To free the cinema: Jonas Mekas & the New York underground
Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postw...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Princeton
Princeton University Press
2020
|
| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Summary: | Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim |
| Physical Description: | 1 Online-Ressource (VIII, 333 Seiten) Illustrationen |
| ISBN: | 9780691219554 |
| DOI: | 10.1515/9780691219554 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047197256 | ||
| 003 | DE-604 | ||
| 005 | 20250509 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210316s2020 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780691219554 |9 978-0-691-21955-4 | ||
| 024 | 7 | |a 10.1515/9780691219554 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780691219554 | ||
| 035 | |a (OCoLC)1242730026 | ||
| 035 | |a (DE-599)BVBBV047197256 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-188 | ||
| 082 | 0 | |a 791.43/015 |2 23 | |
| 082 | 0 | |a 791.43/015 |2 20 | |
| 084 | |a AP 53800 |0 (DE-625)7732: |2 rvk | ||
| 245 | 1 | 0 | |a To free the cinema |b Jonas Mekas & the New York underground |c edited by David E. James |
| 264 | 1 | |a Princeton |b Princeton University Press |c 2020 | |
| 300 | |a 1 Online-Ressource (VIII, 333 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim | |
| 534 | |c 1992 | ||
| 600 | 1 | 7 | |a Mekas, Jonas |d 1922-2019 |0 (DE-588)11909293X |2 gnd |9 rswk-swf |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Experimental films |z New York (State) |z New York | |
| 650 | 4 | |a Motion picture industry |z New York (State) |z New York | |
| 650 | 0 | 7 | |a Experimentalfilm |0 (DE-588)4153359-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Untergrundfilm |0 (DE-588)4186984-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Mekas, Jonas |d 1922-2019 |0 (DE-588)11909293X |D p |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Untergrundfilm |0 (DE-588)4186984-9 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Experimentalfilm |0 (DE-588)4153359-8 |D s |
| 689 | 2 | 1 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 2 | |5 DE-604 | |
| 700 | 1 | |a James, David E. |4 edt | |
| 776 | 0 | 8 | |i Elektronische Reproduktion von |a James, David E. |t To free the cinema |d Princeton, New Jersey : Princeton University Press, 1992 |z 0-691-07894-7 |w (DE-604)BV005586697 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780691219554 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032602351 | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554 |l DE-188 |p ZDB-23-DGG |q ZDB-23-DGG 2022 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780691219554?locatt=mode:legacy |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1831644211398574080 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | James, David E. |
| author2_role | edt |
| author2_variant | d e j de dej |
| author_facet | James, David E. |
| building | Verbundindex |
| bvnumber | BV047197256 |
| classification_rvk | AP 53800 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780691219554 (OCoLC)1242730026 (DE-599)BVBBV047197256 |
| dewey-full | 791.43/015 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/015 |
| dewey-search | 791.43/015 |
| dewey-sort | 3791.43 215 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780691219554 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047197256</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250509</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210316s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691219554</subfield><subfield code="9">978-0-691-21955-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691219554</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780691219554</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1242730026</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047197256</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/015</subfield><subfield code="2">23</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/015</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 53800</subfield><subfield code="0">(DE-625)7732:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">To free the cinema</subfield><subfield code="b">Jonas Mekas & the New York underground</subfield><subfield code="c">edited by David E. James</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (VIII, 333 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim</subfield></datafield><datafield tag="534" ind1=" " ind2=" "><subfield code="c">1992</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mekas, Jonas</subfield><subfield code="d">1922-2019</subfield><subfield code="0">(DE-588)11909293X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films</subfield><subfield code="z">New York (State)</subfield><subfield code="z">New York</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture industry</subfield><subfield code="z">New York (State)</subfield><subfield code="z">New York</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Untergrundfilm</subfield><subfield code="0">(DE-588)4186984-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Mekas, Jonas</subfield><subfield code="d">1922-2019</subfield><subfield code="0">(DE-588)11909293X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Untergrundfilm</subfield><subfield code="0">(DE-588)4186984-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">James, David E.</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Elektronische Reproduktion von</subfield><subfield code="a">James, David E.</subfield><subfield code="t">To free the cinema</subfield><subfield code="d">Princeton, New Jersey : Princeton University Press, 1992</subfield><subfield code="z">0-691-07894-7</subfield><subfield code="w">(DE-604)BV005586697</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691219554</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032602351</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">ZDB-23-DGG 2022</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780691219554?locatt=mode:legacy</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047197256 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:50:10Z |
| indexdate | 2025-05-09T12:00:41Z |
| institution | BVB |
| isbn | 9780691219554 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032602351 |
| oclc_num | 1242730026 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-188 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-188 |
| physical | 1 Online-Ressource (VIII, 333 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG 2022 ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | To free the cinema Jonas Mekas & the New York underground edited by David E. James Princeton Princeton University Press 2020 1 Online-Ressource (VIII, 333 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim 1992 Mekas, Jonas 1922-2019 (DE-588)11909293X gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films New York (State) New York Motion picture industry New York (State) New York Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Untergrundfilm (DE-588)4186984-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Mekas, Jonas 1922-2019 (DE-588)11909293X p DE-604 USA (DE-588)4078704-7 g Untergrundfilm (DE-588)4186984-9 s Experimentalfilm (DE-588)4153359-8 s James, David E. edt Elektronische Reproduktion von James, David E. To free the cinema Princeton, New Jersey : Princeton University Press, 1992 0-691-07894-7 (DE-604)BV005586697 https://doi.org/10.1515/9780691219554 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | To free the cinema Jonas Mekas & the New York underground Mekas, Jonas 1922-2019 (DE-588)11909293X gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films New York (State) New York Motion picture industry New York (State) New York Experimentalfilm (DE-588)4153359-8 gnd Untergrundfilm (DE-588)4186984-9 gnd |
| subject_GND | (DE-588)11909293X (DE-588)4153359-8 (DE-588)4186984-9 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | To free the cinema Jonas Mekas & the New York underground |
| title_auth | To free the cinema Jonas Mekas & the New York underground |
| title_exact_search | To free the cinema Jonas Mekas & the New York underground |
| title_exact_search_txtP | To Free the Cinema Jonas Mekas and the New York Underground |
| title_full | To free the cinema Jonas Mekas & the New York underground edited by David E. James |
| title_fullStr | To free the cinema Jonas Mekas & the New York underground edited by David E. James |
| title_full_unstemmed | To free the cinema Jonas Mekas & the New York underground edited by David E. James |
| title_short | To free the cinema |
| title_sort | to free the cinema jonas mekas the new york underground |
| title_sub | Jonas Mekas & the New York underground |
| topic | Mekas, Jonas 1922-2019 (DE-588)11909293X gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films New York (State) New York Motion picture industry New York (State) New York Experimentalfilm (DE-588)4153359-8 gnd Untergrundfilm (DE-588)4186984-9 gnd |
| topic_facet | Mekas, Jonas 1922-2019 PERFORMING ARTS / Film & Video / History & Criticism Experimental films New York (State) New York Motion picture industry New York (State) New York Experimentalfilm Untergrundfilm USA Aufsatzsammlung |
| url | https://doi.org/10.1515/9780691219554 |
| work_keys_str_mv | AT jamesdavide tofreethecinemajonasmekasthenewyorkunderground |