The Bloomsbury handbook of dance and philosophy:
"An innovative examination of the ways in which dance and philosophy inform each other, Dance and Philosophy brings together authorities from a variety of disciplines to expand our understanding of dance and dance scholarship. Featuring an eclectic mix of materials from exposes to dance therapy...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "An innovative examination of the ways in which dance and philosophy inform each other, Dance and Philosophy brings together authorities from a variety of disciplines to expand our understanding of dance and dance scholarship. Featuring an eclectic mix of materials from exposes to dance therapy sessions to demonstrations, Dance and Philosophy addresses centuries of scholarship, dance practice, the impacts of technological and social change, politics, cultural diversity and performance. Structured thematically to draw out the connection between different perspectives, this books covers: - Philosophy practice and how it corresponds to dance - Movement, embodiment and temporality - Philosophy and dance traditions in everyday life - The intersection between dance and technology - Critical reflections on dance Offering important contributions to our understanding of dance as well as expanding the study of philosophy, this book is key to sparking new conversations concerning the philosophy of dance"-- |
| Beschreibung: | xvii, 474 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Portraits 25 cm |
| ISBN: | 9781350103474 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List Plates xi Contributors xii of Acknowledgments xviii Introduction One: Dance and Philosophy Rebecca L Farinas and Julie C. Van Camp 1 Introduction Two: Dance Philosophy and Aesthetics Jeff Friedman and Aili Bresnahan 5 Part One: Philosophical Practice as a Dancing Matter 1.1 Introduction: Presenting an Engagement of Philosophy and Dance Julie C. Van Camp 1.2 Teaching Dance and Philosophy to Non-Majors: The Integration of Movement Practices and Thought Experiments to Articulate Big Ideas Megan Brunsvold Mercedes and Kristopher G. Phillips 1.3 Dance, Normativity, and Action Graham McFee 1.4 What is Mark Morris’ “Choreomusicality”? Illuminate the Music, Dignify the Dance Julie C. Van Camp 1.5 Analytic Philosophy and the Logic of Dance Kristin Boyce 1.6 The Negotiation of Significance in Dance Performance: Aesthetic Value in the Context of Difference Jane Carr 11 20 36 52 60 71 1.7 Dance as Embodied Aesthetics Barbara Gail Montero 82 1.8 From Presentational Symbol to Dynamic Form: Ritual, Dance, and Image Randall E. Auxier 97
viii CONTENTS Part Two: Movement, Embodiment, and Meaning: The Distinctiveness of Dance 2.1 Introduction: Reflections on Practice Edyta Kuzian 123 2.2 Interpretation in Dance Performing Aili Bresnahan 139 2.3 Epistemologies of Body and Movement in Contemporary Dance Edgar Vite and Diana Palacio 150 2.4 The Phenomenology of Choreographing Rebecca Whitehurst 164 2.5 Discovering Collaboration in Dance Richard D. Hall 176 2.6 Falling Up: An Explication of a Dance Kaysie Seitz Brown 181 2.7 Early Floating in the Here and Now: The Radically Empirical Immediate Dance Poetry of Erick Hawkins and Lucia Dlugoszewski Louis Kavouras 2.8 Je danse; donc, je suis David Leventhal 190 203 Part Three: Philosophy, Dance Traditions, and Everyday Experience 3.1 Introduction: Cross-currents in Philosophical and Dance Traditions Stephen Davies 3.2 A New Universality: Pragmatic Symbols of World Peace in Drawing and Dance Rebecca L Farinas 217 225 3.3 Groovy Bodies: The 1970s Somatic Engagement and Dance Caroline Sutton Clark 244 3.4 Indian Traditional Dance and the Experience of Ego-Transcendence Binita Mehta 255 3.5 Resisting the Universal: Black Dance, Aesthetics, and the Afterlives of Slavery Thomas F. DeFrantz 263 3.6 The Landscape of the Arts Lakshmi Viswanathan 272
