Contextualizing melodrama in the Czech lands: in concert and on stage
The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2021
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| Schriftenreihe: | Ashgate interdisciplinary studies in opera
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| Schlagworte: | |
| Online-Zugang: | UBR01 Volltext |
| Zusammenfassung: | The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of melodrama that contains in its smaller forms the beauty of the sung ballad and, in the larger-scale works, the appeal of the spoken play. This category of melodrama is one that surfaced in many cultures but was perhaps never so enthusiastically cultivated as in the Czech lands. The melodrama varied greatly at the hands of its Czech advocates. While the works of Zdenk Fibich and his contemporary Josef Bohuslav Foerster, a composer best known for his songs, remained closely bound to the text, those of conductor/composer Otakar Ostril reveal a stance that privileged the music and, given their creator's orchestral experience, are more reminiscent of the symphonic poem. Fibich in his staged works and Josef Suk (composer/violinist and Dvok's son-in-law), in his incidental music reflect variously late nineteenth-century Romanticism, the influence of Wagner, and early manifestations of Impressionism. In its more recent guise, the principles of the staged melodrama reside quite comfortably in the film score. Judith A. Mabary's important volume will be of interest not only to musicologists, but those working in Central and East European studies, voice studies, European theatre, and those studying music and nationalism |
| Beschreibung: | 1 Online Ressource (xv, 243 Seiten) Illustrationen |
| ISBN: | 9781000168914 1000168913 9781000168839 1000168832 9781000168877 1000168875 9781003037293 1003037291 |
| DOI: | 10.4324/9781003037293 |
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| dewey-ones | 782 - Vocal music |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.4324/9781003037293 |
| era | Geschichte gnd |
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| spelling | Mabary, Judith Verfasser (DE-588)143362968 aut Contextualizing melodrama in the Czech lands in concert and on stage Judith A. Mabary London ; New York Routledge 2021 © 2021 1 Online Ressource (xv, 243 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Ashgate interdisciplinary studies in opera The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of melodrama that contains in its smaller forms the beauty of the sung ballad and, in the larger-scale works, the appeal of the spoken play. This category of melodrama is one that surfaced in many cultures but was perhaps never so enthusiastically cultivated as in the Czech lands. The melodrama varied greatly at the hands of its Czech advocates. While the works of Zdenk Fibich and his contemporary Josef Bohuslav Foerster, a composer best known for his songs, remained closely bound to the text, those of conductor/composer Otakar Ostril reveal a stance that privileged the music and, given their creator's orchestral experience, are more reminiscent of the symphonic poem. Fibich in his staged works and Josef Suk (composer/violinist and Dvok's son-in-law), in his incidental music reflect variously late nineteenth-century Romanticism, the influence of Wagner, and early manifestations of Impressionism. In its more recent guise, the principles of the staged melodrama reside quite comfortably in the film score. Judith A. Mabary's important volume will be of interest not only to musicologists, but those working in Central and East European studies, voice studies, European theatre, and those studying music and nationalism Geschichte gnd rswk-swf Opera / Czech Republic Melodrama Melodrama (DE-588)4122277-5 gnd rswk-swf Tschechien (DE-588)4303381-7 gnd rswk-swf Tschechien (DE-588)4303381-7 g Melodrama (DE-588)4122277-5 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-0-367-47922-0 https://doi.org/10.4324/9781003037293 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mabary, Judith Contextualizing melodrama in the Czech lands in concert and on stage Opera / Czech Republic Melodrama Melodrama (DE-588)4122277-5 gnd |
| subject_GND | (DE-588)4122277-5 (DE-588)4303381-7 |
| title | Contextualizing melodrama in the Czech lands in concert and on stage |
| title_auth | Contextualizing melodrama in the Czech lands in concert and on stage |
| title_exact_search | Contextualizing melodrama in the Czech lands in concert and on stage |
| title_exact_search_txtP | Contextualizing melodrama in the Czech lands in concert and on stage |
| title_full | Contextualizing melodrama in the Czech lands in concert and on stage Judith A. Mabary |
| title_fullStr | Contextualizing melodrama in the Czech lands in concert and on stage Judith A. Mabary |
| title_full_unstemmed | Contextualizing melodrama in the Czech lands in concert and on stage Judith A. Mabary |
| title_short | Contextualizing melodrama in the Czech lands |
| title_sort | contextualizing melodrama in the czech lands in concert and on stage |
| title_sub | in concert and on stage |
| topic | Opera / Czech Republic Melodrama Melodrama (DE-588)4122277-5 gnd |
| topic_facet | Opera / Czech Republic Melodrama Tschechien |
| url | https://doi.org/10.4324/9781003037293 |
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