Paris Photographs of Kerch killing sites, 2003,2004,2011 Eyewitnesses testimonies from Kerch, U114, U115 Private Archive of Mona Oren, Paris Photographs of Kerch, 2004 Great Britain Leeds University Archives Collection of Alex Lachmann (GB 206/MS 1115) Collection of the Great Britain-USSR Association (GB 206/MS1399) Israel Yad Vashem Archives TR-4/12, Trial of Erich von Mannstein RG M33/ JM/19683, Lists of those killed at Kerch Russia Central Archive of the Ministry of Defense, Podolsk (TsAMO), Moscow Region (dig ital archival located atpodvignaroda.mil.ru with materials related to photographers) Private archive ofTatiana Baltermants, Korolev, Moscow Region Prints and archival materials of Dmitri Baltermants Private archive of Anna Khaldei
246 · Bibliography Prints and archival materials of Yevgeny Khaldei State Archive of the Russian Federation (GARF), Moscow GARF 9576, Soyuz sovetskikh obshestv druzhby і kulturnyikh sviazei s zarubezhnymi stranami. State Archive of Cinema, Film, and Photography (RGAKFD), Krasnogorsk, Moscow Region United States Center for Creative Photography, Tucson, Arizona G. Ray Hawkins Files Lee Witkin Files Limelight Files Getty Research Institute, Los Angeles, California Auction catalogs Hood Museum, Dartmouth College, New Hampshire Prints of Dmitri Baltermants Los Angeles County Museum of Art, Los Angeles, California Prints and acquisition records of Dmitri Baltermants Museum of Modern Art Archive, New York Print of Dmitri Baltermants Private archive of Michael Mattis, Scarsdale, New York Prints and Archival Materials of Dmitri Baltermants Private archive of Paul and Teresa Harbaugh, Denver Prints and archival materials of Dmitri Baltermants and Yevgeny Khaldei Soho Photo Gallery Archives, New York UCLA Special Collections, Los Angeles Norman Cousins Papers, collection 1385. United States Holocaust Memorial Museum Archives, Washington, DC RG22.002, Crimean Extraordinary Commission Report, 1944 RG22.014, Crimean Extraordinary Commission Report, 1944 RG3L018, Postwar war crimes trials related to the Holocaust RG31.019, Crimean Extraordinary State Commission to Investigate Nazi Crimes University of Michigan Museum of Art, Ann Arbor Prints by Dmitri Baltermants USC Rare Books and Manuscripts, Los Angeles, California Manuscript of Bertolt Brecht, “Kriegsfibel.” USC Shoah Foundation
Institute for Visual History Archive, Los Angeles, California Eyewitness testimonies from Kerch
Bibliography · NEWSPAPERS, JOURNALS, AND PERIODICALS American Photo Aperture Krasnala Zvezda Krasnyi Krym Argumenty i Fakty La Croix Boston Globe Life British Journal ofPhotography Literaturnaia Gazeta Camera Los Angeles Times Chicago Tribune Moskovsku Komsomolets Denver Post New York Times Die Zeit New York Magazine Ekspert Online New Yorker Evening Standard News Chronicle Financial Times Ogonek Forbes Orlando Sentinel Forbes Russia Picture Post Popular Photography Fotografare Fotografia Praha-Moskva Ha-aretz Pravda Independent RIA Novostii Infinity Sovetskoe Foto International Herald Tribune TASS Time Istoricheskii Zhumal Istoriia.RF Izvestiia Times ofIsrael Jerusalem Post Vie Nuove Jewish Telegraph Agency Komsomolskata Pravda Wall StreetJournal Times ofLondon Washington Post INTERVIEWS Alexander, Nailya, New York, 2018 Baltermants, Tatiana, Korolyev, Moscow Region, 2015,2016,2017, 2018 Chalk, David, Soho Photo Gallery, 2015 Cohen, Judith, Washington, DC, 2014 Frenkelzon, Maaty, Jerusalem, Israel, 2018 Gershengorin, Dmitry, Denver, 2018 Harbaugh, Paul, Denver, 2012,2014,2016,2018 Hartmann, Nancy, Washington, DC, 2014 Hawkins, G. Ray, Beverly Hills, 2015 Kaplan, Daile, New York, 2018 Koch, Robert, San Francisco, 2018 247
248 · Bibliography Loengard, John, New York, 2016 Nakhimovsky, Alice, and Alexander Nakhimovsky, New York, 2018 Nevazhin, Sergei, Sevastopol, Crimea, 2018 Oren, Mona, Paris, France, 2018 Ribot, Guillaume, Paris, France, 2018 Rothstein, Daniel, New York, 2018 Sandor, Richard, Chicago, 2018 Schickler, Howard, 2018 PUBLISHED PRIMARY SOURCES Baltermants, Dmitri. Odesa. Moscow: Progress, 197?. Baltermants, Dmitri. People and Events of the USSR: An Exhibition of Dmitri Baltermants. London: USSR-Great Britain Society, 1964. Baltermants, Dmitrii. SESBren 50 urte. Dmitri Baltermantsen argazki-makinaren arabéra (1939-1989). Bilbao: Alhóndiga Bilbao, 2011. Baltermants, Dmitri, and Yurii Aleskerov. Samarkand, Putevoditeľ. Tashkent: Izdatelstvo TsK KP Uzbekistana, 1974. Baltermants, Dmitri, and Paul Harbaugh. Dmitri Baltermants. Paris: Nathan, 1997. Baltermants, Dmitrii, E. Klenov, and D. Trachtenberg. Goroda-geroi. Moscow: Progress, 1970. Baltermants, Dmitrii, and Mykolą Kozlovski. Gosudarstevnnyi zasluzhennyi ansambl’ tantsa Ukrainskoi SSR. Kiev: Gosizdat izoiskusstva i muzikal’noi literatury USSR, 1960. Baltermants, Dmitri, and Nikolai Kozlovsky. Znovy tsvitut kashtani. Kiev: Derzh. Vydvo obrazotvorchoho mystetstva i muzychnoi literatury, I960. Baltermants, Dmitri, and Vladimir Lidin. Moskva: no’iabr’ 1941. Moscow, Leningrad, Gosudarstvennoeizdatel’stvo lskusstvo’11942. Baltermants, Dmitrii, and Vasilii Peskov. Dmitri Baltermanz. Leipzig: VEB Fotokinoverlag, 1981. Baltermants, Dmitri, and Vasilii Peskov. Izbrannyefotografii. Moscow: Planeta, 1977. Baltermants, Dmitri, and Yuri
Rytkheu. Estrecha s Chukhotkoi. Moscow: Planeta, 1971. Baltermants, Dmitrii, Ivan Shagin, D. Smirnov, and E. Pyli. Moskva : Gorod-Geroi. Moscow: Sovetsku khudozhnik, 1965. Baltermants, Dmitrii, and Olga Sviblova. Dmitrii Baltermants. Moscow: Moskovsku Dom fotografii, 2005. Baltermants, Dmitrii, Valentina Vasil evna Volkova, V. Samsonov, E. Doron, and M. Trifonova.Dom-muzei VI. Lenina v Gorkakh. Moscow: Pravda, 1967. Boll, Heinrich, and Karl Pawek, eds. Weltausstellung der Photographie. 555 Photos von 264 Photographen aus 30 Ländern zu dem Thema: Was ist der Mensch? Hamburg: Nanen, 1964.
Bibliography · 249 Brecht, Bertolt, and Ruth Bėriau. Kriegsfibel. Berlin: Eulenspeigel, 1955. Bresson, Henri Cartier. The People ofMoscow: 163 Pictures in Photogravure. London: Thames and Hudson, 1955. Bukov, K. L, M.M Gorinov, and A.N. Ponomarev. Moskva voennaia, 1941-1945. Memuary іarkhivnyedokumenty. Moscow: Mosgorarkhiv, 1995. Chaldej, Jewgeni. Kriegstagebuch. Berlin: Das Neue Berlin, 2011. da Vinci, Leonardo. The Notebooks ofLeonardo da Vinci (http://www.gutenberg.org/ ebooks/5000) Dmitri Baltermants: Documenting and Staging Soviet Reality. Brunswick, ME: Bowdoin College Museum of Art, 2018. Ehrenburg, Ilya, and Vasily Grossman. The Complete Black Book ofRussianJewry. Translated and edited by David Patterson. Piscataway, NJ: Transaction Publishers, 2003. Ehrenburg, Ilya, and Vasily Grossman. Chernaia kniga: о zlodeiskom povsemestnom ubistve evreev nemetsko-fashistskimi zakhvatchikami vo vremenno-okkupirovannykh raionnakh SSSR і lageriakh unichtozheniia Poľshi vo vremia voiny 1941-1945 gg. Jerusalem: Tarbut, 1980. Fenyő, Imre. Dmitri] Baltermanc: Szovjet fotóművész kiállítása. Budapest: Ernst Museum, 1973. Fidel en la URSS. Havana: Comision de Orientación Revolucionaria de la Dirección Nacional del PURSC, 1963. Flashes ofMemory: Photography during the Holocaust. Jerusalem : Yad Vashem, 2018. Gide, Andre. Retour de l’URSS. Paris : Librarie Gallimard, 1936. God 72. Olimpiiskii. Sapporo, Feb. 1-13,1972; Munich, Aug. 26-Sept. 11,1972. Moscow: Fizkultūra і sport, 1973. Goldberger, Ben, Geoff Dyer, and David Von Drehle. 100 Photographs : The Most Infltiential Images ofall
Time. New York: Time, 2016. Goroda-geroi Chernomoria: Sebastopol, Odessa, Kerch, Novorossiisk. Simferopol: Tavda, 1978. Hughes, Langston. Negroes in Moscow: In a Land Where There Is NoJim Crow. Moscow: State Publishing House, 1933. Jahn, Peter, Aus dem Schatten der Erinnerung : Vergessene Opfer des Vernichtungskrieges gegen die Sowjetunion. Berlin: Karlshorst, 2011. Kar, Ida. Khudozhnitsa sfotoapparatom. Moscow: n.p., 1962. Kerch. Moscow: Planeta, 1984. Kerch geroicheskaia: vospominaniia, ocherki, dokumenty. Simferopol: Tavriia, 1974. Knigapamiati:goroda-geroiakerchiikerchenskogopoluostrova,3tomy, toml. Simferopol: Tavrida, 1999. Levin, Deana, and Dmitri Baltermants. Nikolai Lives in Moscow. London: Methuen, 1966. Lewiński, Jorge. The Camera at War: A History of War Photography from 1848 to the Trese»? New York: Secaucus, 1978.
250 · Bibliography Livingston, Jane, and Frances Fralin. The Indelible Image: Photographs of War, 1846 to the Present. New York: Abrams, 1985. Master Photographers: Photography in the Fine Arts. New York: Metropolitan Museum, 1967. Moskva, Kreml . Lenin. Moscow: Politizdat, 1969. Moskva, 1941-1945. Moscow: Moskovsku rabochii, 1971. Mel’kov, Leonid, Kerch: povest’-khronika v dokumentakh, vospominaniiakh і pismakh uchastnikovgeroicheskoizashchity і osvobozhdeniiagoroda v 1941-1944godakh. Moscow: Polizizdat, 1981. Merzanov, Martyn, Tak eto bylo:poślednie dnifashitskogo Berlina. Moscow: Politizdat, 1971,2nd edition, 1975. Mrázová, Daniela, Fotografovali válku. Sovětská válečná reportáž. Prague: Odeon, 1975. Niurenbergskiiprotsess:prestupleniiaprotiv chelovechnosti, tom 5. Moscow : luridicheskaia literatura, 1991. People’s Verdict: A Full Report ofthe Proceedings at the Krasnodar and Kharkov German Atrocity Trials. New York: Hutchinson, 1943. Richardson, Nan. Photostroika: New Soviet Photography. New York: Aperture, 1989. Rolnikaite, Masha. Ia dolzhna rasskazat’. Moscow: Politicheskaia literatura, 1965. Salisbury, Harrison. The Unknown War. London: Bantam Books, 1978. Trainin, A. N. Hitlerite Responsibility Under Criminal Law. London: Huntchinson, 1945. Vartanov, Anri, O. Suslova, and G. Chudákov. Antologiia sovetskoifotografii. Moscow: Planeta, 1986. Volf son, Boris. “Krovavye prestupleniie nemtsev v Kerchi.” Istoricheskii zhurnal 1942 (8): 33-36. Vsesoiuznaia khudozhestvennaia výstavka, 1951 goda. Moscow: Gosudarsvetnnyi izdateľstvo izobrazitel’nogo iskusstva, 1953.
Výstavkafotoiskusstva SSSR. Moscow: Ministerstvo kuľtury SSSR, 1958. Witkin, Lee, and Barbara London. The Photograph Collector’s Guide. Boston: New York Graphic Society, 1979. World Press Photo 1974. Amsterdam: Teleboek, 1974. Zeľma, G., and A. K. Taradankin. Stalingrad. Moscow: Izogiz, 1954. Zorin, Valentin. Protivorechivaia amerika. Moscow: Iskusstvo, 1976. PUBLISHED SECONDARY SOURCES Al’tman, Il’ia. Zhertvy nenávisti·. Kholokost v Rossit, 1941-1945. Moscow Kovcheg, 2002. Altshuler, Mordechai. “Jewish Holocaust Commemoration Activity in the USSR Under Stalin.” Yad Vashem Studies, April 2002,1-22. Translated from the Hebrew by Naftali Greenwood.
Bibliography · 251 Altshuler, Mordechai. Religion and Jewish Identity in the Soviet Union, 1941-1964. Translated by Saadya Sternberg. Waltham: Brandeis University Press, 2012. Altshuler, Mordechai. “Russian and Her Jews: The Impact of the 1914 War.” Wiener Library Bulletin 27, no. 30/31 (1973). Altshuler, Mordechai. SovietJewry on the Eve ofthe Holocaust: A Social andDemographic Profile. Jerusalem: Yad Vashem, 1998. Angrick, Andrej. Besatzungspolitik und Massenmord: Die Einsatzgruppe D in der südlichen Sowjetunion 1941-1943. Hamburg: Hamburger Edition, 2003. Appelbaum, Rachel. “The Friendship Project: Socialist Internationalism in the Soviet Union and Czechoslovakia in the 1950s and 1960s.” Slavic Review 74, no. 3 (Fall 2015): 484-507. Arad, Yitzhak. The Holocaust in the Soviet Union. Lincoln: University of Nebraska, 2013. Azoulay, Ariella. The Civil Contract ofPhotography. Cambridge: Zone Press, 2008. Bair, Nadya. The Decisive Network: Magnum Photos and the Postwar Image Market. Berkeley: University of California Press, 2020. Barskova, Polina. “The Corpse, the Corpulent, and the Other: A Study in the Tropology of Siege Body Representation.” Ab Imperio 1 (2009): 361-86. Bartram, Faye. “35mm Bridges: Cultural Relations and Film Exchange between France and the Soviet Union, 1945-1972. PhD diss., University of Iowa, 2017. Baskind, Samantha. “Weegees Jewishness.” History ofPhotography 34, no. 1 (2010): 60-78. Batchen, Geoffrey, Mick Gidley, Nancy K. Miller, and Jay Prosser, eds. Picturing Atrocity: Photography in Crisis. Chicago: University of Chicago Press, 2012. Bazyler,
Michael J., and Frank M. Tuerkheimer. Forgotten Trials ofthe Holocaust. New York: NYU Press, 2014. Bemporad, Elissa. Legacy ofBlood:Jews, Pogroms, and RitualMurder in the Lands ofthe Soviets. New York: Oxford University Press, 2019. Bethel, Denise. “At Auction and in the Book Trade: Sources for the Photography Historian.” History ofPhotography 21, no. 2 (1997): 117-28. Bonnell, Victoria. Iconography ofPower: Soviet Political Posters under Lenin and Stalin. Berkeley: University of California Press, 1999. Brandenburger, David. National Bolshevism: Stalinist Mass Culture and the Formation of Russian National Identity, 1931-1956. Cambridge, MA: Harvard University Press, 2002. Brandenburger, David. “Stalins Last Crime? Recent Scholarship on Postwar Soviet Antisemitism and the Doctors Plot.” Kritika 6, no. 1 (2005): 187-204. Bronfen, Elisabeth. Specters of War: Hollywood’s Engagement with Military Conflict. New Brunswick, NJ: Rutgers University Press, 2012. Campbell, Craig. The Atomic Bomb and the Origins ofthe Cold War. New Haven: Yale University Press, 2008. Cantorovich, Nati. “Soviet Reactions to the Eichmann Trial: A Preliminary Investigation, 1960-1965.” Yad Vashem Studies 35, no. 2 (2007): 103-41.
252 · Bibliography Carrabine, Eamonn. “Images of Torture: Culture, Politics, and Power.” Crime, Media, Cultures7, no.l( 2011): 5-30. Confino, Aion. “Collective Memory and Cultural History: Problems of Method.” American Historical Review 102, no. 5 (1997): 1386-403. Damisch, Hubert. A Theory of/Cloud/: Towards a History ofTainting. Translated by Janet Lloyd. Stanford: Stanford University Press, 2002. Dawson, Greg.Judgment before Nuremberg: The Holocaust in the Ukraine and the First Nazi War Crimes Trial. New York: Pegasus Books, 2012. Desbois, Patrick. Holocaust by Bullets: A Priest’sJourney to Uncover the Truth behind the Murder of1.5 Million Jews. New York: St. Martins Press, 2009. Dobson, Miriam. Khrushchevs Cold Summer: Gulag Returnees, Crime, and the Fate of Reform afer Stalin. Ithaca, NY: Cornell University Press, 2009. Efal, Adi. “Warburgs ‘Pathos Formula’ in Psychoanalytic and Benjaminian Contexts.” Studies in Art History 1 (2000): 221-38. Emmett, Arielle Susan. “Haunting Images: Differential Perception and Emotional Response to the Archetypes of News Photography.” PhD diss., University of Maryland, 2011. Estraikh, Gennady, and Anna Schur, eds. “The 1952 Trial of the Jewish Anti-Fascist Committee in the Soviet Union.” Special section of East European Jewish Affairs 48, no. 2 (2018): 139-252 Feferman, Kiril. The Holocaust in the Crimea and Northern Caucasus. Jerusalem: Yad Vashem Press, 2016. Feferman, Kiril. “Nazi Germany and the Mountain Jews: Was There a Policy ?” Holocaust and Genocide Studies 21, no. 1 (2007): 96-114. Foster, Kurt. “Aby Warburgs History of Art:
Collective Memory and the Social Mediation of Images.” Daedalus 105, no. 1 (1976): 169-76. Fox, Michael David. Showcasingthe Great Experiment: CulturalDiplomacy and Western Visitors to the Soviet Union, 1921-1941. New York: Oxford University Press, 2014. Gatrell, Peter. Free World!: The Campaign to Save the World’s Refugees, 1956-1963. New York: Cambridge University Press, 2011. Gatrell, Peter. A Whole Empire Walking: Refugees in Russia during World War I. Bloomington: Indiana University Press, 2005. Gee, Helen. Limelight: A Greenwich Village Photography Gallery and Coffeehouse. Albuquerque: University of New Mexico Press, 1997. Gilboa, Yehoshua. The Black Years ofSovietJewry. New York: Litde Brown Co, 1971. Gilburd, Eleonora. “The Revival of Soviet Internationalism in the mid- to late-1950s.” In The Thaw: Soviet Society and Culture during the 1950s and 1960s, edited by Eleonory Gilburd and Dennis Kozlov, 362-401. Toronto: Univesrity of Toronto Press, 2014. Gilburd, Eleonory. To See Paris andDie: The Soviet Lives ofWestem Culture. Cambridge: Harvard University Press, 2018. Goldin, Semion. “‘The Jewish Question’ in the Tsarist Army in the Early Twentieth Century.” In The Revolution of1905 and Russia’sJews, edtied by Stefani Hoffman
Bibliography · 253 and Ezra Mendelssohn, 70-81. Philadelphia: University of Pennsylvania Press, 2008. Gorer, Geoffrey. “The Pornography of Death.” Encounter 5, no. 4 (1955): 49-52. Gray, Camilla. The Great Experiment: Russian Art 1863-1922. London: Thames and Hudson, 1962. Grimmer-Solem, Erik. “Selbständiges verantworliches Handeln: Generalieutenant Hans Graf von Sponeck (1888-1944) und das Schicksal der Juden in der Ukraine, Juni-Dezember 1941.” Militärgeschichtliche Zeitschrift 72 (2013), 23-50. Gubenko, Giteľ, Knigapeckali. Simferopol: Krymskoe upravlenie po pechad, 1991. Hellbeck, Jochen. Stalingrad: The City That Defeated the Third Reich. New York: Public Affairs, 2015. Hicks, Jeremy. First Films ofthe Holocaust. Pittsburg: University of Pittsburg, 2011. Hirsch, Francine. “The Soviets at Nuremberg: International Law, Propaganda, and the Making of the Postwar Order.” American Historical Review 113, no. 3 (2008): 701-30. Hirsch, Marianne. Family Frames: Photography, Narrative, andPostmemory. Cambridge, MA: Harvard University Press, 1997. Ignatieff, Michael. “Soviet War Memorials.” History Workshop Journal 17, no. 1 (1984): 157-63. James, Sarah. Common Ground: German Photographic Cultures across the Iron Curtain. New Haven: Yale University Press, 2013. James, Sarah “A Post-Fascist Family ofManî Cold War Humanism, Democracy, and Photography in Germany.” Oxford ArtJournal 35, no. 3 (December 2012): 315-36. Jones, Polly, ed. The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era. London: Roudedge, 2006. Kalkstein, Molly. “Inside the
Box: Photography and the Portfolio Format.” MA thesis, Ryerson University, 2013. Kappeler, Susanne. The Pornography of Representation. New York: Wiley and Sons, 2013. Kassow, Sam. Who Will Write Our History: Rediscovering a Hidden Archivefrom the Warsaw Ghetto. New York: Vintage, 2009. King, David. The Commissar Vanishes: The Fabification ofPhotographs andArt in Stalins Russia. London: Tate, 2014. Kivelson, Valerie, and Joan Neuberger, eds. Picturing Russia: Explorations in Visual Culture. New Haven: Yale University Press, 2008. Kochavi, Arieh. “The Moscow Declaration, the Kharkov Trial, and the Question of a Policy on Major War Criminals in the Second World War.” History 76, no. 248 (1991): 401-17 Koenker, Diane. Club Red: Vacation Travel and the Soviet Dream. Ithaca, NY: Cornell University Press, 2013. Kostyrchenko, G. V. Tainaia politika Stalina: vlasť і antisemitizm. Moscow: Mezhdunarodnoe otnoshenie, 2001.
