Hothouses: Poems, 1889
On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2021]
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| Schriftenreihe: | Facing Pages
2 |
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers Inhaltsverzeichnis |
| Zusammenfassung: | On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres chaudes (Hothouses) nonetheless came to be widely regarded as one of the cornerstones of literary Modernism after Baudelaire. While Max Nordau soon seized upon Maeterlinck's--tumult of images--as symptomatic of a pervasive social malaise, decades later Antonin Artaud pronounced, "Maeterlinck was the first to introduce the multiple riches of the subconscious into literature." Richard Howard's translation of this quietly radical work is the first to be published in nearly a century, and the first to accurately convey Maeterlinck's elusive visionary force. The poems, some of them in free verse (new to Belgium at the time), combine the decadent symbolism and the language of dislocation that Maeterlinck later perfected in his dramas. Hothouses reflects the influence not only of French poets including Verlaine and Rimbaud, but also of Whitman. As for the title, the author said it was "a natural choice, Ghent . . . abounding in greenhouses." The poems, whose English translations appear opposite the French originals, are accompanied by reproductions of seven woodcuts by Georges Minne that appeared in the original volume, and by an early prose text by Maeterlinck imaginatively describing a painting by the sixteenth-century Flemish artist Pieter Brueghel. A feat of daring power extraordinarily immediate and inventive, Hothouses will appeal to all lovers of poetry, and in particular to those interested in Modernism. Maeterlinck's enormous fame may have faded, but twentieth-century writers such as Beckett are still our masters who testify to its undying influence |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021) |
| Beschreibung: | 1 online resource (128 pages) 1 halftone. 7 line illus |
| ISBN: | 9780691222424 |
| DOI: | 10.1515/9780691222424 |
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| 300 | |a 1 online resource (128 pages) |b 1 halftone. 7 line illus | ||
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021) | ||
| 520 | |a On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres chaudes (Hothouses) nonetheless came to be widely regarded as one of the cornerstones of literary Modernism after Baudelaire. While Max Nordau soon seized upon Maeterlinck's--tumult of images--as symptomatic of a pervasive social malaise, decades later Antonin Artaud pronounced, "Maeterlinck was the first to introduce the multiple riches of the subconscious into literature." Richard Howard's translation of this quietly radical work is the first to be published in nearly a century, and the first to accurately convey Maeterlinck's elusive visionary force. The poems, some of them in free verse (new to Belgium at the time), combine the decadent symbolism and the language of dislocation that Maeterlinck later perfected in his dramas. Hothouses reflects the influence not only of French poets including Verlaine and Rimbaud, but also of Whitman. As for the title, the author said it was "a natural choice, Ghent . . . abounding in greenhouses." The poems, whose English translations appear opposite the French originals, are accompanied by reproductions of seven woodcuts by Georges Minne that appeared in the original volume, and by an early prose text by Maeterlinck imaginatively describing a painting by the sixteenth-century Flemish artist Pieter Brueghel. A feat of daring power extraordinarily immediate and inventive, Hothouses will appeal to all lovers of poetry, and in particular to those interested in Modernism. Maeterlinck's enormous fame may have faded, but twentieth-century writers such as Beckett are still our masters who testify to its undying influence | ||
| 546 | |a In English | ||
| 650 | 7 | |a POETRY / European / General |2 bisacsh | |
| 650 | 4 | |a Poetry | |
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Datensatz im Suchindex
| _version_ | 1804182300554952704 |
|---|---|
| adam_text | INHALT
VORWORT
...........................................................................
9
I.
DIE
STRUKTUR
DER
SPRACHE
....................................
13
1.
NAMEN:
NATUR
ODER
KONVENTION?
PLATON
:
KRATYLOS
.......................................................
15
2.
NOMEN,
VERB,
SATZ
PLATON
:
DER
SOPHIST
.................................................
24
3.
AUSSAGEN,
WAHRHEIT
UND
BEHAUPTUNG
A
RISTOTELES
:
VON
DER
AUSLEGUNG
.............................
34
4.
DAS
GESAGTE
AUGUSTINUS
:
VON
DER
DIALEKTIK
...............................
42
5.
UNTERSCHEIDUNGEN
FUER
TERMINI
W
ILHELM
VON
OCKHAM
:
SUMMA
LOGICAE
..............
