A second Mona Lisa?: challenges of attribution and authentication and various possibilities for evaluating a work of art
"The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historico-humanistic and technical-experimental skills with a subjective and objective eva...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Roma ; Bristol
"L'Erma" di Bretschneider
[2021]
|
| Schriftenreihe: | LermArte
27 |
| Schlagworte: | |
| Zusammenfassung: | "The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historico-humanistic and technical-experimental skills with a subjective and objective evaluation. The first part of the volume deals with experimentation relating to three valuable artifacts of different material composition: a painting, a sculpture, a codex. The second part of the research regards the emblematic case of the Mona Lisa and its uniqueness. The question connected to this study is: "Is there a second Mona Lisa?" Is the Isleworth Mona Lisa, also known as the Earlier Mona Lisa, a second version of the Louvre Mona Lisa painted by the Renaissance genius Leonardo da Vinci? In order to provide an answer regarding attribution, a methodological path was applied to the painting on canvas "Mona Lisa with columns" (St. Petersburg), establishing that it was a copy, albeit a well-executed one. Numerous versions and copies of the Mona Lisa were also studied, basing their examination on the in-depth archival-bibliographic research of the many paintings on the same subject. The findings highlighted the distinction between two authentic versions by Leonardo, i.e. the Louvre Mona Lisa and the Isleworth Mona Lisa and two copies, i.e. the Prado and the Reynolds Mona Lisas. The latter two, considered to be the most complete and qualitatively better that many others are, in fact, either copies of previous Mona Lisas or of the two authentic versions. The final considerations are dedicated to the chronological sequence of historical sources, stylistic and aesthetic analyses, artistic techniques and experimental investigations to prove the authentication of the Isleworth Mona Lisa by Leonardo." |
| Beschreibung: | 144 Seiten Illustrationen, Diagramme 29 cm |
| ISBN: | 9788891321541 |
Internformat
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| 520 | 3 | |a "The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historico-humanistic and technical-experimental skills with a subjective and objective evaluation. The first part of the volume deals with experimentation relating to three valuable artifacts of different material composition: a painting, a sculpture, a codex. The second part of the research regards the emblematic case of the Mona Lisa and its uniqueness. The question connected to this study is: "Is there a second Mona Lisa?" Is the Isleworth Mona Lisa, also known as the Earlier Mona Lisa, a second version of the Louvre Mona Lisa painted by the Renaissance genius Leonardo da Vinci? In order to provide an answer regarding attribution, a methodological path was applied to the painting on canvas "Mona Lisa with columns" (St. Petersburg), establishing that it was a copy, albeit a well-executed one. Numerous versions and copies of the Mona Lisa were also studied, basing their examination on the in-depth archival-bibliographic research of the many paintings on the same subject. The findings highlighted the distinction between two authentic versions by Leonardo, i.e. the Louvre Mona Lisa and the Isleworth Mona Lisa and two copies, i.e. the Prado and the Reynolds Mona Lisas. The latter two, considered to be the most complete and qualitatively better that many others are, in fact, either copies of previous Mona Lisas or of the two authentic versions. The final considerations are dedicated to the chronological sequence of historical sources, stylistic and aesthetic analyses, artistic techniques and experimental investigations to prove the authentication of the Isleworth Mona Lisa by Leonardo." | |
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| 700 | 1 | |a Parfenov, Vadim |4 wst | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-88-913-2157-2 |
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Datensatz im Suchindex
| _version_ | 1812453864699330560 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Lorusso, Salvatore Natali, Andrea |
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| author_facet | Lorusso, Salvatore Natali, Andrea |
| author_role | aut aut |
| author_sort | Lorusso, Salvatore |
| author_variant | s l sl a n an |
| building | Verbundindex |
| bvnumber | BV047213001 |
| ctrlnum | (ItFiC)4805823 (OCoLC)1245338477 (DE-599)BVBBV047213001 |
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| id | DE-604.BV047213001 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:54:57Z |
| indexdate | 2024-10-09T16:18:20Z |
| institution | BVB |
| isbn | 9788891321541 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032617772 |
| oclc_num | 1245338477 |
| open_access_boolean | |
| owner | DE-Y2 DE-Y3 DE-29 DE-255 |
| owner_facet | DE-Y2 DE-Y3 DE-29 DE-255 |
| physical | 144 Seiten Illustrationen, Diagramme 29 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | "L'Erma" di Bretschneider |