254 · Bibliography Kristeva, Julia. Powers ofHorror: An Essay on Abjection. Translated by Leon Roudiez. New York: Columbia University Press, 1982. Kupferman, Fred. Au pays des Soviets. Le voyagefrançais en Union soviétique, 1917-1939. Paris: Gallimard/Julliard, collection Archives, 1979. Lemza, John. American Military Communities in West Germany: Life on the Cold War Badlands. New York: McFarland, 2016. Lendvai, Paul. One Day That Shook the Communist World: The 1956Hungarian Uprising and Its Legacy. Translated by Ann Major. Princeton, NJ: Princeton University Press, 2008. Livshits, L. Y. ed. Ermitazh v gody voiny. Leningrad: Publishing Council of the State Hermitage, 1987. Loengard, John. Celebrating the Negative. New York: Arcade, 1994. Lohr, Eric. Nationalizing the Russian Empire: The Campaign against Enemy Aliens during World War I. Cambridge, MA: Harvard University Press, 2003. Lohr, Eric. “The Russian Army and the Jews: Mass Deportation, Hostages, and Violence in World War I.” Russian Review 60, no. 3 (2001): 404-19. Manley, Rebecca. To the Tashkent Station: Evacuation and Survival in the Soviet Union at War. Ithaca, NY: Cornell University Press, 2012. McClellan, Woodford. “Africans and Black Americans in Comintern Schools, 19251934.” InternationalJournal ofAfrican Historical Studies 26, no. 2 ( 1993): 371-90. Melikova, Natalia. “Constructive renewal: Izvestia building, Moscow by Ginzburg Architects.” Architecture Review, September 27,2017. Merridale, Catherine. Night ofStone: Death and Memory in 20th Century Russia. New York: Viking Penguin, 2000. Morozov, Sergei,
Sovetskaia khudozhestvennaiafotografila. Moscow: Iskusstvo, 1958. Moss, Kenneth,Jewish Renaissance in the Russian Revolution. Cambridge, MA: Harvard University Press, 2009. Montier, Jean Pierre. “Henri-Cartier-Bresson, ‘Public Intellectual’? Études photogra phiques 25 (May 2010): 1-13. Mrázková, Daniela. Masters ofPhotography. London: Hamlyn, 1987. Nakhimovsky, Alice, and Alexander and Yevgeny Khaldei. Witness to History: The Photographs ofYevgeny Khaldei. New York: Aperture, 1997. Neumaier, Diane. Beyond Memory: Soviet Non-Conformist Photography. New Brunswick: Rutgers University Press, 2004. Nikitin, Vladimir Anatolevitch. Rasskazy о fotografakh і fotografiiakh. Leningrad: Lenizdat, 1991. Plamper, Jan. The Stalin Cult: A Study in the Alchemy of Power. New Haven: Yale University Press, 2012. Penn, Michelle. “The Extermination of Peaceful Soviet Citizens: Aron Trainin and International Law.” PhD diss., University of Colorado, 2017.
Bibliography · 255 Petrovsky-Shtern, Yohanan. Jews in the Russian Army, 1827-1917: Banished from Modernity? New York: Cambridge University Press, 2009. Pietrobon, Allen. “The Role of Norman Cousins and Track II Diplomacy in the Breakthrough to the 1963 Limited Test Ban Treaty.” Journal of Cold War Studies 18, no. 1 (2016): 60-71. Prusin, Alexander. “Polands Nuremberg: The Seven Court Cases of the Supreme National Tribunal, 1946-1948.” Holocaust and Genocide Studies 24, no. 1 (2010): 1-25. Rasskazy оfotografakh Ifotografiiakh. Leningrad: Lenizdat, 1991. Reid, Susan. “Photography in the Thaw.” ArtJournal 53, no. 2 (1994): 33-39. Reynolds, Michael. Shattering Empires: The Clash and Collapse of the Ottoman and Russian Empires, 1908-1918. New York: Cambridge University Press, 2012. Ro’i, Yaacov. “The Jewish Religion in the Soviet Union after World War II.” In Jews and Jewish Life in Russia and the Soviet Union, 264-89. London: Frank Cass, 1995. Rubenstein, Joshua. The Last Days ofStalin. New Haven: Yale University Press, 2016. Sandeen, Eric J. “The Family ofMan on the Road to Moscow.” In American Photographs in Europe, edited by David Nye and M. Gidley, 255-70. Amsterdam: VU University Press, 1994. Reprinted in Lori Bogle, The Cold War: Cold War Culture and Society, voi. 5, 57-72. London: Roudedge, 2001. Shneer, David. “Ghosdy Landscapes: Soviet Liberators Photograph the Holocaust.” Humanity: An International Journal of Human Rights, Humanitarianism, and Development 5, no. 2 (2015): 235-46. Shneer, David. “Is Seeing Believing?: Photographs, Eyewitness Testimony, and Evidence of
the Holocaust.” East European Jewish Affairs 45, no. 1 (2015): 65-78. Shneer, David. Through SovietJewish Eyes: Photography, War, and the Holocaust. New Brunswick: Rutgers University Press, 2011. Shneer, David. Yiddish and the Creation ofSovietJewish Culture. New York: Cambridge University Press, 2005. Shrayer, Maxim. I Saw It: Ilya Selvinsky and the Legacy ofBearing Witness. Boston: Academic Studies Press, 2012. Shternshis, Anna. When Boris Met Sonia: Jewish Life under Stalin. New York: Oxford University Press, 2017. Siegelbaum, Lewis. Stakhanovism and the Politics of Productivity in the USSR. New York: Cambridge University Press, 1990. Smilovitsky, Leonid. Jewish Life in Belarus: The Final Decade of the Stalin Regime, 1944-1953. Budapest: Central European University Press, 2014. Sontag, Susan. Regarding the Pain ofOthers. New York: Picador, 2004. Spivey, Nigel. Enduring Creation: Art, Pain, and Fortitude. Berkeley: University of California Press, 2001.
256 · Bibliography “Tax Treatment of Artists’ Charitable Contributions.” Yale Law Journal 89, no. 1 (1979): 144-67. Tomoff, Kril. Creative Onion: The Professional Organization ofSoviet Composers, 19391953. Ithaca, NY: Cornell University Press, 2018. Tucker, Anne Wilkes, et al. War/Photography: Images of Armed Conflict and Its Aftermath. Museum of Fine Arts, Houston, 2012. Tyaglyi, Mikhail. “Commemoration of Jewish Victims at Two Killings Sites near Kerch.” Untold Stories, Yad Vashem (https://www.yadvashem.org/untoldstories/ database/commemoration.asp?cid=676). Tumarkin, Nina. “The Great Patriotic War as Myth and Memory.” European Review 11, no. 4 (2003): 595-611. Varga-Harris, Christine. Stories ofHouse and Home: Soviet Apartment Life during the Khrushchev Years. Ithaca, NY: Cornell University Press, 2015. Voisin, Vanessa. “War Crimes Footage and War Crimes Trials: The Soviet Policy, 19411946.” In Defeating Impunity, Promoting InternationalJustice: The Archival Trail, 1941-2016. New York: Springer, 2018. Von Laue, Theodore, Angela Von Laue, Dmitrii Baltermants, and Tatiana Baltermants. Faces ofa Nation: The Rise and Fall ofthe Soviet Union, 1917-1991. Golden, CO: Fulcrum Publishing, 1996. Wallis, Brian. Weegee: Murder Is My Business. New York: Prestel, 2013. Werneke, Jessica Marie. “The Boundaries of Art: Soviet Photography from 1956 to 1970.” PhD, University of Texas, Austin, 2015. White, Stephen. The Bolshevik Poster. New Haven: Yale University Press, 1988. Witkin, Lee, and Barbara London. The Photograph Collectors Guide. Boston: New York Graphic Society, 1979. Wolf,
Erika. “When Photographs Speak, to Whom Do They Talk? The Origins and Audience ofSSSRna stroike (USSRin Construction).” Left History 6, no. 2 (1999): 53-82. Worswick, Clark. Berenice Abbott and Eugène Atget. Santa Fe, NM: Arena Editions, 2002. Young, James. Textures ofMemory: Holocaust Memorials and Meaning. New Haven: Yale University Press, 1994. Zelizer, Barbie. “Holocaust Photography, Then and Now.” In Picturing the Past: Media, History, and Photography, edited by Bonnie Brennen and Hanno Hardt, 98-122. Urbana: University of Illinois Press, 1999. Zeltser, Arkadi. Unwelcome Memory: Holocaust Memorials in the Soviet Union. Jerusalem: Yad Vashem, 2019. Zubkova, Elena. Russia after the War: Hopes, Illusions, Disappointments, 1945-1957. Armonk, NY: ME Sharpe, 1999.
IN DEX For the benefit ofdigital users, indexed terms that span two pages (eg., 52-53) may, on occasion, appear on only one ofthose pages. Abbott, Berenice, 136 Across the Oder (Baltermants), 112. See also Crossing the Oder (Baltermants) Adams, Ansel, 138 Adams, Susan, 168-70 Adelaide Photo Club, 144-45 Adenauer, Konrad, 88 Aderet, Ofer, 185 Adzhimushkaiskii trench executions (1942), 26,187,194-95 Afanasyeva, O. I., 55, 56,57-59,95-97 Agana investment fund, 174,176 Agfa color film, 79 Akhmatova, Anna, 71-73 Akron Art Museum, 170 Aleksandrov, A., 107-9,161-63 Alexander, Nailya, 179 All-Union Art Exhibitions (Soviet Union), 78, 80 All-Union Society for Cultural Relations with Foreign Countries (VOKS), 89-90,91. See also Union of Soviet Friendship Societies (SSOD) Alpert, Maks, 104-5,105f 143-44 American Exhibition (Moscow, 1959), 89, 92-93,107. See also Kitchen Debate American-Soviet Dartmouth Conference, 138 And the Chestnut Trees Bloom (Baltermants), 83-84 Annenberg Space for Photography (Los Angeles), 2-3 anticosmopolitan campaign (Soviet Union), 71-74 Antishina, Maria, 194 Antselovitch, Israel, 40,53-55, 56, 58 Atget, Eugene, 136,144 Attack (Baltermants), 128-29,151,158, 164,180. Auerbach, Rokhl, 185 Auschwitz concentration camp, 87, 88,187-88 Babi Yar massacre (Soviet Union, 1941), 83-84 Bagerovo Trench executions (1941) Baltermants s photographs of, 42-44,45-46,47-53,48-51/ 55-58,61,68,70, 71, 95-96, 97/ 97-98, 123, 129-33, 134 (See also Grief)
258 · Index Bagerovo Trench executions (1941) [Cont.) children killed at, 32,40-42,41f, 44,46,47,52,54,57-58,69-70, 130-31,182-83 commercial airport near contemporary site of, 189-90 discovery and investigation of, 23,26, 31-33,34,40,42-44,69-70 Einsatzgruppe D and, 24-25, 33-34,40 Hilfswilliger and, 24-25,32-33 I Saw It (Selvinsky) and, 35-37 Jewish commemorative practices at site of 186-90,193-94,205 Jewish memorial at site of 190-93 Jews killed in, 24-26,32-34,40-41, 42-44,46,47,52,53-55,56,100, 116,131,153,181-83,192,205 Karaites killed at, 32-33 Khaldeis photographs of 41-42,4445/44-45,47,53 Krymchaks killed at, 32-34 Muslim Tatar cemetery near site of 201-2 partisan fighters killed at, 26,29, 31,33-34 Romani population killed at, 33-34 seventy-fifth anniversary commemoration (2017) at site of 194 Soviet media reports regarding, 3436,40-42, 59 Soviet memorial at site of 130-31, 187-88,189,192-93 Soviet prisoners of war killed in, 29, 31 Soviet reports obscuring ofJewish identity of victims at, 32-33 survivors of 25 TASS Windows photos following, 56-58, 57f Wehrmacht and, 24-25, 33 Baltermants, Dmitri. See abo Grief; specific worh advanced mathematical training of 9, 16-17,103-4 apprenticeship in photography of 9, 10-11,16 archive of 167,169,175-77,179 auctions of photographic work of 158, 159,166,170 Bagerovo Trench photos by, 42-44, 45-46,47-53,48-51/ 55-58,61, 68,70,71,95-96,97/ 97-98,123, 129-33,134 (See aho Grief Bolshevik Revolution experiences during childhood of 8-9 Bowdoin College exhibition (2017) of 181-82 Brazil exhibition (1962) featuring, 109 Brezhnev and
Brezhnev funeral photographed by, 118-19,141-42 Budapest photo exhibition (1957) featuring, 83,91,102,112 Central House ofJournalists Exhibition (1962) of 104-9, 112,140-41 Central House ofJournalists Exhibition (1982) of 140-41 childhood photo of 6 China photographs of 83, 84-85f daughter Tatianas relationship with, 148,152 death of 151-52,153 decision to publish series of photos from Kerch by, 129-30 Defense of Moscow medal awarded to, 67 financial value of photographs of, 123,124-25,135,136-37,143-44, 148,149-52,154,156,158-61, 163-64,165-66,167-68,169,171, 176-77,179
Index · 259 First World War experiences during childhood of, 8 frontline wartime photography assignments of 39-40,61,62f 62-64, 66,67 (See also Bagerovo Trench executions) grieving women as focus ofwartime photography of, 47-52, 55-56,96, 100,101,104,120-21,123,124, 130-31,154-55,163,172,181-82 Harbaugh and, 146,147,148,149-52, 156,159-60,163,164 Ho Chi Minh photographed by, 76,77f Hungary photographs (1957) of, 77-78 Izvestiia and, 5-6,9-11,13-14,16,40, 61,62/ 62—63,64,66,153 Jewish identity of, 4, 6, 53,67,71-73 Kerch-Feodosia Amphibious Operation (1941-42) and, 42 Khrushchev photographed by, 76, 120/125,170-71,172 Kiev photographs of 83-84 Life magazine’s photographing of, 141-43 limited edition portfolios of, 159-61, 167-68 London exhibition (1964) of 110-18, 114-15/ Los Angeles exhibition (2003) of, 168 Lvov and Ukraine photo assignment (1939) of, 9-10,14-15 montage photography techniques and, 2,45-46,75/98,161-63 Moscow exhibition (2012) featuring work of, 174 Moscow exhibition (2013) featuring work of, 173-74 Motherland Calls photographed by, 84-85,86/ New York City retrospective (1992) of, 161-63 New York exhibition (1965) featuring, 125-28 New York exhibition ( 1967) featuring, 128 New York exhibition ( 1983) featuring, 139-40 obituaries of 153-54 Ogonek magazine and, 71,72/, 76,77-78, 83,96-97,98,99-100,119-20,158 Order of the Patriotic War, Second Class awarded to, 67 Order of the Red Star awarded to, 67 Paris exhibition (2005) of work of, 172-73 penal battalion service during Second World War by, 64,65-67,78 Rome exhibition (1969) of, 128-29 Santa Monica
exhibition (1990) of, 152,153,154-55 socialist realism and, 5-6,10,11,1314,16-17,71 Sovetskoefoto and, 83 Soviet Photography of World War II: 1941-1945 (US exhibit, 1985) and, 142-43 Soviet Union and photography of ethnic diversity (1950s) and, 83 Stalin and Stalins funeral photographed by, 73/ 74,75,172 Stalingrad photographs by, 65/ 65-66 Tereschenko photograph by, 51/ Third International Photo Competition (1958) and, 81 Tretyakov Gallery exhibition ( 1951 ) and, 80 trip to Bagerovo Trench (1975) by, 130-31 Union of Soviet Friendship Societies (SSOD) and, 91,93,96,119-20, 128,144,145,173-74
260 · Index Baltermants, Dmitri (Cont.) US Holocaust Memorial Museum collection of photos of, 182-84 US travels (1983) of, 138-41 Vietnam photographs by, 76 wartime wounds suffered by, 65-66 Washington, DC, exhibit ( 1986) featuring, 143-44 Yad Vashem collection ofphotos by, 182-83,184,186 Yukhnov photographs by, 61-62 Baltermants, Nikolai, 8-9 Baltermants, Sara (Sofia) Khananovna Dvoretskaia Stolovitskaia, 6, 8-9 Baltermants, Tatiana archive of Baltermants photographs and, 166,167,176-77 European galleries’ Baltermants collections and, 170,173 Faces ofa Nation and, 165 father s relationship with, 148,152 limited edition portfolio of Baltermants photos (2003) and, 168 market for her Baltermants photographs and, 148,149,154, 156,160,166,167 New York City retrospective of Baltermants (1992) and, 161 photos of, 148,161-63 Barthes, Roland, 185 Bataclan terrorist attack (Paris, 2015), 46 Behind Enemy Lines (Baltermants), 158 Bergelson, David, 73-74 Beria, Lavrentiy, 75-76,172 Berman, Grigory, 44-45,45f 193-94,205 Bialik, Chaim Nachman, 36 Bodine, Aubrey, 128 Boll, Heinrich, 95,118,120-21,203 Bolshevik Revolution (1917), 8-9,32 Bowdoin College Museum of Art (BCMA), 181-82 Brady, Mathew, 2,104 Brainerd, Michael, 138-39,142-44,151, 152,160 Breslau, Battle of (1945), 67 Brezhnev, Leonid, 118-20,134,141-42 Brezhneva, Galina, 141-42 British Communist Party (BCP), 110 Brodsky, Isaac, 16-17 Bryansk Front (Second World War, 1941-43), 66 Buchenwald concentration camp, 179-80 Budapest International Photo Exhibition (1957), 83,91,102,112 Burasovskaya, Maria, 176-77 Canitrot, Armelle, 172
Capa, Cornell, 139,140,147,161,163 Capa, Robert, 3,139,143,152, 153,154-55 Cartier-Bresson, Henri, 79,90,125, 144,174-75 Cavalry, Red Square, November 7,1941 (Baltermants), 40,160-61. See also Parade in Moscow, 1941. Cavalry Guardsmen Pursue the Enemy (Baltermants), 63 Central House ofJournalists (Moscow), 81,82-83,104-5,140-41 Chalk, David, 137-38 Chinese Street Scene (Baltermants), 84/՜ Christopher, Frank, 128 Chrysler Museum of Art (Norfolk, Virginia), 170 Chulkov, Vanya, 5 Churbanov, Yuri, 141-42 Citizens Exchange Council (CEC), 137, 139,142-44,155
Index · 261 Clarkson, Rich, 161,164 Cleveland Museum of Art, 170 Cliburn, Van, 107 Cohen, Judy, 183,205 color photography, 78-82, 83, 86, 173 Communist Youth (Komsomol, “Pioneers”), 5-6,10,12, 58-59, 83 Comptoir de la Photographie Gallery (Paris), 170 constructivism, 5-6,157 Cook, Johna, 181 Cousins, Norman, 138-39 Crew ofthe Rodina Airplane (Baltermants), 13-14 Crossing the Oder (Baltermants), 67f 158. See aho Across the Oder (Baltermants) Curtis, Cathy, 154-55 Cutajar, Mario, 164-65 Dmitri Baltermants: Documenting and Staging Soviet Reality (Bowdoin College Museum of Art exhibition, 2017), 181-82 Dmitri Baltermants: The Great Patriotic Wir 1941-1945 (Los Angeles exhibition, 2003), 168 Dmitri Baltermants/ Дмитрий Ба льтермащ (Paris exhibition, 2005), 172-73 Dmitrii Baltermants: Selected Photographs (1977), 135 Doctors’ Plot (Soviet Union, 1953), 75-76 Doisneau, Robert, 125-26 dos Santos, João, 102/, 102 Douleur (Baltermants). See Grief (Baltermants) Dvoretsky, Joseph, 7f 8 da Vinci, Leonardo, 103-4 Day of Memory and Sorrow (commemoration of German invasion of the Soviet Union), 187-88 de Gaulle, Charles, 70-71 Dej, Gheorghe, 75 Delanoë, Bertrand, 172 Delpire, Robert, 170 “Demonstration at the VEF Factory in Riga” (Baltermants), 16-17 “Demonstration on Spartacus Square” (Zelma and Baltermants), 10-12 Desbois, Patrick, 195,196,197-98 Deschin, Jacob, 128 Dewey, Thomas E., 179-80 Ditch ofKerch (Baltermants). See Grief Dmitri Baltermants: A Soviet Photojoumalist’s Retrospective, 1939-1989 (New York, 1992), 161-63 Edward Steichen Photography Galleries (MoMA), 179-80