46
II.
WOERTER,
GEGENSTAENDE
UND
IDEEN
........................
66
1.
WOERTER
STEHEN
FUER
IDEEN
JOHN
LOCKE
:
VON
DEN
WOERTERN
...............................
67
2.
WAHRHEIT
WEDER
IN
DEN
DINGEN
NOCH
IN
DEN
BEGRIFFEN
G
OTTFRIED
W
ILHELM
LEIBNIZ:
DIALOG
UEBER
DIE
VERKNUEPFUNG
ZWISCHEN
DINGEN
UND
WORTEN
..........
80
3.
WOERTER
STEHEN
FUER
DINGE
JOHN
STUART
M
ILL
:
VON
NAMEN
.............................
86
6
INHALT
III.
DER
URSPRUNG
DER
SPRACHE
...............................
104
1.
SPRACHE
DANK
REFLEXIONSFAEHIGKEIT
JOHANN
G
OTTFRIED
H
ERDER
:
ABHANDLUNG
UEBER
DEN
URSPRUNG
DER
SPRACHE
.............................
105
2.
SPRACHE
DANK
ANGEBORENER
IDEEN
NOAM
CHOMSKY
:
SPRACHE
UND
UNBEWUSSTE
KENNTNIS
...................................................................
113
3.
SPRACHE
DANK
KOOPERATION
M
ICHAEL
TOMASELLO
:
DIE
URSPRUENGE
DER
MENSCHLICHEN
KOMMUNIKATION
.........................
130
IV.
DIE
KUNST
DES
VERSTEHENS
...................................
140
1.
DAS
SPRACHLICHE
ERFASSEN
DES
GEDACHTEN
FRIEDRICH
DANIEL
ERNST
SCHLEIERMACHER:
HERMENEUTIK
UND
KRITIK
.........................................
141
2.
DER
ZIRKEL
DES
VERSTEHENS
HANS
-
GEORG
GADAMER
:
GRUNDZUEGE
EINER
THEORIE
DER
HERMENEUTISCHEN
ERFAHRUNG
..............
153
V.
RELATIVITAET
VON
SPRACHE
UND
DENKEN
................
165
1.
SPRACHE
ALS
AUSDRUCK
DER
WELTANSICHT
WILHELM
VON
HUMBOLDT:
UEBER
DIE
VERSCHIEDENHEIT
DES
MENSCHLICHEN
SPRACHBAUES
UND
IHREN
EINFLUSS
AUF
DIE
GEISTIGE
ENTWICKLUNG
DES
MENSCHENGESCHLECHTS
................
166
2.
DAS
SPRACHLICHE
RELATIVITAETSPRINZIP
B
ENJAMIN
LEE
WHORF
:
NATURWISSENSCHAFT
UND
LINGUISTIK
.........................................................
175
INHALT
7
VI.
EIGENNAMEN
UND
KENNZEICHNUNGEN
..............
187
1.
SINN
UND
BEDEUTUNG
GOTTLOB
FREGE
:
UEBER
SINN
UND
BEDEUTUNG
........
188
2.
KENNZEICHNUNGEN
ALS
QUANTIFIZIERTE
AUSSAGEN
BERTRAND
R
USSELL
:
UEBER
DAS
KENNZEICHEN
........
203
3.
REFERIEREN
ALS
HANDLUNG
PETER
STRAWSON
:
UEBER
REFERENZ
.........................
220
4.
STARRE
DESIGNATOREN
SAUL
KRIPKE
:
NAME
UND
NOTWENDIGKEIT
..............
241
VII.
THEORIEN
DER
BEDEUTUNG
...................................
261
1.
ABBILDTHEORIE
LUDWIG
W
ITTGENSTEIN
:
TRACTATUS
LOGICO-PHILOSOPHICUS
.............................
262
2.
VERIFIKATIONISTISCHE
THEORIE
R
UDOLF
CARNAP
:
UEBERWINDUNG
DER
METAPHYSIK
DURCH
LOGISCHE
ANALYSE
DER
SPRACHE
......................
266
3.
BEDEUTUNGSSKEPTIZISMUS
WILLARD
VAN
ORMAN
QUINE
:
WORT
UND
GEGENSTAND
.......................
