Cinema in China prior to WWI: a case study of West-Eastern culture transfer
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Chinese English |
| Veröffentlicht: |
Berlin
Peter Lang
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.peterlang.com/view/product/79465?format=HC Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 289 Seiten Illustrationen 22 cm, 446 g |
| ISBN: | 9783631765401 3631765401 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
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| 100 | 1 | |a Xu, Meimei |e Verfasser |0 (DE-588)1099332559 |4 aut | |
| 240 | 1 | 0 | |a Knowledge development: cinema in China prior to WWI |
| 245 | 1 | 0 | |a Cinema in China prior to WWI |b a case study of West-Eastern culture transfer |c Meimei Xu |
| 246 | 1 | 3 | |a Cinema in China prior to World War I |
| 264 | 1 | |a Berlin |b Peter Lang |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 289 Seiten |b Illustrationen |c 22 cm, 446 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c Rheinische Friedrich-Wilhelms-Universität Bonn |d 2016 | ||
| 546 | |a Teilweise auch in Chinesisch (Kurzzeichen) | ||
| 648 | 7 | |a Geschichte 1843-1914 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Laterna magica |0 (DE-588)4034677-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a China |0 (DE-588)4009937-4 |2 gnd |9 rswk-swf | |
| 653 | |a Case | ||
| 653 | |a China | ||
| 653 | |a Cinema | ||
| 653 | |a Culture | ||
| 653 | |a Eastern | ||
| 653 | |a Meimei | ||
| 653 | |a prior | ||
| 653 | |a Study | ||
| 653 | |a Transfer | ||
| 653 | |a West | ||
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| 689 | 0 | 3 | |a Geschichte 1843-1914 |A z |
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Datensatz im Suchindex
| _version_ | 1804182327227580416 |
|---|---|
| adam_text | CONTENTS
CONVENTION
AND
ABBREVIATIONS
............................................................
11
ABSTRACT
......................................................................................................
13
ZUSAMMENFASSUNG
...................................................................................
15
SUMMARY
....................................................................................................
17
INTRODUCTION
..............................................................................................
19
CHAPTER
1.
MAGIC
LANTERN,
1843-1897
..............................................
37
1.1.
YINGXI:
A
SEMANTICS
RETROSPECT
.........................................
39
1.2.
MAGIC
LANTERN
......................................................................
40
1.2.1.
LANTERN
EXHIBITIONS:
PRE-SCREEN
STAGE
.......................
44
1.2.2.
LANTERN
EXHIBITIONS:
BOOMING
STAGE
.........................
50
1.2.3.
LANTERNS
THREE
FUNCTIONAL
MODELS
.............................
60
1.2.4.
LANTERNS
LOCALIZATION
STRATEGIES
................................
62
1.3.
LANTERN
AND
CINEMA
...........................................................
69
1.3.1.
CINEMA
AS
AN
ADVANCED
MODIFICATION
OF
LANTERN
*
*
71
1.3.2.
CINEMA
AS
A
SUBJECT
...................................................
76
CHAPTER
2.
ITINERANT
EXHIBITORS,
1897-1899
....................................
79
2.1.
FILM
EXHIBITIONS
IN
1897
...................................................
80
2.1.1.
SPREADING
ROUTE
AND
THE
U
FIRSF
EXHIBITION
...............
81
2.1.2.
TEAHOUSES
VS.
WESTERN
HALLS:
EXHIBITIONS
IN
SHANGHAI
....................................................................
85
2.1.3.
EXHIBITIONS
BEYOND
SHANGHAI:
HONG
KONG
AND
TIANJIN
.......................................................................
95
8
CONTENTS
2.1.4.
MAKESHIFT
THEATERS
.................................................
100
2.2.
FILM
ACTIVITIES
IN
1898
......................................................
109
2.3.
EXHIBITIONS
IN
1899
...........................................................
117
CHAPTER
3.
WAR
CAMERAMEN,
1900-1905
.......................................
121
3.1.
FILM
EXHIBITIONS^SHOOTING
PRACTICE:
BIOSCOPE
AND
WAR
REPORTAGE
...................................................................
121
3.2.
BOXER
REBELLION
.................................................................
130
3.2.1.
CAMERAMEN
TO
CHINA
IN
BOXER
TIME
.......................
133
3.2.2.
STAGED
BOXER
FILMS
...................................................
143
3.3.
RUSSO-JAPANESE
WAR
..........................................................
150
3.3.1.
CINEMA
AS
PROPAGANDA
TOOL
AND
SIEGE
OF
PORT
ARTHUR
......................................................................
152
3.3.2.
FAKE
WAR
FILMS
..........................................................
154
3.4.
CHINESE
IMAGE
AND
YELLOW
PERIL
.......................................
159
CHAPTER
4.
INCIPIENT
FILM
INDUSTRY,
1906-1911
..........................
167
4.1.
CINEMATOGRAPH
EXHIBITIONS
..............................................
167
4.2.
FORMATIVE
FILM
INDUSTRY
...................................................
170
4.2.1.
