Olive Cotton: a life in photography
Biography of leading Australian modernist photographer Olive Cotton, covering her life through childhood, early marriage to fellow photographer Max Dupain and her successful commercial work of the 1930s to her second marriage and life in rural NSW, bringing up children and continuing to work at her...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Sydney, N.S.W.
Fourth Estate
2019
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Schlagworte: | |
Zusammenfassung: | Biography of leading Australian modernist photographer Olive Cotton, covering her life through childhood, early marriage to fellow photographer Max Dupain and her successful commercial work of the 1930s to her second marriage and life in rural NSW, bringing up children and continuing to work at her art |
Beschreibung: | 533 pages, 8 unnumbered pages of plates illustrations, portraits 25 cm |
ISBN: | 9781460758342 146075834X 9781460712047 1460712048 |
Internformat
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100 | 1 | |a Ennis, Helen |e Verfasser |0 (DE-588)140242988 |4 aut | |
245 | 1 | 0 | |a Olive Cotton |b a life in photography |c Helen Ennis |
264 | 1 | |a Sydney, N.S.W. |b Fourth Estate |c 2019 | |
300 | |a 533 pages, 8 unnumbered pages of plates |b illustrations, portraits |c 25 cm | ||
336 | |b txt |2 rdacontent | ||
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505 | 8 | |a Part one / The trunk -- Wirruna -- 'My medium' -- Newport -- Maxwell Spencer Dupain -- Deepening thought -- The university years -- 'A perfect specimen' -- A strange dream -- Dupain's apprenticeship -- 'Darling lass' -- Great possibilities -- Art and science -- Interior (my room) -- Part two / The Bond Street operation -- Being modern -- Teacup ballet -- Surrealism -- The shell -- Flower studies -- 'Harmonic perception' -- The sea's awakening -- 'A break for independence' -- Max after surfing -- Lucille -- The Max Dupain Studio, 1937-39 -- The Budapest String Quartet -- Stepping into the dark -- Marriage -- Figures in the landscape -- Two girls at Bowral -- War -- Part three / 'The instability of everything' -- The Dupains -- The 'bust-up' -- The company of women -- Transition -- Shared problems in photography -- 'Really great years' -- The Dupain diary -- Divorce -- 'A reasonable sum' -- 'The boy next door' -- Part four / Meeting Ross -- Prescience -- Cordiatlity -- The gift -- Absent without leave -- A talisman -- 'We'll show the world how to live!' -- 'My sweetheart husband' -- Versatility -- End of war -- Sturt -- Homecoming -- A new marriage -- Post-war photography -- Part five / A canvas home -- Trying hard -- Spring Forest -- On flying and other personal matters -- Anecote -- Leaving Ross, one -- Cowra High School -- The Cowra studio -- Jenny Coe -- Loving Ross: the 1960s -- 'The new house' -- Careworn -- Part six / Striking a chord -- The conversational space -- Wild plum -- 'Unbroken time' -- Life review -- The 1990s -- Moths on the windowpane -- Packing up the studio -- Leaving Ross, two -- A force for change -- White irises -- 'The rifle bird's song' -- 'The owl and the pussy-cat' -- On listening -- Light and shade -- Endnotes -- Acknowledgements -- Index -- Inde of Olive Cotton's photographic works | |
520 | 3 | |a Biography of leading Australian modernist photographer Olive Cotton, covering her life through childhood, early marriage to fellow photographer Max Dupain and her successful commercial work of the 1930s to her second marriage and life in rural NSW, bringing up children and continuing to work at her art | |
653 | 1 | |a Cotton, Olive / 1911-2003 | |
653 | 1 | |a Cotton, Olive / 1911-2003 / Marriage | |
653 | 1 | |a Dupain, Max / 1911-1992 / Marriage | |
653 | 0 | |a Photographers / Australia / Biography | |
653 | 0 | |a Portrait photography / Australia / History | |
653 | 0 | |a Photography / Australia / History | |
653 | 1 | |a Cotton, Olive / 1911-2003 | |
653 | 1 | |a Dupain, Max / 1911-1992 | |
653 | 0 | |a Marriage | |
653 | 0 | |a Photographers | |
653 | 0 | |a Photography | |
