The fallen veil: a literary and cultural history of the photographic nude in nineteenth-century France
"This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Philadelphia
University of Pennsylvania Press
[2021]
|
Ausgabe: | 1st edition |
Schriftenreihe: | Material texts
|
Schlagworte: | |
Zusammenfassung: | "This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers" |
Beschreibung: | xii, 300 Seiten Illustrationen |
ISBN: | 9780812252866 0812252861 |
Internformat
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245 | 1 | 0 | |a The fallen veil |b a literary and cultural history of the photographic nude in nineteenth-century France |c Raisa Adah Rexer |
250 | |a 1st edition | ||
264 | 1 | |a Philadelphia |b University of Pennsylvania Press |c [2021] | |
300 | |a xii, 300 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
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338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Material texts | |
520 | 3 | |a "This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers" | |
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653 | 0 | |a Literature and photography / France / History / 19th century | |
653 | 0 | |a French literature / 19th century / History and criticism | |
653 | 0 | |a Photography of the nude / History / 19th century | |
653 | 0 | |a Photography / Social aspects / History / 19th century | |
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Datensatz im Suchindex
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author | Rexer, Raisa 1982- |
author_GND | (DE-588)1233900005 |
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illustrated | Illustrated |
index_date | 2024-07-03T16:57:01Z |
indexdate | 2024-07-10T09:05:59Z |
institution | BVB |
isbn | 9780812252866 0812252861 |
language | English |
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publisher | University of Pennsylvania Press |
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spelling | Rexer, Raisa 1982- Verfasser (DE-588)1233900005 aut The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France Raisa Adah Rexer 1st edition Philadelphia University of Pennsylvania Press [2021] xii, 300 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Material texts "This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers" Geschichte 1839-1900 gnd rswk-swf Erotische Fotografie (DE-588)4015374-5 gnd rswk-swf Aktfotografie (DE-588)4000979-8 gnd rswk-swf Nacktheit Motiv (DE-588)4659088-2 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Literature and photography / France / History / 19th century French literature / 19th century / History and criticism Photography of the nude / History / 19th century Photography / Social aspects / History / 19th century Nude in art / History / 19th century French literature Literature and photography Nude in art Photography of the nude Photography / Social aspects France 1800-1899 Criticism, interpretation, etc History Frankreich (DE-588)4018145-5 g Aktfotografie (DE-588)4000979-8 s Erotische Fotografie (DE-588)4015374-5 s Nacktheit Motiv (DE-588)4659088-2 s Geschichte 1839-1900 z DE-604 |
spellingShingle | Rexer, Raisa 1982- The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France Erotische Fotografie (DE-588)4015374-5 gnd Aktfotografie (DE-588)4000979-8 gnd Nacktheit Motiv (DE-588)4659088-2 gnd |
subject_GND | (DE-588)4015374-5 (DE-588)4000979-8 (DE-588)4659088-2 (DE-588)4018145-5 |
title | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France |
title_auth | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France |
title_exact_search | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France |
title_exact_search_txtP | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France |
title_full | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France Raisa Adah Rexer |
title_fullStr | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France Raisa Adah Rexer |
title_full_unstemmed | The fallen veil a literary and cultural history of the photographic nude in nineteenth-century France Raisa Adah Rexer |
title_short | The fallen veil |
title_sort | the fallen veil a literary and cultural history of the photographic nude in nineteenth century france |
title_sub | a literary and cultural history of the photographic nude in nineteenth-century France |
topic | Erotische Fotografie (DE-588)4015374-5 gnd Aktfotografie (DE-588)4000979-8 gnd Nacktheit Motiv (DE-588)4659088-2 gnd |
topic_facet | Erotische Fotografie Aktfotografie Nacktheit Motiv Frankreich |
work_keys_str_mv | AT rexerraisa thefallenveilaliteraryandculturalhistoryofthephotographicnudeinnineteenthcenturyfrance |