FILM
PIONEERS
...........................................................
174
4.2.2.
MOVIE
THEATERS
IN
SHANGHAI
.....................................
182
4.2.3.
CINEMATOGRAPH
COMPANIES
.....................................
191
4.3.
CINEMA
IN
CHINA
AFTER
1906
.............................................
194
4.3.1.
ANECDOTES,
THEATERS
AND
FILM
MARKET
STATUS
QUOS
....
196
4.3.2.
SOUTHEAST
CITIES
AND
ARCADE
FILM
COMPANY
IN
NORTH
CHINA
.............................................................
199
CONTENTS
9
CHAPTER
5.
CHINESE
FILM
PRODUCTION,
1912-1914
..........................
207
5.1.
EXHIBITIONS
.........................................................................
207
5.2.
CHINESE
AS
FILM
AUDIENCES:
LI
HONGZHANG,
DUAN
FANG,
AND
WU
TINGFANG
....................................................
211
5.3.
CHINESE
AS
FILM
AMATEURS:
CHING
LING
FOO
AND
MOOSER
BROTHERS
................................................................
220
5.4.
THE
BEGINNING
OF
CHINESE
FILM
PRODUCTION
...................
227
5.4.1.
BENJAMIN
BRODSKY:
FILM
MOGUL
IN
THE
ORIENT
........
228
5.4.2.
CHINESE
FILM
PRODUCTION:
ASIATIC
COMPANY
AND
CHINA
CINEMA
COMPANY
........................................
235
CONCLUSION
.................................................................................................
247
APPENDIX
I:
TABLES
...................................................................................
255
APPENDIX
II:
FILMOGRAPHY
...................................................................
259
FIGURES
AND
CHARTS
..................................................................................
265
BIBLIOGRAPHY
............................................................................................
267
LIST
OF
PRIMARY
SOURCE
MATERIALS
.........................................................
275
|
| adam_txt |
CONTENTS
CONVENTION
AND
ABBREVIATIONS
.
11
ABSTRACT
.
13
ZUSAMMENFASSUNG
.
15
SUMMARY
.
17
INTRODUCTION
.
19
CHAPTER
1.
MAGIC
LANTERN,
1843-1897
.
37
1.1.
YINGXI:
A
SEMANTICS
RETROSPECT
.
39
1.2.
MAGIC
LANTERN
.
40
1.2.1.
LANTERN
EXHIBITIONS:
PRE-SCREEN
STAGE
.
44
1.2.2.
LANTERN
EXHIBITIONS:
BOOMING
STAGE
.
50
1.2.3.
LANTERNS
THREE
FUNCTIONAL
MODELS
.
60
1.2.4.
LANTERNS
LOCALIZATION
STRATEGIES
.
62
1.3.
LANTERN
AND
CINEMA
.
69
1.3.1.
CINEMA
AS
AN
ADVANCED
MODIFICATION
OF
LANTERN
*
*
71
1.3.2.
CINEMA
AS
A
SUBJECT
.
76
CHAPTER
2.
ITINERANT
EXHIBITORS,
1897-1899
.
79
2.1.
FILM
EXHIBITIONS
IN
1897
.
80
2.1.1.
SPREADING
ROUTE
AND
THE
U
FIRSF
EXHIBITION
.
81
2.1.2.
TEAHOUSES
VS.
WESTERN
HALLS:
EXHIBITIONS
IN
SHANGHAI
.
85
2.1.3.
EXHIBITIONS
BEYOND
SHANGHAI:
HONG
KONG
AND
TIANJIN
.
95
8
CONTENTS
2.1.4.
MAKESHIFT
THEATERS
.
100
2.2.
FILM
ACTIVITIES
IN
1898
.
109
2.3.
EXHIBITIONS
IN
1899
.
117
CHAPTER
3.
WAR
CAMERAMEN,
1900-1905
.
121
3.1.
FILM
EXHIBITIONS^SHOOTING
PRACTICE:
BIOSCOPE
AND
WAR
REPORTAGE
.
121
3.2.
BOXER
REBELLION
.
130
3.2.1.
CAMERAMEN
TO
CHINA
IN
BOXER
TIME
.
133
3.2.2.
STAGED
BOXER
FILMS
.
143
3.3.
RUSSO-JAPANESE
WAR
.
150
3.3.1.
CINEMA
AS
PROPAGANDA
TOOL
AND
SIEGE
OF
PORT
ARTHUR
.
152
3.3.2.
FAKE
WAR
FILMS
.
154
3.4.
CHINESE
IMAGE
AND
YELLOW
PERIL
.
159
CHAPTER
4.
INCIPIENT
FILM
INDUSTRY,
1906-1911
.
167
4.1.
CINEMATOGRAPH
EXHIBITIONS
.
167
4.2.
FORMATIVE
FILM
INDUSTRY
.
170
4.2.1.
FILM
PIONEERS
.
174
4.2.2.
MOVIE
THEATERS
IN
SHANGHAI
.
182
4.2.3.
CINEMATOGRAPH
COMPANIES
.