Einsatzgruppe D (Nazi German paramilitary force), 18, 20, 24-25,33-34 Eisenhower, Dwight D., 89-90, 91-92,126 Eisenstein, Sergei, 155-56 11 Photographers (Huntington Hartford Museum Gallery of Modern Art exhibit, 1965), 125 El Lissitzky (Lazar Markovich Lissitzky), 5-6,10,16-17,148,161 The Enemy’s Destruction (Narazgrom vraga, Soviet military newspaper), 66 Evzerikhin, Emmanuel, 143-44 Execution on Anti-Tank Ditch (Oren), 200-1 Execution Site ofJews, Prisoners of War, Krymchaks, and Civilians (Oren), 200-1
262 · Index Exhibition of Soviet Art Photography (Moscow, 1958), 83,86-87 Extraordinary Commissions (EC), 23, 68,69-71,196 Faces ofa Nation (illustrated narrative history), 165 The Family ofMan (Steichen) atomic explosion photographs and, 88-89 international acclaim for, 95 Japanese exhibition of, 89 Moscow exhibition of, 89,93 Museum of Modern Arts presentation (1955) of, 88-89 thematic organization of, 126-27 US Information Agency and, 117 Fefer, Itsik, 73-74 Feodosia (Soviet Union), 42 Fire Escape (Rodchenko), 157 The First Paparazzi (2011 exhibition at Moscow House of Photography), 175 First World War, 8 Flashes ofMemory: Photography During the Holocaust ( Yad Vashem exhibition), 184-85 Focus ’81 photography workshops, 161 Focus ’83 photography workshops, 139 Foto Fest conference (Moscow, 2011), 171 France, 63,68-69,70-71,76 Frank, Robert, 170 Frankfurt Auschwitz Trials (1963-65), 33-34 Frenkelzon, Maaty, 184 Fridlyand, Semyon, 93,119-20 Gagarin, Yuri, 107 Garage: Center for Contemporary Culture, 171 Garrubba, Caio, 95-96, 98,103, 118,128-29 Gavrish, 1.1., 71 Gee, Helen, 128,136 Geneva Accords, 76 Germany homophobia and, 35 Molotov-Ribbentrop Pact (1939) and, 9-10,12,13,38,59,63 photographic technology and, 79 racial ideology in, 3,17-18,20-21, 26-27,28,32,33,54-55 Soviet Union invaded (1941) by, 15-18, 38 trophy photographs depicting atrocities committed by, ¥lf 38-39,47 George, Marie-Françoise, 170 Gershengorin, Dmitry, 160,176 Gescheidt, Alfred, 126-28 Gestapo (Nazi German police force), 21-22, 53-54 Getty Museum (Los Angeles), 146,165 Ghert-Zand, Renee, 184 Gide,
André, 89-90 Gilpin, Laura, 147 Girault de Prangey, Joseph-Philibert, 174-75 Glavlit (Soviet censorship agency), 110 Glaz Gallery (Moscow), 176-77 Gorbachev, Mikhail, 142,155-56 Gorbatov, Boris, 80-81 Gordon, Morris, 125-28,144 Gore (Baltermants). See Grief (Baltermants) Gorkii, Maxim, 82 Göth, Amon, 70 Great Britain Great Britain-USSR Association, 110, 172,173-74 Khrushchev’s visit (1956) to, 109
Index · 263 media coverage of Second World War in Soviet Union and, 58-60,63-64 Soviet Union alliance during Second World War with, 63-64 United Nations and, 68-69 The Great Patriotic War in Art Photography (Soviet Union exhibits, 1957), 87 Great Terror (Soviet Union, 1930s), 12-13,76,78 Green, Michael, 110-12,117 Grief(Baltermants) auctions of, 158,166,170 author s own interactions with, 1-2,3,203 Baltermants s photo editing process and, 56,98-100,102-4,108,16163.173.183.185-86 Bowdoin College exhibition (2017) of, 181-82 Budapest exhibition (1973) of, 129-30 Central House ofJournalists Exhibition (1962) of, 107-9 cloud images in, 1-2,101-3,108,124, 131,163,173,183 damaged photographic negative of, 3, 98,100,102,104,108,164 diplomatic initiatives during Cold War and, 123-24 documentary version at Hood Museum of Art and, 99f financial value of, 123,124-25,137, 148,158,159,161,166,179 Garrubba and, 95-96,98,103 as “Holocaust photograph,” 3-4,179, 180.182.183.185-86,192-93,205 Illinois Holocaust Museum exhibition (2015) featuring, 185-86 Ivanova as the focus of, 1-2, 55-56, 95-97,98,99,104,110,120,13031,134,180,181-82,203,205 limited edition portfolio print of, 160,161 London exhibition (1964) and, 112, 113,116,117-18 Mattis s printing ofvariants of, 169 montage techniques utilized in, 2, 161-63,173 Museum of Modern Art exhibition (2011) featuring, 179-80 Nazi invasion of Soviet Union documented in, 15-18, 38 New York City exhibition (1965) of, 126-28 New York City exhibition (1967) of, 128 Ogonek magazine s publication of, 120-22, 203 Paris exhibition (2005) of, 172-73,180
Prague exhibition (1981) of, 140 Rome exhibition ( 1968) of, 128-29 rule of thirds and, 99 Santa Monica exhibition ( 1990) of, 154-55 Sovetskoefoto’s publication of, 107,109 That’s How It Was exhibition and, 131 Through SovietJewish Eyes exhibition (2011) and, 180 Time magazine “100 most influential photograph” distinction for, 2-3,96 US Holocaust Memorial Museums print of, 183 War/Photography exhibition (Houston, 2012) and, 180 Was ist der Mensch? exhibitions and, 118,139 women in grief throughout the composition of, 100,104,12021,124,130-31,154-55,163, 172,181-82
264 · Index The Grieving Mother (war memorial in Novosibirsk, Russia), 131-34 Grundberg, Andy, 139-40,153 Gulag prison system (Soviet Union), 75-76 Gurarii, Samarii, 11,14-15 Hagen, Charles, 161-63 Halsman, Philippe, 125-27,147-48 Halsman, Yvonne, 147-48 Harbaugh, Paul archives of Baltermants photographs and, 167 Baltermantss relationship with, 2, 146,147,148,149-52,156,159-60, 163,164 European galleries’ Baltermants collections and, 170 Gershengorin and, 176 Gilpin and, 147 Griefprints owned by, 1-3 on Griefs contemporary relevance, 155,203 Halsman collection of, 147 Hawkins and, 146,149-51 limited edition portfolio of Baltermants photos created by, 159-60 Native American photography collection of, 147 New York retrospective of Baltermants’ photography (1992) and, 161-63 photography work by, 146-47 photo of, 161-63 Soviet photography collection of, 1-2 Soviet travels by, 147-48 Harbaugh, Teresa, 1,2-3,146-47, 160,176 Hawkins, G. Ray antiquarian bookstores frequented by, 145 Baltermants and, 146,147,149-52, 153,154,155,156,160,164-66, 168,238n28 Harbaugh and, 146,149-51 limited edition Baltermants portfolio and, 160 Outerbridge and, 145-46 Santa Monica gallery of, 145,146,151, 153,155,164 Yavno and, 146 Hernandez, Benedict, 137-38,139 Hilfswilliger (Tatar collaborators with Nazi occupation forces), 24-25,32-33 Hill, Roger, 117-18 Hiroshima atomic bombing (1945), 88,138 Hider, Adolf, 17-18,40-41 “Hiderite Atrocities in Kerch” (Redkin), 53, 54/ 97 Hitlerite Responsibility under Criminal Law (Trainin), 69-70 Hochberg, Judith, 167 Ho Chi Minh, 76, Ilf The Holocaust
commemorations in Soviet Union of, 186-88,189 Griefand documentation of, 3-4, 123-24,153,179,180,182,183, 185-86,192-93,205 International Holocaust Remembrance Day and, 187-88 Jewish identity and, 179,184 Jews as largest population ofvictims in, 3-4,47,68,69,83-84,116,121, 179,186,192,193,205 Krymchak population as victims in, 32-34,187,193,194-95 Nazi racial ideology and, 3,17-18,2021,26-27,28,32,33,54-55 photo archives and exhibits of, 182-86,205
Index · 265 Romani populations as victims in, 3, 33-34,47,68,186 Soviet prisoners of war as victims in, 3,186 Yom ha-shoah (day of Holocaust commemoration in Israel) and, 187-88 homophobia, 35 Hood Museum (Dartmouth College), 170 “Horrible Crimes of the Hitlerite Executioners” (Redkin), 40-41, 41/ Höss, Rudolf, 70 Hughes, Langston, 89-90 Hungary rebellion (1956), 77-78,91 Huntington Hartford Museum Gallery of Modern Art (GMA), 125-28 Ibárruri, Dolores, 75 Illinois Holocaust Museum, 185-86 “In a Lvov Locomotive Repair factory” (Gurary and Baltermants), 14-15 The Indelible Image: Photographs ofWar, 1846 to the Present (Washington, DC, exhibit, 1986), 143-44 The Inglorious End ofFascist Tanks (Baltermants), 63 International Center of Photography (ICP), 140,142-43,161-63 International Holocaust Remembrance Day, 187-88 International Military Tribunal (IMT, “Nuremberg Trials”), 69-70, 87 “In the City of Slaughter” (Bialik), 36 I Saw It {la eto videl, Selvinsky), 35-37,101 Ish, Lev Romanovitch, 40 Israel, 73-74,184,192 Ivanova, P. I. Baltermants s four photographs of, 97/97-98,131 Griefand, 1-2,55-56,95-97,98,99, 104,110,120,130-31,134,180, 181-82,203,205 “Hitlerite Atrocities in Kerch” and, 97 search for deceased husband at Bagerovo Trench by, 55-56, 134,180 Izvestiia Bagerovo trench executions (1941) and, 34-36,40, 53,61 Baltermants s work for, 5-6, 9-11, 13-14,16,40,61,62/ 62-63,64, 66,153 “Demonstration at the VEL Factory in Riga” and, 16 “Demonstration on Spartacus Square” and, 10-12 Moscow headquarters building of, 9 “Photo of Pioneers” and, 5-6,10 Red Army presence in
Ukraine (1939-40) covered by, 14-15 trophy photographs from Second World War published in, 37f, 38 Zelma and, 10-11 James, Stephen, 137 Japan, 12-13,88, 89,179-80 Jewish Anti-Fascist Committee (JAFC), 73-74 Jewish Memorial at Bagerovo Trench, 190-93 kaddish (mourner s prayer in Judaism), 189 Kadushin, Zvi, 185 Kadyrov, Nishan, 5 Kalinin, Mikhail, 71 Kamskaya, Zoya, 194 Kaplan, Daile, 166 Kar, Ida, 109,116 Karaite population (Crimea), 28,32-33 Kasyanov, Aleksey, 197
266 · Index Katyn massacre (Poland, 1940), 14 Kerbel, Lev (sculptor of The Grieving Mother), 131-33 Kerch (Crimea) ceremonies commemorating The Holocaust in, 186-90, 193-94, 205 memorials to Second World War atrocities in, 130-31,187-88, 189,190-93 Russia-Ukraine war (2014) and, 193 Yahad in Unum’s Holocaust documentation project and, 197-201 Kerch (Crimea), Nazi occupation (194144) of. See also Bagerovo Trench executions (1941) confiscation ofJews’ property during, 24 Extraordinary Commissions report on, 69-70 forced labor among Jews during, 23 German first withdrawal (January 1942) from, 29,40,42, 59 German reoccupation (March 1942) of, 60,63,64 German second and final withdrawal (April 1944) from, 66 incarceration ofjews during, 24 Jews executed during, 23, 24-26, 32-34,40-41,42-44,46,47,52, 53-55,56,63,100,116,131,153, 181-83,192,205 Jews’ registration with Nazi authorities during, 21, 23,26 Karaite population and, 28 Kerch-Feodosia Amphibious Operation (1941-42) and, 29,34, 42,134 Krymchak population and, 28-29,32-33 Luftwaffe bombings and, 20 orders issued by German authorities during, 21-22,23,27-29,35 partisan forces fighting against German military during, 26 protection ofjews during, 25, 27 rations under, 20-21 Red Army evacuation (1941) and, 19, 20 Ukrainian and Polish Jewish refugees impacted by, 19-20,34 Wehrmacht actions during, 20-21 “Kerch” (Selvsinsky), 101 Kerch Residents Look at Wall Newspaper (Khaldei), 57f The Kerch Worker (newspaper), 40 Khaldei, Yevgeny anticosmopolitan campaign’s targeting of, 74 Bagerovo Trench photos by, 41-42, 44-45/44-45,47,53
Crimea wartime photographs (1941) by, 19 Grigory Berman Finds His Dead Wife and Children and, 44-45,45f, 193-94,205 Kerch liberation photos ( 1944) by, 66 Kerch residents’ wall newspaper photograph by, 56-58, 57f Order of the Red Star awarded to, 45 Raising the Red Flag over the Reichstag and, 1,88,165-66,203 Washington, DC, exhibit (1986) featuring, 143-44 Western market for photographs by, 156 Khalip, Yakov, 83 Khamgokov, Barasbi, 5 Kharkov trials (1943), 70,196 Khrushchev, Nikita ascent to power (1953) by, 75-76
Index · Baltermantss photographs of, 76,120/, 125,170-71,172 China trip (1959) by, 83 diplomatic initiatives of 76, 83, 8990,92,109 emigration policies of 90 Great Britian visit (1956) by, 109 Great Terror prisoners rehabilitated by, 76 “Kitchen Debate” with Nixon and, 89,107 ouster from power (1964) of 118-20 socialist realism and, 78 Stalin denounced by, 2,76,168-69 United States visits of 76, 91-92,125 Khrushchev’s Last Time on the Mausoleum (Baltermants), 120/ Kiev (Ukraine), 15, 66, 83-84 “Kill Him” (Simonov), 112-13 Kishinev pogrom (1903), 36 Kitchen Debate (Moscow, 1959), 89,107. See also American Exhibition Klutsis, Gustav, 16-17 Koch, Robert, 166,167 Kogan, I., 55 Komsomol (Communist Youth organization, “Pioneers”), 5-6,10, 12, 58-59, 83 Korolev, Yuri, 82 Korotov, Yuri, 194 Kozlovskii, Nikolai, 104-5 Kristeva, Julia, 51,219n39 Krymchakpopulation (Crimea), 28-29, 32-34,63,187,193,194-95,200-1 Kuleshov, Misha, 5 Lachmann, Alex, 148 The Last Rites (Baltermants), 48,49f Latvia, 14 Laval, Pierre, 70-71 Lavin, Thomas, 166 267 Lenin at the Putilov Factory (Brodsky), 16-17 Leningrad siege (1941-44), 1, 17-18,47,80 Lerman, S., 103-4 Levitan, Yuri, 66,74,75 Levy, Julien, 136,144 Li, Pakh Dem, 75 Lidin, Vladimir, 35-36,40 Life magazine, 37/, 38, 58,77, 88, 141-43,147 Lifshits, Sofia Nikolaevna, 23 Limelight (New York City café and photogallery, 128,136 Link, O. Winston, 154 Listening to the Announcement ofStalins Death (Baltermants), 75f, 75 Lithuania, 14 “Location: Marshall Islands; Photographer: Atomic Energy Commission,” 89 Loengard,John, 141-43,164 London, Barbara,
136-37,145-46 Looking at Photographs (Szarkowski), 145-46 Los Angeles County Museum of Art (LACMA), 146,165-66 Luftwaffe (Nazi Germany air force), 20 Luzhkov, Yuri, 172 Lvov, 9-10,14-15 MacDougall, William, 174 Majdanek extermination camp, 68, 70,113-16 Malevich, Kazimir, 5-6 Mao Zedong, 83,85f Markish, Perets, 73-74 Markov-Grinberg, Mark, 1 Martin, Susan, 145-46 Mattis, Michael, 3,167-70,175-76,181 Mayakovsky, Vladimir, 157,176-77
268 · Index May Laws (Russian Empire, 1882), 8 McKay, Claude, 89-90 Metropolitan Museum ofArt (New York), 128 Mikhoels, Solomon, 73-74 Mochalki (Soviet Union), 61 Molotov, Viacheslav, 15-16, 53 Molotov-Ribbentrop Pact (1939), 9-10, 12,13,38, 59,63 montage photography Baltermants’s oeuvre and, 2,45-46, 75/98,161-63 crowd photographs and, 11,16-17,75f Griefzná, 2,161-63,173 panorama techniques and, 11-12,1415,16-17,45-46 socialist realism and, 11-12,16-17 Zelma and, 10,11,16-17 Morris, John, 129 Moscow Bolshevik regime during 1920s in, 9 Jewish and Yiddish culture in, 8 Kirov Dynamo Factory in, 16 Moscow-Volga Canal and, 11 Nazi Army’s advance to outskirts (1941) of, 17-18,19,29,67 Moscow Convention (1943), 70 Moscow House of Photography (MDF), 170-71,172,173,174,175,176-77 Moscow Rallyfor Stalins Reelection (Baltermants), 73/ Motherland Calls statue (Rodina zovet, Volgograd), 84-85,86f Mother Russia imagery, 134 Moving on Stalingrad (Baltermants), 65/՞ Mrázková, Daniela, 140 Museum of Fine Arts Houston, 180 Museum of Modern Art (MoMA, New York City), 2-3,88-89,91-92,125, 136,157,179-80 Musinov, Vladimir, 10 Muybridge, Edward, 135 Nagasaki atomic bombing (1945), 88 Nakhangova, Mamlakat, 5 The Nations ChiefTime Piece, 1967 (Baltermants), 160-61 Naumova, Anna, 26 necropornography, 46-47 New School for Social Research, 137-38 News Chronicle (British newspaper), 63,64 Nikitin, Vladimir, 118,128-29 Nixon, Richard, 89,107 “Note on German Atrocities on Occupied Soviet Territory” (Molotov), 53 Nuremberg Trials, 69-70,87 Ogonek magazine Bagerovo trench executions (1941) covered by,
40-41,41/ 53, 56f 59 Baltermants as director of photography at, 119-20,158 Baltermants’s photography in, 71,72/ 76, 77-78, 83, 96-97, 98, 99-100 color photography and, 79-80 Grzi/published in, 120-22,203 “Hiderite Atrocities in Kerch” and, 53, 54/97 Surkov’s role as editor of, 71 trophy photographs from Second World War published in, 38,39 Okhlopkov, A. A., 16 “On Dmitri Baltermants” (Simonov), 113, 115/ “On the Close Relationship of Literature and Art to the Life of the People” (Khrushchev), 78 On Their Way to the Front (Baltermants), 39f On the Road to War (Baltermants), 128-29 Order 227 (Stalin), 64-66
Index · 269 Oren, Mona, 197-98,200-1 Orr, Eric, 165-66 Otsup, Pyotr, 104 Oudiz, Barbara, 172-73 Outerbridge, Paul, 145-46 Outskirts ofMoscow (Baltermants), 151 Overview ofthe Killing Field and AntiTank Trench (Baltermants), 48/ Oyneg Shabes (Warsaw Ghetto documentation project), 185 Ozerskii, Israel, 53 Parade in Moscow, 1941 (Baltermants), 112,158. See also Cavalry, Red Square, November 7,1941 (Baltermants) Paris terrorist attacks (2015), 46 pathos formula (Warburg), 51-52, 55, 98,120-21,219n43 Pavelek, Irena, 111-12 Pawek, Karl, 95,118 Peace Hostage Exchange Foundation, 137. See aho Citizens Exchange Council Peace Rally on Red Square (Baltermants), 92f Penn, Irving, 125-27 People and Events ofthe USSR: An Exhibition ofDmitri Baltermants (London, 1964), 110-18, 114-15/ People s Commissariat of Internal Affairs (NKVD), 20,26,34,196 People to People program, 89-90 perestroika economic reforms (Soviet Union), 156 Persterer, Alois, 24 Peskov, Vasilii, 135 The Photograph Collector’s Guide (Witkin and London), 136-37, 145-46,156-57 Photography in the Fine Arts (PFA) exhibitions (Metropolitan Museum of Art), 128 “Photo of Pioneers” (Baltermants), 5-6,10 “Photostroika: New Soviet Photography” (1989 Aperture magazine essay), 155-56 Picture Post magazine (Great Britain), 58-60 Piero della Francesca, 103-4 Pietà imagery, 52,104,134 Pilger, Zoe, 173-74 Podolsky, Semyon, 189-90 Poland German occupation of, 38,39 Jewish victims of the Holocaust in, 39 Katyn massacre (1940) and, 14 Molotov-Ribbentrop Pact s dismembering (1939) of, 9-10,14-15 refugees during Second World War from, 19-20
Soviet liberation of, 66-67 trophy photographs from Nazi occupation of, 38, 39 war crimes trials regarding Second World War in, 70 Polevoi, Boris, 87-88 Pollack, Jackson, 92-93 pornography, 46-47 Pravda, 14-15,16,66,77, 81-82 Primrose: Early Colour Photography in Russia (exhibition in Moscow, 2013), 173-74 Proletkult (Soviet proletarian culture institution), 90 Proskudin-Gorskii, Sergei, 79 Putin, Vladimir, 167,171-72,173-74, 175,204