271
4.
WAHRHEITSKONDITIONALE
THEORIE
DONALD
DAVIDSON
:
RADIKALE
INTERPRETATION
....
278
5.
BEDEUTUNG
ALS
GEBRAUCH
LUDWIG
WITTGENSTEIN:
PHILOSOPHISCHE
UNTERSUCHUNGEN
.............................
292
6.
MEINEN
PAUL
GRICE
:
INTENDIEREN,
MEINEN,
BEDEUTEN
....
301
7.
INTENTIONALISTISCHE
THEORIE
JONATHAN
BENNETT
:
DIE
STRATEGIE
DES
BEDEUTUNGS-NOMINALISMUS
...................................
316
8
INHALT
VIII.
MIT
SPRACHE
ETWAS
TUN
.....................................
334
1.
ORGANONMODELL
KARL
BUEHLER
:
SPRACHTHEORIE
...................................
335
2.
LOKUTIONAR,
ILLOKUTIONAER,
PERLOKUTIONAER
JOHN
LANGSHAW
AUSTIN
:
ZUR
THEORIE
DER
SPRECHAKTE
...............................................................
354
3.
MEINEN
UND
ILLOKUTIONAERER
AKT
JOHN
ROGERS
SEARLE
:
SPRECHAKTE
........................
366
IX.
IMPLIKATUR,
METAPHER
UND
IRONIE
...................
373
1.
KOOPERATIONSPRINZIP
UND
KONVERSATIONSMAXIMEN
FAUL
GRICE
:
LOGIK
UND
KONVERSATION
..................
374
2.
RELEVANZTHEORIE
DAN
SPERBER
/
DEIRDRE
WILSON
:
UNGENAUE
REDE
394
TEXTNACHWEISE
...............................................................
409
LITERATURHINWEISE
.........................................................
413
|
| adam_txt |
INHALT
VORWORT
.
9
I.
DIE
STRUKTUR
DER
SPRACHE
.
13
1.
NAMEN:
NATUR
ODER
KONVENTION?
PLATON
:
KRATYLOS
.
15
2.
NOMEN,
VERB,
SATZ
PLATON
:
DER
SOPHIST
.
24
3.
AUSSAGEN,
WAHRHEIT
UND
BEHAUPTUNG
A
RISTOTELES
:
VON
DER
AUSLEGUNG
.
34
4.
DAS
GESAGTE
AUGUSTINUS
:
VON
DER
DIALEKTIK
.
42
5.
UNTERSCHEIDUNGEN
FUER
TERMINI
W
ILHELM
VON
OCKHAM
:
SUMMA
LOGICAE
.
46
II.
WOERTER,
GEGENSTAENDE
UND
IDEEN
.
66
1.
WOERTER
STEHEN
FUER
IDEEN
JOHN
LOCKE
:
VON
DEN
WOERTERN
.
67
2.
WAHRHEIT
WEDER
IN
DEN
DINGEN
NOCH
IN
DEN
BEGRIFFEN
G
OTTFRIED
W
ILHELM
LEIBNIZ:
DIALOG
UEBER
DIE
VERKNUEPFUNG
ZWISCHEN
DINGEN
UND
WORTEN
.
80
3.
WOERTER
STEHEN
FUER
DINGE
JOHN
STUART
M
ILL
:
VON
NAMEN
.
86
6
INHALT
III.
DER
URSPRUNG
DER
SPRACHE
.
104
1.
SPRACHE
DANK
REFLEXIONSFAEHIGKEIT
JOHANN
G
OTTFRIED
H
ERDER
:
ABHANDLUNG
UEBER
DEN
URSPRUNG
DER
SPRACHE
.
105
2.
SPRACHE
DANK
ANGEBORENER
IDEEN
NOAM
CHOMSKY
:
SPRACHE
UND
UNBEWUSSTE
KENNTNIS
.
113
3.
SPRACHE
DANK
KOOPERATION
M
ICHAEL
TOMASELLO
:
DIE
URSPRUENGE
DER
MENSCHLICHEN
KOMMUNIKATION
.
130
IV.
DIE
KUNST
DES
VERSTEHENS
.
140
1.