CONTENTS 3.7 Entanglement: A Multi-Layered Morphology of a Post-Colonial African Philosophical Framework for Dance Aesthetics Jeff Friedman 3.8 African Sensibility and the Muscogee (Creek) Stomp Dance Tradition Paula J. Conlon 3.9 The Mask Which the Actor Wears is Apt to Become His True Face: How Jon Cryer Toes the Line Between Homage and Mimicry in Pretty in Pink’s Ultimate Lip Sync Addie Tsai ix 279 294 309 Part Four: How Does Dance Move Us Via Technology? 4.1 Introduction: Dance and Technology David Davies 321 4.2 Aesthetic Engagement in Video Dance Arnold Berleant 330 4.3 Bodies at Rest: Four Still Images Daniel Conrad 336 4.4 What Do We Lose to a Video? Ian T. Heckman 339 4.5 Embodying Agency in the Human-Techno Entanglement Eliot Gray Fisher and Erica Gionfriddo 347 4.6 mEANING rEMIX: Ambivalent Readings of Marie Chouinard’s bODY rEMIX/gOLDBERG VARIATIONS L. Archer Porter 4.7 Considerations on Site-Specific Screendance Production Ana Baer Carrillo 358 370 Part Five: Critical Reflections on Dance 5.1 Introduction: The Richness of Dance for Life and Thought Julia Beauquel 381 5.2 Movement on Record: Poetry, Presence, Radicalism Jonelle Seitz 393 5.3 Structure, Form, and Function of Dance Criticism and the Ways it Relates Audiences to Works of Art Henrique Rochelle 405
x CONTENTS 5.4 Dancing-with: A Theoretical Method for Poetic Social Justice Joshua M. Hall 5.5 The Power of Political Dance: Representation, Mobilization, and Context Apparatus Eric Mullis 415 426 5.6 The Economic Politics of Pleasure in Gaga Meghan Quinlan 441 Conclusion: Questions for Richard Shusterman 449 Selected Bibliography 457 Index 471
|
| adam_txt |
CONTENTS List Plates xi Contributors xii of Acknowledgments xviii Introduction One: Dance and Philosophy Rebecca L Farinas and Julie C. Van Camp 1 Introduction Two: Dance Philosophy and Aesthetics Jeff Friedman and Aili Bresnahan 5 Part One: Philosophical Practice as a Dancing Matter 1.1 Introduction: Presenting an Engagement of Philosophy and Dance Julie C. Van Camp 1.2 Teaching Dance and Philosophy to Non-Majors: The Integration of Movement Practices and Thought Experiments to Articulate Big Ideas Megan Brunsvold Mercedes and Kristopher G. Phillips 1.3 Dance, Normativity, and Action Graham McFee 1.4 What is Mark Morris’ “Choreomusicality”? Illuminate the Music, Dignify the Dance Julie C. Van Camp 1.5 Analytic Philosophy and the Logic of Dance Kristin Boyce 1.6 The Negotiation of Significance in Dance Performance: Aesthetic Value in the Context of Difference Jane Carr 11 20 36 52 60 71 1.7 Dance as Embodied Aesthetics Barbara Gail Montero 82 1.8 From Presentational Symbol to Dynamic Form: Ritual, Dance, and Image Randall E. Auxier 97
viii CONTENTS Part Two: Movement, Embodiment, and Meaning: The Distinctiveness of Dance 2.1 Introduction: Reflections on Practice Edyta Kuzian 123 2.2 Interpretation in Dance Performing Aili Bresnahan 139 2.3 Epistemologies of Body and Movement in Contemporary Dance Edgar Vite and Diana Palacio 150 2.4 The Phenomenology of Choreographing Rebecca Whitehurst 164 2.5 Discovering Collaboration in Dance Richard D. Hall 176 2.6 Falling Up: An Explication of a Dance Kaysie Seitz Brown 181 2.7 Early Floating in the Here and Now: The Radically Empirical Immediate Dance Poetry of Erick Hawkins and Lucia Dlugoszewski Louis Kavouras 2.8 Je danse; donc, je suis David Leventhal 190 203 Part Three: Philosophy, Dance Traditions, and Everyday Experience 3.1 Introduction: Cross-currents in Philosophical and Dance Traditions Stephen Davies 3.2 A New Universality: Pragmatic Symbols of World Peace in Drawing and Dance Rebecca L Farinas 217 225 3.3 Groovy Bodies: The 1970s Somatic Engagement and Dance Caroline Sutton Clark 244 3.4 Indian Traditional Dance and the Experience of Ego-Transcendence Binita Mehta 255 3.5 Resisting the Universal: Black Dance, Aesthetics, and the Afterlives of Slavery Thomas F. DeFrantz 263 3.6 The Landscape of the Arts Lakshmi Viswanathan 272