| record_format | marc |
| series | LermArte |
| series2 | LermArte |
| spelling | Lorusso, Salvatore Verfasser (DE-588)170941477 aut A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art Salvatore Lorusso, Andrea Natali ; with papers by Jean-Pierre Isbouts, John Asmus, Vadim Parfenov Roma ; Bristol "L'Erma" di Bretschneider [2021] © 2021 144 Seiten Illustrationen, Diagramme 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier LermArte 27 "The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historico-humanistic and technical-experimental skills with a subjective and objective evaluation. The first part of the volume deals with experimentation relating to three valuable artifacts of different material composition: a painting, a sculpture, a codex. The second part of the research regards the emblematic case of the Mona Lisa and its uniqueness. The question connected to this study is: "Is there a second Mona Lisa?" Is the Isleworth Mona Lisa, also known as the Earlier Mona Lisa, a second version of the Louvre Mona Lisa painted by the Renaissance genius Leonardo da Vinci? In order to provide an answer regarding attribution, a methodological path was applied to the painting on canvas "Mona Lisa with columns" (St. Petersburg), establishing that it was a copy, albeit a well-executed one. Numerous versions and copies of the Mona Lisa were also studied, basing their examination on the in-depth archival-bibliographic research of the many paintings on the same subject. The findings highlighted the distinction between two authentic versions by Leonardo, i.e. the Louvre Mona Lisa and the Isleworth Mona Lisa and two copies, i.e. the Prado and the Reynolds Mona Lisas. The latter two, considered to be the most complete and qualitatively better that many others are, in fact, either copies of previous Mona Lisas or of the two authentic versions. The final considerations are dedicated to the chronological sequence of historical sources, stylistic and aesthetic analyses, artistic techniques and experimental investigations to prove the authentication of the Isleworth Mona Lisa by Leonardo." Leonardo da Vinci 1452-1519 Mona Lisa (DE-588)4074156-4 gnd rswk-swf Melzi, Francesco 1492-1570 Mona Lisa del Prado (DE-588)1183317689 gnd rswk-swf Analyse (DE-588)4122795-5 gnd rswk-swf Authentifikation (DE-588)4330656-1 gnd rswk-swf Kunstwerk (DE-588)4123592-7 gnd rswk-swf Zuschreibung (DE-588)4132036-0 gnd rswk-swf Leonardo da Vinci 1452-1519 Mona Lisa (DE-588)4074156-4 u Melzi, Francesco 1492-1570 Mona Lisa del Prado (DE-588)1183317689 u DE-604 Kunstwerk (DE-588)4123592-7 s Zuschreibung (DE-588)4132036-0 s Analyse (DE-588)4122795-5 s Authentifikation (DE-588)4330656-1 s Natali, Andrea Verfasser aut Isbouts, Jean-Pierre 1954- (DE-588)1213488524 wst Asmus, John wst Parfenov, Vadim wst Erscheint auch als Online-Ausgabe, PDF 978-88-913-2157-2 LermArte 27 (DE-604)BV035084340 27 |
| spellingShingle | Lorusso, Salvatore Natali, Andrea A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art LermArte Leonardo da Vinci 1452-1519 Mona Lisa (DE-588)4074156-4 gnd Melzi, Francesco 1492-1570 Mona Lisa del Prado (DE-588)1183317689 gnd Analyse (DE-588)4122795-5 gnd Authentifikation (DE-588)4330656-1 gnd Kunstwerk (DE-588)4123592-7 gnd Zuschreibung (DE-588)4132036-0 gnd |
| subject_GND | (DE-588)4074156-4 (DE-588)1183317689 (DE-588)4122795-5 (DE-588)4330656-1 (DE-588)4123592-7 (DE-588)4132036-0 |
| title | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art |
| title_auth | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art |
| title_exact_search | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art |
| title_exact_search_txtP | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art |
| title_full | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art Salvatore Lorusso, Andrea Natali ; with papers by Jean-Pierre Isbouts, John Asmus, Vadim Parfenov |
| title_fullStr | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art Salvatore Lorusso, Andrea Natali ; with papers by Jean-Pierre Isbouts, John Asmus, Vadim Parfenov |
| title_full_unstemmed | A second Mona Lisa? challenges of attribution and authentication and various possibilities for evaluating a work of art Salvatore Lorusso, Andrea Natali ; with papers by Jean-Pierre Isbouts, John Asmus, Vadim Parfenov |
| title_short | A second Mona Lisa? |
| title_sort | a second mona lisa challenges of attribution and authentication and various possibilities for evaluating a work of art |
| title_sub | challenges of attribution and authentication and various possibilities for evaluating a work of art |
| topic | Leonardo da Vinci 1452-1519 Mona Lisa (DE-588)4074156-4 gnd Melzi, Francesco 1492-1570 Mona Lisa del Prado (DE-588)1183317689 gnd Analyse (DE-588)4122795-5 gnd Authentifikation (DE-588)4330656-1 gnd Kunstwerk (DE-588)4123592-7 gnd Zuschreibung (DE-588)4132036-0 gnd |
| topic_facet | Leonardo da Vinci 1452-1519 Mona Lisa Melzi, Francesco 1492-1570 Mona Lisa del Prado Analyse Authentifikation Kunstwerk Zuschreibung |
| volume_link | (DE-604)BV035084340 |
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