DAS
SPRACHLICHE
ERFASSEN
DES
GEDACHTEN
FRIEDRICH
DANIEL
ERNST
SCHLEIERMACHER:
HERMENEUTIK
UND
KRITIK
.
141
2.
DER
ZIRKEL
DES
VERSTEHENS
HANS
-
GEORG
GADAMER
:
GRUNDZUEGE
EINER
THEORIE
DER
HERMENEUTISCHEN
ERFAHRUNG
.
153
V.
RELATIVITAET
VON
SPRACHE
UND
DENKEN
.
165
1.
SPRACHE
ALS
AUSDRUCK
DER
WELTANSICHT
WILHELM
VON
HUMBOLDT:
UEBER
DIE
VERSCHIEDENHEIT
DES
MENSCHLICHEN
SPRACHBAUES
UND
IHREN
EINFLUSS
AUF
DIE
GEISTIGE
ENTWICKLUNG
DES
MENSCHENGESCHLECHTS
.
166
2.
DAS
SPRACHLICHE
RELATIVITAETSPRINZIP
B
ENJAMIN
LEE
WHORF
:
NATURWISSENSCHAFT
UND
LINGUISTIK
.
175
INHALT
7
VI.
EIGENNAMEN
UND
KENNZEICHNUNGEN
.
187
1.
SINN
UND
BEDEUTUNG
GOTTLOB
FREGE
:
UEBER
SINN
UND
BEDEUTUNG
.
188
2.
KENNZEICHNUNGEN
ALS
QUANTIFIZIERTE
AUSSAGEN
BERTRAND
R
USSELL
:
UEBER
DAS
KENNZEICHEN
.
203
3.
REFERIEREN
ALS
HANDLUNG
PETER
STRAWSON
:
UEBER
REFERENZ
.
220
4.
STARRE
DESIGNATOREN
SAUL
KRIPKE
:
NAME
UND
NOTWENDIGKEIT
.
241
VII.
THEORIEN
DER
BEDEUTUNG
.
261
1.
ABBILDTHEORIE
LUDWIG
W
ITTGENSTEIN
:
TRACTATUS
LOGICO-PHILOSOPHICUS
.
262
2.
VERIFIKATIONISTISCHE
THEORIE
R
UDOLF
CARNAP
:
UEBERWINDUNG
DER
METAPHYSIK
DURCH
LOGISCHE
ANALYSE
DER
SPRACHE
.
266
3.
BEDEUTUNGSSKEPTIZISMUS
WILLARD
VAN
ORMAN
QUINE
:
WORT
UND
GEGENSTAND
.
271
4.
WAHRHEITSKONDITIONALE
THEORIE
DONALD
DAVIDSON
:
RADIKALE
INTERPRETATION
.
278
5.
BEDEUTUNG
ALS
GEBRAUCH
LUDWIG
WITTGENSTEIN:
PHILOSOPHISCHE
UNTERSUCHUNGEN
.
292
6.
MEINEN
PAUL
GRICE
:
INTENDIEREN,
MEINEN,
BEDEUTEN
.
301
7.
INTENTIONALISTISCHE
THEORIE
JONATHAN
BENNETT
:
DIE
STRATEGIE
DES
BEDEUTUNGS-NOMINALISMUS
.
316
8
INHALT
VIII.
MIT
SPRACHE
ETWAS
TUN
.
334
1.
ORGANONMODELL
KARL
BUEHLER
:
SPRACHTHEORIE
.
335
2.
LOKUTIONAR,
ILLOKUTIONAER,
PERLOKUTIONAER
JOHN
LANGSHAW
AUSTIN
:
ZUR
THEORIE
DER
SPRECHAKTE
.
354
3.
MEINEN
UND
ILLOKUTIONAERER
AKT
JOHN
ROGERS
SEARLE
:
SPRECHAKTE
.
366
IX.
IMPLIKATUR,
METAPHER
UND
IRONIE
.
373
1.
KOOPERATIONSPRINZIP
UND
KONVERSATIONSMAXIMEN
FAUL
GRICE
:
LOGIK
UND
KONVERSATION
.
374
2.
RELEVANZTHEORIE
DAN
SPERBER
/
DEIRDRE
WILSON
:
UNGENAUE
REDE
394
TEXTNACHWEISE
.