270 · Index Queuefor Lenins Tomb, 1959 (Baltermants), 160-61 Rafailov, Semen, 36 Raikina, Marina, 172 Raising the Red Flag over the Reichstag (Khaldei), 1, 88,165-66,203 Reagan, Ronald, 142 Red Army (armed forces of the Soviet Union) Crimea operations (1941-44) and, 3, 19,24,26,29,31,34,66 Eastern European countries liberated from Nazi forces by, 66-67,68 Japans incursions in Russian Far East (1930s) against, 12-13 occupation of Ukrainian and Belorussian territories during late 1930s by, 13,14-15 retreats from western Soviet Union (1941) by, 17-18,19,20 Redkin, Mark, 40-41,41/f42,44,47,53 Remeš, Vladimir, 140 Reminiscences (Baltermants), 118 “Residents of Kerch Search for Their Relatives” (Baltermants), 55 Retunskikh, Dmitrii, 175 Ribot, Guillaume, 197,200, 201 Ringelblum, Emmanuel, 185 Roberts, Frank, 109 Rodchenko, Alexander constructivism and, 157 financial value ofphotographs by, 136-37,157 modernist aesthetics of, 10,157 Sobranie-.Fotoeffekt collection and, 174-75 Stalin and, 155-56,157,161 Western reception and collectors of, 148,153-54,156-58,161,176-77 Rodina-mat’ statue (Volgograd), 134 Romani populations in Europe, 3, 33-34, 68,186 Romanov, L, 97-98 Rostov-on-Don (Soviet Union), 19-20, 29,34,64 Rothstein. Arthur, 139,144 Rudenko, Roman, 87 Russian Photographic Society, 78 The Russian War, 1941-1945 (International Center of Photography exhibit, 1977), 140 “Ryegrass” (Lidin), 40 Salisbury, Harrison, 140 Sartre, Jean-Paul, 90 Satiukov, Pavel, 105,119-20 Schickler, Howard, 148 Schutzstaffel (SS, Nazi Germany paramilitary force), 20 Secchiaroli, Tazio, 175 Second
International Photo Exhibition (1955), 111-12 Seeking Out the Dead. Kerch Front, 1943 (Baltermants), 126-28. See abo Grief{Baltermants) Seidler, Kurt, 38 Selvinsky, Ilya, 35-38,42-44, 45-46,101 Sevastopol (Crimea), 18 The Seven Year Plan in Action (Moscow photo exhibition, 1958), 126 Shaikhet, Arkady, 1,66,148 Shakhovskoi, Vladimir, 128 Shamzhanova, Buza, 5 Shepherd, Alan, 107 Shigemitsu, Mamoru, 179-80 Simferopol (Crimea), 18 Simonov, Konstantin, 112-16, Wbf 117-18,121-22,203 Slavin, Naum, 189-90 Snowdon, Lord, 125
Index · 271 Sobranie: Fotoeffekt (mutual investment fund for photography), 174-75,176 socialist realism Baltermantss photography and, 5-6, 10,11,13-14,16-17,71 happiness depicted in, 6 Khrushchev and, 78 montage photography and, 11-12,16-17 photographs of Soviet liberation of Eastern Europe and, 71 vantage points as element of, 5-6, 11-12,16-17 Sofronov, Anatolii, 119-20 Soho Photo Gallery (SPG), 137-38,139 Sokolniki Park (Rodchenko), 157 Sorrow (Baltermants). See Grief (Baltermants) Sovetish Heymland (Yiddish journal in Soviet Union), 122 Sovetskoefoto Baltermantss Central House of Journalist Exhibition ( 1962) covered by, 105 Baltermantss photography featured in, 83 debates about Soviet photography in pages of, 81, 82,103-4 “For Universal Disarmament and Peace” column in, 88 founding (1926) of, 78 GVif/published in, 107,109 “In the Name of Friendship” article in, 91-92 Second World War commemorated in, 86, 88 Soviet photographers’ foreign exhibitions covered in, 82-83,91 “Soviet Citizens Dig a Trench to Prepare for Batde” (Khaldei), 19 Soviet Obelisk Commemorating the Massacre at Bagerovo Anti-Tank Trench, 130-31,187-88,189,192-93 Soviet Photography ofWorld War II: 19411945 (US exhibit, 1985), 142-43 Soviet Soldier Posing in Front ofGerman Memorial to the Unknown Soldier (Baltermants), 71,71f Soviet Union African students in, 89-90 American Exhibition (1959) in, 92-93,107 anticosmopolitan campaign in, 71-74 antisemitism in, 32,73-74 atomic weapons and, 88,91 collapse (1991) of, 152,155 diplomatic initiatives during Cold War by, 76,83, 88, 89-90,91-92,105-7,
109,123-24,129,144 Eastern European countries occupied by, 68,76,77-78 emigration policies in, 90 Germany’s initial invasion and occupation (1941) of, 15-18, 38 Great Britain-USSR Association and, 110,172,173-74 Great Terror purges (1930s) in, 12-13,78 heritage tourism by Jews to former states of, 190-91,196-97 homophobia in, 35 Jewish census categories in, 19, 28 number of casualties in Second World War and, 68,154-55 perestroika economic reforms in, 156 Second World War memorials in, 84-85 space race and, 107 United States’s establishment of diplomatic relations (1933) with, 12 war crimes trials regarding Second World War in, 68,70-71,196
272 · Index Stalin, Joseph Baltermants s photos of, 73/í 74, 75,172 death and funeral of, 74-76 “Demonstration on Spartacus Square” photograph and, 10-12 de-Stalinization and, 84-85,168-69 Kerch retreat (1941) ordered by, 19 Khrushchev s denunciation of, 2, 76,168-69 “Life Has Become Better” credo (1935) of, 6 Moscow-Volga Canal and, 11 Nakhangova photograph (1935) and, 5 Order 227 and, 64-66 reelection rally (1950) for, 73f Revolution Day parade (1941) and, 40 Victory Day celebrations and, 186 Stalingrad, battle (1942-43) of Baltermants’s photographs of, 65f 65-66 commemorations of, 86-87 German surrender (February 1943) and, 65-66 Order 227 and, 64-66 Stalingrad: Photographs (Zelma) and, 86 Wehrmacht siege (1942) of, 64 State Archive of the Russian Federation (GARF), 182 State Yiddish Theater (GOSET), 73-74 Steichen, Edward, 88-89,91-92,93,95, 96,117,126-27 Steward, Sue, 173 Stolovitsky, Dmitri. See Baltermants, Dmitri Stolovitsky, Grigory, 6 Storm (dos Santos), 102/) 102 Sukharev, Oleg, 175 Sulzberger, Arthur, 91-92 Surkov, Aleksei, 71 Surrender Ceremonies Onboard the USS Missouri, Tokyo Bay, Japan (photograph), 179-80 Sviblova, Olga Baltermants and, 45-46,170-71,174 European galleries’ Baltermants collections and, 173 Foto Fest and, 171 Moscow House of Photography, 170-71,172,173,174 Order of Friendship awarded to, 171 Swann Auction Galleries, 135,166 Szarkowski, John, 145-46 Tank Attack (Baltermants), 112,113/) 151. TASS Windows, 56-58,57/ Tatars, 19,24-25,32-33, 54, 196-97,201-2 Taylor, A. J. P., 140 Tchaikovsky, Peter, 105 Tchaikovsky ... Germany, 1945 (Baltermants),
105-7,106/, 108, 112,151,158 Teixeira, Anya, 117,118 Tereshchenko, V. S. media coverage of, 48-50,55,59,95-96 search for deceased husband at Bagerovo Trench by, 48-51, 50-51/, 55, 56,131 VS. Tereshchenko Digs to Find the Body ofHer Husband (Baltermants), 5If VS. Tereshchenko Discovering Her Husband (Kogan) and, 50f Yad Vashem photo of, 182-83 “Terror of the Fascist Occupiers in Poland” (Izvestiia, 1941), 37/ That’s How It Was (Baltermants), 131-33,134 They Photographed War: Soviet War Reportage (Prague, 1975), 140 Third Communist Party Program (1961), 91 Third International Photo Competition (1958), 81 Thomas E. Dewey and Photographers (Weegee), 179-80
Index · Thornton, Gene, 142-43 Through SovietJewish Eyes (University of Colorado Art Museum exhibition, 2011), 180,185-86 Trainin, Aron, 69-70 Tretyakov Gallery, 80 trophy photographs, 37f, 38-39,47 Tucker, Anne Wilkes, 180 Turovsky, Mark, 40 Tyaglyi, Mikhail, 194-95 Ukraine Baltermants’s photographic work (1939) in, 9-Ю, 14-15 Germany’s invasion and occupation (1941-44) of, 15,18 Jews and Poles deported to Siberia (1939-40) from, 14-15 Lvov and, 9-10,14-15 Polish rule of territories in, 9-10,13 Red Army presence (1939-41) in, 13,14-15 refugees during Second World War from, 19-20 Ulbricht, Walter, 75 “Unidentified Family Executed at Kerch by the Germans” (Baltermants), 56 Union ofJournalists, 82-83,143-44 Union of Soviet Friendship Societies (SSOD). See also All-Union Society for Cultural Relations with Foreign Countries (VOKS) Baltermants’s leadership role in, 91, 93, 96,119-20,128,144,145,173-74 Baltermants’s London exhibition (1964) and, 110,112-13 cultural exchanges with Western countries arranged by, 90,91-92, 93,96,109,128,129,145,173-74 establishment (1957) of, 90 magazines sponsored by, 91-92 Moscow headquarters building of, 90 273 sale of artwork to Western buyers by, 145 USSR-Great Britain Society and, 109 United Nations, 68-69,187-88 United States atomic warfare against Japan and, 88,91 media coverage of Nazi atrocities in Soviet Union and, 58 Soviet Union’s establishment of diplomatic relations (1933) with, 12 space race and, 107 United Nations and, 68-69 United States Information Agency (USIA) and, 93,117 Unity (Eynikayt, Yiddish language newspaper in Soviet
Union), 73-74 University of Colorado Art Museum, 180 University of New Mexico Art Museum, 135 Unknown Photographer (Baltermants), 43f Untitled (Outerbridge), 145-46 Uria, Vivian, 184,185 US Holocaust Memorial Museum (USHMM), 182-84 USSR in Construction, 148 USSR Photo (traveling exhibition in United States, 1970), 129 Utah Museum of Fine Arts, 170 Utkin, Iosif, 66 Uziel, Daniel, 184 Vietnam, 76 “Vile Murderers” (Antselovitch), 53-56 Volfson, Boris, 32-33 Volgograd (Soviet Union), 84-85, 86/) 134. See aho Stalingrad, battle (1942-43) of Von Laue, Theodore and Angela, 165 von Mannstein, Erich, 24 VS. Tereshchenko Digs to Find the Body of Her Husband (Baltermants), 51ƒ
274 · Index VS. Tereshchenko Discovering Her Husband (Kogan), 50f Warburg, Aby, 51-52 Wir/Photography (Museum of Fine Arts Houston exhibition, 2012), 180 Warsaw Ghetto, 183,185,193,203 Was ist der Mensch ? ( What Is a Human Being?, Pawel and Boll), 118, 120-21,139 Wehrmacht (armed forces of Nazi Germany) Bagerovo Trench executions (1941) and, 24-25,33 Crimea operations (1941-42) of, 18-19,29,64 Kerch occupation (1941-42) and, 20-21 partisan fighting against, 26 retreat from Kerch (1942) by, 3,182 Stalingrad and, 64, 66 Weingarten, Josef, 25, 52 “Western Front. Cavalry Unit under the Command of Major A. Kakurin Going off to Perform a Combat Mission” (Baltermants), 62/, 62 Weston, Edward, 136 “We Will Never Forget!” (Ogonek article featuring Grief m 1965), 120-22 Wiesel, Elie, 180 Winterton, Paul, 63-64 Without Looking Back, 1970 (Baltermants), 160-61 Witkin, Lee, 136-37,145-46, 147,156-57 Witness at the Bagerovo Trench (Oren), 200-1 World Federalist Movement (WFM), 138 World War I, 8 Wyeth, Andrew, 92-93 YadVashem, 182-83,184-85,186,187 Yahad in Unum (YiU), 195-96, 197-201 yahrzeit (Judaisms annual commemoration of someone’s death), 188-89,193-94 Yarinovskaia, A., 97-98 Yavno, Max, 146 Yiddish language and culture, 26-27, 28, 73-74,186-87,190 Yom ha-shoah (day of Holocaust commemoration in Israel), 187-88 Yukhnov (Soviet Union), 61-62 Zalkind, Simon, 1 Zeitlin Ver Brugge (Los Angeles bookstore), 145-46 Zelma, Georgy anticosmopolitan campaigns targeting of, 74 Baltermants and, 10-11,16 “Demonstration on Spartacus Square” and, 10-12 Izvestiia and, 10-11 modernist aesthetics
of, 10 montage photography and, 10,11,16-17 socialist realism and, 11 Soviet Photography ofWorld War II: 1941- 1945 (US exhibit, 1985) and, 143 Soviet Union and photography of ethnic diversity (1950s) and, 83 Stalingrad photographs by, 86-87 USSR in Construction and, 10 Western collectors of, 148 Zhdanov, Andrei, 71-73,172 Zhukova, Daria, 171 Zlobovsky, Anatoly, 175,176 Zorkin cameras, 111 Zoshchenko, Mikhail, 71-73 Bayerisch·^ Staatsbibliothek München I
|
| adam_txt |
CONTENTS Introduction: Introducing Grief ! 1. The Making of a Soviet War Photographer and the German Occupation of Kerch 5 2. Witnessing Grief: The First Reports of Genocide 31 3. The Aftermath of Grief 61 4. Producing and Displaying Grief 95 5. Valuing Grief 123 6. How GriefBccamc a Commodity 153 7. Seeing the Holocaust in Grief 179 Epilogue 203 Gratitude 207 Notes 211 Bibliography 245 Index 257
BIBLIOGRAPHY ARCHIVAL SOURCES France Yahad in Unum Archives, Paris Photographs of Kerch killing sites, 2003,2004,2011 Eyewitnesses testimonies from Kerch, U114, U115 Private Archive of Mona Oren, Paris Photographs of Kerch, 2004 Great Britain Leeds University Archives Collection of Alex Lachmann (GB 206/MS 1115) Collection of the Great Britain-USSR Association (GB 206/MS1399) Israel Yad Vashem Archives TR-4/12, Trial of Erich von Mannstein RG M33/ JM/19683, Lists of those killed at Kerch Russia Central Archive of the Ministry of Defense, Podolsk (TsAMO), Moscow Region (dig ital archival located atpodvignaroda.mil.ru with materials related to photographers) Private archive ofTatiana Baltermants, Korolev, Moscow Region Prints and archival materials of Dmitri Baltermants Private archive of Anna Khaldei
246 · Bibliography Prints and archival materials of Yevgeny Khaldei State Archive of the Russian Federation (GARF), Moscow GARF 9576, Soyuz sovetskikh obshestv druzhby і kulturnyikh sviazei s zarubezhnymi stranami. State Archive of Cinema, Film, and Photography (RGAKFD), Krasnogorsk, Moscow Region United States Center for Creative Photography, Tucson, Arizona G. Ray Hawkins Files Lee Witkin Files Limelight Files Getty Research Institute, Los Angeles, California Auction catalogs Hood Museum, Dartmouth College, New Hampshire Prints of Dmitri Baltermants Los Angeles County Museum of Art, Los Angeles, California Prints and acquisition records of Dmitri Baltermants Museum of Modern Art Archive, New York Print of Dmitri Baltermants Private archive of Michael Mattis, Scarsdale, New York Prints and Archival Materials of Dmitri Baltermants Private archive of Paul and Teresa Harbaugh, Denver Prints and archival materials of Dmitri Baltermants and Yevgeny Khaldei Soho Photo Gallery Archives, New York UCLA Special Collections, Los Angeles Norman Cousins Papers, collection 1385. United States Holocaust Memorial Museum Archives, Washington, DC RG22.002, Crimean Extraordinary Commission Report, 1944 RG22.014, Crimean Extraordinary Commission Report, 1944 RG3L018, Postwar war crimes trials related to the Holocaust RG31.019, Crimean Extraordinary State Commission to Investigate Nazi Crimes University of Michigan Museum of Art, Ann Arbor Prints by Dmitri Baltermants USC Rare Books and Manuscripts, Los Angeles, California Manuscript of Bertolt Brecht, “Kriegsfibel.” USC Shoah Foundation
Institute for Visual History Archive, Los Angeles, California Eyewitness testimonies from Kerch
Bibliography · NEWSPAPERS, JOURNALS, AND PERIODICALS American Photo Aperture Krasnala Zvezda Krasnyi Krym Argumenty i Fakty La Croix Boston Globe Life British Journal ofPhotography Literaturnaia Gazeta Camera Los Angeles Times Chicago Tribune Moskovsku Komsomolets Denver Post New York Times Die Zeit New York Magazine Ekspert Online New Yorker Evening Standard News Chronicle Financial Times Ogonek Forbes Orlando Sentinel Forbes Russia Picture Post Popular Photography Fotografare Fotografia Praha-Moskva Ha-aretz Pravda Independent RIA Novostii Infinity Sovetskoe Foto International Herald Tribune TASS Time Istoricheskii Zhumal Istoriia.RF Izvestiia Times ofIsrael Jerusalem Post Vie Nuove Jewish Telegraph Agency Komsomolskata Pravda Wall StreetJournal Times ofLondon Washington Post INTERVIEWS Alexander, Nailya, New York, 2018 Baltermants, Tatiana, Korolyev, Moscow Region, 2015,2016,2017, 2018 Chalk, David, Soho Photo Gallery, 2015 Cohen, Judith, Washington, DC, 2014 Frenkelzon, Maaty, Jerusalem, Israel, 2018 Gershengorin, Dmitry, Denver, 2018 Harbaugh, Paul, Denver, 2012,2014,2016,2018 Hartmann, Nancy, Washington, DC, 2014 Hawkins, G. Ray, Beverly Hills, 2015 Kaplan, Daile, New York, 2018 Koch, Robert, San Francisco, 2018 247
248 · Bibliography Loengard, John, New York, 2016 Nakhimovsky, Alice, and Alexander Nakhimovsky, New York, 2018 Nevazhin, Sergei, Sevastopol, Crimea, 2018 Oren, Mona, Paris, France, 2018 Ribot, Guillaume, Paris, France, 2018 Rothstein, Daniel, New York, 2018 Sandor, Richard, Chicago, 2018 Schickler, Howard, 2018 PUBLISHED PRIMARY SOURCES Baltermants, Dmitri. Odesa. Moscow: Progress, 197?. Baltermants, Dmitri. People and Events of the USSR: An Exhibition of Dmitri Baltermants. London: USSR-Great Britain Society, 1964. Baltermants, Dmitrii. SESBren 50 urte. Dmitri Baltermantsen argazki-makinaren arabéra (1939-1989). Bilbao: Alhóndiga Bilbao, 2011. Baltermants, Dmitri, and Yurii Aleskerov. Samarkand, Putevoditeľ. Tashkent: Izdatelstvo TsK KP Uzbekistana, 1974. Baltermants, Dmitri, and Paul Harbaugh. Dmitri Baltermants. Paris: Nathan, 1997. Baltermants, Dmitrii, E. Klenov, and D. Trachtenberg. Goroda-geroi. Moscow: Progress, 1970. Baltermants, Dmitrii, and Mykolą Kozlovski. Gosudarstevnnyi zasluzhennyi ansambl’ tantsa Ukrainskoi SSR. Kiev: Gosizdat izoiskusstva i muzikal’noi literatury USSR, 1960. Baltermants, Dmitri, and Nikolai Kozlovsky. Znovy tsvitut kashtani. Kiev: Derzh. Vydvo obrazotvorchoho mystetstva i muzychnoi literatury, I960. Baltermants, Dmitri, and Vladimir Lidin. Moskva: no’iabr’ 1941. Moscow, Leningrad, Gosudarstvennoeizdatel’stvo "lskusstvo’11942. Baltermants, Dmitrii, and Vasilii Peskov. Dmitri Baltermanz. Leipzig: VEB Fotokinoverlag, 1981. Baltermants, Dmitri, and Vasilii Peskov. Izbrannyefotografii. Moscow: Planeta, 1977. Baltermants, Dmitri, and Yuri
Rytkheu. Estrecha s Chukhotkoi. Moscow: Planeta, 1971. Baltermants, Dmitrii, Ivan Shagin, D. Smirnov, and E. Pyli. Moskva : Gorod-Geroi. Moscow: Sovetsku khudozhnik, 1965. Baltermants, Dmitrii, and Olga Sviblova. Dmitrii Baltermants. Moscow: Moskovsku Dom fotografii, 2005. Baltermants, Dmitrii, Valentina Vasil evna Volkova, V. Samsonov, E. Doron, and M. Trifonova.Dom-muzei VI. Lenina v Gorkakh. Moscow: Pravda, 1967. Boll, Heinrich, and Karl Pawek, eds. Weltausstellung der Photographie. 555 Photos von 264 Photographen aus 30 Ländern zu dem Thema: Was ist der Mensch? Hamburg: Nanen, 1964.