191
4.3.
CINEMA
IN
CHINA
AFTER
1906
.
194
4.3.1.
ANECDOTES,
THEATERS
AND
FILM
MARKET
STATUS
QUOS
.
196
4.3.2.
SOUTHEAST
CITIES
AND
ARCADE
FILM
COMPANY
IN
NORTH
CHINA
.
199
CONTENTS
9
CHAPTER
5.
CHINESE
FILM
PRODUCTION,
1912-1914
.
207
5.1.
EXHIBITIONS
.
207
5.2.
CHINESE
AS
FILM
AUDIENCES:
LI
HONGZHANG,
DUAN
FANG,
AND
WU
TINGFANG
.
211
5.3.
CHINESE
AS
FILM
AMATEURS:
CHING
LING
FOO
AND
MOOSER
BROTHERS
.
220
5.4.
THE
BEGINNING
OF
CHINESE
FILM
PRODUCTION
.
227
5.4.1.
BENJAMIN
BRODSKY:
FILM
MOGUL
IN
THE
ORIENT
.
228
5.4.2.
CHINESE
FILM
PRODUCTION:
ASIATIC
COMPANY
AND
CHINA
CINEMA
COMPANY
.
235
CONCLUSION
.
247
APPENDIX
I:
TABLES
.
255
APPENDIX
II:
FILMOGRAPHY
.
259
FIGURES
AND
CHARTS
.
265
BIBLIOGRAPHY
.
267
LIST
OF
PRIMARY
SOURCE
MATERIALS
.
275 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Xu, Meimei |
| author_GND | (DE-588)1099332559 |
| author_facet | Xu, Meimei |
| author_role | aut |
| author_sort | Xu, Meimei |
| author_variant | m x mx |
| building | Verbundindex |
| bvnumber | BV047212166 |
| ctrlnum | (OCoLC)1190684036 (DE-599)DNB1215778171 |
| dewey-full | 791.430951 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430951 |
| dewey-search | 791.430951 |
| dewey-sort | 3791.430951 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1843-1914 gnd |
| era_facet | Geschichte 1843-1914 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV047212166 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:54:43Z |
| indexdate | 2024-07-10T09:05:47Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
| isbn | 9783631765401 3631765401 |
| language | Chinese English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032616951 |
| oclc_num | 1190684036 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 289 Seiten Illustrationen 22 cm, 446 g |
| psigel | BSB_NED_20210514 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Peter Lang |
| record_format | marc |
| spelling | Xu, Meimei Verfasser (DE-588)1099332559 aut Knowledge development: cinema in China prior to WWI Cinema in China prior to WWI a case study of West-Eastern culture transfer Meimei Xu Cinema in China prior to World War I Berlin Peter Lang [2020] © 2020 289 Seiten Illustrationen 22 cm, 446 g txt rdacontent n rdamedia nc rdacarrier Dissertation Rheinische Friedrich-Wilhelms-Universität Bonn 2016 Teilweise auch in Chinesisch (Kurzzeichen) Geschichte 1843-1914 gnd rswk-swf Laterna magica (DE-588)4034677-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Case China Cinema Culture Eastern Meimei prior Study Transfer West (DE-588)4113937-9 Hochschulschrift gnd-content China (DE-588)4009937-4 g Film (DE-588)4017102-4 s Laterna magica (DE-588)4034677-8 s Geschichte 1843-1914 z DE-604 Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-83034-5 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-83035-2 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-83036-9 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=c473720734b8496c974a792bbee31b89&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/79465?format=HC B:DE-101 application/pdf https://d-nb.info/1215778171/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032616951&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20201126 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Xu, Meimei Cinema in China prior to WWI a case study of West-Eastern culture transfer Laterna magica (DE-588)4034677-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4034677-8 (DE-588)4017102-4 (DE-588)4009937-4 (DE-588)4113937-9 |
| title | Cinema in China prior to WWI a case study of West-Eastern culture transfer |
| title_alt | Knowledge development: cinema in China prior to WWI Cinema in China prior to World War I |
| title_auth | Cinema in China prior to WWI a case study of West-Eastern culture transfer |
| title_exact_search | Cinema in China prior to WWI a case study of West-Eastern culture transfer |
| title_exact_search_txtP | Cinema in China prior to WWI a case study of West-Eastern culture transfer |
| title_full | Cinema in China prior to WWI a case study of West-Eastern culture transfer Meimei Xu |
| title_fullStr | Cinema in China prior to WWI a case study of West-Eastern culture transfer Meimei Xu |
| title_full_unstemmed | Cinema in China prior to WWI a case study of West-Eastern culture transfer Meimei Xu |
| title_short | Cinema in China prior to WWI |
| title_sort | cinema in china prior to wwi a case study of west eastern culture transfer |
| title_sub | a case study of West-Eastern culture transfer |
| topic | Laterna magica (DE-588)4034677-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Laterna magica Film China Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=c473720734b8496c974a792bbee31b89&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/79465?format=HC https://d-nb.info/1215778171/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032616951&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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