CONTENTS 3.7 Entanglement: A Multi-Layered Morphology of a Post-Colonial African Philosophical Framework for Dance Aesthetics Jeff Friedman 3.8 African Sensibility and the Muscogee (Creek) Stomp Dance Tradition Paula J. Conlon 3.9 The Mask Which the Actor Wears is Apt to Become His True Face: How Jon Cryer Toes the Line Between Homage and Mimicry in Pretty in Pink’s Ultimate Lip Sync Addie Tsai ix 279 294 309 Part Four: How Does Dance Move Us Via Technology? 4.1 Introduction: Dance and Technology David Davies 321 4.2 Aesthetic Engagement in Video Dance Arnold Berleant 330 4.3 Bodies at Rest: Four Still Images Daniel Conrad 336 4.4 What Do We Lose to a Video? Ian T. Heckman 339 4.5 Embodying Agency in the Human-Techno Entanglement Eliot Gray Fisher and Erica Gionfriddo 347 4.6 mEANING rEMIX: Ambivalent Readings of Marie Chouinard’s bODY rEMIX/gOLDBERG VARIATIONS L. Archer Porter 4.7 Considerations on Site-Specific Screendance Production Ana Baer Carrillo 358 370 Part Five: Critical Reflections on Dance 5.1 Introduction: The Richness of Dance for Life and Thought Julia Beauquel 381 5.2 Movement on Record: Poetry, Presence, Radicalism Jonelle Seitz 393 5.3 Structure, Form, and Function of Dance Criticism and the Ways it Relates Audiences to Works of Art Henrique Rochelle 405
x CONTENTS 5.4 Dancing-with: A Theoretical Method for Poetic Social Justice Joshua M. Hall 5.5 The Power of Political Dance: Representation, Mobilization, and Context Apparatus Eric Mullis 415 426 5.6 The Economic Politics of Pleasure in Gaga Meghan Quinlan 441 Conclusion: Questions for Richard Shusterman 449 Selected Bibliography 457 Index 471 |
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| spelling | The Bloomsbury handbook of dance and philosophy edited by Rebecca L. Farinas and Julie C. Van Camp Handbook of dance and philosophy London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xvii, 474 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Portraits 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "An innovative examination of the ways in which dance and philosophy inform each other, Dance and Philosophy brings together authorities from a variety of disciplines to expand our understanding of dance and dance scholarship. Featuring an eclectic mix of materials from exposes to dance therapy sessions to demonstrations, Dance and Philosophy addresses centuries of scholarship, dance practice, the impacts of technological and social change, politics, cultural diversity and performance. Structured thematically to draw out the connection between different perspectives, this books covers: - Philosophy practice and how it corresponds to dance - Movement, embodiment and temporality - Philosophy and dance traditions in everyday life - The intersection between dance and technology - Critical reflections on dance Offering important contributions to our understanding of dance as well as expanding the study of philosophy, this book is key to sparking new conversations concerning the philosophy of dance"-- Tanz (DE-588)4059028-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Dance / Philosophy (DE-588)4143413-4 Aufsatzsammlung gnd-content Tanz (DE-588)4059028-8 s Philosophie (DE-588)4045791-6 s DE-604 Farinas, Rebecca L. (DE-588)123171803X edt Van Camp, Julie 1947- (DE-588)132013045 edt Erscheint auch als Online-Ausgabe, PDF 978-1-3501-0349-8 Erscheint auch als Online-Ausgabe 978-1-3501-0348-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032614169&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Bloomsbury handbook of dance and philosophy |
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| title_auth | The Bloomsbury handbook of dance and philosophy |
| title_exact_search | The Bloomsbury handbook of dance and philosophy |
| title_exact_search_txtP | The Bloomsbury handbook of dance and philosophy |
| title_full | The Bloomsbury handbook of dance and philosophy edited by Rebecca L. Farinas and Julie C. Van Camp |
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| title_short | The Bloomsbury handbook of dance and philosophy |
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