Bibliography · 249 Brecht, Bertolt, and Ruth Bėriau. Kriegsfibel. Berlin: Eulenspeigel, 1955. Bresson, Henri Cartier. The People ofMoscow: 163 Pictures in Photogravure. London: Thames and Hudson, 1955. Bukov, K. L, M.M Gorinov, and A.N. Ponomarev. Moskva voennaia, 1941-1945. Memuary іarkhivnyedokumenty. Moscow: Mosgorarkhiv, 1995. Chaldej, Jewgeni. Kriegstagebuch. Berlin: Das Neue Berlin, 2011. da Vinci, Leonardo. The Notebooks ofLeonardo da Vinci (http://www.gutenberg.org/ ebooks/5000) Dmitri Baltermants: Documenting and Staging Soviet Reality. Brunswick, ME: Bowdoin College Museum of Art, 2018. Ehrenburg, Ilya, and Vasily Grossman. The Complete Black Book ofRussianJewry. Translated and edited by David Patterson. Piscataway, NJ: Transaction Publishers, 2003. Ehrenburg, Ilya, and Vasily Grossman. Chernaia kniga: о zlodeiskom povsemestnom ubistve evreev nemetsko-fashistskimi zakhvatchikami vo vremenno-okkupirovannykh raionnakh SSSR і lageriakh unichtozheniia Poľshi vo vremia voiny 1941-1945 gg. Jerusalem: Tarbut, 1980. Fenyő, Imre. Dmitri] Baltermanc: Szovjet fotóművész kiállítása. Budapest: Ernst Museum, 1973. Fidel en la URSS. Havana: Comision de Orientación Revolucionaria de la Dirección Nacional del PURSC, 1963. Flashes ofMemory: Photography during the Holocaust. Jerusalem : Yad Vashem, 2018. Gide, Andre. Retour de l’URSS. Paris : Librarie Gallimard, 1936. God 72. Olimpiiskii. Sapporo, Feb. 1-13,1972; Munich, Aug. 26-Sept. 11,1972. Moscow: Fizkultūra і sport, 1973. Goldberger, Ben, Geoff Dyer, and David Von Drehle. 100 Photographs : The Most Infltiential Images ofall
Time. New York: Time, 2016. Goroda-geroi Chernomoria: Sebastopol, Odessa, Kerch, Novorossiisk. Simferopol: Tavda, 1978. Hughes, Langston. Negroes in Moscow: In a Land Where There Is NoJim Crow. Moscow: State Publishing House, 1933. Jahn, Peter, Aus dem Schatten der Erinnerung : Vergessene Opfer des Vernichtungskrieges gegen die Sowjetunion. Berlin: Karlshorst, 2011. Kar, Ida. Khudozhnitsa sfotoapparatom. Moscow: n.p., 1962. Kerch. Moscow: Planeta, 1984. Kerch geroicheskaia: vospominaniia, ocherki, dokumenty. Simferopol: Tavriia, 1974. Knigapamiati:goroda-geroiakerchiikerchenskogopoluostrova,3tomy, toml. Simferopol: Tavrida, 1999. Levin, Deana, and Dmitri Baltermants. Nikolai Lives in Moscow. London: Methuen, 1966. Lewiński, Jorge. The Camera at War: A History of War Photography from 1848 to the Trese»? New York: Secaucus, 1978.
250 · Bibliography Livingston, Jane, and Frances Fralin. The Indelible Image: Photographs of War, 1846 to the Present. New York: Abrams, 1985. Master Photographers: Photography in the Fine Arts. New York: Metropolitan Museum, 1967. Moskva, Kreml'. Lenin. Moscow: Politizdat, 1969. Moskva, 1941-1945. Moscow: Moskovsku rabochii, 1971. Mel’kov, Leonid, Kerch: povest’-khronika v dokumentakh, vospominaniiakh і pismakh uchastnikovgeroicheskoizashchity і osvobozhdeniiagoroda v 1941-1944godakh. Moscow: Polizizdat, 1981. Merzanov, Martyn, Tak eto bylo:poślednie dnifashitskogo Berlina. Moscow: Politizdat, 1971,2nd edition, 1975. Mrázová, Daniela, Fotografovali válku. Sovětská válečná reportáž. Prague: Odeon, 1975. Niurenbergskiiprotsess:prestupleniiaprotiv chelovechnosti, tom 5. Moscow : luridicheskaia literatura, 1991. People’s Verdict: A Full Report ofthe Proceedings at the Krasnodar and Kharkov German Atrocity Trials. New York: Hutchinson, 1943. Richardson, Nan. Photostroika: New Soviet Photography. New York: Aperture, 1989. Rolnikaite, Masha. Ia dolzhna rasskazat’. Moscow: Politicheskaia literatura, 1965. Salisbury, Harrison. The Unknown War. London: Bantam Books, 1978. Trainin, A. N. Hitlerite Responsibility Under Criminal Law. London: Huntchinson, 1945. Vartanov, Anri, O. Suslova, and G. Chudákov. Antologiia sovetskoifotografii. Moscow: Planeta, 1986. Volf son, Boris. “Krovavye prestupleniie nemtsev v Kerchi.” Istoricheskii zhurnal 1942 (8): 33-36. Vsesoiuznaia khudozhestvennaia výstavka, 1951 goda. Moscow: Gosudarsvetnnyi izdateľstvo izobrazitel’nogo iskusstva, 1953.
Výstavkafotoiskusstva SSSR. Moscow: Ministerstvo kuľtury SSSR, 1958. Witkin, Lee, and Barbara London. The Photograph Collector’s Guide. Boston: New York Graphic Society, 1979. World Press Photo 1974. Amsterdam: Teleboek, 1974. Zeľma, G., and A. K. Taradankin. Stalingrad. Moscow: Izogiz, 1954. Zorin, Valentin. Protivorechivaia amerika. Moscow: Iskusstvo, 1976. PUBLISHED SECONDARY SOURCES Al’tman, Il’ia. Zhertvy nenávisti·. Kholokost v Rossit, 1941-1945. Moscow Kovcheg, 2002. Altshuler, Mordechai. “Jewish Holocaust Commemoration Activity in the USSR Under Stalin.” Yad Vashem Studies, April 2002,1-22. Translated from the Hebrew by Naftali Greenwood.
Bibliography · 251 Altshuler, Mordechai. Religion and Jewish Identity in the Soviet Union, 1941-1964. Translated by Saadya Sternberg. Waltham: Brandeis University Press, 2012. Altshuler, Mordechai. “Russian and Her Jews: The Impact of the 1914 War.” Wiener Library Bulletin 27, no. 30/31 (1973). Altshuler, Mordechai. SovietJewry on the Eve ofthe Holocaust: A Social andDemographic Profile. Jerusalem: Yad Vashem, 1998. Angrick, Andrej. Besatzungspolitik und Massenmord: Die Einsatzgruppe D in der südlichen Sowjetunion 1941-1943. Hamburg: Hamburger Edition, 2003. Appelbaum, Rachel. “The Friendship Project: Socialist Internationalism in the Soviet Union and Czechoslovakia in the 1950s and 1960s.” Slavic Review 74, no. 3 (Fall 2015): 484-507. Arad, Yitzhak. The Holocaust in the Soviet Union. Lincoln: University of Nebraska, 2013. Azoulay, Ariella. The Civil Contract ofPhotography. Cambridge: Zone Press, 2008. Bair, Nadya. The Decisive Network: Magnum Photos and the Postwar Image Market. Berkeley: University of California Press, 2020. Barskova, Polina. “The Corpse, the Corpulent, and the Other: A Study in the Tropology of Siege Body Representation.” Ab Imperio 1 (2009): 361-86. Bartram, Faye. “35mm Bridges: Cultural Relations and Film Exchange between France and the Soviet Union, 1945-1972. PhD diss., University of Iowa, 2017. Baskind, Samantha. “Weegees Jewishness.” History ofPhotography 34, no. 1 (2010): 60-78. Batchen, Geoffrey, Mick Gidley, Nancy K. Miller, and Jay Prosser, eds. Picturing Atrocity: Photography in Crisis. Chicago: University of Chicago Press, 2012. Bazyler,
Michael J., and Frank M. Tuerkheimer. Forgotten Trials ofthe Holocaust. New York: NYU Press, 2014. Bemporad, Elissa. Legacy ofBlood:Jews, Pogroms, and RitualMurder in the Lands ofthe Soviets. New York: Oxford University Press, 2019. Bethel, Denise. “At Auction and in the Book Trade: Sources for the Photography Historian.” History ofPhotography 21, no. 2 (1997): 117-28. Bonnell, Victoria. Iconography ofPower: Soviet Political Posters under Lenin and Stalin. Berkeley: University of California Press, 1999. Brandenburger, David. National Bolshevism: Stalinist Mass Culture and the Formation of Russian National Identity, 1931-1956. Cambridge, MA: Harvard University Press, 2002. Brandenburger, David. “Stalins Last Crime? Recent Scholarship on Postwar Soviet Antisemitism and the Doctors Plot.” Kritika 6, no. 1 (2005): 187-204. Bronfen, Elisabeth. Specters of War: Hollywood’s Engagement with Military Conflict. New Brunswick, NJ: Rutgers University Press, 2012. Campbell, Craig. The Atomic Bomb and the Origins ofthe Cold War. New Haven: Yale University Press, 2008. Cantorovich, Nati. “Soviet Reactions to the Eichmann Trial: A Preliminary Investigation, 1960-1965.” Yad Vashem Studies 35, no. 2 (2007): 103-41.
252 · Bibliography Carrabine, Eamonn. “Images of Torture: Culture, Politics, and Power.” Crime, Media, Cultures7, no.l( 2011): 5-30. Confino, Aion. “Collective Memory and Cultural History: Problems of Method.” American Historical Review 102, no. 5 (1997): 1386-403. Damisch, Hubert. A Theory of/Cloud/: Towards a History ofTainting. Translated by Janet Lloyd. Stanford: Stanford University Press, 2002. Dawson, Greg.Judgment before Nuremberg: The Holocaust in the Ukraine and the First Nazi War Crimes Trial. New York: Pegasus Books, 2012. Desbois, Patrick. Holocaust by Bullets: A Priest’sJourney to Uncover the Truth behind the Murder of1.5 Million Jews. New York: St. Martins Press, 2009. Dobson, Miriam. Khrushchevs Cold Summer: Gulag Returnees, Crime, and the Fate of Reform afer Stalin. Ithaca, NY: Cornell University Press, 2009. Efal, Adi. “Warburgs ‘Pathos Formula’ in Psychoanalytic and Benjaminian Contexts.” Studies in Art History 1 (2000): 221-38. Emmett, Arielle Susan. “Haunting Images: Differential Perception and Emotional Response to the Archetypes of News Photography.” PhD diss., University of Maryland, 2011. Estraikh, Gennady, and Anna Schur, eds. “The 1952 Trial of the Jewish Anti-Fascist Committee in the Soviet Union.” Special section of East European Jewish Affairs 48, no. 2 (2018): 139-252 Feferman, Kiril. The Holocaust in the Crimea and Northern Caucasus. Jerusalem: Yad Vashem Press, 2016. Feferman, Kiril. “Nazi Germany and the Mountain Jews: Was There a Policy ?” Holocaust and Genocide Studies 21, no. 1 (2007): 96-114. Foster, Kurt. “Aby Warburgs History of Art:
Collective Memory and the Social Mediation of Images.” Daedalus 105, no. 1 (1976): 169-76. Fox, Michael David. Showcasingthe Great Experiment: CulturalDiplomacy and Western Visitors to the Soviet Union, 1921-1941. New York: Oxford University Press, 2014. Gatrell, Peter. Free World!: The Campaign to Save the World’s Refugees, 1956-1963. New York: Cambridge University Press, 2011. Gatrell, Peter. A Whole Empire Walking: Refugees in Russia during World War I. Bloomington: Indiana University Press, 2005. Gee, Helen. Limelight: A Greenwich Village Photography Gallery and Coffeehouse. Albuquerque: University of New Mexico Press, 1997. Gilboa, Yehoshua. The Black Years ofSovietJewry. New York: Litde Brown Co, 1971. Gilburd, Eleonora. “The Revival of Soviet Internationalism in the mid- to late-1950s.” In The Thaw: Soviet Society and Culture during the 1950s and 1960s, edited by Eleonory Gilburd and Dennis Kozlov, 362-401. Toronto: Univesrity of Toronto Press, 2014. Gilburd, Eleonory. To See Paris andDie: The Soviet Lives ofWestem Culture. Cambridge: Harvard University Press, 2018. Goldin, Semion. “‘The Jewish Question’ in the Tsarist Army in the Early Twentieth Century.” In The Revolution of1905 and Russia’sJews, edtied by Stefani Hoffman
Bibliography · 253 and Ezra Mendelssohn, 70-81. Philadelphia: University of Pennsylvania Press, 2008. Gorer, Geoffrey. “The Pornography of Death.” Encounter 5, no. 4 (1955): 49-52. Gray, Camilla. The Great Experiment: Russian Art 1863-1922. London: Thames and Hudson, 1962. Grimmer-Solem, Erik. “Selbständiges verantworliches Handeln: Generalieutenant Hans Graf von Sponeck (1888-1944) und das Schicksal der Juden in der Ukraine, Juni-Dezember 1941.” Militärgeschichtliche Zeitschrift 72 (2013), 23-50. Gubenko, Giteľ, Knigapeckali. Simferopol: Krymskoe upravlenie po pechad, 1991. Hellbeck, Jochen. Stalingrad: The City That Defeated the Third Reich. New York: Public Affairs, 2015. Hicks, Jeremy. First Films ofthe Holocaust. Pittsburg: University of Pittsburg, 2011. Hirsch, Francine. “The Soviets at Nuremberg: International Law, Propaganda, and the Making of the Postwar Order.” American Historical Review 113, no. 3 (2008): 701-30. Hirsch, Marianne. Family Frames: Photography, Narrative, andPostmemory. Cambridge, MA: Harvard University Press, 1997. Ignatieff, Michael. “Soviet War Memorials.” History Workshop Journal 17, no. 1 (1984): 157-63. James, Sarah. Common Ground: German Photographic Cultures across the Iron Curtain. New Haven: Yale University Press, 2013. James, Sarah “A Post-Fascist Family ofManî Cold War Humanism, Democracy, and Photography in Germany.” Oxford ArtJournal 35, no. 3 (December 2012): 315-36. Jones, Polly, ed. The Dilemmas of De-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era. London: Roudedge, 2006. Kalkstein, Molly. “Inside the
Box: Photography and the Portfolio Format.” MA thesis, Ryerson University, 2013. Kappeler, Susanne. The Pornography of Representation. New York: Wiley and Sons, 2013. Kassow, Sam. Who Will Write Our History: Rediscovering a Hidden Archivefrom the Warsaw Ghetto. New York: Vintage, 2009. King, David. The Commissar Vanishes: The Fabification ofPhotographs andArt in Stalins Russia. London: Tate, 2014. Kivelson, Valerie, and Joan Neuberger, eds. Picturing Russia: Explorations in Visual Culture. New Haven: Yale University Press, 2008. Kochavi, Arieh. “The Moscow Declaration, the Kharkov Trial, and the Question of a Policy on Major War Criminals in the Second World War.” History 76, no. 248 (1991): 401-17 Koenker, Diane. Club Red: Vacation Travel and the Soviet Dream. Ithaca, NY: Cornell University Press, 2013. Kostyrchenko, G. V. Tainaia politika Stalina: vlasť і antisemitizm. Moscow: Mezhdunarodnoe otnoshenie, 2001.