409
LITERATURHINWEISE
.
413 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Maeterlinck, Maurice |
| author_facet | Maeterlinck, Maurice |
| author_role | aut |
| author_sort | Maeterlinck, Maurice |
| author_variant | m m mm |
| building | Verbundindex |
| bvnumber | BV047197288 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780691222424 (OCoLC)1242731024 (DE-599)BVBBV047197288 |
| dewey-full | 841/.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 841 - French poetry |
| dewey-raw | 841/.8 |
| dewey-search | 841/.8 |
| dewey-sort | 3841 18 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| doi_str_mv | 10.1515/9780691222424 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04518nmm a2200517zcb4500</leader><controlfield tag="001">BV047197288</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210316s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691222424</subfield><subfield code="9">978-0-691-22242-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691222424</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780691222424</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1242731024</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047197288</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">841/.8</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Maeterlinck, Maurice</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hothouses</subfield><subfield code="b">Poems, 1889</subfield><subfield code="c">Maurice Maeterlinck</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2003</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (128 pages)</subfield><subfield code="b">1 halftone. 7 line illus</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Facing Pages</subfield><subfield code="v">2</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. 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| id | DE-604.BV047197288 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:50:10Z |
| indexdate | 2024-07-10T09:05:22Z |
| institution | BVB |
| isbn | 9780691222424 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032602383 |
| oclc_num | 1242731024 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (128 pages) 1 halftone. 7 line illus |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Princeton University Press |
| record_format | marc |
| series2 | Facing Pages |
| spelling | Maeterlinck, Maurice Verfasser aut Hothouses Poems, 1889 Maurice Maeterlinck Princeton, NJ Princeton University Press [2021] © 2003 1 online resource (128 pages) 1 halftone. 7 line illus txt rdacontent c rdamedia cr rdacarrier Facing Pages 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021) On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres chaudes (Hothouses) nonetheless came to be widely regarded as one of the cornerstones of literary Modernism after Baudelaire. While Max Nordau soon seized upon Maeterlinck's--tumult of images--as symptomatic of a pervasive social malaise, decades later Antonin Artaud pronounced, "Maeterlinck was the first to introduce the multiple riches of the subconscious into literature." Richard Howard's translation of this quietly radical work is the first to be published in nearly a century, and the first to accurately convey Maeterlinck's elusive visionary force. The poems, some of them in free verse (new to Belgium at the time), combine the decadent symbolism and the language of dislocation that Maeterlinck later perfected in his dramas. Hothouses reflects the influence not only of French poets including Verlaine and Rimbaud, but also of Whitman. As for the title, the author said it was "a natural choice, Ghent . . . abounding in greenhouses." The poems, whose English translations appear opposite the French originals, are accompanied by reproductions of seven woodcuts by Georges Minne that appeared in the original volume, and by an early prose text by Maeterlinck imaginatively describing a painting by the sixteenth-century Flemish artist Pieter Brueghel. A feat of daring power extraordinarily immediate and inventive, Hothouses will appeal to all lovers of poetry, and in particular to those interested in Modernism. Maeterlinck's enormous fame may have faded, but twentieth-century writers such as Beckett are still our masters who testify to its undying influence In English POETRY / European / General bisacsh Poetry Howard, Richard Sonstige oth https://doi.org/10.1515/9780691222424 Verlag URL des Erstveröffentlichers Volltext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032602383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Maeterlinck, Maurice Hothouses Poems, 1889 POETRY / European / General bisacsh Poetry |
| title | Hothouses Poems, 1889 |
| title_auth | Hothouses Poems, 1889 |
| title_exact_search | Hothouses Poems, 1889 |
| title_exact_search_txtP | Hothouses Poems, 1889 |
| title_full | Hothouses Poems, 1889 Maurice Maeterlinck |
| title_fullStr | Hothouses Poems, 1889 Maurice Maeterlinck |
| title_full_unstemmed | Hothouses Poems, 1889 Maurice Maeterlinck |
| title_short | Hothouses |
| title_sort | hothouses poems 1889 |
| title_sub | Poems, 1889 |
| topic | POETRY / European / General bisacsh Poetry |
| topic_facet | POETRY / European / General Poetry |
| url | https://doi.org/10.1515/9780691222424 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032602383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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