653 | 0 | |a Portrait photography | |
653 | 2 | |a Australia | |
653 | 6 | |a Biographies | |
653 | 6 | |a History | |
653 | 6 | |a Biographies | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032606851 |
Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Ennis, Helen |
author_GND | (DE-588)140242988 |
author_facet | Ennis, Helen |
author_role | aut |
author_sort | Ennis, Helen |
author_variant | h e he |
building | Verbundindex |
bvnumber | BV047201824 |
contents | Part one / The trunk -- Wirruna -- 'My medium' -- Newport -- Maxwell Spencer Dupain -- Deepening thought -- The university years -- 'A perfect specimen' -- A strange dream -- Dupain's apprenticeship -- 'Darling lass' -- Great possibilities -- Art and science -- Interior (my room) -- Part two / The Bond Street operation -- Being modern -- Teacup ballet -- Surrealism -- The shell -- Flower studies -- 'Harmonic perception' -- The sea's awakening -- 'A break for independence' -- Max after surfing -- Lucille -- The Max Dupain Studio, 1937-39 -- The Budapest String Quartet -- Stepping into the dark -- Marriage -- Figures in the landscape -- Two girls at Bowral -- War -- Part three / 'The instability of everything' -- The Dupains -- The 'bust-up' -- The company of women -- Transition -- Shared problems in photography -- 'Really great years' -- The Dupain diary -- Divorce -- 'A reasonable sum' -- 'The boy next door' -- Part four / Meeting Ross -- Prescience -- Cordiatlity -- The gift -- Absent without leave -- A talisman -- 'We'll show the world how to live!' -- 'My sweetheart husband' -- Versatility -- End of war -- Sturt -- Homecoming -- A new marriage -- Post-war photography -- Part five / A canvas home -- Trying hard -- Spring Forest -- On flying and other personal matters -- Anecote -- Leaving Ross, one -- Cowra High School -- The Cowra studio -- Jenny Coe -- Loving Ross: the 1960s -- 'The new house' -- Careworn -- Part six / Striking a chord -- The conversational space -- Wild plum -- 'Unbroken time' -- Life review -- The 1990s -- Moths on the windowpane -- Packing up the studio -- Leaving Ross, two -- A force for change -- White irises -- 'The rifle bird's song' -- 'The owl and the pussy-cat' -- On listening -- Light and shade -- Endnotes -- Acknowledgements -- Index -- Inde of Olive Cotton's photographic works |
ctrlnum | (OCoLC)1110697888 (DE-599)BVBBV047201824 |
format | Book |
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id | DE-604.BV047201824 |
illustrated | Illustrated |
index_date | 2024-07-03T16:51:19Z |
indexdate | 2024-07-10T09:05:30Z |
institution | BVB |
isbn | 9781460758342 146075834X 9781460712047 1460712048 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032606851 |
oclc_num | 1110697888 |
open_access_boolean | |
physical | 533 pages, 8 unnumbered pages of plates illustrations, portraits 25 cm |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Fourth Estate |
record_format | marc |
spelling | Ennis, Helen Verfasser (DE-588)140242988 aut Olive Cotton a life in photography Helen Ennis Sydney, N.S.W. Fourth Estate 2019 533 pages, 8 unnumbered pages of plates illustrations, portraits 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Part one / The trunk -- Wirruna -- 'My medium' -- Newport -- Maxwell Spencer Dupain -- Deepening thought -- The university years -- 'A perfect specimen' -- A strange dream -- Dupain's apprenticeship -- 'Darling lass' -- Great possibilities -- Art and science -- Interior (my room) -- Part two / The Bond Street operation -- Being modern -- Teacup ballet -- Surrealism -- The shell -- Flower studies -- 'Harmonic perception' -- The sea's awakening -- 'A break for independence' -- Max after surfing -- Lucille -- The Max Dupain Studio, 1937-39 -- The Budapest String Quartet -- Stepping into the dark -- Marriage -- Figures in the landscape -- Two girls at Bowral -- War -- Part three / 'The instability of everything' -- The Dupains -- The 'bust-up' -- The company of women -- Transition -- Shared problems in photography -- 'Really great years' -- The Dupain diary -- Divorce -- 'A reasonable