254 · Bibliography Kristeva, Julia. Powers ofHorror: An Essay on Abjection. Translated by Leon Roudiez. New York: Columbia University Press, 1982. Kupferman, Fred. Au pays des Soviets. Le voyagefrançais en Union soviétique, 1917-1939. Paris: Gallimard/Julliard, collection Archives, 1979. Lemza, John. American Military Communities in West Germany: Life on the Cold War Badlands. New York: McFarland, 2016. Lendvai, Paul. One Day That Shook the Communist World: The 1956Hungarian Uprising and Its Legacy. Translated by Ann Major. Princeton, NJ: Princeton University Press, 2008. Livshits, L. Y. ed. Ermitazh v gody voiny. Leningrad: Publishing Council of the State Hermitage, 1987. Loengard, John. Celebrating the Negative. New York: Arcade, 1994. Lohr, Eric. Nationalizing the Russian Empire: The Campaign against Enemy Aliens during World War I. Cambridge, MA: Harvard University Press, 2003. Lohr, Eric. “The Russian Army and the Jews: Mass Deportation, Hostages, and Violence in World War I.” Russian Review 60, no. 3 (2001): 404-19. Manley, Rebecca. To the Tashkent Station: Evacuation and Survival in the Soviet Union at War. Ithaca, NY: Cornell University Press, 2012. McClellan, Woodford. “Africans and Black Americans in Comintern Schools, 19251934.” InternationalJournal ofAfrican Historical Studies 26, no. 2 ( 1993): 371-90. Melikova, Natalia. “Constructive renewal: Izvestia building, Moscow by Ginzburg Architects.” Architecture Review, September 27,2017. Merridale, Catherine. Night ofStone: Death and Memory in 20th Century Russia. New York: Viking Penguin, 2000. Morozov, Sergei,
Sovetskaia khudozhestvennaiafotografila. Moscow: Iskusstvo, 1958. Moss, Kenneth,Jewish Renaissance in the Russian Revolution. Cambridge, MA: Harvard University Press, 2009. Montier, Jean Pierre. “Henri-Cartier-Bresson, ‘Public Intellectual’? Études photogra phiques 25 (May 2010): 1-13. Mrázková, Daniela. Masters ofPhotography. London: Hamlyn, 1987. Nakhimovsky, Alice, and Alexander and Yevgeny Khaldei. Witness to History: The Photographs ofYevgeny Khaldei. New York: Aperture, 1997. Neumaier, Diane. Beyond Memory: Soviet Non-Conformist Photography. New Brunswick: Rutgers University Press, 2004. Nikitin, Vladimir Anatolevitch. Rasskazy о fotografakh і fotografiiakh. Leningrad: Lenizdat, 1991. Plamper, Jan. The Stalin Cult: A Study in the Alchemy of Power. New Haven: Yale University Press, 2012. Penn, Michelle. “The Extermination of Peaceful Soviet Citizens: Aron Trainin and International Law.” PhD diss., University of Colorado, 2017.
Bibliography · 255 Petrovsky-Shtern, Yohanan. Jews in the Russian Army, 1827-1917: Banished from Modernity? New York: Cambridge University Press, 2009. Pietrobon, Allen. “The Role of Norman Cousins and Track II Diplomacy in the Breakthrough to the 1963 Limited Test Ban Treaty.” Journal of Cold War Studies 18, no. 1 (2016): 60-71. Prusin, Alexander. “Polands Nuremberg: The Seven Court Cases of the Supreme National Tribunal, 1946-1948.” Holocaust and Genocide Studies 24, no. 1 (2010): 1-25. Rasskazy оfotografakh Ifotografiiakh. Leningrad: Lenizdat, 1991. Reid, Susan. “Photography in the Thaw.” ArtJournal 53, no. 2 (1994): 33-39. Reynolds, Michael. Shattering Empires: The Clash and Collapse of the Ottoman and Russian Empires, 1908-1918. New York: Cambridge University Press, 2012. Ro’i, Yaacov. “The Jewish Religion in the Soviet Union after World War II.” In Jews and Jewish Life in Russia and the Soviet Union, 264-89. London: Frank Cass, 1995. Rubenstein, Joshua. The Last Days ofStalin. New Haven: Yale University Press, 2016. Sandeen, Eric J. “The Family ofMan on the Road to Moscow.” In American Photographs in Europe, edited by David Nye and M. Gidley, 255-70. Amsterdam: VU University Press, 1994. Reprinted in Lori Bogle, The Cold War: Cold War Culture and Society, voi. 5, 57-72. London: Roudedge, 2001. Shneer, David. “Ghosdy Landscapes: Soviet Liberators Photograph the Holocaust.” Humanity: An International Journal of Human Rights, Humanitarianism, and Development 5, no. 2 (2015): 235-46. Shneer, David. “Is Seeing Believing?: Photographs, Eyewitness Testimony, and Evidence of
the Holocaust.” East European Jewish Affairs 45, no. 1 (2015): 65-78. Shneer, David. Through SovietJewish Eyes: Photography, War, and the Holocaust. New Brunswick: Rutgers University Press, 2011. Shneer, David. Yiddish and the Creation ofSovietJewish Culture. New York: Cambridge University Press, 2005. Shrayer, Maxim. I Saw It: Ilya Selvinsky and the Legacy ofBearing Witness. Boston: Academic Studies Press, 2012. Shternshis, Anna. When Boris Met Sonia: Jewish Life under Stalin. New York: Oxford University Press, 2017. Siegelbaum, Lewis. Stakhanovism and the Politics of Productivity in the USSR. New York: Cambridge University Press, 1990. Smilovitsky, Leonid. Jewish Life in Belarus: The Final Decade of the Stalin Regime, 1944-1953. Budapest: Central European University Press, 2014. Sontag, Susan. Regarding the Pain ofOthers. New York: Picador, 2004. Spivey, Nigel. Enduring Creation: Art, Pain, and Fortitude. Berkeley: University of California Press, 2001.
256 · Bibliography “Tax Treatment of Artists’ Charitable Contributions.” Yale Law Journal 89, no. 1 (1979): 144-67. Tomoff, Kril. Creative Onion: The Professional Organization ofSoviet Composers, 19391953. Ithaca, NY: Cornell University Press, 2018. Tucker, Anne Wilkes, et al. War/Photography: Images of Armed Conflict and Its Aftermath. Museum of Fine Arts, Houston, 2012. Tyaglyi, Mikhail. “Commemoration of Jewish Victims at Two Killings Sites near Kerch.” Untold Stories, Yad Vashem (https://www.yadvashem.org/untoldstories/ database/commemoration.asp?cid=676). Tumarkin, Nina. “The Great Patriotic War as Myth and Memory.” European Review 11, no. 4 (2003): 595-611. Varga-Harris, Christine. Stories ofHouse and Home: Soviet Apartment Life during the Khrushchev Years. Ithaca, NY: Cornell University Press, 2015. Voisin, Vanessa. “War Crimes Footage and War Crimes Trials: The Soviet Policy, 19411946.” In Defeating Impunity, Promoting InternationalJustice: The Archival Trail, 1941-2016. New York: Springer, 2018. Von Laue, Theodore, Angela Von Laue, Dmitrii Baltermants, and Tatiana Baltermants. Faces ofa Nation: The Rise and Fall ofthe Soviet Union, 1917-1991. Golden, CO: Fulcrum Publishing, 1996. Wallis, Brian. Weegee: Murder Is My Business. New York: Prestel, 2013. Werneke, Jessica Marie. “The Boundaries of Art: Soviet Photography from 1956 to 1970.” PhD, University of Texas, Austin, 2015. White, Stephen. The Bolshevik Poster. New Haven: Yale University Press, 1988. Witkin, Lee, and Barbara London. The Photograph Collectors Guide. Boston: New York Graphic Society, 1979. Wolf,
Erika. “When Photographs Speak, to Whom Do They Talk? The Origins and Audience ofSSSRna stroike (USSRin Construction).” Left History 6, no. 2 (1999): 53-82. Worswick, Clark. Berenice Abbott and Eugène Atget. Santa Fe, NM: Arena Editions, 2002. Young, James. Textures ofMemory: Holocaust Memorials and Meaning. New Haven: Yale University Press, 1994. Zelizer, Barbie. “Holocaust Photography, Then and Now.” In Picturing the Past: Media, History, and Photography, edited by Bonnie Brennen and Hanno Hardt, 98-122. Urbana: University of Illinois Press, 1999. Zeltser, Arkadi. Unwelcome Memory: Holocaust Memorials in the Soviet Union. Jerusalem: Yad Vashem, 2019. Zubkova, Elena. Russia after the War: Hopes, Illusions, Disappointments, 1945-1957. Armonk, NY: ME Sharpe, 1999.
IN DEX For the benefit ofdigital users, indexed terms that span two pages (eg., 52-53) may, on occasion, appear on only one ofthose pages. Abbott, Berenice, 136 Across the Oder (Baltermants), 112. See also Crossing the Oder (Baltermants) Adams, Ansel, 138 Adams, Susan, 168-70 Adelaide Photo Club, 144-45 Adenauer, Konrad, 88 Aderet, Ofer, 185 Adzhimushkaiskii trench executions (1942), 26,187,194-95 Afanasyeva, O. I., 55, 56,57-59,95-97 Agana investment fund, 174,176 Agfa color film, 79 Akhmatova, Anna, 71-73 Akron Art Museum, 170 Aleksandrov, A., 107-9,161-63 Alexander, Nailya, 179 All-Union Art Exhibitions (Soviet Union), 78, 80 All-Union Society for Cultural Relations with Foreign Countries (VOKS), 89-90,91. See also Union of Soviet Friendship Societies (SSOD) Alpert, Maks, 104-5,105f 143-44 American Exhibition (Moscow, 1959), 89, 92-93,107. See also Kitchen Debate American-Soviet Dartmouth Conference, 138 And the Chestnut Trees Bloom (Baltermants), 83-84 Annenberg Space for Photography (Los Angeles), 2-3 anticosmopolitan campaign (Soviet Union), 71-74 Antishina, Maria, 194 Antselovitch, Israel, 40,53-55, 56, 58 Atget, Eugene, 136,144 Attack (Baltermants), 128-29,151,158, 164,180. Auerbach, Rokhl, 185 Auschwitz concentration camp, 87, 88,187-88 Babi Yar massacre (Soviet Union, 1941), 83-84 Bagerovo Trench executions (1941) Baltermants s photographs of, 42-44,45-46,47-53,48-51/ 55-58,61,68,70, 71, 95-96, 97/ 97-98, 123, 129-33, 134 (See also Grief)
258 · Index Bagerovo Trench executions (1941) [Cont.) children killed at, 32,40-42,41f, 44,46,47,52,54,57-58,69-70, 130-31,182-83 commercial airport near contemporary site of, 189-90 discovery and investigation of, 23,26, 31-33,34,40,42-44,69-70 Einsatzgruppe D and, 24-25, 33-34,40 Hilfswilliger and, 24-25,32-33 I Saw It (Selvinsky) and, 35-37 Jewish commemorative practices at site of 186-90,193-94,205 Jewish memorial at site of 190-93 Jews killed in, 24-26,32-34,40-41, 42-44,46,47,52,53-55,56,100, 116,131,153,181-83,192,205 Karaites killed at, 32-33 Khaldeis photographs of 41-42,4445/44-45,47,53 Krymchaks killed at, 32-34 Muslim Tatar cemetery near site of 201-2 partisan fighters killed at, 26,29, 31,33-34 Romani population killed at, 33-34 seventy-fifth anniversary commemoration (2017) at site of 194 Soviet media reports regarding, 3436,40-42, 59 Soviet memorial at site of 130-31, 187-88,189,192-93 Soviet prisoners of war killed in, 29, 31 Soviet reports obscuring ofJewish identity of victims at, 32-33 survivors of 25 TASS Windows photos following, 56-58, 57f Wehrmacht and, 24-25, 33 Baltermants, Dmitri. See abo Grief; specific worh advanced mathematical training of 9, 16-17,103-4 apprenticeship in photography of 9, 10-11,16 archive of 167,169,175-77,179 auctions of photographic work of 158, 159,166,170 Bagerovo Trench photos by, 42-44, 45-46,47-53,48-51/ 55-58,61, 68,70,71,95-96,97/ 97-98,123, 129-33,134 (See aho Grief Bolshevik Revolution experiences during childhood of 8-9 Bowdoin College exhibition (2017) of 181-82 Brazil exhibition (1962) featuring, 109 Brezhnev and
Brezhnev funeral photographed by, 118-19,141-42 Budapest photo exhibition (1957) featuring, 83,91,102,112 Central House ofJournalists Exhibition (1962) of 104-9, 112,140-41 Central House ofJournalists Exhibition (1982) of 140-41 childhood photo of 6 China photographs of 83, 84-85f daughter Tatianas relationship with, 148,152 death of 151-52,153 decision to publish series of photos from Kerch by, 129-30 Defense of Moscow medal awarded to, 67 financial value of photographs of, 123,124-25,135,136-37,143-44, 148,149-52,154,156,158-61, 163-64,165-66,167-68,169,171, 176-77,179
Index · 259 First World War experiences during childhood of, 8 frontline wartime photography assignments of 39-40,61,62f 62-64, 66,67 (See also Bagerovo Trench executions) grieving women as focus ofwartime photography of, 47-52, 55-56,96, 100,101,104,120-21,123,124, 130-31,154-55,163,172,181-82 Harbaugh and, 146,147,148,149-52, 156,159-60,163,164 Ho Chi Minh photographed by, 76,77f Hungary photographs (1957) of, 77-78 Izvestiia and, 5-6,9-11,13-14,16,40, 61,62/ 62—63,64,66,153 Jewish identity of, 4, 6, 53,67,71-73 Kerch-Feodosia Amphibious Operation (1941-42) and, 42 Khrushchev photographed by, 76, 120/125,170-71,172 Kiev photographs of 83-84 Life magazine’s photographing of, 141-43 limited edition portfolios of, 159-61, 167-68 London exhibition (1964) of 110-18, 114-15/ Los Angeles exhibition (2003) of, 168 Lvov and Ukraine photo assignment (1939) of, 9-10,14-15 montage photography techniques and, 2,45-46,75/98,161-63 Moscow exhibition (2012) featuring work of, 174 Moscow exhibition (2013) featuring work of, 173-74 Motherland Calls photographed by, 84-85,86/ New York City retrospective (1992) of, 161-63 New York exhibition (1965) featuring, 125-28 New York exhibition ( 1967) featuring, 128 New York exhibition ( 1983) featuring, 139-40 obituaries of 153-54 Ogonek magazine and, 71,72/, 76,77-78, 83,96-97,98,99-100,119-20,158 Order of the Patriotic War, Second Class awarded to, 67 Order of the Red Star awarded to, 67 Paris exhibition (2005) of work of, 172-73 penal battalion service during Second World War by, 64,65-67,78 Rome exhibition (1969) of, 128-29 Santa Monica
exhibition (1990) of, 152,153,154-55 socialist realism and, 5-6,10,11,1314,16-17,71 Sovetskoefoto and, 83 Soviet Photography of World War II: 1941-1945 (US exhibit, 1985) and, 142-43 Soviet Union and photography of ethnic diversity (1950s) and, 83 Stalin and Stalins funeral photographed by, 73/ 74,75,172 Stalingrad photographs by, 65/ 65-66 Tereschenko photograph by, 51/ Third International Photo Competition (1958) and, 81 Tretyakov Gallery exhibition ( 1951 ) and, 80 trip to Bagerovo Trench (1975) by, 130-31 Union of Soviet Friendship Societies (SSOD) and, 91,93,96,119-20, 128,144,145,173-74
260 · Index Baltermants, Dmitri (Cont.) US Holocaust Memorial Museum collection of photos of, 182-84 US travels (1983) of, 138-41 Vietnam photographs by, 76 wartime wounds suffered by, 65-66 Washington, DC, exhibit ( 1986) featuring, 143-44 Yad Vashem collection ofphotos by, 182-83,184,186 Yukhnov photographs by, 61-62 Baltermants, Nikolai, 8-9 Baltermants, Sara (Sofia) Khananovna Dvoretskaia Stolovitskaia, 6, 8-9 Baltermants, Tatiana archive of Baltermants photographs and, 166,167,176-77 European galleries’ Baltermants collections and, 170,173 Faces ofa Nation and, 165 father s relationship with, 148,152 limited edition portfolio of Baltermants photos (2003) and, 168 market for her Baltermants photographs and, 148,149,154, 156,160,166,167 New York City retrospective of Baltermants (1992) and, 161 photos of, 148,161-63 Barthes, Roland, 185 Bataclan terrorist attack (Paris, 2015), 46 Behind Enemy Lines (Baltermants), 158 Bergelson, David, 73-74 Beria, Lavrentiy, 75-76,172 Berman, Grigory, 44-45,45f 193-94,205 Bialik, Chaim Nachman, 36 Bodine, Aubrey, 128 Boll, Heinrich, 95,118,120-21,203 Bolshevik Revolution (1917), 8-9,32 Bowdoin College Museum of Art (BCMA), 181-82 Brady, Mathew, 2,104 Brainerd, Michael, 138-39,142-44,151, 152,160 Breslau, Battle of (1945), 67 Brezhnev, Leonid, 118-20,134,141-42 Brezhneva, Galina, 141-42 British Communist Party (BCP), 110 Brodsky, Isaac, 16-17 Bryansk Front (Second World War, 1941-43), 66 Buchenwald concentration camp, 179-80 Budapest International Photo Exhibition (1957), 83,91,102,112 Burasovskaya, Maria, 176-77 Canitrot, Armelle, 172
Capa, Cornell, 139,140,147,161,163 Capa, Robert, 3,139,143,152, 153,154-55 Cartier-Bresson, Henri, 79,90,125, 144,174-75 Cavalry, Red Square, November 7,1941 (Baltermants), 40,160-61. See also Parade in Moscow, 1941. Cavalry Guardsmen Pursue the Enemy (Baltermants), 63 Central House ofJournalists (Moscow), 81,82-83,104-5,140-41 Chalk, David, 137-38 Chinese Street Scene (Baltermants), 84/՜ Christopher, Frank, 128 Chrysler Museum of Art (Norfolk, Virginia), 170 Chulkov, Vanya, 5 Churbanov, Yuri, 141-42 Citizens Exchange Council (CEC), 137, 139,142-44,155
Index · 261 Clarkson, Rich, 161,164 Cleveland Museum of Art, 170 Cliburn, Van, 107 Cohen, Judy, 183,205 color photography, 78-82, 83, 86, 173 Communist Youth (Komsomol, “Pioneers”), 5-6,10,12, 58-59, 83 Comptoir de la Photographie Gallery (Paris), 170 constructivism, 5-6,157 Cook, Johna, 181 Cousins, Norman, 138-39 Crew ofthe Rodina Airplane (Baltermants), 13-14 Crossing the Oder (Baltermants), 67f 158. See aho Across the Oder (Baltermants) Curtis, Cathy, 154-55 Cutajar, Mario, 164-65 Dmitri Baltermants: Documenting and Staging Soviet Reality (Bowdoin College Museum of Art exhibition, 2017), 181-82 Dmitri Baltermants: The Great Patriotic Wir 1941-1945 (Los Angeles exhibition, 2003), 168 Dmitri Baltermants/'Дмитрий Ба льтермащ (Paris exhibition, 2005), 172-73 Dmitrii Baltermants: Selected Photographs (1977), 135 Doctors’ Plot (Soviet Union, 1953), 75-76 Doisneau, Robert, 125-26 dos Santos, João, 102/, 102 Douleur (Baltermants). See Grief (Baltermants) Dvoretsky, Joseph, 7f 8 da Vinci, Leonardo, 103-4 Day of Memory and Sorrow (commemoration of German invasion of the Soviet Union), 187-88 de Gaulle, Charles, 70-71 Dej, Gheorghe, 75 Delanoë, Bertrand, 172 Delpire, Robert, 170 “Demonstration at the VEF Factory in Riga” (Baltermants), 16-17 “Demonstration on Spartacus Square” (Zelma and Baltermants), 10-12 Desbois, Patrick, 195,196,197-98 Deschin, Jacob, 128 Dewey, Thomas E., 179-80 Ditch ofKerch (Baltermants). See Grief Dmitri Baltermants: A Soviet Photojoumalist’s Retrospective, 1939-1989 (New York, 1992), 161-63 Edward Steichen Photography Galleries (MoMA), 179-80
Einsatzgruppe D (Nazi German paramilitary force), 18, 20, 24-25,33-34 Eisenhower, Dwight D., 89-90, 91-92,126 Eisenstein, Sergei, 155-56 11 Photographers (Huntington Hartford Museum Gallery of Modern Art exhibit, 1965), 125 El Lissitzky (Lazar Markovich Lissitzky), 5-6,10,16-17,148,161 The Enemy’s Destruction (Narazgrom vraga, Soviet military newspaper), 66 Evzerikhin, Emmanuel, 143-44 Execution on Anti-Tank Ditch (Oren), 200-1 Execution Site ofJews, Prisoners of War, Krymchaks, and Civilians (Oren), 200-1
262 · Index Exhibition of Soviet Art Photography (Moscow, 1958), 83,86-87 Extraordinary Commissions (EC), 23, 68,69-71,196 Faces ofa Nation (illustrated narrative history), 165 The Family ofMan (Steichen) atomic explosion photographs and, 88-89 international acclaim for, 95 Japanese exhibition of, 89 Moscow exhibition of, 89,93 Museum of Modern Arts presentation (1955) of, 88-89 thematic organization of, 126-27 US Information Agency and, 117 Fefer, Itsik, 73-74 Feodosia (Soviet Union), 42 Fire Escape (Rodchenko), 157 The First Paparazzi (2011 exhibition at Moscow House of Photography), 175 First World War, 8 Flashes ofMemory: Photography During the Holocaust ( Yad Vashem exhibition), 184-85 Focus ’81 photography workshops, 161 Focus ’83 photography workshops, 139 Foto Fest conference (Moscow, 2011), 171 France, 63,68-69,70-71,76 Frank, Robert, 170 Frankfurt Auschwitz Trials (1963-65), 33-34 Frenkelzon, Maaty, 184 Fridlyand, Semyon, 93,119-20 Gagarin, Yuri, 107 Garage: Center for Contemporary Culture, 171 Garrubba, Caio, 95-96, 98,103, 118,128-29 Gavrish, 1.1., 71 Gee, Helen, 128,136 Geneva Accords, 76 Germany homophobia and, 35 Molotov-Ribbentrop Pact (1939) and, 9-10,12,13,38,59,63 photographic technology and, 79 racial ideology in, 3,17-18,20-21, 26-27,28,32,33,54-55 Soviet Union invaded (1941) by, 15-18, 38 trophy photographs depicting atrocities committed by, ¥lf 38-39,47 George, Marie-Françoise, 170 Gershengorin, Dmitry, 160,176 Gescheidt, Alfred, 126-28 Gestapo (Nazi German police force), 21-22, 53-54 Getty Museum (Los Angeles), 146,165 Ghert-Zand, Renee, 184 Gide,
André, 89-90 Gilpin, Laura, 147 Girault de Prangey, Joseph-Philibert, 174-75 Glavlit (Soviet censorship agency), 110 Glaz Gallery (Moscow), 176-77 Gorbachev, Mikhail, 142,155-56 Gorbatov, Boris, 80-81 Gordon, Morris, 125-28,144 Gore (Baltermants). See Grief (Baltermants) Gorkii, Maxim, 82 Göth, Amon, 70 Great Britain Great Britain-USSR Association, 110, 172,173-74 Khrushchev’s visit (1956) to, 109
Index · 263 media coverage of Second World War in Soviet Union and, 58-60,63-64 Soviet Union alliance during Second World War with, 63-64 United Nations and, 68-69 The Great Patriotic War in Art Photography (Soviet Union exhibits, 1957), 87 Great Terror (Soviet Union, 1930s), 12-13,76,78 Green, Michael, 110-12,117 Grief(Baltermants) auctions of, 158,166,170 author s own interactions with, 1-2,3,203 Baltermants s photo editing process and, 56,98-100,102-4,108,16163.173.183.185-86 Bowdoin College exhibition (2017) of, 181-82 Budapest exhibition (1973) of, 129-30 Central House ofJournalists Exhibition (1962) of, 107-9 cloud images in, 1-2,101-3,108,124, 131,163,173,183 damaged photographic negative of, 3, 98,100,102,104,108,164 diplomatic initiatives during Cold War and, 123-24 documentary version at Hood Museum of Art and, 99f financial value of, 123,124-25,137, 148,158,159,161,166,179 Garrubba and, 95-96,98,103 as “Holocaust photograph,” 3-4,179, 180.182.183.185-86,192-93,205 Illinois Holocaust Museum exhibition (2015) featuring, 185-86 Ivanova as the focus of, 1-2, 55-56, 95-97,98,99,104,110,120,13031,134,180,181-82,203,205 limited edition portfolio print of, 160,161 London exhibition (1964) and, 112, 113,116,117-18 Mattis s printing ofvariants of, 169 montage techniques utilized in, 2, 161-63,173 Museum of Modern Art exhibition (2011) featuring, 179-80 Nazi invasion of Soviet Union documented in, 15-18, 38 New York City exhibition (1965) of, 126-28 New York City exhibition (1967) of, 128 Ogonek magazine s publication of, 120-22, 203 Paris exhibition (2005) of, 172-73,180
Prague exhibition (1981) of, 140 Rome exhibition ( 1968) of, 128-29 rule of thirds and, 99 Santa Monica exhibition ( 1990) of, 154-55 Sovetskoefoto’s publication of, 107,109 That’s How It Was exhibition and, 131 Through SovietJewish Eyes exhibition (2011) and, 180 Time magazine “100 most influential photograph” distinction for, 2-3,96 US Holocaust Memorial Museums print of, 183 War/Photography exhibition (Houston, 2012) and, 180 Was ist der Mensch? exhibitions and, 118,139 women in grief throughout the composition of, 100,104,12021,124,130-31,154-55,163, 172,181-82
264 · Index The Grieving Mother (war memorial in Novosibirsk, Russia), 131-34 Grundberg, Andy, 139-40,153 Gulag prison system (Soviet Union), 75-76 Gurarii, Samarii, 11,14-15 Hagen, Charles, 161-63 Halsman, Philippe, 125-27,147-48 Halsman, Yvonne, 147-48 Harbaugh, Paul archives of Baltermants photographs and, 167 Baltermantss relationship with, 2, 146,147,148,149-52,156,159-60, 163,164 European galleries’ Baltermants collections and, 170 Gershengorin and, 176 Gilpin and, 147 Griefprints owned by, 1-3 on Griefs contemporary relevance, 155,203 Halsman collection of, 147 Hawkins and, 146,149-51 limited edition portfolio of Baltermants photos created by, 159-60 Native American photography collection of, 147 New York retrospective of Baltermants’ photography (1992) and, 161-63 photography work by, 146-47 photo of, 161-63 Soviet photography collection of, 1-2 Soviet travels by, 147-48 Harbaugh, Teresa, 1,2-3,146-47, 160,176 Hawkins, G. Ray antiquarian bookstores frequented by, 145 Baltermants and, 146,147,149-52, 153,154,155,156,160,164-66, 168,238n28 Harbaugh and, 146,149-51 limited edition Baltermants portfolio and, 160 Outerbridge and, 145-46 Santa Monica gallery of, 145,146,151, 153,155,164 Yavno and, 146 Hernandez, Benedict, 137-38,139 Hilfswilliger (Tatar collaborators with Nazi occupation forces), 24-25,32-33 Hill, Roger, 117-18 Hiroshima atomic bombing (1945), 88,138 Hider, Adolf, 17-18,40-41 “Hiderite Atrocities in Kerch” (Redkin), 53, 54/ 97 Hitlerite Responsibility under Criminal Law (Trainin), 69-70 Hochberg, Judith, 167 Ho Chi Minh, 76, Ilf The Holocaust
commemorations in Soviet Union of, 186-88,189 Griefand documentation of, 3-4, 123-24,153,179,180,182,183, 185-86,192-93,205 International Holocaust Remembrance Day and, 187-88 Jewish identity and, 179,184 Jews as largest population ofvictims in, 3-4,47,68,69,83-84,116,121, 179,186,192,193,205 Krymchak population as victims in, 32-34,187,193,194-95 Nazi racial ideology and, 3,17-18,2021,26-27,28,32,33,54-55 photo archives and exhibits of, 182-86,205
Index · 265 Romani populations as victims in, 3, 33-34,47,68,186 Soviet prisoners of war as victims in, 3,186 Yom ha-shoah (day of Holocaust commemoration in Israel) and, 187-88 homophobia, 35 Hood Museum (Dartmouth College), 170 “Horrible Crimes of the Hitlerite Executioners” (Redkin), 40-41, 41/ Höss, Rudolf, 70 Hughes, Langston, 89-90 Hungary rebellion (1956), 77-78,91 Huntington Hartford Museum Gallery of Modern Art (GMA), 125-28 Ibárruri, Dolores, 75 Illinois Holocaust Museum, 185-86 “In a Lvov Locomotive Repair factory” (Gurary and Baltermants), 14-15 The Indelible Image: Photographs ofWar, 1846 to the Present (Washington, DC, exhibit, 1986), 143-44 The Inglorious End ofFascist Tanks (Baltermants), 63 International Center of Photography (ICP), 140,142-43,161-63 International Holocaust Remembrance Day, 187-88 International Military Tribunal (IMT, “Nuremberg Trials”), 69-70, 87 “In the City of Slaughter” (Bialik), 36 I Saw It {la eto videl, Selvinsky), 35-37,101 Ish, Lev Romanovitch, 40 Israel, 73-74,184,192 Ivanova, P. I. Baltermants s four photographs of, 97/97-98,131 Griefand, 1-2,55-56,95-97,98,99, 104,110,120,130-31,134,180, 181-82,203,205 “Hitlerite Atrocities in Kerch” and, 97 search for deceased husband at Bagerovo Trench by, 55-56, 134,180 Izvestiia Bagerovo trench executions (1941) and, 34-36,40, 53,61 Baltermants s work for, 5-6, 9-11, 13-14,16,40,61,62/ 62-63,64, 66,153 “Demonstration at the VEL Factory in Riga” and, 16 “Demonstration on Spartacus Square” and, 10-12 Moscow headquarters building of, 9 “Photo of Pioneers” and, 5-6,10 Red Army presence in
Ukraine (1939-40) covered by, 14-15 trophy photographs from Second World War published in, 37f, 38 Zelma and, 10-11 James, Stephen, 137 Japan, 12-13,88, 89,179-80 Jewish Anti-Fascist Committee (JAFC), 73-74 Jewish Memorial at Bagerovo Trench, 190-93 kaddish (mourner s prayer in Judaism), 189 Kadushin, Zvi, 185 Kadyrov, Nishan, 5 Kalinin, Mikhail, 71 Kamskaya, Zoya, 194 Kaplan, Daile, 166 Kar, Ida, 109,116 Karaite population (Crimea), 28,32-33 Kasyanov, Aleksey, 197
266 · Index Katyn massacre (Poland, 1940), 14 Kerbel, Lev (sculptor of The Grieving Mother), 131-33 Kerch (Crimea) ceremonies commemorating The Holocaust in, 186-90, 193-94, 205 memorials to Second World War atrocities in, 130-31,187-88, 189,190-93 Russia-Ukraine war (2014) and, 193 Yahad in Unum’s Holocaust documentation project and, 197-201 Kerch (Crimea), Nazi occupation (194144) of. See also Bagerovo Trench executions (1941) confiscation ofJews’ property during, 24 Extraordinary Commissions report on, 69-70 forced labor among Jews during, 23 German first withdrawal (January 1942) from, 29,40,42, 59 German reoccupation (March 1942) of, 60,63,64 German second and final withdrawal (April 1944) from, 66 incarceration ofjews during, 24 Jews executed during, 23, 24-26, 32-34,40-41,42-44,46,47,52, 53-55,56,63,100,116,131,153, 181-83,192,205 Jews’ registration with Nazi authorities during, 21, 23,26 Karaite population and, 28 Kerch-Feodosia Amphibious Operation (1941-42) and, 29,34, 42,134 Krymchak population and, 28-29,32-33 Luftwaffe bombings and, 20 orders issued by German authorities during, 21-22,23,27-29,35 partisan forces fighting against German military during, 26 protection ofjews during, 25, 27 rations under, 20-21 Red Army evacuation (1941) and, 19, 20 Ukrainian and Polish Jewish refugees impacted by, 19-20,34 Wehrmacht actions during, 20-21 “Kerch” (Selvsinsky), 101 Kerch Residents Look at Wall Newspaper (Khaldei), 57f The Kerch Worker (newspaper), 40 Khaldei, Yevgeny anticosmopolitan campaign’s targeting of, 74 Bagerovo Trench photos by, 41-42, 44-45/44-45,47,53
Crimea wartime photographs (1941) by, 19 Grigory Berman Finds His Dead Wife and Children and, 44-45,45f, 193-94,205 Kerch liberation photos ( 1944) by, 66 Kerch residents’ wall newspaper photograph by, 56-58, 57f Order of the Red Star awarded to, 45 Raising the Red Flag over the Reichstag and, 1,88,165-66,203 Washington, DC, exhibit (1986) featuring, 143-44 Western market for photographs by, 156 Khalip, Yakov, 83 Khamgokov, Barasbi, 5 Kharkov trials (1943), 70,196 Khrushchev, Nikita ascent to power (1953) by, 75-76
Index · Baltermantss photographs of, 76,120/, 125,170-71,172 China trip (1959) by, 83 diplomatic initiatives of 76, 83, 8990,92,109 emigration policies of 90 Great Britian visit (1956) by, 109 Great Terror prisoners rehabilitated by, 76 “Kitchen Debate” with Nixon and, 89,107 ouster from power (1964) of 118-20 socialist realism and, 78 Stalin denounced by, 2,76,168-69 United States visits of 76, 91-92,125 Khrushchev’s Last Time on the Mausoleum (Baltermants), 120/ Kiev (Ukraine), 15, 66, 83-84 “Kill Him” (Simonov), 112-13 Kishinev pogrom (1903), 36 Kitchen Debate (Moscow, 1959), 89,107. See also American Exhibition Klutsis, Gustav, 16-17 Koch, Robert, 166,167 Kogan, I., 55 Komsomol (Communist Youth organization, “Pioneers”), 5-6,10, 12, 58-59, 83 Korolev, Yuri, 82 Korotov, Yuri, 194 Kozlovskii, Nikolai, 104-5 Kristeva, Julia, 51,219n39 Krymchakpopulation (Crimea), 28-29, 32-34,63,187,193,194-95,200-1 Kuleshov, Misha, 5 Lachmann, Alex, 148 The Last Rites (Baltermants), 48,49f Latvia, 14 Laval, Pierre, 70-71 Lavin, Thomas, 166 267 Lenin at the Putilov Factory (Brodsky), 16-17 Leningrad siege (1941-44), 1, 17-18,47,80 Lerman, S., 103-4 Levitan, Yuri, 66,74,75 Levy, Julien, 136,144 Li, Pakh Dem, 75 Lidin, Vladimir, 35-36,40 Life magazine, 37/,' 38, 58,77, 88, 141-43,147 Lifshits, Sofia Nikolaevna, 23 Limelight (New York City café and photogallery, 128,136 Link, O. Winston, 154 Listening to the Announcement ofStalins Death (Baltermants), 75f, 75 Lithuania, 14 “Location: Marshall Islands; Photographer: Atomic Energy Commission,” 89 Loengard,John, 141-43,164 London, Barbara,
136-37,145-46 Looking at Photographs (Szarkowski), 145-46 Los Angeles County Museum of Art (LACMA), 146,165-66 Luftwaffe (Nazi Germany air force), 20 Luzhkov, Yuri, 172 Lvov, 9-10,14-15 MacDougall, William, 174 Majdanek extermination camp, 68, 70,113-16 Malevich, Kazimir, 5-6 Mao Zedong, 83,85f Markish, Perets, 73-74 Markov-Grinberg, Mark, 1 Martin, Susan, 145-46 Mattis, Michael, 3,167-70,175-76,181 Mayakovsky, Vladimir, 157,176-77
268 · Index May Laws (Russian Empire, 1882), 8 McKay, Claude, 89-90 Metropolitan Museum ofArt (New York), 128 Mikhoels, Solomon, 73-74 Mochalki (Soviet Union), 61 Molotov, Viacheslav, 15-16, 53 Molotov-Ribbentrop Pact (1939), 9-10, 12,13,38, 59,63 montage photography Baltermants’s oeuvre and, 2,45-46, 75/98,161-63 crowd photographs and, 11,16-17,75f Griefzná, 2,161-63,173 panorama techniques and, 11-12,1415,16-17,45-46 socialist realism and, 11-12,16-17 Zelma and, 10,11,16-17 Morris, John, 129 Moscow Bolshevik regime during 1920s in, 9 Jewish and Yiddish culture in, 8 Kirov Dynamo Factory in, 16 Moscow-Volga Canal and, 11 Nazi Army’s advance to outskirts (1941) of, 17-18,19,29,67 Moscow Convention (1943), 70 Moscow House of Photography (MDF), 170-71,172,173,174,175,176-77 Moscow Rallyfor Stalins Reelection (Baltermants), 73/" Motherland Calls statue (Rodina zovet, Volgograd), 84-85,86f Mother Russia imagery, 134 Moving on Stalingrad (Baltermants), 65/՞ Mrázková, Daniela, 140 Museum of Fine Arts Houston, 180 Museum of Modern Art (MoMA, New York City), 2-3,88-89,91-92,125, 136,157,179-80 Musinov, Vladimir, 10 Muybridge, Edward, 135 Nagasaki atomic bombing (1945), 88 Nakhangova, Mamlakat, 5 The Nations ChiefTime Piece, 1967 (Baltermants), 160-61 Naumova, Anna, 26 necropornography, 46-47 New School for Social Research, 137-38 News Chronicle (British newspaper), 63,64 Nikitin, Vladimir, 118,128-29 Nixon, Richard, 89,107 “Note on German Atrocities on Occupied Soviet Territory” (Molotov), 53 Nuremberg Trials, 69-70,87 Ogonek magazine Bagerovo trench executions (1941) covered by,
40-41,41/ 53, 56f 59 Baltermants as director of photography at, 119-20,158 Baltermants’s photography in, 71,72/ 76, 77-78, 83, 96-97, 98, 99-100 color photography and, 79-80 Grzi/published in, 120-22,203 “Hiderite Atrocities in Kerch” and, 53, 54/97 Surkov’s role as editor of, 71 trophy photographs from Second World War published in, 38,39 Okhlopkov, A. A., 16 “On Dmitri Baltermants” (Simonov), 113, 115/ “On the Close Relationship of Literature and Art to the Life of the People” (Khrushchev), 78 On Their Way to the Front (Baltermants), 39f On the Road to War (Baltermants), 128-29 Order 227 (Stalin), 64-66
Index · 269 Oren, Mona, 197-98,200-1 Orr, Eric, 165-66 Otsup, Pyotr, 104 Oudiz, Barbara, 172-73 Outerbridge, Paul, 145-46 Outskirts ofMoscow (Baltermants), 151 Overview ofthe Killing Field and AntiTank Trench (Baltermants), 48/' Oyneg Shabes (Warsaw Ghetto documentation project), 185 Ozerskii, Israel, 53 Parade in Moscow, 1941 (Baltermants), 112,158. See also Cavalry, Red Square, November 7,1941 (Baltermants) Paris terrorist attacks (2015), 46 pathos formula (Warburg), 51-52, 55, 98,120-21,219n43 Pavelek, Irena, 111-12 Pawek, Karl, 95,118 Peace Hostage Exchange Foundation, 137. See aho Citizens Exchange Council Peace Rally on Red Square (Baltermants), 92f Penn, Irving, 125-27 People and Events ofthe USSR: An Exhibition ofDmitri Baltermants (London, 1964), 110-18, 114-15/ People s Commissariat of Internal Affairs (NKVD), 20,26,34,196 People to People program, 89-90 perestroika economic reforms (Soviet Union), 156 Persterer, Alois, 24 Peskov, Vasilii, 135 The Photograph Collector’s Guide (Witkin and London), 136-37, 145-46,156-57 Photography in the Fine Arts (PFA) exhibitions (Metropolitan Museum of Art), 128 “Photo of Pioneers” (Baltermants), 5-6,10 “Photostroika: New Soviet Photography” (1989 Aperture magazine essay), 155-56 Picture Post magazine (Great Britain), 58-60 Piero della Francesca, 103-4 Pietà imagery, 52,104,134 Pilger, Zoe, 173-74 Podolsky, Semyon, 189-90 Poland German occupation of, 38,39 Jewish victims of the Holocaust in, 39 Katyn massacre (1940) and, 14 Molotov-Ribbentrop Pact s dismembering (1939) of, 9-10,14-15 refugees during Second World War from, 19-20
Soviet liberation of, 66-67 trophy photographs from Nazi occupation of, 38, 39 war crimes trials regarding Second World War in, 70 Polevoi, Boris, 87-88 Pollack, Jackson, 92-93 pornography, 46-47 Pravda, 14-15,16,66,77, 81-82 Primrose: Early Colour Photography in Russia (exhibition in Moscow, 2013), 173-74 Proletkult (Soviet proletarian culture institution), 90 Proskudin-Gorskii, Sergei, 79 Putin, Vladimir, 167,171-72,173-74, 175,204
270 · Index Queuefor Lenins Tomb, 1959 (Baltermants), 160-61 Rafailov, Semen, 36 Raikina, Marina, 172 Raising the Red Flag over the Reichstag (Khaldei), 1, 88,165-66,203 Reagan, Ronald, 142 Red Army (armed forces of the Soviet Union) Crimea operations (1941-44) and, 3, 19,24,26,29,31,34,66 Eastern European countries liberated from Nazi forces by, 66-67,68 Japans incursions in Russian Far East (1930s) against, 12-13 occupation of Ukrainian and Belorussian territories during late 1930s by, 13,14-15 retreats from western Soviet Union (1941) by, 17-18,19,20 Redkin, Mark, 40-41,41/f42,44,47,53 Remeš, Vladimir, 140 Reminiscences (Baltermants), 118 “Residents of Kerch Search for Their Relatives” (Baltermants), 55 Retunskikh, Dmitrii, 175 Ribot, Guillaume, 197,200, 201 Ringelblum, Emmanuel, 185 Roberts, Frank, 109 Rodchenko, Alexander constructivism and, 157 financial value ofphotographs by, 136-37,157 modernist aesthetics of, 10,157 Sobranie-.Fotoeffekt collection and, 174-75 Stalin and, 155-56,157,161 Western reception and collectors of, 148,153-54,156-58,161,176-77 Rodina-mat’ statue (Volgograd), 134 Romani populations in Europe, 3, 33-34, 68,186 Romanov, L, 97-98 Rostov-on-Don (Soviet Union), 19-20, 29,34,64 Rothstein. Arthur, 139,144 Rudenko, Roman, 87 Russian Photographic Society, 78 The Russian War, 1941-1945 (International Center of Photography exhibit, 1977), 140 “Ryegrass” (Lidin), 40 Salisbury, Harrison, 140 Sartre, Jean-Paul, 90 Satiukov, Pavel, 105,119-20 Schickler, Howard, 148 Schutzstaffel (SS, Nazi Germany paramilitary force), 20 Secchiaroli, Tazio, 175 Second
International Photo Exhibition (1955), 111-12 Seeking Out the Dead. Kerch Front, 1943 (Baltermants), 126-28. See abo Grief{Baltermants) Seidler, Kurt, 38 Selvinsky, Ilya, 35-38,42-44, 45-46,101 Sevastopol (Crimea), 18 The Seven Year Plan in Action (Moscow photo exhibition, 1958), 126 Shaikhet, Arkady, 1,66,148 Shakhovskoi, Vladimir, 128 Shamzhanova, Buza, 5 Shepherd, Alan, 107 Shigemitsu, Mamoru, 179-80 Simferopol (Crimea), 18 Simonov, Konstantin, 112-16, Wbf 117-18,121-22,203 Slavin, Naum, 189-90 Snowdon, Lord, 125