sum' -- 'The boy next door' -- Part four / Meeting Ross -- Prescience -- Cordiatlity -- The gift -- Absent without leave -- A talisman -- 'We'll show the world how to live!' -- 'My sweetheart husband' -- Versatility -- End of war -- Sturt -- Homecoming -- A new marriage -- Post-war photography -- Part five / A canvas home -- Trying hard -- Spring Forest -- On flying and other personal matters -- Anecote -- Leaving Ross, one -- Cowra High School -- The Cowra studio -- Jenny Coe -- Loving Ross: the 1960s -- 'The new house' -- Careworn -- Part six / Striking a chord -- The conversational space -- Wild plum -- 'Unbroken time' -- Life review -- The 1990s -- Moths on the windowpane -- Packing up the studio -- Leaving Ross, two -- A force for change -- White irises -- 'The rifle bird's song' -- 'The owl and the pussy-cat' -- On listening -- Light and shade -- Endnotes -- Acknowledgements -- Index -- Inde of Olive Cotton's photographic works Biography of leading Australian modernist photographer Olive Cotton, covering her life through childhood, early marriage to fellow photographer Max Dupain and her successful commercial work of the 1930s to her second marriage and life in rural NSW, bringing up children and continuing to work at her art Cotton, Olive / 1911-2003 Cotton, Olive / 1911-2003 / Marriage Dupain, Max / 1911-1992 / Marriage Photographers / Australia / Biography Portrait photography / Australia / History Photography / Australia / History Dupain, Max / 1911-1992 Marriage Photographers Photography Portrait photography Australia Biographies History |
spellingShingle | Ennis, Helen Olive Cotton a life in photography Part one / The trunk -- Wirruna -- 'My medium' -- Newport -- Maxwell Spencer Dupain -- Deepening thought -- The university years -- 'A perfect specimen' -- A strange dream -- Dupain's apprenticeship -- 'Darling lass' -- Great possibilities -- Art and science -- Interior (my room) -- Part two / The Bond Street operation -- Being modern -- Teacup ballet -- Surrealism -- The shell -- Flower studies -- 'Harmonic perception' -- The sea's awakening -- 'A break for independence' -- Max after surfing -- Lucille -- The Max Dupain Studio, 1937-39 -- The Budapest String Quartet -- Stepping into the dark -- Marriage -- Figures in the landscape -- Two girls at Bowral -- War -- Part three / 'The instability of everything' -- The Dupains -- The 'bust-up' -- The company of women -- Transition -- Shared problems in photography -- 'Really great years' -- The Dupain diary -- Divorce -- 'A reasonable sum' -- 'The boy next door' -- Part four / Meeting Ross -- Prescience -- Cordiatlity -- The gift -- Absent without leave -- A talisman -- 'We'll show the world how to live!' -- 'My sweetheart husband' -- Versatility -- End of war -- Sturt -- Homecoming -- A new marriage -- Post-war photography -- Part five / A canvas home -- Trying hard -- Spring Forest -- On flying and other personal matters -- Anecote -- Leaving Ross, one -- Cowra High School -- The Cowra studio -- Jenny Coe -- Loving Ross: the 1960s -- 'The new house' -- Careworn -- Part six / Striking a chord -- The conversational space -- Wild plum -- 'Unbroken time' -- Life review -- The 1990s -- Moths on the windowpane -- Packing up the studio -- Leaving Ross, two -- A force for change -- White irises -- 'The rifle bird's song' -- 'The owl and the pussy-cat' -- On listening -- Light and shade -- Endnotes -- Acknowledgements -- Index -- Inde of Olive Cotton's photographic works |
title | Olive Cotton a life in photography |
title_auth | Olive Cotton a life in photography |
title_exact_search | Olive Cotton a life in photography |
title_exact_search_txtP | Olive Cotton a life in photography |
title_full | Olive Cotton a life in photography Helen Ennis |
title_fullStr | Olive Cotton a life in photography Helen Ennis |
title_full_unstemmed | Olive Cotton a life in photography Helen Ennis |
title_short | Olive Cotton |
title_sort | olive cotton a life in photography |
title_sub | a life in photography |
work_keys_str_mv | AT ennishelen olivecottonalifeinphotography |