Index · 271 Sobranie: Fotoeffekt (mutual investment fund for photography), 174-75,176 socialist realism Baltermantss photography and, 5-6, 10,11,13-14,16-17,71 happiness depicted in, 6 Khrushchev and, 78 montage photography and, 11-12,16-17 photographs of Soviet liberation of Eastern Europe and, 71 vantage points as element of, 5-6, 11-12,16-17 Sofronov, Anatolii, 119-20 Soho Photo Gallery (SPG), 137-38,139 Sokolniki Park (Rodchenko), 157 Sorrow (Baltermants). See Grief (Baltermants) Sovetish Heymland (Yiddish journal in Soviet Union), 122 Sovetskoefoto Baltermantss Central House of Journalist Exhibition ( 1962) covered by, 105 Baltermantss photography featured in, 83 debates about Soviet photography in pages of, 81, 82,103-4 “For Universal Disarmament and Peace” column in, 88 founding (1926) of, 78 GVif/published in, 107,109 “In the Name of Friendship” article in, 91-92 Second World War commemorated in, 86, 88 Soviet photographers’ foreign exhibitions covered in, 82-83,91 “Soviet Citizens Dig a Trench to Prepare for Batde” (Khaldei), 19 Soviet Obelisk Commemorating the Massacre at Bagerovo Anti-Tank Trench, 130-31,187-88,189,192-93 Soviet Photography ofWorld War II: 19411945 (US exhibit, 1985), 142-43 Soviet Soldier Posing in Front ofGerman Memorial to the Unknown Soldier (Baltermants), 71,71f Soviet Union African students in, 89-90 American Exhibition (1959) in, 92-93,107 anticosmopolitan campaign in, 71-74 antisemitism in, 32,73-74 atomic weapons and, 88,91 collapse (1991) of, 152,155 diplomatic initiatives during Cold War by, 76,83, 88, 89-90,91-92,105-7,
109,123-24,129,144 Eastern European countries occupied by, 68,76,77-78 emigration policies in, 90 Germany’s initial invasion and occupation (1941) of, 15-18, 38 Great Britain-USSR Association and, 110,172,173-74 Great Terror purges (1930s) in, 12-13,78 heritage tourism by Jews to former states of, 190-91,196-97 homophobia in, 35 Jewish census categories in, 19, 28 number of casualties in Second World War and, 68,154-55 perestroika economic reforms in, 156 Second World War memorials in, 84-85 space race and, 107 United States’s establishment of diplomatic relations (1933) with, 12 war crimes trials regarding Second World War in, 68,70-71,196
272 · Index Stalin, Joseph Baltermants s photos of, 73/í 74, 75,172 death and funeral of, 74-76 “Demonstration on Spartacus Square” photograph and, 10-12 de-Stalinization and, 84-85,168-69 Kerch retreat (1941) ordered by, 19 Khrushchev s denunciation of, 2, 76,168-69 “Life Has Become Better” credo (1935) of, 6 Moscow-Volga Canal and, 11 Nakhangova photograph (1935) and, 5 Order 227 and, 64-66 reelection rally (1950) for, 73f Revolution Day parade (1941) and, 40 Victory Day celebrations and, 186 Stalingrad, battle (1942-43) of Baltermants’s photographs of, 65f 65-66 commemorations of, 86-87 German surrender (February 1943) and, 65-66 Order 227 and, 64-66 Stalingrad: Photographs (Zelma) and, 86 Wehrmacht siege (1942) of, 64 State Archive of the Russian Federation (GARF), 182 State Yiddish Theater (GOSET), 73-74 Steichen, Edward, 88-89,91-92,93,95, 96,117,126-27 Steward, Sue, 173 Stolovitsky, Dmitri. See Baltermants, Dmitri Stolovitsky, Grigory, 6 Storm (dos Santos), 102/) 102 Sukharev, Oleg, 175 Sulzberger, Arthur, 91-92 Surkov, Aleksei, 71 Surrender Ceremonies Onboard the USS Missouri, Tokyo Bay, Japan (photograph), 179-80 Sviblova, Olga Baltermants and, 45-46,170-71,174 European galleries’ Baltermants collections and, 173 Foto Fest and, 171 Moscow House of Photography, 170-71,172,173,174 Order of Friendship awarded to, 171 Swann Auction Galleries, 135,166 Szarkowski, John, 145-46 Tank Attack (Baltermants), 112,113/) 151. TASS Windows, 56-58,57/ Tatars, 19,24-25,32-33, 54, 196-97,201-2 Taylor, A. J. P., 140 Tchaikovsky, Peter, 105 Tchaikovsky . Germany, 1945 (Baltermants),
105-7,106/, 108, 112,151,158 Teixeira, Anya, 117,118 Tereshchenko, V. S. media coverage of, 48-50,55,59,95-96 search for deceased husband at Bagerovo Trench by, 48-51, 50-51/, 55, 56,131 VS. Tereshchenko Digs to Find the Body ofHer Husband (Baltermants), 5If VS. Tereshchenko Discovering Her Husband (Kogan) and, 50f Yad Vashem photo of, 182-83 “Terror of the Fascist Occupiers in Poland” (Izvestiia, 1941), 37/" That’s How It Was (Baltermants), 131-33,134 They Photographed War: Soviet War Reportage (Prague, 1975), 140 Third Communist Party Program (1961), 91 Third International Photo Competition (1958), 81 Thomas E. Dewey and Photographers (Weegee), 179-80
Index · Thornton, Gene, 142-43 Through SovietJewish Eyes (University of Colorado Art Museum exhibition, 2011), 180,185-86 Trainin, Aron, 69-70 Tretyakov Gallery, 80 trophy photographs, 37f, 38-39,47 Tucker, Anne Wilkes, 180 Turovsky, Mark, 40 Tyaglyi, Mikhail, 194-95 Ukraine Baltermants’s photographic work (1939) in, 9-Ю, 14-15 Germany’s invasion and occupation (1941-44) of, 15,18 Jews and Poles deported to Siberia (1939-40) from, 14-15 Lvov and, 9-10,14-15 Polish rule of territories in, 9-10,13 Red Army presence (1939-41) in, 13,14-15 refugees during Second World War from, 19-20 Ulbricht, Walter, 75 “Unidentified Family Executed at Kerch by the Germans” (Baltermants), 56 Union ofJournalists, 82-83,143-44 Union of Soviet Friendship Societies (SSOD). See also All-Union Society for Cultural Relations with Foreign Countries (VOKS) Baltermants’s leadership role in, 91, 93, 96,119-20,128,144,145,173-74 Baltermants’s London exhibition (1964) and, 110,112-13 cultural exchanges with Western countries arranged by, 90,91-92, 93,96,109,128,129,145,173-74 establishment (1957) of, 90 magazines sponsored by, 91-92 Moscow headquarters building of, 90 273 sale of artwork to Western buyers by, 145 USSR-Great Britain Society and, 109 United Nations, 68-69,187-88 United States atomic warfare against Japan and, 88,91 media coverage of Nazi atrocities in Soviet Union and, 58 Soviet Union’s establishment of diplomatic relations (1933) with, 12 space race and, 107 United Nations and, 68-69 United States Information Agency (USIA) and, 93,117 Unity (Eynikayt, Yiddish language newspaper in Soviet
Union), 73-74 University of Colorado Art Museum, 180 University of New Mexico Art Museum, 135 Unknown Photographer (Baltermants), 43f Untitled (Outerbridge), 145-46 Uria, Vivian, 184,185 US Holocaust Memorial Museum (USHMM), 182-84 USSR in Construction, 148 USSR Photo (traveling exhibition in United States, 1970), 129 Utah Museum of Fine Arts, 170 Utkin, Iosif, 66 Uziel, Daniel, 184 Vietnam, 76 “Vile Murderers” (Antselovitch), 53-56 Volfson, Boris, 32-33 Volgograd (Soviet Union), 84-85, 86/) 134. See aho Stalingrad, battle (1942-43) of Von Laue, Theodore and Angela, 165 von Mannstein, Erich, 24 VS. Tereshchenko Digs to Find the Body of Her Husband (Baltermants), 51ƒ
274 · Index VS. Tereshchenko Discovering Her Husband (Kogan), 50f Warburg, Aby, 51-52 Wir/Photography (Museum of Fine Arts Houston exhibition, 2012), 180 Warsaw Ghetto, 183,185,193,203 Was ist der Mensch ? ( What Is a Human Being?, Pawel and Boll), 118, 120-21,139 Wehrmacht (armed forces of Nazi Germany) Bagerovo Trench executions (1941) and, 24-25,33 Crimea operations (1941-42) of, 18-19,29,64 Kerch occupation (1941-42) and, 20-21 partisan fighting against, 26 retreat from Kerch (1942) by, 3,182 Stalingrad and, 64, 66 Weingarten, Josef, 25, 52 “Western Front. Cavalry Unit under the Command of Major A. Kakurin Going off to Perform a Combat Mission” (Baltermants), 62/, 62 Weston, Edward, 136 “We Will Never Forget!” (Ogonek article featuring Grief'm 1965), 120-22 Wiesel, Elie, 180 Winterton, Paul, 63-64 Without Looking Back, 1970 (Baltermants), 160-61 Witkin, Lee, 136-37,145-46, 147,156-57 Witness at the Bagerovo Trench (Oren), 200-1 World Federalist Movement (WFM), 138 World War I, 8 Wyeth, Andrew, 92-93 YadVashem, 182-83,184-85,186,187 Yahad in Unum (YiU), 195-96, 197-201 yahrzeit (Judaisms annual commemoration of someone’s death), 188-89,193-94 Yarinovskaia, A., 97-98 Yavno, Max, 146 Yiddish language and culture, 26-27, 28, 73-74,186-87,190 Yom ha-shoah (day of Holocaust commemoration in Israel), 187-88 Yukhnov (Soviet Union), 61-62 Zalkind, Simon, 1 Zeitlin Ver Brugge (Los Angeles bookstore), 145-46 Zelma, Georgy anticosmopolitan campaigns targeting of, 74 Baltermants and, 10-11,16 “Demonstration on Spartacus Square” and, 10-12 Izvestiia and, 10-11 modernist aesthetics
of, 10 montage photography and, 10,11,16-17 socialist realism and, 11 Soviet Photography ofWorld War II: 1941- 1945 (US exhibit, 1985) and, 143 Soviet Union and photography of ethnic diversity (1950s) and, 83 Stalingrad photographs by, 86-87 USSR in Construction and, 10 Western collectors of, 148 Zhdanov, Andrei, 71-73,172 Zhukova, Daria, 171 Zlobovsky, Anatoly, 175,176 Zorkin cameras, 111 Zoshchenko, Mikhail, 71-73 Bayerisch·^ Staatsbibliothek München I |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Shneer, David 1972- |
| author_GND | (DE-588)173697372 |
| author_facet | Shneer, David 1972- |
| author_role | aut |
| author_sort | Shneer, David 1972- |
| author_variant | d s ds |
| building | Verbundindex |
| bvnumber | BV047221123 |
| ctrlnum | (OCoLC)1244434704 (DE-599)BVBBV047221123 |
| dewey-full | 779.99405318 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 779 - Photographic images |
| dewey-raw | 779.99405318 |
| dewey-search | 779.99405318 |
| dewey-sort | 3779.99405318 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1942 gnd |
| era_facet | Geschichte 1942 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04012nam a2200697 c 4500</leader><controlfield tag="001">BV047221123</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220204 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210331s2020 ac|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190923815</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19092-381-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190923822</subfield><subfield code="9">978-0-19092-382-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1244434704</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047221123</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-384</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">779.99405318</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HIST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shneer, David</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)173697372</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Grief</subfield><subfield code="b">the biography of a Holocaust photograph</subfield><subfield code="c">David Shneer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">274 Seiten</subfield><subfield code="b">Illustrationen, Portraits (schwarz-weiß)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took pictures that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never-before-seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image of a grieving woman to render this gruesome mass atrocity into a transcendentally human tragedy</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Bal terman t s, D. / (Dmitri i) / Gor e</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bal'termanc, Dmitrij N.</subfield><subfield code="d">1912-1990</subfield><subfield code="0">(DE-588)122920635</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1942</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">War photographers / Soviet Union / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World War, 1939-1945 / Photography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">War photography / Ukraine / Kerch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Documentary photography / Soviet Union / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World War, 1939-1945 / Atrocities / Ukraine / Kerch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Massacres / Ukraine / Kerch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Holocaust, Jewish (1939-1945) / In mass media</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Judenvernichtung</subfield><subfield code="0">(DE-588)4073091-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Kertsch</subfield><subfield code="0">(DE-588)4110239-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bal'termanc, Dmitrij N.</subfield><subfield code="d">1912-1990</subfield><subfield code="0">(DE-588)122920635</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kertsch</subfield><subfield code="0">(DE-588)4110239-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Judenvernichtung</subfield><subfield code="0">(DE-588)4073091-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1942</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-19-750461-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-19-092383-9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220204</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_BSB_FID</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032625740</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09044</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">070.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09044</subfield><subfield code="g">947.08</subfield></datafield></record></collection> |
| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Kertsch (DE-588)4110239-3 gnd |
| geographic_facet | Kertsch |
| id | DE-604.BV047221123 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:57:30Z |
| indexdate | 2024-07-10T09:06:02Z |
| institution | BVB |
| isbn | 9780190923815 9780190923822 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032625740 |
| oclc_num | 1244434704 |
| open_access_boolean | |
| owner | DE-Y3 DE-12 DE-384 |
| owner_facet | DE-Y3 DE-12 DE-384 |
| physical | 274 Seiten Illustrationen, Portraits (schwarz-weiß) |
| psigel | BSB_NED_20220204 DHB_BSB_FID |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Shneer, David 1972- Verfasser (DE-588)173697372 aut Grief the biography of a Holocaust photograph David Shneer New York Oxford University Press [2020] © 2020 274 Seiten Illustrationen, Portraits (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier In January 1942, Soviet photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity site, where an estimated seven thousand Jews and others were executed at a trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took pictures that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never-before-seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image of a grieving woman to render this gruesome mass atrocity into a transcendentally human tragedy Bal terman t s, D. / (Dmitri i) / Gor e Bal'termanc, Dmitrij N. 1912-1990 (DE-588)122920635 gnd rswk-swf Geschichte 1942 gnd rswk-swf War photographers / Soviet Union / History World War, 1939-1945 / Photography War photography / Ukraine / Kerch Documentary photography / Soviet Union / History World War, 1939-1945 / Atrocities / Ukraine / Kerch Massacres / Ukraine / Kerch Holocaust, Jewish (1939-1945) / In mass media Judenvernichtung (DE-588)4073091-8 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Kertsch (DE-588)4110239-3 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Bal'termanc, Dmitrij N. 1912-1990 (DE-588)122920635 p Kertsch (DE-588)4110239-3 g Judenvernichtung (DE-588)4073091-8 s Fotografie (DE-588)4045895-7 s Geschichte 1942 z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-750461-1 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-092383-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Shneer, David 1972- Grief the biography of a Holocaust photograph Bal terman t s, D. / (Dmitri i) / Gor e Bal'termanc, Dmitrij N. 1912-1990 (DE-588)122920635 gnd War photographers / Soviet Union / History World War, 1939-1945 / Photography War photography / Ukraine / Kerch Documentary photography / Soviet Union / History World War, 1939-1945 / Atrocities / Ukraine / Kerch Massacres / Ukraine / Kerch Holocaust, Jewish (1939-1945) / In mass media Judenvernichtung (DE-588)4073091-8 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)122920635 (DE-588)4073091-8 (DE-588)4045895-7 (DE-588)4110239-3 (DE-588)4006804-3 |
| title | Grief the biography of a Holocaust photograph |
| title_auth | Grief the biography of a Holocaust photograph |
| title_exact_search | Grief the biography of a Holocaust photograph |
| title_exact_search_txtP | Grief the biography of a Holocaust photograph |
| title_full | Grief the biography of a Holocaust photograph David Shneer |
| title_fullStr | Grief the biography of a Holocaust photograph David Shneer |
| title_full_unstemmed | Grief the biography of a Holocaust photograph David Shneer |
| title_short | Grief |
| title_sort | grief the biography of a holocaust photograph |
| title_sub | the biography of a Holocaust photograph |
| topic | Bal terman t s, D. / (Dmitri i) / Gor e Bal'termanc, Dmitrij N. 1912-1990 (DE-588)122920635 gnd War photographers / Soviet Union / History World War, 1939-1945 / Photography War photography / Ukraine / Kerch Documentary photography / Soviet Union / History World War, 1939-1945 / Atrocities / Ukraine / Kerch Massacres / Ukraine / Kerch Holocaust, Jewish (1939-1945) / In mass media Judenvernichtung (DE-588)4073091-8 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Bal terman t s, D. / (Dmitri i) / Gor e Bal'termanc, Dmitrij N. 1912-1990 War photographers / Soviet Union / History World War, 1939-1945 / Photography War photography / Ukraine / Kerch Documentary photography / Soviet Union / History World War, 1939-1945 / Atrocities / Ukraine / Kerch Massacres / Ukraine / Kerch Holocaust, Jewish (1939-1945) / In mass media Judenvernichtung Fotografie Kertsch Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032625740&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT shneerdavid griefthebiographyofaholocaustphotograph |